Reviews with content warning for Death of parent - Wandering Stars

Reviews tagging 'Death of parent'

Wandering Stars by Tommy Orange

21 reviews

lvleggett's review against another edition

challenging dark emotional hopeful informative reflective medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.0

Wandering Stars picks up where There, There left off - in terms of characters and themes. But you can enjoy as a standalone book.

First, Orange takes us back a few generations to when things initially shifted for the family. A massacre of a Shawnee village sends Jude Star on the run. He and the generations that follow are wandering through the world, separated from who they once were and unsure how or if they can get back to it.

As with There, There, the narrative takes on the POVs of the different characters. Wandering Stars is a more reflective book. Plenty of plot, centered on the newest generation of Stars in modern-day America, but with a strong internal dialogue that brings us deep into the experiences of these characters. This book explores how you figure out who you are in a world that has sought to eradicate your family, history and culture across hundreds of years. Yet you exist. We meet characters across the generations who are striving to hold onto what's been lost, to reclaim & rediscover, and to define the future for themselves.

Orange writes young men especially with such precision and care. I can see many generations of readers connecting with their struggles and joys.

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tdesy20's review against another edition

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challenging emotional informative inspiring reflective sad slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.5

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ecn's review

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4.5

So so good, excellent mesh of prequel and sequel, and an absolute KNOCK out ending

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serena_storybook's review against another edition

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challenging dark emotional reflective sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

I liked Wandering Stars more than There There and appreciated the

closure and healing

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shay43geek's review against another edition

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challenging emotional reflective sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

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readingwithkaitlyn's review against another edition

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reflective sad slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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kellkie's review against another edition

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challenging emotional informative reflective slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

Wandering Stars returns to the characters first introduced in There There, going back in time to the Sand Creek Massacre in 1864 and following the family into present-day Oakland as they struggle through the ongoing consequences of native erasure and genocide. The story is split into two parts: Before and Aftermath. I found the transition between the two parts a bit muddled, feeling that Part One was rushed at the end. I could easily see Wandering Stars split into two separate books. Although Orange's newest novel doesn't always follow a linear path, he brings the story together through multiple points of view, zooming in on the intimate thoughts and details of each character's personal story, and through recurring themes that show up intergenerationally.

This is a powerful and brutally honest narrative, bringing into clear focus atrocities such as the Carlisle Indian Industrial School, led by American Army captain Richard Pratt, who ran the school with the belief that one must “Kill the Indian to save the man." I found myself appalled at how much native history we were never taught in school. The abuse of adults and children (who were forcibly removed from their homes) at these institutions had disastrous consequences for thousands of families, and much of Wandering Stars shares this reality through Orange's portrayal of the Red Feather family.

Wandering Stars is evocatively written and I was fully immersed, hopeful on every page that Orvil and his brothers would find some healing and learn to lean on each other through the many difficulties they face. Orvil's youngest brother best articulates the painful process of healing between family members when he writes, "Healing is holy and if you have the chance to not have to carry something alone, with people you love, it should be honored, the opportunity, it should be honored, and you all got selfish about it, you got scared it was gonna be bigger than our love and then it was." Reading Wandering Stars is a journey through the worst of humanity while holding onto hope that healing is still possible, and I am so thankful I had the opportunity to read it.

Thank you to NetGalley and Knopf for the eARC.

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shansometimes's review against another edition

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dark emotional reflective sad slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

I was excited to hear that Tommy Orange was releasing a new book in 2024 after reading his debut novel, THERE, THERE, in 2019. I enjoyed THERE, THERE but wasn't wowed. I thought WANDERING STARS was a much more cohesive book; the characters weren't exactly developed in a lot of detail, but their personalities were somehow still clear to me, and their inner monologues, emotional pain, etc., felt sincere.

WANDERING STARS follows multiple generations of a family navigating their Native American heritage and identity, individual and generational traumas, and addiction. Opal, one of the grandmothers, tries desperately to keep her family stable and together through it all as the poverty and addictions of the generations before her continue to follow the family. It can get a little difficult to follow all of the POVs—some in first-person and others in third—but the story is beautifully written, heartbreaking at parts, and an important historical analysis tackling the impact of boarding schools, colonization, and more on Native American bloodlines.

*This review is based on a digital ARC provided by the publisher via Netgalley. All opinions are my own.

"I thought maybe there was some looped aspect to people partying at the lake, then ending up at the rehab at the lake, then relapsing and partying again on the lake like some hell in paradise or paradise in hell. That's what addiction had always felt like, like the best little thing you'd forget on the worst day possible, or the worst big thing on a day in a life you thought kept getting better because you kept getting high."

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caseythereader's review against another edition

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challenging dark emotional reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.75

Thanks to AA Knopf for the free copy of this book.

- I knew Orange would break my heart with WANDERING STARS, and he sure did.
- Orange expands on the legacy of colonization and the generational traumas that stem from it, showing different ways they manifested throughout the decades.
- Orange’s writing is so gorgeous, the kind of writing that you can’t imagine being done any other way.
- I reread THERE THERE immediately before this one, and am happy to report that the anti-fat bias in the first book is almost entirely gone.

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bookishmillennial's review against another edition

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emotional funny reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

disclaimer: I don’t really give starred reviews. I hope my reviews provide enough information to let you know if a book is for you or not. Find me here: https://linktr.ee/bookishmillennial

Thank you to NetGalley and the publisher for the arc, I'm providing an honest review of my own accord <3

"The word family will never feel the same as it once did, or maybe it never quite fit. Like we need new words for what we become, how much we change, how we wear words and names out, especially when your heart breaks about going from being a kid to being an adult because you have to, because the world isn't made for kids."

