Reviews with content warning for Violence - The Light of the Midnight Stars

Reviews tagging 'Violence'

The Light of the Midnight Stars by Rena Rossner

6 reviews

lavenderhimbo's review

dark emotional reflective sad fast-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

3.5

I wanted to love this book, and I adored the prose and style as well as some of the characters. However, I felt like the magic/fantasy/politics were under explored for how cool they could have been. I was also uncomfortable with some of the themes around marriage and pregnancy. The queer relationship/character are also barely explored and do not feel very genuine.

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mightydroz's review

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emotional sad medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? It's complicated
Flaws of characters a main focus? No

3.0

This book was a very strange read after the author's first book. The first half is complex and fascinating, and then it takes several very confusing turns until the end with no conclusion that I can understand? Might be someone's cup of tea but I struggled to finish this.

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mj_james_writes's review against another edition

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adventurous dark emotional sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

3.0

The Light of the Midnight Stars

By. Rena Rossner

P. 416

Format: eArc

Rating: ***

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I received an e-arc from @Netgalley in exchange for an honest review. All opinions are my own.

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The Light of the Midnight Stars is a Jewish inspired YAish fantasy story. The story follows three sisters born to a Jewish Rabbi. The story starts when the middle child turns twelve and follows them into adulthood.

I personally have never read a Jewish inspired fantasy story and I appreciated the uniqueness of that. It is also a historical fantasy, which I surprisingly enjoyed for the most part. The characters were relatable and developed with the exception of the youngest sister. I also appreciated the way that a few characters battled with the internalization of gender and gender expectations.

I really enjoyed the novel at first. You got a sense of community and tradition with fantastical elements. It was a bit concerning to read about a thirteen year old getting engaged. I am sure it was historically accurate, but not acceptable now and it was uncomfortable reading about. The storyline also turns very dark and you are left with a tale of misery, and a message that women must always sacrifice for the next generation, a message that seemed contrary to the internalized battle of gender identity and was just a lot.

The story also transitions to more of a fairy tale. The third sister has a plot line that is way to fantastical and her dialogue turns from prose to verse. I didn’t enjoy this storyline at all and to then read that this was one of the main focus for writing the book threw me off even more.

I am sure that this book will become beloved by many. It is excellently written, it was just too much for me. Also, there are trigger warnings for just about everything. It is a dark fairy tale.

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allisonwonderlandreads's review against another edition

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challenging dark sad medium-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? No
Diverse cast of characters? It's complicated

2.0

In an amalgamation of folklore, fairy tale, and myth, this historical fantasy follows a Jewish family with three daughters in 14th century Eastern Europe. In their early teens, the girls experiences tragedy after tragedy rooted in religious persecution.

First of all, I think several content warnings are necessary here, and there may be more: anti-Semitism, violent deaths, rape, death of a spouse, forced migration, stigma/discrimination against LGBT characters, sexism.

This is a story full of trauma, but not as a descriptive emotional delve with our characters. Something that bothered me about this story was that its strength also became a weakness. In matching the lilting, twisting tone of the parent material with impressive finesse, the story lost opportunities for personal connection and strong characterization. The sisters definitely read like flat folk tale denizens, imparting lessons through their struggles without being encumbered by multiple dimensions. This isn't my personal preference as a reader, and I took issue with it most when trauma became an overwhelming deluge with no respite or reflection. The new griefs just pile on. I think relationships in the story fall into the same traps. They are static, predictably depressing, and fulfill plot functions rather than adding the spark of humanity that touches me most in an excellent book.

In addition, the three daughters are young teenagers but experience a slew of adult situations. While I think this is historically accurate, I can't shake my own alarm at reading about young girls with partially developed brains getting married, making major decisions about their own and others' emotional well-being, or trapped in unalterable life circumstances. As someone who teaches students of that age, reading the not infrequent reminders of their youth set me on edge.

Ultimately, I think this book did a good job of taking on a complex and storied genre in terms of writing style. I also think stories of religious persecution are important and powerful. On a personal level, I must confront the fact that I found this reading experience frustrating and unfulfilling. A reader with different tastes and perspectives may find a more positive result.

