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livvya's review against another edition
adventurous
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Moderate: Death of parent, Animal cruelty, and Terminal illness
Minor: Grief, Sexual harassment, Pregnancy, and Medical content
danajoy's review against another edition
adventurous
tense
medium-paced
- Plot- or character-driven? A mix
3.25
Content Warnings
Graphic: Animal cruelty and Blood
Moderate: Sexual harassment, Injury/Injury detail, Death of parent, and Death
aseel_reads's review
adventurous
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
I really liked the magic system of the world and the descriptions of the tea but otherwise, it had a very basic fantasy/empire plot and I ended up skimming a lot of the text because nothing was happening. I also felt that at times the MC was acting in an out of character manner? She wasn't fleshed out enough for us to believe she would act/say something so rebellious
Content Warnings
Moderate: Bullying, Death, Classism, and Death of parent
Minor: Sexual harassment
k_aro's review
adventurous
hopeful
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.25
I honestly wished I enjoyed this book more.
This is not to say by any means that this was a bad book, but I think I've grown out of this genre more generally (what genre? Good question. My mind always calls it YA Fic, but then that's a massive genre - so, just think something between Hunger Games, Six of Crows, and Marie Lu's whole oeuvre. I think you get an idea). On the other hand, I also enjoy that there's more Chinese representation in fields I didn't see myself represented in, though on the third, mutant hand, my brain treacherously (and cynically) wonders whether this is just regurgitation of tokenization etc etc. Not to belabor the point.
I enjoyed the way that Lin really does infuse a lot of Chinese culture (but again, third mutant hand, etc etc. I had similar problems with Six Crimson Cranes, which I didn't mention because, like, it's a kid's book lol who cares). I love seeing familiar foods being represented, even without having them named - whoever mentioned that this book has lush food descriptions was totally right. I love the concept of tea as a magic, even if it didn't really turn out the way I entirely expected?
As for my misgivings... well, the culture thing has been mentioned. But I am also kind of ambiguous on how Chinese medicine/tea is being framed as magical, which is obviously the central conceit but does also reflect modern attitudes on Chinese medicine. I mean I don't think it'll heal a broken leg or anything, but it has legitimately helped where "Western" has failed.
I'm also not entirely sure I like the characters. I appreciate that Ning is so headstrong, but, I don't know, I think she exhibits a lot of problems I have with YA Fic headstrong female characters. Something like she's an archetype? It's just, I don't know, been done before. I honestly prefer Lian, even though I don't necessarily agree with some of Lian's actions and words - she just felt more, unconstrained by conventions of characters in YA Fic.
I'm not convinced of Ning and Kang's relationship, either. It feels a little forced, and like it never ends up anywhere before, oh I guess they're kissing now that's great. And this is not to say I am biased against this kind of relationship - one of my favourite books of all time, Alanna: The First Adventure, features a relationship that is honestly pretty close to one-for-one, I guess aside from Kang needing to hide his identity. And like I said, I really like it! And I'm honestly convinced of Alannna and Jonathan's relationship. I do have similar misgivings about Alanna and this book tho, lol.
I also don't know about where the book lands on the monarchy/emperorship (what is the correct term???). I think it's kind of hard about this genre of Chinese drama where, like, on the one hand the monarchy is OBVIOUSLY corrupt to a certain degree because that's how trying to tame an ever-swelling bureaucracy is like. But then like, it's okay? I don't know, I guess I just don't love monarchy generally. I guess the empress is only 19 though. It's difficult.
This is not to say by any means that this was a bad book, but I think I've grown out of this genre more generally (what genre? Good question. My mind always calls it YA Fic, but then that's a massive genre - so, just think something between Hunger Games, Six of Crows, and Marie Lu's whole oeuvre. I think you get an idea). On the other hand, I also enjoy that there's more Chinese representation in fields I didn't see myself represented in, though on the third, mutant hand, my brain treacherously (and cynically) wonders whether this is just regurgitation of tokenization etc etc. Not to belabor the point.
I enjoyed the way that Lin really does infuse a lot of Chinese culture (but again, third mutant hand, etc etc. I had similar problems with Six Crimson Cranes, which I didn't mention because, like, it's a kid's book lol who cares). I love seeing familiar foods being represented, even without having them named - whoever mentioned that this book has lush food descriptions was totally right. I love the concept of tea as a magic, even if it didn't really turn out the way I entirely expected?
As for my misgivings... well, the culture thing has been mentioned. But I am also kind of ambiguous on how Chinese medicine/tea is being framed as magical, which is obviously the central conceit but does also reflect modern attitudes on Chinese medicine. I mean I don't think it'll heal a broken leg or anything, but it has legitimately helped where "Western" has failed.
