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hollyk's review
adventurous
dark
mysterious
tense
slow-paced
- Plot- or character-driven? N/A
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.0
Some things this book did well:
-representation
-Anxiety rep
Things this book did not do well:
-literally everything else
Pacing: this book was so lopsided. There is absolutely nothing happening for the first 2/3 of the book, and when, in the final 1/3 mind you, there finally is action, it makes absolutely no sense. The curse made no sense. And while it could be argued that the first 2/3 were meant to be character driven, the point of character driven arcs is to have some form of character development. There was none to be found. The curse didn't feel very urgent considering 4 months pass within the first 2 sections of the book, and then we're led to believe everything else happens within 2 weeks max?? No.
The curse isn't well explained, and also how/why it was broken was confusing as well. Also,Where was all the magic before? We've seen absolutely no sign of magic outside of Yuki, and now we're to believe that all the teachers and the headmistress have been witches all along?
The character arcs in this book were okay with the exception of Yuki and Ella, though the latter less so. Suddenly Yuki has turned into BadCinderella Snow White and is on a villain arc, but she showed no signs of this thinking in the first book and it just came out of nowhere. Also her obsession with Ella? Where was that in the first book? Also Ella suddenly being in love with Yuki?? This came out of nowhere to me as well, and kind of undermined the friendship conquering all message. I just absolutely hated pretty much everyone. No one was interesting, no one was compelling really, and overall it felt hasty.
The villains felt like the author tried to subvert theevil stepmother trope, and then, when she realized that there would be no villain, shoehorned the villains in with no foreshadowing in the slightest.
The more I write the angrier I get. I thought the first one was just okay, but this one just did not do it for me.
-representation
-Anxiety rep
Things this book did not do well:
-literally everything else
Pacing: this book was so lopsided. There is absolutely nothing happening for the first 2/3 of the book, and when, in the final 1/3 mind you, there finally is action, it makes absolutely no sense. The curse made no sense. And while it could be argued that the first 2/3 were meant to be character driven, the point of character driven arcs is to have some form of character development. There was none to be found. The curse didn't feel very urgent considering 4 months pass within the first 2 sections of the book, and then we're led to believe everything else happens within 2 weeks max?? No.
The curse isn't well explained, and also how/why it was broken was confusing as well. Also,
The character arcs in this book were okay with the exception of Yuki and Ella, though the latter less so. Suddenly Yuki has turned into Bad
The villains felt like the author tried to subvert the
The more I write the angrier I get. I thought the first one was just okay, but this one just did not do it for me.
Content Warnings
Graphic: Abandonment, Child abuse, Blood, Cancer, Emotional abuse, Chronic illness, and Terminal illness
Moderate: Mental illness, Panic attacks/disorders, and Sexual content
Minor: Transphobia
booksthatburn's review against another edition
challenging
dark
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
THE WICKED REMAIN concludes the Grimrose Girls duology as they try to break the curse once and for all, to stop the cycle of girls bent and broken to fit tales which deny them happy endings, and usually take their lives.
The worldbuilding focuses primarily on details of the curse, the castle, and the relationships between the characters. This would be a hard book to get into if you’re not at least passingly familiar with a few key stories (Cinderella, Snow White, Beauty and the Beast, and probably Sleeping Beauty), and there are a few more that would help (Swan Lake, Rapunzel). It doesn’t pause to explain their plots and only occasionally spells out their relevance. This is probably a good decision, given how steeped in them many people are through cultural osmosis even if they’ve never read them and never seen any of the film adaptations. I think this book halting to explain them would have been more irritating than helpful, but I’m noting it since anyone who’s managed to avoid every Disney Princess’s story will have a rough time here. I know there were minor characters whose stories I didn’t recognize or don’t know, but at least for them my lack of recognition didn’t matter much.
I’m torn about the way that one of the secondary characters is handled. She’s a trans girl whose story involves her (implicitly cis, definitely female) cousin being jealous of her and trying to take over her life (including trying to steal her girlfriend). Because of the way the stories overlap, and characters with their own narrative can fill different roles in other characters’ narratives, she also is implied to be the Beast to her girlfriend’s Beauty. It has room to have such an interesting narrative about monstrosity, transphobia, and jealousy… and then just leaves it there. The cousin is jealous because… I don’t know, the curse makes her jealous to fit Swan Lake’s narrative. There’s no real reason stated, she just is. There’s a line about how the cis(?) cousin thinks she can be a better girl/girlfriend than her trans cousin, which stands out to me as unmistakable transphobia, but it’s not named in the way that the other narratives usually have their issues and abuses stated explicitly by the end. It’s possible this gets more attention in the published version than in the ARC I read, but it’s similarly understated in the first book so I’m not anticipating this particular change. For anyone concerned I'll note that while I can't think of a reason other than transphobia to motivate the cousin, there's no deadnaming or misgendering, just a very weird insistence that she'd be better at her trans cousin's life than she is.
