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mes0pelagic_fan's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
Graphic: Self harm
Moderate: Violence, Colonisation, and Murder
Minor: Slavery
wardenred's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
“Why is everyone so afraid of demons?”
It's curious how each individual aspect of this book is pretty much exactly up my alley, but the whole they form left me vaguely unsatisfied. The beginning hooked me pretty hard: a classic in media res opening that felt like starting a new tv show with the first episode of season two; a soul-sucking, body-snatching demon trying to figure out who betrayed him and where his companions went; a few cool subversions of minor fantasy tropes along the way; evocative descriptions; immersive vibes. For the first quarter of the book or so, I genuinely enjoyed how the flashback storyline intermeshed with the plot in the present time. There were plenty of interesting, fleshed out characters with a complex web of relationships between them and smart, quippy moments of dialogue.
However, the deeper I went into the story, the harder it was to sustain that immersion. The world continued to be interesting and cleverly built. The characters remained complex and compelling, in theory. In practice, I was finding harder and harder to connect to them, possibly because of the two different arcs (the past and the present) running alongside each other. I kept waiting for certain gaps between the two storylines to be filled, but they never quite went there, and there were a couple of plot threads that felt practically abandoned, even though technically, the events that needed to happen to wrap them up did happen. The emotional payoff, however, just wasn't present, as if something important was missing each time between the set-up and the conclusion.
Upon some thinking, I suspect that part of my dissatisfaction comes from not forming expectations correctly. I'm not even sure what I expected, exactly, but I just thought I'd be more engaged with Kai in the present storyline. But for the most part in the present, he's the sort of character who's already peaked and now is figuring out where to get the will to go on. It doesn't help that the present-time plot is fairly straightforward to the point that it's barely enough to sustain a novel. The depth comes from the various side characters who, by virtue of being side characters, don't get to take the center stage, and from the storyline that unfolds in the flashbacks—and has the ingrained flaw of the reader knowing how it ends before it even begins.
This is definitely the kind of story that's focused on the journey above the destination, and I'm normally all for it. But the further I read, the more disconnected I felt from that journey, and I still struggle to formulate why. So far, my best guess is that the things that would hook me the most into the characters' stories and inner worlds were glossed over or kept silent. There were some moments that really stuck with me: Ziede and Kai's moment of "how it started, how it's going" reminiscence, or that instance when Kai heard of how his relationship with Bashasa was perceived from the outside and reflected on how it truly was in that regard, or Kai's interaction with his mother. All of those exchanges were ripe with emotional weight and history that I longed to see the story properly delve into. Instead, those things that would have truly hooked me were stuck existing between the lines. In general, I just think that for my taste, too much was missing/assumed about the character and relationship development.
I did enjoy a lot of narrative threads here, and even more so the worldbuilding. In particular, I loved the themes of what happens to the world after it gets saved/rebuilt, the post-revolution instability, and the anti-imperial ideas. I also, being me, wholeheartedly appreciated how queernormative this setting is, and I found Wells's take on demons super refreshing. While the magic system and some other aspects of the worldbuilding had me confused for a long time, I felt like the key points came together quite naturally by the end and I definitely prefer this sort of organic immersion to infodumps. And I'll be definitely thinking more about the dual narrative structure here and all the ways it did and didn't work for me in the coming days.
Graphic: Self harm, Blood, Slavery, War, Death, and Violence
Moderate: Abandonment, Confinement, and Grief
norspider's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Witch King is full of multidimensional characters in a fleshed-out world. The magic system is unique and leads to several powerful characters. There is also a great amount care given to under-represented people.
But there's no conclusion! This is obviously meant to be the beginning of a series, and there's nothing wrong with that. But books, all books in any series, should still have a complete narrative in themselves. Witch King fails in this regard. That said, it does a wonderful job introducing this world, and I will absolutely continue this adventure.
Graphic: Injury/Injury detail, Self harm, Slavery, Blood, and Violence
Moderate: Child death
pvp_niki's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Injury/Injury detail, Slavery, Genocide, Colonisation, and Blood
Moderate: War
Minor: Trafficking and Suicidal thoughts
kkulhannie's review against another edition
- Plot- or character-driven? Character
- Loveable characters? Yes
4.5
Graphic: Injury/Injury detail, Blood, Body horror, Death, Forced institutionalization, and War
Moderate: Trafficking, Torture, Fire/Fire injury, Colonisation, Confinement, Genocide, Violence, Slavery, Panic attacks/disorders, and Medical content
skudiklier's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
You just sort of land in the middle of things without a lot of context in the beginning, so it can be hard to follow, especially with the time jumps. But I think it all came together really well and I cared about the characters and was engaged in the story. That said, I do think if I hadn't been reading an audiobook, I would have struggled more. It probably would have taken me a lot longer to read it.
All in all I'd definitely recommend this to anyone interested, especially if you like Wells's writing or if you like fantasy more broadly. However, if you're just looking for more Murderbot, you might be disappointed. I wasn't though, and I'm glad I read it.
Graphic: Murder, Violence, War, Injury/Injury detail, and Genocide
Moderate: Grief, Child death, and Slavery
piendorabox's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Slavery, Colonisation, and War
briely's review against another edition
- Plot- or character-driven? A mix
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.75
Graphic: Blood, Death, Slavery, Violence, and War
Moderate: Genocide
Minor: Body horror and Confinement
roseleebooks's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
The story centers on Kai, a demon who has built a family in the world above the Underearth. The narrative includes both the present - in which Kai and his close friend Zeide wake up in an underwater prison - and the past when Kai first met Zeide, Tahren, and Bashasa. It's ultimately a book about keeping promises to those we love, told via a cleverly paced journey through a well-crafted world. I appreciate that Wells doesn't spend excessive time on explanations that wouldn't fit with the character's experience of the world. As a reader it takes a little more attention and intuiting but helps the story flow more smoothly.
My only wish for this book was that there was more of it. I would love another novel in the same world that followed some of the other characters introduced here. Regardless, this book is fantastic as a stand alone and will be on my reread list along with Wells' Ile-rien series.
Graphic: Violence and Genocide
Moderate: Slavery and War
Minor: Child death
scrubsandbooks's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
This book felt more like an introduction to this world and to the political turmoil that is likely to play a huge role in the main character's future. While I don't see an indication on storygraph that it would be part of a series, the ending does set up a sort of an opening for a sequel and I am hoping it is because while a lot happens, it is still set up to read like a beginning of something bigger than what was in this book.
It is a pretty heavy info-packed book and it might take some tries to get into but when I stuck to it, I found the characters to be a whole mood ("I don't need rest, I'm fueled by spite"). Kai is straight up Le Tired, and Ziede wants to find her wife -- a relationship, by the way, that you get to see blossom in almost a mini arc between the two weaving timelines. The one is definitely worth a reread and I see it approaching the same level of "epic fantasy" as a lot of great ones published in the past.
Graphic: War, Violence, and Injury/Injury detail
Moderate: Genocide and Confinement
Minor: Slavery