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nicolaparty's review against another edition
dark
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Miscarriage, Racism, Sexual content, Toxic relationship, Police brutality, and Death of parent
Moderate: Drug abuse and Medical content
Minor: Racial slurs
novella42's review against another edition
challenging
dark
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I noticed this book at my library because of its gorgeous cover, and I took it home because I am polyamorous and the blurb mentioned "an open marriage—with rules."
I just need to say... Please don't take this book's depiction of non-monogamy as representative of how to do an ethically open marriage. Holy hell. I feel at a loss to list all the ways Edie and Eric and Rebecca torture each other needlessly. It's a fascinating train wreck to watch, and I found myself looking at my own polycule with renewed gratitude and affection. Leilani doesn't let any of the characters off the hook, and if a lot of their behaviors seem inexplicable to you, well, you won't be alone.
As to the book itself, I appreciated the lyrical, almost psychadelic writing. (If you don't like pose poetry or stream-of-consciousness writing, maybe pass on this one.) Leilani revels in dark Millennial existential dread that kept shocking laughter out of me. She's fantastic at descriptive phrases that catch you off-guard with their originality. I marveled at some of them, their poetic pacing and expansive assumptions, so much I started collecting a list:
"I am suspended in a lurid hypnagogic loop."
"It is impossible to see another black woman on her way up, impossible to see that meticulous, polyglottal origami and not, as a black woman yourself, fall a little bit in love."
"A sudden and swiftly contained conniption."
"Hooked into peripheral intuition."
"The city's breakneck, multilingual carousel."
"Some inconceivable boss-level of concentrated loneliness."
"The bike lanes in Manhattan already terrifying at 11:00 a.m., filled with delivery boys and girls who jet into traffic with fried rice and no reason to live, along with the sentient abdominals who do this for fun."
"The lawn buzzed and alkaline, the vinegar in the wine and carnage in the dew, everywhere the perfume of things that want to live."
I can't imagine what it's like to narrate this as an audiobook, because the rhythm of the words is beautiful and also relentless. Leilani is skilled at pulling you deep into the bewildering internal labyrinth of mental illness and immersive, uncomfortable experiences.
If you carry any traumas, I recommend browsing the full list of content tags. I almost couldn't make it through the scenes with gore and body horror, though Edie's dissociative skills and the eye of an artist made it slightly more bearable. I'm glad I got it in hardcopy instead of audio, so I could skim over difficult dark passages. There were lots of those. I'm not sure why I kept reading, except that I was fascinated. It was hard to look away.
One last thing, a recommendation for anyone who likes disco. I genuinely think one reason I enjoyed this book as much as I did was that in the first 15 pages, Edie references her connection to Idris Muhammad's 1977 song "Could Heaven Ever Be Like This." On a whim, I made a Spotify station out of it and I have to say, it complimented the book and let me surrender to the undertow.
Beautiful writing about broken people living a surreal, twisted story.
I just need to say... Please don't take this book's depiction of non-monogamy as representative of how to do an ethically open marriage. Holy hell. I feel at a loss to list all the ways Edie and Eric and Rebecca torture each other needlessly. It's a fascinating train wreck to watch, and I found myself looking at my own polycule with renewed gratitude and affection. Leilani doesn't let any of the characters off the hook, and if a lot of their behaviors seem inexplicable to you, well, you won't be alone.
As to the book itself, I appreciated the lyrical, almost psychadelic writing. (If you don't like pose poetry or stream-of-consciousness writing, maybe pass on this one.) Leilani revels in dark Millennial existential dread that kept shocking laughter out of me. She's fantastic at descriptive phrases that catch you off-guard with their originality. I marveled at some of them, their poetic pacing and expansive assumptions, so much I started collecting a list:
"I am suspended in a lurid hypnagogic loop."
"It is impossible to see another black woman on her way up, impossible to see that meticulous, polyglottal origami and not, as a black woman yourself, fall a little bit in love."
"A sudden and swiftly contained conniption."
"Hooked into peripheral intuition."
"The city's breakneck, multilingual carousel."
"Some inconceivable boss-level of concentrated loneliness."
"The bike lanes in Manhattan already terrifying at 11:00 a.m., filled with delivery boys and girls who jet into traffic with fried rice and no reason to live, along with the sentient abdominals who do this for fun."