At first, I was nervous about this falling into the same issues I encountered when reading There, There, and though I think others may feel differently, I really enjoyed this follow up and think TO's writing has only improved (who am I, I'm a peasant, but I adored his prose and I personally appreciate a bit of heavy-handedness so whatever!) and drew me in even more with this sequel.

The narratives that pulled me in the most were those of Sean Price, an adoptee living in Oakland with his white family, and Orvil Red Feather, who we revisit in the aftermath of his school shooting, and he meets Sean via the world wide internet! I was so intrigued by Sean's journey of discovering his ethnicity through 23andMe, and learning he was part indigenous (but unfortunately does not know which tribe), part Black, and part white. He grew up with a white family, and once he finds out his background, he begins to question and challenge so much about his family and society as a whole.

I think the reason that narrative stood out to me was because of my own bias, since I live in the SF Bay Area and the following the narrative of someone in 2018 in Oakland felt familiar to read about. Though there are a multiple people we follow in this book, I didn't feel it was too hard to follow because we had met some of them in There, There, and I had a better handle on the family tree this time around.

Overall, the underlying themes of addiction, colonization, and familial generational trauma were clearly a bit grim, but ultimately it was powerful (in quiet, validating sort of way for me) and provided direct and tough commentary.

Quotations that stood out to me

Everything that happens to a tribe happens to everyone in the tribe. Good and bad. Their mom said that once. But then she said now that we're so spread out, lost to each other, it's not the same, except that it's the same in our families, everything that happens to you once you make a family, it happens to all of you, because of love, and so love was a kind of curse.

This made him think about how African Americans were people who used to be from Africa but were now from America but then also both, and how that was true of Native Americans except there wasn't such a thing as Native America anymore the same way there was an Africa still.

It makes more sense to Lony to worship something like the sun than a dead guy on a cross who rose from the grave like a zombie, and all that stuff about eating his body and drinking his blood, or bread and wine to pretend it was his body and blood? Christianity is so weird, but everyone pretends like it isn't.

That they keep anything that came from your mother will be a kind of miracle, as all Indians alive past the year 1900 are kinds of miracles.

In an ideal world, Sean would be referred to as they/them, by everyone without anyone having to ask or explain. In an ideal world, there would be better, more inclusive, kinder language for everyone. He does not live in such a world.

Sean Price had had this fuck-it kind of energy for as long as he could remember. He believed he was born with it, that people who were could just say fuck it and do something crazy, something most people would have the common sense never to do, because yes you only live once and all that, but the fuck-it energy was different. It wasn't even necessarily a bad thing. It could be useful. Sean believed it came from having been adopted, from someone else having said fuck it about him.

White boys thought the world of themselves, thought the world was themselves, and that anything otherwise was out of place, needed to be noticed or ignored. But Sean wasn't gonna pretend like at one point he didn't want to be one of them. He was always careful about how much sun he got. He reserve pinched the sides of his eyes to a stretch to try to make them stay bigger, or pulled his nose out to make it less wide, or sucked his lips in to hide the fullness.

"But nobody wants to be told they need therapy just like nobody wants to be told they got problems."
"They should make one called 23andMeToo, people could use it to find out how many known rapists are in their line," Sean said, thinking this would, as his dad suggested, lighten things up.
"You can't use DNA to know who was a rapist," Tom said.
"Well, first of all, you can and they very much use DNA to prosecute rapists, but also, speaking historically, of people in your line, if they were known rapists, say someone like Thomas Jefferson for example, he was a rapist.."
.....
"We used to be able to joke around a lot more. I'm sorry, but I miss that," Tom said.
"Yeah, sorry, life was way funnier before Mom died and I almost lost the use of my legs."
"We can't keep being all down about it. We've got to get up and stay up. She would want it that way, right?" Tom said. "Mom would want it that way, right?"
"We're not saying anything to each other," Sean said. "We're not hearing each other."

The spit said he was white from Northern and Southern Europe, Native American from North America, and Black from the North African region. He’d already assumed he was part Black, because he knew what he looked like. Because people know what they look like. And because of the way people had always looked at him in the white community he grew up in; there was no mistaking the look you got if you were assumed Black or part Black in a white community—whether you were or were not all or part, with or without the data regarding your DNA. But everything about race and background was trickier when you were adopted. Sean didn’t feel he had the right to belong to any of what it might mean to be Black from Oakland. And he couldn’t pretend to now be Native American, not white either, but he would continue to be considered Black, holding the knowledge of his Native American heritage out in front of him like an empty bowl. Being part white was something he’d just assumed. Even if he hadn’t been white, everyone was raised with whiteness as the standard and as the gaze, so you had it in you even if you didn’t, it was the background sound you only ever noticed got turned off in rare moments when the spotlight shifted temporarily.

But when Sean said I am Oakland at the end of his presentation, it felt more true than when he heard Oakland Lee say it. Sean felt good when he said it, about saying it, but Oakland Lee made everyone laugh, and Sean had basically shit on white liberals celebrating diversity without really addressing the white supremacist, systemic problems that made diversity so necessary feeling as to be celebrated by white people who want so bad to be on the right side of history they forget they're inevitably on the white side of history. So Sean ended up feeling really bad about the whole thing in the end.

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