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Graphic: Kidnapping
Moderate: Animal cruelty, Animal death
Minor: Alcoholism, Racial slurs, Racism, Rape, Sexual violence
Graphic: Child abuse, Gore, Gun violence, Physical abuse, Sexual violence
Moderate: Death, Torture, Trafficking, Kidnapping, Death of parent
Minor: Cancer, Racial slurs
Graphic: Racial slurs
Graphic: Ableism, Animal cruelty, Animal death, Child abuse, Death, Emotional abuse, Sexism, Violence, Kidnapping
Moderate: Physical abuse, Racial slurs, Racism, Sexual assault, Sexual violence, Trafficking, Stalking
Graphic: Torture, Violence, Trafficking, Kidnapping
Moderate: Cancer, Gore
Minor: Racial slurs
Graphic: Child abuse, Chronic illness, Death, Violence, Blood, Kidnapping
Minor: Panic attacks/disorders, Racial slurs, Vomit
Graphic: Animal death, Body horror, Child abuse, Death, Fatphobia, Gore, Gun violence, Misogyny, Pedophilia, Physical abuse, Rape, Sexism, Sexual assault, Sexual violence, Torture, Violence, Blood, Trafficking, Kidnapping, Grief, Medical trauma
Minor: Ableism, Addiction, Alcoholism, Racial slurs, Racism
Graphic: Body horror, Child abuse, Confinement, Death, Gore, Gun violence, Torture, Violence, Blood, Trafficking, Kidnapping
Moderate: Ableism, Animal cruelty, Animal death, Sexual assault, Vomit
Minor: Addiction, Cancer, Pedophilia, Racial slurs, Rape
What bothered me about the book, though, was how the prologue pretty much gave everything away. I didn't realise that at first because I didn't pay that much attention to the prologue, but if you did? You could figure out everything about the plot - the one plot twist about the kidnapper, the reason for the kidnapping, absolutely everything - within the first 100 pages.
Moreover, a lot about the plot felt very drawn out. First of all, the main character kept making dumb decisions that just postponed a good ending. She kept fucking up, which was so frustrating after a while that it kind of sucked the whole tension out of the story. Secondly, the climax took so long to happen that it just about drove me up the wall.
And what action we did get was so brutal that after a while, the violence felt gratuitous in a way that almost bordered on torture porn. I don't mind violence, but the one in here just didn't have a purpose most of the time. It was just there to shock the readers.
Plot-wise, the story just didn't have all too much to offer. There wasn't that much that wasn't predictable, and there was a lot that I feel like I had to suspend my disbelief for? For example, at the beginning of the story, it was around 7.30 p.m., and Darby's phone battery had 6% left. And yet somehow, she still had battery left at like, three and four in the morning, despite the fact that she'd constantly tried to send texts and make calls? My phone would be dead after like, fifteen minutes, what kind of magic phone did she have?
When it came to the villains, they were very cartoonish, especially the main one. I did find him interesting, he was twisted and psychopathic, but he kept going off on tangents, like he was some movie villain who had to monologue his entire plan to the heroes. He talked very clichéd. Plus, sometimes he talked about Darby in a way that just made it obvious that the writer was a man, like focusing on her looks and wishing she was his girlfriend instead. Those scenes were unnecessary and just made me roll my eyes. Kind of took the suspense out of the story, too.
Adams also relied a bit too heavily on a "bad people being ugly and good people being pretty" kind of trope. Darby zeroed in on one of the bad guys immediately because he looked like a rat, without even having any evidence yet that he was bad. She solely judged him based on his looks, which pissed me off. She also referred to him as "rat face" for the majority of the story, even after learning his name. Which would be fine if she did that with everyone - like, if that was just something she did -, but she literally only did it with him. Plus, another bad guy was a bad kisser, because a villain being good at that? Impossible. It was a bit cheap, because that's absolutely not how it works in real life.
Then, one of the villains had a disability - foetal alcohol syndrom -, which I really didn't appreciate being villainised. It was shown at times that said character had grown up around violence, depraved men and abuse, so it could be argued that that's why he became the way he was, and that it had nothing to do with his disability. But it still made me feel gross that the only disabled character in this book was a bad guy.
Lastly, there was the little girl, Jay. She also wasn't written that well, because she somehow read way too old for her age? She was supposed to be around six or seven, but she seemed more like an older child. I can't even explain why, but she just didn't act very childlike.
I wasn't a fan of the writing at all. There were some weird similes, and they were often quite morbid. They did seem fitting for a thriller somehow, but they weren't things someone would just randomly come up with. For example, comparing a broken windscreen wiper to a broken wrist, or the sky to a lilac bruise. Adams also repeated himself constantly, kept repeating the same information over and over again, which was annoying.
This book had potential to be exceptional, and while I did enjoy parts of the book, it was overall a bit disappointing.
Graphic: Child abuse, Death, Gore, Gun violence, Physical abuse, Violence, Blood, Kidnapping
Moderate: Alcoholism, Terminal illness, Grief
Minor: Animal cruelty, Animal death, Pedophilia, Racial slurs, Sexual violence, Vomit, Trafficking