"The lawn buzzed and alkaline, the vinegar in the wine and carnage in the dew, everywhere the perfume of things that want to live."
I can't imagine what it's like to narrate this as an audiobook, because the rhythm of the words is beautiful and also relentless. Leilani is skilled at pulling you deep into the bewildering internal labyrinth of mental illness and immersive, uncomfortable experiences.
If you carry any traumas, I recommend browsing the full list of content tags. I almost couldn't make it through the scenes with gore and body horror, though Edie's dissociative skills and the eye of an artist made it slightly more bearable. I'm glad I got it in hardcopy instead of audio, so I could skim over difficult dark passages. There were lots of those. I'm not sure why I kept reading, except that I was fascinated. It was hard to look away.
One last thing, a recommendation for anyone who likes disco. I genuinely think one reason I enjoyed this book as much as I did was that in the first 15 pages, Edie references her connection to Idris Muhammad's 1977 song "Could Heaven Ever Be Like This." On a whim, I made a Spotify station out of it and I have to say, it complimented the book and let me surrender to the undertow.
Beautiful writing about broken people living a surreal, twisted story.
Content Warnings
Graphic: Addiction, Alcoholism, Animal death, Body horror, Body shaming, Chronic illness, Cursing, Death, Drug use, Eating disorder, Emotional abuse, Gore, Infidelity, Mental illness, Miscarriage, Panic attacks/disorders, Physical abuse, Racial slurs, Racism, Sexual content, Suicidal thoughts, Toxic relationship, Violence, Blood, Police brutality, Medical content, Medical trauma, Abortion, Death of parent, Schizophrenia/Psychosis , Alcohol, Dysphoria, and Injury/Injury detail
Moderate: Gun violence, Vomit, and Car accident
Minor: Cancer, Rape, Excrement, Stalking, and Abandonment
caughtbetweenpages's review against another edition
emotional
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
What an absolute masterclass of a novel. I am gobsmacked that this is a DEBUT. Before even getting into the content of Luster, I cannot overstate Leilani's mastery of language and the writing craft. She's sparing with her word count but it never feels as though she's leaving out any important descriptions or moments; every sentence counts, and most of them hold a poeticism (albeit, often a bleak one, though one that the Russian Greats would be proud to call their own) that makes them stick with you even after you shut the book.
Edie's struggle to discover herself and "come of age" without yet understanding what her identity is or what she wants it to be feels inevitable given the culmination of factors surrounding her life. Her attempts to find herself in men, in her art, in jobs she's told she's too Black or too promiscuous or not XYZ enough to be part of, are heartbreaking. She is so, desperately lonely. And then, her internal musings about the absurdity of applying to a million dead end jobs to make rent, or about how older men are not necessarily deep so much as they've just lived more life, pull a painful laugh out of you even if you don't want to be amused. If a reader in your life says they they like stories about messy, damaged female leads, put Luster in their hands.
My favorite relationships of this book are between Edie and Rebecca and Edie and Akila. There's a complex dynamic with Rebecca where, while Edie might seem to have some power over Rebecca being the woman that R's husband is having an affair with, Rebecca is by far the one holding Edie's life in her hands. The scene whereRebecca takes Edie to the punk show and they both get beaten up some in the pit Rebecca is clearly in control, having chosen to go there herself and being prepared for the violence of the moment, whereas Edie is very much drifting and only there because... well, how can she say no to Rebecca, given that Rebecca could make her homeless in an instant? As she does later in the book, when she finds out Edie is pregnant! It's a petty assertion of control, as many of Rebecca's actions are. And yet, Edie is drawn to that in some way, seeking the approval of this older woman whose life is comparatively easy and put together and resilient even to the point of being able to invite her husband's affair partner into her home. And yet! It's clear that Rebecca sees herself as the one who is put upon, the one who is the victim, despite having such control. It's a fascinating dynamic.
And then there's Akila and Edie. In many ways, Akila is who Edie must have been like as a kid--incredibly nerdy, passionate, artistic--and in other ways, she's who Edie is now--lost, a stranger in her own home. Lonely. Black in a context that is deeply unfriendly to Blackness. It was so touching to see Edie nurture Akila, not only protecting her from the racism of the police and her tutor and helping her take care of her natural hair in a way that Akila's (White, Adoptive) parents don't know how to, but in encouraging her art and storytelling and engaging with her on her interests. I think they very much needed each other, and it made it all the worse when Edie got kicked out of the house and had to leave Akila and Akila knew about it, and was so matter-of-fact.
