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3.6 AVERAGE
3.6 AVERAGE
challenging
inspiring
mysterious
tense
medium-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
Interesting. Different. Difficult reading
adventurous
dark
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
TW/CW: police brutality, gun violence, gore, substance abuse/past mentions of an overdose, sexual abuse, domestic abuse
If I’m being honest, it’s a real shame that No Gods, No Monsters has an average rating of 3.45 on Goodreads. To be fair, it’s probably one of those “you love it or you hate it” books, but I absolutely loved it. Sometimes you love the book with an average rating over 4.00 and tens of thousands of reviews, but sometimes it’s those lower-rated and lower-reviewed novels that hit the spot. (see also: Spare and Found Parts – Sarah Maria Griffin)
No Gods, No Monsters truly felt dreamlike, and that’s what made this novel stand out to me. It’s not concerned with being overly coherent, and it drifts about in bits and pieces. I guess that’s the aspect that put a lot of people off, but it’s the kind of writing and storytelling that suits the story that Turnbull is trying to tell. It fits with the whole theme of “monsters have come out of hiding and we can’t do anything about it” theme—there’s global panic, sure, but first there’s the denial that anything is happening at all, and then the reality hits you, and you still try to deny it. This whole novel felt like navigating the haze of denial while the monsters creep out of the shadows: you know exactly what’s going on, but as long as you can help it, I’m not here, this isn’t happening.
I feel like No Gods, No Monsters could have just as easily worked as a short story collection. Each section, switching POVs from dozens of characters who are slowly woven together, works on its own, situated within worlds that are’ separate until the threads begin to tie themselves into an interlocking web of magic towards the end. They all felt like short stories, but I don’t think anything was taken away from them not being short stories—No Gods, No Monsters is a very non-traditional novel in several ways, and I liked that it toed the line between novel and anthology in order to flesh out the themes of community and the things that bound all of the characters together in the chaos.
My favorite section had to be that of Sondra and Sonya—their story was all at once chilling and tender, heartwarming, heartbreaking, and horrifying. Off of the top of my head, this instance in the novel is one of the few depictions I can think of where talking about complicated love in a fantasy/sci-fi setting really does feel complicated; the complication is very literal in the sense of depicting the drain (no pun intended—no spoilers, though) on Sondra, but her horror of both reckoning with the actions of Sonya in the present and how much they bonded in the past felt nuanced in a way that truly made me feel for Sondra. In general, this part of the novel is representative of what I loved about the novel as a whole: although there were some physical consequences to the monsters coming out of hiding, I loved that Turnbull chose to focus more on the emotional and interpersonal connections that happened in the aftermath.
Going off of that point, I loved how No Gods, No Monsters handled its expansive worldbuilding! The event that incites everything that happens in the novel is implied to be the start of a global upheaval, but Turnbull handles the complexities of it with aplomb. It doesn’t feel like every single action movie where we go instantly into mass panic and riots in the streets (although that is stated to have happened in the background), but instead gives us information in breadcrumbs through how it affects the many and varied characters of the novel. I did find myself wanting more of how the monster emergence is affecting the world, but a) I figured that the uncertainty is a consequence of the characters themselves not fully knowing what’s going on, and b) the fact that this is a series, so we’re bound to learn more in the books to come. I have We Are the Crisis downloaded, so I’m excited to find out more!
All in all, a truly memorable and inventive fantasy that explored the not-often-discussed areas of trauma and denial in the face of global upheaval. 4 stars!
If I’m being honest, it’s a real shame that No Gods, No Monsters has an average rating of 3.45 on Goodreads. To be fair, it’s probably one of those “you love it or you hate it” books, but I absolutely loved it. Sometimes you love the book with an average rating over 4.00 and tens of thousands of reviews, but sometimes it’s those lower-rated and lower-reviewed novels that hit the spot. (see also: Spare and Found Parts – Sarah Maria Griffin)
No Gods, No Monsters truly felt dreamlike, and that’s what made this novel stand out to me. It’s not concerned with being overly coherent, and it drifts about in bits and pieces. I guess that’s the aspect that put a lot of people off, but it’s the kind of writing and storytelling that suits the story that Turnbull is trying to tell. It fits with the whole theme of “monsters have come out of hiding and we can’t do anything about it” theme—there’s global panic, sure, but first there’s the denial that anything is happening at all, and then the reality hits you, and you still try to deny it. This whole novel felt like navigating the haze of denial while the monsters creep out of the shadows: you know exactly what’s going on, but as long as you can help it, I’m not here, this isn’t happening.
I feel like No Gods, No Monsters could have just as easily worked as a short story collection. Each section, switching POVs from dozens of characters who are slowly woven together, works on its own, situated within worlds that are’ separate until the threads begin to tie themselves into an interlocking web of magic towards the end. They all felt like short stories, but I don’t think anything was taken away from them not being short stories—No Gods, No Monsters is a very non-traditional novel in several ways, and I liked that it toed the line between novel and anthology in order to flesh out the themes of community and the things that bound all of the characters together in the chaos.
