dark emotional reflective sad fast-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Complicated
Flaws of characters a main focus: Yes

This is probably the best Hunger Games book to date. Discovering Haymitch's games from his point of view offer the reader an opportunity to reconsider events of the original trilogy in a new light.

 As always, Collins chose to write a new installment in this series for a specific reason. Therefore, this prequel does not feel like the author is milking her successful series but like an important addition to a previously existing story. Few authors would have the ability to discuss subjects as complex as implicit submission and propaganda in a dystopian YA novel as easily as Collins.

However, it seems important to mention how exponentially more violent Sunrise on the Reaping is in comparison to previous installments in the series. You thought the death scenes in the original trilogy were bad? Just you wait... This book destroyed me in the best way possible.

Although not being an inherently completely inappropriate read for a teenager (though I would argue that it is a book for children aged at least 13 and up), the nature of the themes and contents of this novel might mean that this book won't be fully understood by younger readers.

Like Mockingjay and Ballad, while the book can be perfectly enjoyable for younger readers, parts of this story might resonate more with an older audience. 

In all cases, this book is a fantastic read and a great extension to this universe, but should be read with caution and after a quick read of potential trigger warnings. Protect your peace and read it only if you are in the right mindset for it!

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adventurous dark emotional tense medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Yes
Flaws of characters a main focus: Yes

This book wrecked me. I knew from the original Hunger Games trilogy that Haymitch’s story was traumatic, but I had no idea to what extent. Collins is an expert story-crafter, and this book explains everything about what Haymitch endured and how he ended up the way he did. We get to see exactly why he knows so much about Effie, Wiress, Mags, Beetee, and President Snow, and why he’s so glib and hopeless when Katniss and Peeta show up as tributes years after Haymitch’s own Games. I have a whole lot more respect for Haymitch, and wow do I have respect for Collins and the world she’s woven with her words.

The writing is engaging, and the inner thoughts are unique to Haymitch and didn’t feel at all like a copy/paste personality from Katniss’s or President Snow’s stories. And the moments of tension or high emotion were crafted so perfectly that Suzanne was basically wrenching my own heartstrings along with the characters’. It most definitely made me cry, and I’ll most definitely be reading it again one day.

A note: although this book is a prequel, I’d recommend reading the Hunger Games series in the order they were published. That way, you can pick up on all the easter eggs from the previous books, and it makes the experience all the more engaging. With all the hype surrounding this book, it didn’t disappoint!

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adventurous dark emotional sad tense medium-paced
Plot or Character Driven: Plot
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

THE PAIN AND THE HEARTBREAK AND THE BRAVERY AND THE ANGUISH… I have no real words for Haymitch’s story, another fitting though haunting puzzle piece of The Hunger Games saga. This one perhaps the most painful of all. It’s a Linkin Park anthem and a Phoebe Bridgers ballad. It’s hurt and humility, power and resistance, and burning rage. 

But there would be no true mockingjay without the clever songbird and the rebel rascal of before, district 12 forever in Snow’s blindside. 

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adventurous dark emotional hopeful inspiring sad tense fast-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

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challenging dark emotional sad medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

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adventurous challenging dark emotional sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Complicated
Flaws of characters a main focus: Yes

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adventurous dark emotional sad tense fast-paced
Plot or Character Driven: Plot
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

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dark tense

what else did we really expect from the backstory of a man who we know as a depressed, hopeless alcoholic in the original series? what else did we expect from an author with a history of writing tragic child deaths and elaborate torture schemes? right, right.

sunrise really pulled me back into the world of the Games, which i hadn't touched (aside from the films, okay mostly just the second film) since maybe middle school? there are so many details that i'd forgotten, but what's different about this book, compared to the originals and ballad is that we already know that haymitch is going to be the victor this time. you could argue that narrators don't die and that it was always going to be katniss who won her games, but suzanne could have pulled a veronica roth if she had a mind to. i wouldn't have put it past her.

for probably the first 80% of this book, i was planning on giving it five stars, but the ending did not do the rest of it justice. we all knew that
lenore dove (and probably haymitch's family) was going to die somehow,
but i have a deep hatred for the way it all happened. it was cheapened by rushing and felt so flimsy next to the care taken in the rest of the book. i felt less gut-wrenched than just flat-out annoyed. i skipped a lot of the last 10% because of the poetry which slowed down the narrative and the borderline insane narrative pacing. 

there were also many many times when haymitch's logical jumps/internal monologue felt stiff and lacked real depth. i liked him as a narrator, but i think suzanne wrote him in a way that swung wildly from uninformed impulsivity to frozen inaction. he makes unintentional mistake after unintentional mistake, and it results in the deaths of an astonishing number of people. it kind of got old by the end? 

that said, suzanne's best work is done in the messages and themes of her novels, and boy does she deliver. her creativity in designing the arenas and the history of the Games has always been so impressive to me, but at the end of the day, this book (and the rest) is both a warning and an alarm. 

and while i'm saying good things, maysilee donner, the woman that you are. as soon as she said that line "if you let them treat you like an animal, they will" i was so sat. i bet she would have loved johanna mason.

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dark emotional sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

Expand filter menu Content Warnings
dark emotional sad medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: No

I never really like it when a story seems to have too many coincidences that feel like fan service. What a coincidence that Katniss's father was Haymitch's best friend, that Snow talked to Haymitch personally about covey girls after his prequel, that three well liked and important victors Katniss wanted to ally with were involved with Haymitch's game, etc... It makes thing feel a little too perfectly placed and the world feel small even if it's plausible. But I enjoyed this. I really liked the whole story about Haymitch's game and how it connected to a statement about propaganda. I think there's also a lot to be said about how despite what the Capitol may want you to believe, there was never peace under their rule. There was always someone trying to rebel and make change. But they crafted the perfect, yet fake, image of peace and submission. I also really loved the new characters introduced. Maysilee is a new favorite of mine. I know I just criticized Katniss's dad conveniently being Haymitch's best friend, but I really liked the sense of community that District 12 has in this book. Everyone knows each other. It shows how much damage the games did because not just one or two families were harmed. It was everyone. Overall, I think this added onto the world of Hunger Games in a meaningful way. But it still felt a tad fam service-y in some parts to me, even if I did really like getting to know the history of the characters from the og trilogy. 

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