This was a difficult book to read, emotionally speaking. But so well worth it.
Edie's struggle to discover herself and "come of age" without yet understanding what her identity is or what she wants it to be feels inevitable given the culmination of factors surrounding her life. Her attempts to find herself in men, in her art, in jobs she's told she's too Black or too promiscuous or not XYZ enough to be part of, are heartbreaking. She is so, desperately lonely. And then, her internal musings about the absurdity of applying to a million dead end jobs to make rent, or about how older men are not necessarily deep so much as they've just lived more life, pull a painful laugh out of you even if you don't want to be amused. If a reader in your life says they they like stories about messy, damaged female leads, put Luster in their hands.
My favorite relationships of this book are between Edie and Rebecca and Edie and Akila. There's a complex dynamic with Rebecca where, while Edie might seem to have some power over Rebecca being the woman that R's husband is having an affair with, Rebecca is by far the one holding Edie's life in her hands. The scene where
And then there's Akila and Edie. In many ways, Akila is who Edie must have been like as a kid--incredibly nerdy, passionate, artistic--and in other ways, she's who Edie is now--lost, a stranger in her own home. Lonely. Black in a context that is deeply unfriendly to Blackness. It was so touching to see Edie nurture Akila, not only protecting her from the racism of the police and her tutor and helping her take care of her natural hair in a way that Akila's (White, Adoptive) parents don't know how to, but in encouraging her art and storytelling and engaging with her on her interests. I think they very much needed each other, and it made it all the worse when
This was a difficult book to read, emotionally speaking. But so well worth it.
Content Warnings
Graphic: Infidelity, Racism, Sexual content, Toxic relationship, and Police brutality
Moderate: Sexual violence
Minor: Addiction and Drug abuse
loisholloway's review against another edition
dark
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Moderate: Miscarriage
Minor: Alcoholism, Racial slurs, Racism, Toxic relationship, Blood, Abortion, and Alcohol
ahopper7's review against another edition
challenging
dark
emotional
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
The book wasn’t working for me, but once I switched to the audiobook, I was able to get into the story more. The characters are not likeable, but I gather that was on purpose. The story is dark, but the way the author handled how trauma shows up in our lives and vulnerability of discovering yourself including your worth was beautiful. Overall, the book just wasn’t for me, but I appreciate what the author was doing with the story.
Content Warnings
Graphic: Miscarriage, Racial slurs, Sexual content, Toxic relationship, Blood, and Abortion
Moderate: Domestic abuse, Physical abuse, Police brutality, and Pregnancy
Minor: Suicidal thoughts and Death of parent
eowynn's review against another edition
dark
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Graphic: Miscarriage and Racial slurs
Moderate: Injury/Injury detail
Minor: Toxic relationship
gummifrog's review against another edition
challenging
dark
emotional
inspiring
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This was the first book I wanted to annotate in a long time. The prose was so beautiful, I wanted to savor every second of it. This book explores themes of life and death, creation (in both art and life), intimacy and love of all kinds, and an artist's view of the world. I really fell in love with the characters and although the story was more of a thoughtful reverie as the narrator moved through a period of a few months in which she moved in with the family of the man she was seeing. I ended up loving her relationship with the wife most - that strange jealousy and deep understanding, the push and pull of a person who creates and a person who deconstructs. Anyway, I highly recommend it!
Content Warnings
Graphic: Cursing, Death, Drug use, Emotional abuse, Mental illness, Miscarriage, Physical abuse, Racial slurs, Racism, Suicide, Toxic relationship, Blood, Police brutality, Medical content, Grief, Abortion, and Death of parent
Moderate: Adult/minor relationship, Alcoholism, Body shaming, Child abuse, Eating disorder, Infertility, Excrement, and Murder
Minor: Animal death, Gun violence, Vomit, and Car accident
avocadotoastbee's review against another edition
funny
reflective
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Luster by Raven Leilani was not at all what I expected.
Edie, a 23-year-old black woman living and finding her way in New York, tries to fill the void left by her loneliness with sex.