My favorite section had to be that of Sondra and Sonya—their story was all at once chilling and tender, heartwarming, heartbreaking, and horrifying. Off of the top of my head, this instance in the novel is one of the few depictions I can think of where talking about complicated love in a fantasy/sci-fi setting really does feel complicated; the complication is very literal in the sense of depicting the drain (no pun intended—no spoilers, though) on Sondra, but her horror of both reckoning with the actions of Sonya in the present and how much they bonded in the past felt nuanced in a way that truly made me feel for Sondra. In general, this part of the novel is representative of what I loved about the novel as a whole: although there were some physical consequences to the monsters coming out of hiding, I loved that Turnbull chose to focus more on the emotional and interpersonal connections that happened in the aftermath.
Going off of that point, I loved how No Gods, No Monsters handled its expansive worldbuilding! The event that incites everything that happens in the novel is implied to be the start of a global upheaval, but Turnbull handles the complexities of it with aplomb. It doesn’t feel like every single action movie where we go instantly into mass panic and riots in the streets (although that is stated to have happened in the background), but instead gives us information in breadcrumbs through how it affects the many and varied characters of the novel. I did find myself wanting more of how the monster emergence is affecting the world, but a) I figured that the uncertainty is a consequence of the characters themselves not fully knowing what’s going on, and b) the fact that this is a series, so we’re bound to learn more in the books to come. I have We Are the Crisis downloaded, so I’m excited to find out more!
All in all, a truly memorable and inventive fantasy that explored the not-often-discussed areas of trauma and denial in the face of global upheaval. 4 stars!
challenging
dark
emotional
reflective
sad
tense
medium-paced
Plot or Character Driven:
Plot
Strong character development:
N/A
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
N/A
I didn’t realize it would contain elements that are personally upsetting
Content Warnings
Graphic: Child abuse, Death, Police brutality
Minor: Child abuse, Sexual violence
DNF. I tried. I was wondering if I was in a reading block, but it's just this book.
adventurous
mysterious
tense
slow-paced
Plot or Character Driven:
Plot
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
Turnbull does an excellent job of handling multiple points of view, but be warned that if you do not like books where points of view are thrown around a lot, you are not going to enjoy this book. The twists of third person to first person was well-layered, and finding out who Calvin (the narrator) was definitely kept me curious, though I wish we had learned his name before, as it felt a bit like a self-insert framing of the book and I was quite confused for a while.
The book made me a bit rabid in my curiosity to find out what was going on, and still dragged a little with certain points of view. I did feel, as the book went on, that they made more and more sense (especially when people started getting connected to each other and I wasn't just listening to one person over here and another person over there, but actually had stories coming together). I enjoyed most of the characters, too, and found their stories and motives compelling. Still, though we see many sides and many stories around the same theme, we're kept in the dark about a lot of things as the reader. It made sense from a narrative perspective, but for me this is why I ranked it lower than 4 stars. I wanted to know why things were happening, and wish we'd gotten a better picture of the grand scheme of things a little earlier in the book, so I could put things in perspective.
Ultimately, I'm definitely looking forward to reading the rest of the books in this series, but it was a challenging read in a way I wasn't expecting. I definitely need a little mental break from confusing books for a while, though!
The book made me a bit rabid in my curiosity to find out what was going on, and still dragged a little with certain points of view. I did feel, as the book went on, that they made more and more sense (especially when people started getting connected to each other and I wasn't just listening to one person over here and another person over there, but actually had stories coming together). I enjoyed most of the characters, too, and found their stories and motives compelling. Still, though we see many sides and many stories around the same theme, we're kept in the dark about a lot of things as the reader. It made sense from a narrative perspective, but for me this is why I ranked it lower than 4 stars. I wanted to know why things were happening, and wish we'd gotten a better picture of the grand scheme of things a little earlier in the book, so I could put things in perspective.
Ultimately, I'm definitely looking forward to reading the rest of the books in this series, but it was a challenging read in a way I wasn't expecting. I definitely need a little mental break from confusing books for a while, though!
Content Warnings
Graphic: Ableism, Addiction, Animal death, Child abuse, Confinement, Death, Gun violence, Hate crime, Blood, Cannibalism, Murder, Fire/Fire injury, Alcohol, Classism
Moderate: Domestic abuse, Drug abuse, Drug use, Misogyny, Dementia
Minor: Physical abuse, Self harm, Sexual assault, Toxic relationship, Suicide attempt, Pregnancy, War
challenging
dark
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
No
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
This was a very usually read for my typical tastes. I was on a sci-fi reading spree to see if it was for me or am I just going to give it up. No Gods, No Monsters was number three in my quest and the only one that I did not DNF. I'm glad that I pushed through but unfortunately this type of story just does not resonate with me.
The book opens when Laina's brother is shot and killed by police officers. A leaked video of the shooting goes viral and it becomes clear that monsters are real and living among the humans.
The characters story lines were difficult to follow and I was overwhelmed at times. The parts that I did understand were too parallel to real life. IN MY OPINION this could have done well with a less massive scope. I'm not saying that the book is bad, it's just not for me.
The book opens when Laina's brother is shot and killed by police officers. A leaked video of the shooting goes viral and it becomes clear that monsters are real and living among the humans.
The characters story lines were difficult to follow and I was overwhelmed at times. The parts that I did understand were too parallel to real life. IN MY OPINION this could have done well with a less massive scope. I'm not saying that the book is bad, it's just not for me.
Maybe it's because I was listening on audio, but I couldn't keep track of all the characters and pov jumps.