I'm also not entirely sure I like the characters. I appreciate that Ning is so headstrong, but, I don't know, I think she exhibits a lot of problems I have with YA Fic headstrong female characters. Something like she's an archetype? It's just, I don't know, been done before. I honestly prefer Lian, even though I don't necessarily agree with some of Lian's actions and words - she just felt more, unconstrained by conventions of characters in YA Fic.
I also don't know about where the book lands on the monarchy/emperorship (what is the correct term???). I think it's kind of hard about this genre of Chinese drama where, like, on the one hand the monarchy is OBVIOUSLY corrupt to a certain degree because that's how trying to tame an ever-swelling bureaucracy is like. But then like, it's okay? I don't know, I guess I just don't love monarchy generally. I guess the empress is only 19 though. It's difficult.
Content Warnings
Graphic: Bullying, Injury/Injury detail, Blood, Grief, Medical content, Xenophobia, Sexual harassment, Animal cruelty, Misogyny, Sexism, Alcohol, Death of parent, Death, and War
lixard's review against another edition
lighthearted
relaxing
medium-paced
- Plot- or character-driven? Plot
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.25
I think this is a great first step for a debut novel that is trying to introduce a more unfamiliar culture to a young audience while also creating an interesting magic system. It was a lot to balance and Lin struggled in maintaining the original shennongshi competition plot with the political turmoil setting. It seemed like she didn't know which one she was more interested in exploring and as a result, both were left unsatisfying to me.
The romance was also a bit generic, with some magical reason that in theory supports the insta-love but is kinda flimsy reasoning. But I'm usually not a fan of that anyways, so. What I would've loved to see more of is the princess and the bodyguard storyline š was literally thinking about how it could be gay and it was how fantastic. It seems like this universe just has gay characters out and about which is great but I would love a further exploration into queerness, gender, and class in this world, because, idk commentary about the impact of an ancient China shaped like this vs. What we have is interesting to me. Like how can there be less homophobia (apparently) while the mc is very observant of class differences and how being a girl puts her at a disadvantage in their society and the competition? Interesting.
I'm definitely going to read the sequel to see how it ends and hoping that Lin will address some of the lingering questions. Especially how the tea magic will contribute to the political plotline.
The romance was also a bit generic, with some magical reason that in theory supports the insta-love but is kinda flimsy reasoning. But I'm usually not a fan of that anyways, so. What I would've loved to see more of is
I'm definitely going to read the sequel to see how it ends and hoping that Lin will address some of the lingering questions. Especially how the tea magic will contribute to the political plotline.
Content Warnings
Minor: Sexual harassment
booksthatburn's review against another edition
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.25
Ning leaves her village to try and save her sister's life, joining a competition in the palace in hopes of winning a favor from the princess.
A lot of the worldbuilding revolves around every bit of her surroundings looks. The descriptions are usually brief enough to not slow things down too much, but this is a book that makes sure you get a sense of how most rooms (or at least the people in them) appear. There's also a lot of sensory information related to the tea. The magic system is consistent enough to make sense but loose enough to allow for a bunch of cool stuff which fits the kind of thing we know can be done even if it wasn't mentioned before it initially appears.
The audiobook narrator is great, her style fit the story and it was pretty easy to tell everyone apart (even minor characters).
One thing which was a bit frustrating is that Ning kept obsessing (and trying not to obsess) about this guy who at first appears unconnected to the palace but turns out to be much more than he appears. He works well as a plot device but I don't feel like I know anything about him and I don't get why she's interested in him (other than him being mysterious). Plots where people are lying stress me out, and having Ning not seem to know why she was so interested in him made it a bit harder for me to believe their romantic tension as well.
I'm confused by some of the strategies in the competition and the treatment of animals. It's so morally grey (even within the book, as evidenced by the judges' reactions) that it made me wonder if this is actually a villain arc rather than a hero arc. It establishes how far Ning will go to try to get this position and save her sister, but I can't tell whether that's meant to be good or bad.
As the first book in a duology, this ends on a bit of a cliffhanger. Most major things from early in the book get a resolution, but right at the end several things happen which set up a direction for the sequel, but leave this book frustratingly unresolved on some key points. It works in the book, but whether it works for any reader will depend on your tolerance (or desire) for unresolved endings. This is the first half of a specific longer story, and it shows. I'm interested enough to finish that story and find out.
A lot of the worldbuilding revolves around every bit of her surroundings looks. The descriptions are usually brief enough to not slow things down too much, but this is a book that makes sure you get a sense of how most rooms (or at least the people in them) appear. There's also a lot of sensory information related to the tea. The magic system is consistent enough to make sense but loose enough to allow for a bunch of cool stuff which fits the kind of thing we know can be done even if it wasn't mentioned before it initially appears.
