outcolder's review against another edition

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4.0

When people start chattering about SDS I usually have to suppress an eye-roll. It is important to remember though that the hippies were the good guys.
About a month before I was born, the National Guard opened fire unprovoked on peaceful demonstrators at Kent State, killing four and injuring nine. A few years later, I was for a short time a child living on an army base. In the home I grew up in, the line on SDS was that it was set up by the government from the beginning as a surveillance thing to get all the freaks and activists on one list. Later, I learned about the Port Huron statement and the Yippies and the Weathermen and so had this image of well-meaning, privileged white people forming a group to support the civil rights movement and labor but very quickly being infiltrated by the feds and breaking up in to warring factions. That is more or less how this comic tells it, too.
I wanted to read this for Pekar's cranky, working-class take on SDS and I was surprised to find that in the lengthy opening chapter Pekar is very sympathetic to SDS. I think one thing that I often forget about 60s college students is that a lot of them were the first in their families to go to university. Yeah, they are college kids, but they didn't grow up in some bubble.
Two thirds of this book are the more personal stories of individual SDS members. My favorites were the one about the woman from the woman-only college who is doing all the printing and postering on a nearby co-ed campus when a women's liberation lecture makes her realize that she can say "no" to men. I was also impressed with the story about the SDSer who gets drafted and just keeps on SDSing so he gets court-martialed like a million times.
The most interesting from a "hey, that sounds like something we should do nowadays" perspective is the ERAP stuff where SDS help poor and working people get active by facilitating meetings, printing newsletters and flyers, and canvassing neighborhoods. What's that New Left line about an Interracial Movement of the Poor? Seems like that would need a new name but the basic idea is excellent.
I also like how both the Maoist faction and the Weather Underground types come off as jerks. There are a bunch of stories about more common sense activists triumphing over these wannabe leaders.
I would have liked more of Pekar's personality. I guess he didn't want beef with these cats or something because I don't think he really says everything he thinks about this weirdness. That could be because he is collaborating with Buhle?
Another minus I think is Dumm's female characters... they are all drawn the same. Maybe the hair changes but they all have the same body. It is particularly distracting when he draws several women together and they all have the same breasts. It's like clone club or something. I never noticed that in his art in American Splendor, and I think maybe that points to another plus about this book, that there are enough women characters and that they talk to each other so that you might notice that they are all drawn the same. While I'm on the subject, there seem to be more stories by men about falling hard for women who aren't all Victorian about sex than stories about women being like, "Just because I have sex with you once or twice doesn't mean we are engaged."
My last little nit-pick is that I wish there had been more about the early years, when it was a small organization and everyone looked like season one of Mad Men but was talking about communism and democracy and stuff like that. That generation is getting really old and if there is going to be a proper oral history of those cats, the historians better get cracking. Not to be morbid, but... anyway, it is harder to find those people and there are far fewer of them than the thousands of hippies in the "glorious" anti-Vietnam War years... but ... but... I want more stories about people joining the Freedom Riders and stuff like that. So I wish maybe they had tried a little harder to get those guys on board or even some of the bigger names like Hayden. It seems like they got one dude from the founders and ... he is so awesome that instead of waxing nostalgic, he talks about how SDS reformed in 2006 and how there is now this nationwide multigenerational movement. Yeah, man. Right on.

p_r_a_x_i_s's review against another edition

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2.0

This book is just a brief overview of the decline and fall of the SDS. If you really want something that goes into depth, this is not it.

zorpblorp's review against another edition

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informative slow-paced

2.75

indeedithappens's review

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challenging informative reflective slow-paced

3.25


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carolynf's review against another edition

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2.0

The story of the SDS is told (poorly) in a series of comics by various artists. The problems is that most comics are primarily a narration script at the top, limited dialogue, and some not really very interesting pictures. As a result, the history is lost. It would have been better as a straight textual book, or as a more vivid graphic history. Maybe I'm just spoiled by manga, but it shouldn't have been so easy to make an exciting era look so boring.

diskofsorrow1989's review against another edition

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4.0

informative and entertaining graphic novel.

lauren_endnotes's review against another edition

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2.0

Strong premise but poor execution - the first third of the book read like the scattered meeting minutes of the SDS in the early years. The style abruptly changed to individual oral histories. I actually enjoyed the personal stories much more, but they still felt disjointed, and at times it was unclear when and where events were taking place.

And only a cursory mention of the Weathermen? That seems off. Sure, I get that they were fringe splinter group, but a dismissive mention of them in the beginning of the book hardly seems representative.

I learned more about the SDS from film documentaries and Wikipedia than I did from this book.

meepelous's review

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And today we are tackling another interesting but slow political read, namely Students For A Democratic Society A Graphic History Written by Harvey Pekar, Art by Gary Dumm and Edited by Paul Buhle. And while Harvey Pecar's name was the primarily reason that I picked this volume up, I feel like the packaging design of this book does a huge disservice to the wide selection of stories it contains written by a variety of people, some of them autobiographical.

While I had never heard of the SDS before reading this, it did tie into a somewhat recent (at that point) episode of Rev Left Radio entitled Heavy Radicals: The FBI's Secret War on America's Maoists that covered the ideology of the SDS (which had Maoists members) from a more Maoist perspective, unlike this graphic novel which was generally anti Maoist.

Overall I thought the artwork was really good and the work was likely as accessible as it really could be. I feel like I will return to this book in a few years, like many heavier reads I've tackled in the past, and have no problems thanks to my ever-growing brain knowledge. I do feel like knowing more about activist history is only become more important, so I'm glad this exists, I just (again) wish that other people could have been credited more obviously.

blkmymorris's review

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2.0

comicbookresources listed this as one of two of Harvey Pekar's works to avoid. I wish I had read that article before I read this book. it's overly verbose and Gary Dumm's artwork is very static. He doesn't draw women or black people well. It was a great relief when other illustrator told their story.

I need to find a nice non-graphic novel version of this historical group.

iangilman's review

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2.0

I found it interesting to know more of this history, especially with the Ferguson stuff going on right now. That said, this comic as horribly disjointed, and doesn't really take advantage of the comic medium anyway; felt like I dry history text with some pictures added to make it more palatable.
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