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hawkguyscoffee's review
dark
emotional
hopeful
inspiring
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
While a nice and satisfying sequel to the first book, it has enough flaws that make it feel somewhat detached from it's pair.
Following the last book, the story remains strong with enough interesting twists and turns to keep you wanting to learn more and with characters lovable and interesting enough to care and want to see more of. However, it simply tries too hard to be contemporary and funny in places where it simply shouldn't be. Seriously, I get that we're in a more online age, but making references to memes during mayor character beats and crucial moments feels a little too forced. The same can be said about trying to fit certain tropes by sheer force in places where they wouldn't have happened naturally, to the point where some dialogue felt taken straight from a tumblr funny-post that got 100k likes back in 2015. It also weirdly feels like it's trying really hard to be picked up by Netflix at certain points.
This was more of a pet peeve, but making it so every time Yuki got narration time we would see the same sentences and descriptions of how the darkness was consuming her felt very tiring. The first few times it was fine, but putting that in all of her scenes was simply too much. I feel it would've worked better if used sparingly or every now and then
Nevertheless it was a good read and an interesting continuation to it's predecesor, though it must be said that the previous book stands way better by itself.
Overall, the book felt like a loose fit, and not because the story wasn't good enough.
Following the last book, the story remains strong with enough interesting twists and turns to keep you wanting to learn more and with characters lovable and interesting enough to care and want to see more of. However, it simply tries too hard to be contemporary and funny in places where it simply shouldn't be. Seriously, I get that we're in a more online age, but making references to memes during mayor character beats and crucial moments feels a little too forced. The same can be said about trying to fit certain tropes by sheer force in places where they wouldn't have happened naturally, to the point where some dialogue felt taken straight from a tumblr funny-post that got 100k likes back in 2015. It also weirdly feels like it's trying really hard to be picked up by Netflix at certain points.
This was more of a pet peeve, but
Nevertheless it was a good read and an interesting continuation to it's predecesor, though it must be said that the previous book stands way better by itself.
Overall, the book felt like a loose fit, and not because the story wasn't good enough.
Content Warnings
Graphic: Child death, Death of parent, and Blood
Moderate: Transphobia
gracelynnreads's review against another edition
adventurous
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Blood, Child death, Death, and Gore
Moderate: Suicide
melaniereadsbooks's review
adventurous
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Thank you to SourceBooks Fire and Netgalley for an arc of this book.
In the sequel to The Grimrose Girls, things are even more tense at Grimrose Academie as Yuki, Ella, Rory, and Nani deal with the fallout of Penelope's death and try to solve the mystery of the curse that is trapping them in fairytale retellings and killing off girls left and right.
This was so good! I loved everything about it. The entire time I was thinking about Midnights by Taylor Swift and trying to figure out which song works for each. I got one for every girl but the two that felt the most right to me was Anti-Hero for Yuki and You're on Your Own, Kid for Ella. They feel so right for both these girls and their character arcs.
This was great! I'm glad we got some more of Rory and Nani in this one. Such a great duology and definitely recommend for those Dark Academia vibes!
In the sequel to The Grimrose Girls, things are even more tense at Grimrose Academie as Yuki, Ella, Rory, and Nani deal with the fallout of Penelope's death and try to solve the mystery of the curse that is trapping them in fairytale retellings and killing off girls left and right.
This was so good! I loved everything about it. The entire time I was thinking about Midnights by Taylor Swift and trying to figure out which song works for each. I got one for every girl but the two that felt the most right to me was Anti-Hero for Yuki and You're on Your Own, Kid for Ella. They feel so right for both these girls and their character arcs.
This was great! I'm glad we got some more of Rory and Nani in this one. Such a great duology and definitely recommend for those Dark Academia vibes!
Content Warnings
Graphic: Blood, Child abuse, Child death, and Death
Moderate: Physical abuse and Cancer
Minor: Transphobia, Ableism, and Fatphobia
booksthatburn's review against another edition
challenging
dark
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
THE WICKED REMAIN concludes the Grimrose Girls duology as they try to break the curse once and for all, to stop the cycle of girls bent and broken to fit tales which deny them happy endings, and usually take their lives.
The worldbuilding focuses primarily on details of the curse, the castle, and the relationships between the characters. This would be a hard book to get into if you’re not at least passingly familiar with a few key stories (Cinderella, Snow White, Beauty and the Beast, and probably Sleeping Beauty), and there are a few more that would help (Swan Lake, Rapunzel). It doesn’t pause to explain their plots and only occasionally spells out their relevance. This is probably a good decision, given how steeped in them many people are through cultural osmosis even if they’ve never read them and never seen any of the film adaptations. I think this book halting to explain them would have been more irritating than helpful, but I’m noting it since anyone who’s managed to avoid every Disney Princess’s story will have a rough time here. I know there were minor characters whose stories I didn’t recognize or don’t know, but at least for them my lack of recognition didn’t matter much.