The audiobook narrator is great, her style fit the story and it was pretty easy to tell everyone apart (even minor characters).
One thing which was a bit frustrating is that Ning kept obsessing (and trying not to obsess) about this guy who at first appears unconnected to the palace but turns out to be much more than he appears. He works well as a plot device but I don't feel like I know anything about him and I don't get why she's interested in him (other than him being mysterious). Plots where people are lying stress me out, and having Ning not seem to know why she was so interested in him made it a bit harder for me to believe their romantic tension as well.
I'm confused by some of the strategies in the competition and the treatment of animals. It's so morally grey (even within the book, as evidenced by the judges' reactions) that it made me wonder if this is actually a villain arc rather than a hero arc. It establishes how far Ning will go to try to get this position and save her sister, but I can't tell whether that's meant to be good or bad.
As the first book in a duology, this ends on a bit of a cliffhanger. Most major things from early in the book get a resolution, but right at the end several things happen which set up a direction for the sequel, but leave this book frustratingly unresolved on some key points. It works in the book, but whether it works for any reader will depend on your tolerance (or desire) for unresolved endings. This is the first half of a specific longer story, and it shows. I'm interested enough to finish that story and find out.
Content Warnings
Moderate: Sexism, Classism, Sexual harassment, Animal cruelty, Animal death, Death of parent, Misogyny, Confinement, Chronic illness, Alcohol, Blood, Violence, Torture, and Death
Minor: Vomit
kartoffel_00's review
adventurous
emotional
mysterious
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
8th July 2022:
Wow okay where do I begin.
This book has a lot going for it but also has some very obvious flaws. Especially in the beginning. The pros are the beautiful lore and the fascinating magic system. If this duology ever has a book based solely on exploring the lore and the magic I could get lost in it for days. It was that beautifully written and arranged.
Yet its glaring flaws are in the character interactions. Some things are clearly happening because the author is pushing it to be so. It completely took me out of the story and I very much disliked that part. I also hated the instant attraction elements at play here.
It could be just my suspension of disbelief not being that low but I couldn't believe the interactions were natural and the protagonist's desperation behind her actions seemed weak many a times. I couldn't be convinced.
The plot really staggers until the very last moment though understandably since this doesn't feel like a plot focused book.
My final rating: 3.5 out of 5.0 stars.
Wow okay where do I begin.
This book has a lot going for it but also has some very obvious flaws. Especially in the beginning. The pros are the beautiful lore and the fascinating magic system. If this duology ever has a book based solely on exploring the lore and the magic I could get lost in it for days. It was that beautifully written and arranged.
Yet its glaring flaws are in the character interactions. Some things are clearly happening because the author is pushing it to be so. It completely took me out of the story and I very much disliked that part. I also hated the instant attraction elements at play here.
It could be just my suspension of disbelief not being that low but I couldn't believe the interactions were natural and the protagonist's desperation behind her actions seemed weak many a times. I couldn't be convinced.
The plot really staggers until the very last moment though understandably since this doesn't feel like a plot focused book.
My final rating: 3.5 out of 5.0 stars.
Content Warnings
Minor: Torture, Death of parent, Sexual harassment, Vomit, and Violence
Except SH and violence all the rest of the content warnings are mentioned in passing and not descriptive. SHkarcitis's review
adventurous
emotional
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Terminal illness, Grief, Injury/Injury detail, Violence, and Chronic illness
Moderate: Animal cruelty, Death, War, Vomit, Torture, Bullying, Sexism, Animal death, Death of parent, Blood, Murder, Gore, Confinement, and Classism
Minor: Alcohol, Sexual harassment, and Police brutality
bookish_afrolatina's review
adventurous
hopeful
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.25
I really love how creative the author got with this magic. I still donāt fully understand how it works but I was really invested in the political intrigue of the palace and getting to know the backstory for Ningās parents. Cliffhanger has me ready for the next book.
Alsooooo I love a good glossary! This book has an elaborate one in the back so donāt miss it.
Alsooooo I love a good glossary! This book has an elaborate one in the back so donāt miss it.
Content Warnings
Graphic: Classism
Moderate: Medical trauma, Death of parent, and Violence
Minor: Sexual harassment and Torture
orchidd's review against another edition
adventurous
dark
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.75
Content Warnings
Graphic: Death of parent, Death, and Grief
Moderate: Violence, Terminal illness, Sexual harassment, Murder, Medical content, Injury/Injury detail, Confinement, and Alcohol
Minor: Torture and Vomit
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