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mirichasha's review

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dark mysterious reflective sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.0

Thank you to NetGalley and Redhook Books for the ARC!

Queer Rep: bisexual woman POV character, lesbian love interest

Major Trigger Warnings: sexual violence, sexism/misogyny, violent antisemitism, sexual content involving minors/with adults, grief, death generally, and more specific very visceral acts of violence/execution that are spoilers

I really wanted to love this book, and there are parts I did love! The grounded, complex and messy portrayal of Jewish identity and belief and history and mythology in this book was excellent. I love that the author brought these lesser known (at least outside of specific communities) Jewish folktales to life. Each sister felt like a unique character with very different approaches to the world around them, and they all, especially Sarah, changed in interesting ways over the course of the book. I am so glad to see a f/f relationship in a Jewish fairytale book. I was engrossed the whole time – I stayed up until 5am reading this book at one point. I wanted to like it, and spent my whole experience reading it feeling very conflicted. I didn’t hate this book, but I don’t think I can say I liked it either. The word that feels most fitting is “conflicted.”

I struggled with how young the sisters were at many points (specifically around marriage and sex). I know this is likely what was happening at the time, but I would have had a much more positive experience with this book if they were all aged up even two years. The characters’ lives also seemed to revolve almost entirely around marriage and sex – desperately wanting to have sex, therefore desperately wanting to get married immediately, despite being, for example, thirteen years old. This seemed to be what their whole selves revolved around. Not a single character had a completely platonic friendship outside of their family. The characters didn’t seem to have wider lives outside of their tragic fairytale romances, which makes sense when trying to fit so many fairytales into the lives of a single family.

The romances themselves all started so quick and so strong and desperate that they felt almost unreal, especially as that kept happening over and over and over again. I felt the heavy hand of the author while reading this – that in order to weave all of these different tales together, she had to maneuver the characters into encounters that just felt absolutely unreal, even in a fairytale, to imagine happening to the same person. It’s as if Cinderella also experienced the story of Snow White and Sleeping Beauty and Little Red Riding Hood. At some point, the woods feel too full of princes and you have to wonder how the princess could still fall ever again, why she wouldn’t just sit down right there and refuse to budge. And if, like with this book, we’re using the gritty, original, haunting version of the fairytales, the amount of trauma and pain the character has to go through to live through all of these stories is too much.

I think it’s the author’s choice to weave all these stories into the life of one family of sisters that made this book not work for me. I think I could have loved this book as a short story collection happening to different people, or if the second half of the book happened to the Solomonars’ cousins, for example. Actually, the moment I most thought I would turn out to love the book was when I mistakenly thought that a transformation that happens midway through the book was a permanent and complete one, down to memories, and identities, and origin stories. I think going in that direction could have been so fascinating, and made a big difference for me. I saw the way that the first part of the book was almost a prequel to the rest of it, and I just wish that the sequel had differed more from its predecessor. I kept hoping for an ending to pull enough of the strings of the stories to feel satisfying, to bring meaning to it all, for something to click, and I just kept waiting. I feel like I'm still waiting.

This book seemed to be made for me, as an Ashkenazi queer Jewish person who has a niche interest in queer fairytales. Ultimately, although I was engrossed, I spent just as much time and energy being concerned about the book as a book as I did about the characters and story while reading. Even though this might not have been the book for me, I absolutely want to see more from this author and want to see more Jewish fairytales especially with queer representation.

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phoebereads's review against another edition

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dark emotional hopeful mysterious reflective sad tense medium-paced

Strong character development? Yes
Loveable characters? Yes

5.0

The Light of the Midnight Stars is a beautiful book that weaves stories and folklore with history, fantasy and Jewish tradition to create compelling story of three sisters facing down an ever changing world. I was immediately drawn into this world and the community at the heart of the story, following the joys and tragedies of Hannah, Sarah and Levana's lives. I absolutely loved the way fantasy was woven into this story, particularly because so little fantasy exists that also pulls from Jewish folklore and tradition. I also loved the shifting perspectives of the sisters and their evolving sense of selves as time went on. Ultimately, I found the book to be altogether beautiful and heartbreaking and really loved it.

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