jewelrybonney's review against another edition

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emotional reflective sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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alisarae's review against another edition

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challenging emotional sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0

Sabriya is the story of a girl in 1920s Damascus. A major nationalist movement is underway, and Syria's youth are bubbling with patriotic ferver to overthrow the imperialist French rule. Sabriya eagerly consumes underground literature that her brother and his friend pass along to her; she longs to join them in the rebel cause -- if only she could be accepted as a woman. As one blow after another hits the Syrian movement for independence, Sabriya's family life suffers mirrored tragedies.  

Before reading this novel I had no idea about this chapter in Syria's history. There is a good overview of this turbulent time here: https://countrystudies.us/syria/. But what really struck me was Idilbi's sharp analysis of how cultural misogyny held back the movement for independence and how it directed Sabriya's life down a certain path. I'm glad I had the opportunity to read this book, and I loved the rich drama. I'd definitely recommend it, but I have to warn you to not be scared off by the clunky English translation.

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jilianh's review against another edition

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challenging emotional reflective slow-paced

5.0

 I sought this novel out for the Storygraph Reads the World Challenge to cover a Syrian story/author. This book was not the easiest to obtain a copy of, but man is it worth it!
I highly recommend Sabriya, I am so glad I found it.

I have at least 20 stickies in my book for annotations marking lines that were particularly impactful in one way or another. Beautiful prose to tell a very impactful story. I found myself flipping back to reread certain parts before I had even finished. There are so many strong themes including the following: honour and duty within a family, individual desires and ambitions, feminism and a patriarchal system, belief/religion, grief, "forbidden" love, nationalism, education, loss, death, and suicide among so much more.  It is shocking how much of this story still feels relevant to the human experience.  For example, it is hard to not compare to the current events with Iran when reading parts about the veil, or the general oppression of women still seen in the world today.
All of the universal themes mentioned above still hit home, even if I can't relate to the specific atrocities in Sabriya's life. So many of the issues in this story are still modern day struggles in one form or another, even if the setting and context changes to be milder. The human experience can be wonderful, and it can be ruthless. 
 
A few of my favourite quotes (but there are many more):

" I found myself asking Allah to let me die young, Was it not better for a person to die with some usefulness in him, so there could at least be some genuine grief?" p.3

" Death! How awful it is! And frightful it is to contemplate. But it is the inescapable fate of us all. I do not know how we can remove it from our minds, how we pretend to forget about it. Even if we reach a great age, or suffer from the most awful diseases, we put our trust in miracles or fantasies that might enable us to elude it as far as possible." p.30

" Why is it that the people of my country demand freedom and at the same time cannot grant it to each other? Half the nation is shackled in chains created by man. That is a wrong we refuse to acknowledge." p. 120

" I felt I had sprouted wings that allowed me to fly high, in spite of the black headdress that hung from my head to my feet and the thick veil that covered my face. I felt that I was a defiant wave in the sea surging in front of me. I was overwhelmed by a strong sensation. For the first time I felt I was a human being with an identity and an objective, in defence of which I was ready to die. (...) There is no power in the world that can get in the way of what I want." p. 132

There is heavy repetition of the use of "Allah", but given the story and setting it felt natural. There was also a couple places where the transition to the journal entry felt choppy, or the tense did not quite line up, but overall those are nitpicking observations and could be related to the translation as well. It did not detract from my enjoyment of this story.

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