This wraps up a bunch of stuff left hanging from the first book, while also having a full storyline of its own. I don’t recall anything it both introduced and resolved, but it’s the last book in the duology so that’s not an issue. The ending wraps up things very well, with suitable conclusions for the main characters and the school as a whole. The ensemble of point-of-view characters is largely unchanged from the first book and their voices are consistent. This does a good job of relaying important information from the last book in a way that quickly refreshes returning readers and might even enable new readers to jump in knowing only the basic premise. It is the conclusion of a duology, however, so as usual I recommend starting with the first book before reading this one.
Yuki and Ella feel like the main two in the group of protagonists, but Nani and Rory get a larger presence than I remember them having in GRIMROSE GIRLS. The pacing is good, the number of main characters is large enough to feel like a full group and to provide a steady supply of answers and developments along the way. In particular, Nani’s storyline with her father get some answers I wasn’t expecting but were very welcome, and I’m very happy for Rory. The central mystery of the curse gets a satisfying answer and a number of suitably dramatic moments, and I like how it all turns out.
The worldbuilding focuses primarily on details of the curse, the castle, and the relationships between the characters. This would be a hard book to get into if you’re not at least passingly familiar with a few key stories (Cinderella, Snow White, Beauty and the Beast, and probably Sleeping Beauty), and there are a few more that would help (Swan Lake, Rapunzel). It doesn’t pause to explain their plots and only occasionally spells out their relevance. This is probably a good decision, given how steeped in them many people are through cultural osmosis even if they’ve never read them and never seen any of the film adaptations. I think this book halting to explain them would have been more irritating than helpful, but I’m noting it since anyone who’s managed to avoid every Disney Princess’s story will have a rough time here. I know there were minor characters whose stories I didn’t recognize or don’t know, but at least for them my lack of recognition didn’t matter much.
I’m torn about the way that one of the secondary characters is handled. She’s a trans girl whose story involves her (implicitly cis, definitely female) cousin being jealous of her and trying to take over her life (including trying to steal her girlfriend). Because of the way the stories overlap, and characters with their own narrative can fill different roles in other characters’ narratives, she also is implied to be the Beast to her girlfriend’s Beauty. It has room to have such an interesting narrative about monstrosity, transphobia, and jealousy… and then just leaves it there. The cousin is jealous because… I don’t know, the curse makes her jealous to fit Swan Lake’s narrative. There’s no real reason stated, she just is. There’s a line about how the cis(?) cousin thinks she can be a better girl/girlfriend than her trans cousin, which stands out to me as unmistakable transphobia, but it’s not named in the way that the other narratives usually have their issues and abuses stated explicitly by the end. It’s possible this gets more attention in the published version than in the ARC I read, but it’s similarly understated in the first book so I’m not anticipating this particular change. For anyone concerned I'll note that while I can't think of a reason other than transphobia to motivate the cousin, there's no deadnaming or misgendering, just a very weird insistence that she'd be better at her trans cousin's life than she is.
This wraps up a bunch of stuff left hanging from the first book, while also having a full storyline of its own. I don’t recall anything it both introduced and resolved, but it’s the last book in the duology so that’s not an issue. The ending wraps up things very well, with suitable conclusions for the main characters and the school as a whole. The ensemble of point-of-view characters is largely unchanged from the first book and their voices are consistent. This does a good job of relaying important information from the last book in a way that quickly refreshes returning readers and might even enable new readers to jump in knowing only the basic premise. It is the conclusion of a duology, however, so as usual I recommend starting with the first book before reading this one.
Yuki and Ella feel like the main two in the group of protagonists, but Nani and Rory get a larger presence than I remember them having in GRIMROSE GIRLS. The pacing is good, the number of main characters is large enough to feel like a full group and to provide a steady supply of answers and developments along the way. In particular, Nani’s storyline with her father get some answers I wasn’t expecting but were very welcome, and I’m very happy for Rory. The central mystery of the curse gets a satisfying answer and a number of suitably dramatic moments, and I like how it all turns out.
Content Warnings
Graphic: Blood and Violence
Moderate: Emotional abuse, Panic attacks/disorders, Medical content, Cursing, Sexual content, Child abuse, Confinement, Cannibalism, Physical abuse, Death, Transphobia, Grief, Suicide attempt, and Child death
Minor: Fatphobia, Self harm, Ableism, and Murder
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