I’m torn about the way that one of the secondary characters is handled. She’s a trans girl whose story involves her (implicitly cis, definitely female) cousin being jealous of her and trying to take over her life (including trying to steal her girlfriend). Because of the way the stories overlap, and characters with their own narrative can fill different roles in other characters’ narratives, she also is implied to be the Beast to her girlfriend’s Beauty. It has room to have such an interesting narrative about monstrosity, transphobia, and jealousy… and then just leaves it there. The cousin is jealous because… I don’t know, the curse makes her jealous to fit Swan Lake’s narrative. There’s no real reason stated, she just is. There’s a line about how the cis(?) cousin thinks she can be a better girl/girlfriend than her trans cousin, which stands out to me as unmistakable transphobia, but it’s not named in the way that the other narratives usually have their issues and abuses stated explicitly by the end. It’s possible this gets more attention in the published version than in the ARC I read, but it’s similarly understated in the first book so I’m not anticipating this particular change. For anyone concerned I'll note that while I can't think of a reason other than transphobia to motivate the cousin, there's no deadnaming or misgendering, just a very weird insistence that she'd be better at her trans cousin's life than she is.
This wraps up a bunch of stuff left hanging from the first book, while also having a full storyline of its own. I don’t recall anything it both introduced and resolved, but it’s the last book in the duology so that’s not an issue. The ending wraps up things very well, with suitable conclusions for the main characters and the school as a whole. The ensemble of point-of-view characters is largely unchanged from the first book and their voices are consistent. This does a good job of relaying important information from the last book in a way that quickly refreshes returning readers and might even enable new readers to jump in knowing only the basic premise. It is the conclusion of a duology, however, so as usual I recommend starting with the first book before reading this one.
Yuki and Ella feel like the main two in the group of protagonists, but Nani and Rory get a larger presence than I remember them having in GRIMROSE GIRLS. The pacing is good, the number of main characters is large enough to feel like a full group and to provide a steady supply of answers and developments along the way. In particular, Nani’s storyline with her father get some answers I wasn’t expecting but were very welcome, and I’m very happy for Rory. The central mystery of the curse gets a satisfying answer and a number of suitably dramatic moments, and I like how it all turns out.
The worldbuilding focuses primarily on details of the curse, the castle, and the relationships between the characters. This would be a hard book to get into if you’re not at least passingly familiar with a few key stories (Cinderella, Snow White, Beauty and the Beast, and probably Sleeping Beauty), and there are a few more that would help (Swan Lake, Rapunzel). It doesn’t pause to explain their plots and only occasionally spells out their relevance. This is probably a good decision, given how steeped in them many people are through cultural osmosis even if they’ve never read them and never seen any of the film adaptations. I think this book halting to explain them would have been more irritating than helpful, but I’m noting it since anyone who’s managed to avoid every Disney Princess’s story will have a rough time here. I know there were minor characters whose stories I didn’t recognize or don’t know, but at least for them my lack of recognition didn’t matter much.
I’m torn about the way that one of the secondary characters is handled. She’s a trans girl whose story involves her (implicitly cis, definitely female) cousin being jealous of her and trying to take over her life (including trying to steal her girlfriend). Because of the way the stories overlap, and characters with their own narrative can fill different roles in other characters’ narratives, she also is implied to be the Beast to her girlfriend’s Beauty. It has room to have such an interesting narrative about monstrosity, transphobia, and jealousy… and then just leaves it there. The cousin is jealous because… I don’t know, the curse makes her jealous to fit Swan Lake’s narrative. There’s no real reason stated, she just is. There’s a line about how the cis(?) cousin thinks she can be a better girl/girlfriend than her trans cousin, which stands out to me as unmistakable transphobia, but it’s not named in the way that the other narratives usually have their issues and abuses stated explicitly by the end. It’s possible this gets more attention in the published version than in the ARC I read, but it’s similarly understated in the first book so I’m not anticipating this particular change. For anyone concerned I'll note that while I can't think of a reason other than transphobia to motivate the cousin, there's no deadnaming or misgendering, just a very weird insistence that she'd be better at her trans cousin's life than she is.
This wraps up a bunch of stuff left hanging from the first book, while also having a full storyline of its own. I don’t recall anything it both introduced and resolved, but it’s the last book in the duology so that’s not an issue. The ending wraps up things very well, with suitable conclusions for the main characters and the school as a whole. The ensemble of point-of-view characters is largely unchanged from the first book and their voices are consistent. This does a good job of relaying important information from the last book in a way that quickly refreshes returning readers and might even enable new readers to jump in knowing only the basic premise. It is the conclusion of a duology, however, so as usual I recommend starting with the first book before reading this one.
Yuki and Ella feel like the main two in the group of protagonists, but Nani and Rory get a larger presence than I remember them having in GRIMROSE GIRLS. The pacing is good, the number of main characters is large enough to feel like a full group and to provide a steady supply of answers and developments along the way. In particular, Nani’s storyline with her father get some answers I wasn’t expecting but were very welcome, and I’m very happy for Rory. The central mystery of the curse gets a satisfying answer and a number of suitably dramatic moments, and I like how it all turns out.
Content Warnings
Graphic: Blood and Violence
Moderate: Emotional abuse, Panic attacks/disorders, Medical content, Cursing, Sexual content, Child abuse, Confinement, Cannibalism, Physical abuse, Death, Transphobia, Grief, Suicide attempt, and Child death
Minor: Fatphobia, Self harm, Ableism, and Murder
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