vaguelyredhead's review against another edition

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funny hopeful lighthearted medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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cj13's review against another edition

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emotional hopeful lighthearted relaxing medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.5


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teabrewer's review against another edition

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funny hopeful lighthearted fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0

I chose this book because I needed a cozy lighthearted romance for a stressful week that was to come. This book was, mostly, cozy, lighthearted and romantic. The kids were funny, the love interest is a grumpy, but good, person who is raising these kids. It talked about some interesting topics like the difference between being nice and being good, the different ways people deal with trauma, particularly parental negligence, and feeling alone in the world. There was no gender essentialism and consent is very respected throughout the book, and not only in romantic situations, so it escaped my most common pet peeves in this genre. I liked the magic system. Magic is palpable and a bit personified and witches have actual conversations with it to use magic. It also interacts back with the witches. I know it has become a more common thing in this kind of book but seeing the casual representation of a lesbic couple made me happy and they felt like very natural characters. I also liked seeing an older gay couple, it is good to be reminded queer people can be alive and happy for that long. That being said, there were a few things I didn't like in this book. Ian trying to force Mika and Jamie's relationship felt, well, forced. The references to witchcore and TikTok at the beginning of the book felt out-of-touch. The main characters were all only a step away from stereotypes, and although that's not always necessarily a bad thing, in some cases it took me away from the book. Ian was the biggest offender but they all had dialogue that made me grimace at least once. The
forest
make out scene was cute and full of want but the sex scene
in the house
was clunky and weird. It felt more like a list of actions than someone's perspective. It also felt a bit out of place in the context of this book.
The sudden "we buried a dead body in the garden" felt extremely out of place, like the author had planned that at first but forgot about it while writing the book and had to cram it in there somehow afterwards. And the "secret identical twin" twist just after that felt like a lazy, cliché band-aid, especially since before it appeared the plot was going in a way more interesting and relevant direction. I don't understand why that was included, there was no hole to be covered. A plot-hole was actually created because of it and had to be addressed with an even lazier excuse, that is the pictures with Lilian in them always being blurry.
Lastly, what was, for me, the biggest elephant in the room: Maybe I'm expecting too much of a cozy lighthearted romance, and maybe having read Babel by R.F. Kuang recently affected my expectations and tolerance for this specifically.
But it was a choice to include how the children, and the main character, were taken from their birth countries. How they were stripped of their original names raised by white people while completely isolated from anyone from their original cultures. How there were other witch societies in those countries and Primrose and Lillian had contact with them but still did all that. I don't understand why make that choice if you never planned to address the subject properly.
With these last 4 topics, The Super Secret Society of Irregular Witches' problem is that it bites more than it could ever swallow being what it is. It didn't have to have a spicy scene, a "mystery" or to mention xenophobia and colonialism, but it did and couldn't do them all and the actual plot of the book at once.

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angelsinbroadway's review against another edition

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funny inspiring lighthearted relaxing fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.0


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eitrlund's review against another edition

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emotional hopeful lighthearted medium-paced

4.5


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elisasifaa's review against another edition

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adventurous funny hopeful lighthearted medium-paced

4.5


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witcheep's review against another edition

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emotional funny hopeful lighthearted mysterious reflective fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

In the acknowledgements, Mandanna reveals that her goal was to work on “a warm, cozy, romantic story about magic and family.” That is exactly what this book offers. The plot revolves around the topic of what one is willing or capable to do for those they love, and while doing so, the book shows a multitude of different ways to love by many different people. The characters are loveable individuals who embrace, amuse, and even hurt each other in turns, but in the end act out of love and kindness.

"Niceness is about what we do when other people are looking. Kindness, on the other hand, runs deep. Kindness is what happens when no one's looking."

The main character Mika Moon is a witch who lives in a world that has forced her to hide her witch identity and live in solitude. Being a witch is belonging in a considerable and secretive minority of the British population. Her being of a minor ethnicity has brought its own hardships to her life as well. She has been exploited in her past by many people she trusted and cared about:

"Because the way I see it, to be a witch is to be exploited when it's convenient and turned against when it isn't. I'd love to be just Mika, but the rest of the world has yet to give me that privilege."

This has lead Mika to not allow herself to love anyone or get attached in order to protect herself from rejection, hurt and other uncomfortable experiences. She tries to make herself likeable by putting on an easygoing and sunshiney facade, masking her true self behind the expected behaviors and appearances. However, deep down she craves for a place to call home, people to love; a sense of connection and belonging by being accepted just the way she is.

“It sounds like you've been alone for a long time."
     "Oh, I'm used to that," Mika said, her voice just a little too bright. "That's the way it is."
     "Not here, it's not," was all she got in reply.

At the Nowhere House Mika meets an unlikely and warm group of people, who slowly get behind her walls. While living there, Mika begins to process her past trauma. The three young witches of Nowhere House and especially a certain scowling grumpy librarian, Jamie Kelly, bring out new sides of Mika and make her think of whole new possibilities for her future and the future of witches. Tropes:
If you love a slow burn grumpy and sunshine romance, you’ll enjoy what this book offers. Found family and familial love are also at the front of the book.


The representation of different aspects of identity (ethnicity, sexual orientation, occupational…) is vast, and done very respectfully in the book. The multitude of identities is represented as something normal and beautiful, but the ugly parts aren’t brushed under the rug: the book addresses that there are injustice and hardships in the society for the different minorities. The outlook on life is hopeful, though, and the main characters aim to create a safe space for each other and at larger scale for the minorities and everyone supporting them.

"Who said anything about transforming the world?" He shrugged. "What about just making it a little better? And then a little better? And then a little more, until, one day, maybe long after we're gone, it has transformed?"

The overall tone of the book is quite lighthearted even though the themes of the book are profound, such as ontological and moral dilemmas; philosophical pondering over what people live for and what kind of choices are the right ones to make. Mandanna manages the light tone by wrapping the deep and philosophical themes in coziness. These heaver topics offer just the right amount of angst and agony to the plot, but the sense of togetherness is strong in the Nowhere House’s household. The stakes aren’t too high all the time, but the characters need to take some big personal leaps of faith if they want to try to change their current circumstances. There are many laugh-out-loud fun, swoonworthy, and even agonizing moments to devour in the book, and I couldn’t put the book down before the end. Between the pages of the book I found a feeling of home that would welcome anyone in need of a breather from the turmoils of life with open arms; maybe the family in that home can't shelter you from those turmpoils, but they can take your hand and help you face them.

"Home is worth finding," he said quietly. "Even if it takes a while."

Review written 16.3.2024

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bronzel's review against another edition

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emotional funny hopeful medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25


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ribbonquest's review against another edition

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lighthearted
  • Plot- or character-driven? A mix
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes

3.0

The exploration of magic and witch culture is interesting. Every witch is orphaned soon after they're born and intercountry witch adoptions seem to be very common - there are four in this cast alone! Rich white witches adopting and neglecting dark skinned babies from around the world isn't really explored, which is a shame.

The three children are cute and remind me of the girls from Despicable Me. The oldest is a bookworm, the middle child is rebellious and aggressive, and the youngest is adorable and mimics the swearing of adults around her. The adult cast is varied as well.

I found the romance itself very typical and dull. It's your typical grumpy/sunshine dynamic. Spice level = Yes

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kaylurzz's review against another edition

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adventurous funny hopeful inspiring lighthearted reflective relaxing medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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