The title "Luster" makes sense in this regard. However, the novel wasn't just about sex and lust. For most of the time, the novel depicts the pain and anguish of each character.
Edie: loneliness, loss of her job and apartment, living with her (much older) lover's family, daddy issues, childhood trauma
Rebecca: marital problems, dealing with her husband's younger lover, not wanting to be a mother but having a child
Eric: substance abuse, marital problems, infertility
Akila: childhood trauma, abandonment issues due to multiple adoptive families, the only black kid in the neighborhood, disordered eating
In some ways I hated all the characters and didn't find them likable, but I could also identify with small parts of each character.
While I loved how Raven Leilani described the dynamics between the characters and Edie's thought processes, I didn't like how stuffed with "internet wisdom" the book was. It felt to me like Leilani was trying to sprinkle a little self-help book vibe into the story.
Also, the power dynamic that results from the massive age difference in Edie and Eric's relationship wasn't romanticized, but it also wasn't portrayed for what it really is. Throughout the book, everyone blamed Edie, but really Edie is a victim of Eric.
At least by the end of the novel, Edie admits this.
Edie, a 23-year-old black woman living and finding her way in New York, tries to fill the void left by her loneliness with sex.
The title "Luster" makes sense in this regard. However, the novel wasn't just about sex and lust. For most of the time, the novel depicts the pain and anguish of each character.
Edie: loneliness, loss of her job and apartment, living with her (much older) lover's family, daddy issues, childhood trauma
Rebecca: marital problems, dealing with her husband's younger lover, not wanting to be a mother but having a child
Eric: substance abuse, marital problems, infertility
Akila: childhood trauma, abandonment issues due to multiple adoptive families, the only black kid in the neighborhood, disordered eating
In some ways I hated all the characters and didn't find them likable, but I could also identify with small parts of each character.
While I loved how Raven Leilani described the dynamics between the characters and Edie's thought processes, I didn't like how stuffed with "internet wisdom" the book was. It felt to me like Leilani was trying to sprinkle a little self-help book vibe into the story.
Also, the power dynamic that results from the massive age difference in Edie and Eric's relationship wasn't romanticized, but it also wasn't portrayed for what it really is. Throughout the book, everyone blamed Edie, but really Edie is a victim of Eric.
At least by the end of the novel, Edie admits this.
"He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who've simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead."
Overall, Luster was a good debut novel that deals with important issues and the life experiences of young black women. I can't wait to see where Raven Leilani is going.
Content Warnings
Graphic: Infidelity, Mental illness, Miscarriage, Racism, and Death of parent
Moderate: Animal death, Drug abuse, Drug use, Eating disorder, Infertility, Toxic relationship, Blood, Police brutality, Abortion, Abandonment, and Classism
sabmanosa's review against another edition
dark
funny
hopeful
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
I enjoyed this book at the start, then found it tedious, then enjoyed it again. It feels like an extremely personal diary, and the writing is sardonic, dirty, and too honest. I didn’t much care for any of the characters except Akila.
The power and sex dynamics made me very uncomfortable, and I don’t know if the plot had a point, but not necessarily in a bad way. I didn’t learn anything from it, I just experienced the book. I’m interested in reading some of her shorter works, because I feel like I would enjoy them more with her writing style.
The power and sex dynamics made me very uncomfortable, and I don’t know if the plot had a point, but not necessarily in a bad way. I didn’t learn anything from it, I just experienced the book. I’m interested in reading some of her shorter works, because I feel like I would enjoy them more with her writing style.
Content Warnings
Graphic: Miscarriage, Racial slurs, Racism, Sexual violence, Suicidal thoughts, Suicide, and Toxic relationship
Moderate: Abortion and Pregnancy
megmahoney1's review against another edition
dark
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
The writing in this book is stunning and immersive . This was a fascinating exploration of identity, race, sexuality, family and artistry. Raven Leilani weaves life between the pages of this book and I feel like I’m truly reading to our protagonists thoughts.
Content Warnings
Graphic: Miscarriage, Sexual violence, Toxic relationship, and Police brutality
Moderate: Racial slurs
Minor: Alcoholism, Animal death, Cursing, Drug use, Racism, Self harm, Car accident, Death of parent, Pregnancy, and Injury/Injury detail