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jocelyn_sp's review
4.0
This is scattered pieces from over a wide range of times, several of them published before, yet for me it made a very satisfying whole. Even more impressive since it several times references her previous book [b:Craft for a Dry Lake|6614500|Craft for a Dry Lake|Kim Mahood|https://images.gr-assets.com/books/1294965870s/6614500.jpg|6808560] which I haven't read.
scribepub's review
A shimmering, evocative memoir [that is] required reading for anyone interested in contemporary Aboriginal Australia … Position Doubtful opens the heart to understanding.
Books+Publishing
An extraordinary excavation of the relationship, past and present, between settlers and indigenous Australians, deeply grounded in this alluring tract of desert, but with relevance for us all.
The Monthly
Mahood brings a formidable intelligence to her work as a writer and an artist, but also a sly humour here and an almost uncanny talent for observation … By charting these wanderings with such eloquence and scrupulous self-examination, she has created in Position Doubtful a true map of the heart.
The Saturday Paper
[Mahood] is a talented writer whose mastery of the language is absolute. The combination of an artist’s eye, a mapmaker’s precision, and a wordsmith’s playfulness makes for a work of captivating beauty … a significant and timely work.
Weekend Australian
There is something profound about the directness and clarity with which Kim Mahood writes about her art, and her life, in particular her relationship with the land she grew up in and on, and her relationship to the indigenous people who have lived on that land much longer than she. As Mahood writes of — quite literally — building a map that is both geographic, social and cultural, you feel that she has, ever so gently, shifted your view of the world. Position Doubtful is a remarkable, intelligent and mature work. I really loved it.
Sophie Cunningham, Author of Warning: The Story of Cyclone Tracey, Geography and Bird
Position Doubtful attests to an eye that is unfailing and a lifetime of looking … She sees what she sees, and comes to her own conclusions … Powerful.
Australian Book Review
Position Doubtful leaps straight onto the shelf occupied by the great accounts of inland Australia. Theatrical, confessional, masterly descriptive, it is hard to find one word to sum up the achievement. Possibly it lies in the word character: in the brave character of the author herself, and in the spacious, beautiful, and unforgiving character of the Australian landscape and the people who dramatically take on its shape in these pages.
Roger McDonald, Author of Australia’s Wild Places, When Colts Ran, Mr Darwin’s Shooter and The Ballad of Desmond Kale
Kim Mahood is an astonishing treasure: an accomplished artist and writer who is equally well-equipped to navigate both Aboriginal and settler Australia. Her lyrical yet unsentimental memoir is a story of honouring the knowledge that two cultures have mapped upon each other, a lesson the entire globe needs to learn.
William L. Fox, Director, Center for Art + Environment, Nevada Museum of Art
An immersive, emotional and intelligent exploration into the relationship between artist, landscape, and land.
Mindfood
Mahood is a writer of country. Her chapters unfurl like the ribbons of red dunes. She says ‘this is a kind of love story’, and so it is, a love of land, not purchased acreages, but country, birth country. Apart from family and close friends, she says, ‘there has been no other love in my life as sustained as the one I felt for a remote pocket of inland Australia’. Country can get its fingers around your entrails, particularly if it owns them. That grip makes your movements cautious with the knowledge that, while you might move away for a time, the elasticity of your own gut drags you back. Mahood is dragged back. It can be excruciating reading the words of a non-Aboriginal person recording their impressions of a brief visit to Aboriginal community, but Mahood belongs to country and it blesses her with that most refined human sensitivity, doubt. She is not tempted to improve or judge the communities of her country because she prefers to love them; the whole buckled, lovely and jumbled chaos of the land. The rich pulse of country makes the heart quake with recognition. Position Doubtful has the scale and delicacy of desert and records genuine Aboriginal voice and emotion. Its breadth means that it is frequently visited by death but Mahood records those deaths with solemn grace while continuing to rejoice in the vibrance of the land with a calm and dignified joy. A book for people who love this country as if it were their mother.
Bruce Pascoe, Award-winning Author of Dark Emu, Fox a Dog and Convincing Ground
With compassion, wit and elegance, Mahood takes us to a landscape known by white people only as a barren and alien place of no value – except to mine for minerals. She shows us another way to look at it, through the eyes of the traditional owners as well as the perspective of an artist … Position Doubtful suggests a way forward, beyond us-and-them, based on sharing across cultural boundaries.
Rosemary Sorensen, Sydney Review of Books
The beauty of the landscape is explored through … indigenous and kartiya perspectives … astute and compassionate.
Right Now
This is a book for reading and re-reading, a revealing excavation of our place and times, grounded in the desert, but of broad relevance to all Australians who think about our relationship to country, to its Indigenous peoples, to our shared history and to one another.
Kieran Finnane, Alice Springs News
Position Doubtful is entrancing and different; it is poetic, gritty, confronting, and inspiring all at once, and offers a rare and valuable window onto Aboriginal Australia.
Tom Griffiths, Australian Book Review, Best Books of 2016
Sometimes lyrical, sometimes grumpy, sometimes elegiac, but always frank, Position Doubtful ranges across the wide meaning of country, extending past landscape into story, family, history, politics, geology, art, memory, and belonging. It is a vivid and memorable book.
Lisa Gorton, The Age, Best Books of 2016
Position Doubtful probes through layers of understanding of the people and land where she was born, across the Tanami Desert to the East Kimberley; it is rich with insights delivered with sensitivity and honesty.
Susan Lever, Australian Book Review, Best Books of 2016
My book of the year … If anyone’s written more beautifully and modestly about this country and its people I’m not aware of it. I think it’s a treasure.
Tim Winton, The Age, Best Books of 2016
Position Doubtful is delivered with such verve for accuracy that everything seems to have light in it —points of illumination enhanced by the light of the country. And the figure of the author, who often describes herself in the third person, is the guiding light, a pilot on her inland sea. As Mahood modestly maps her terrain, its inner and outer worlds at once fragile, transitory, enduring, Position Doubtful acquires the aura of a classic. A book of extraordinary wisdom and subtlety … the writing is so good that nothing feels forced.
Barry Hill, Sydney Morning Herald
Kim Mahood writes with insight and without condescension of the indigenous community’s struggle to maintain traditions and cohesion in the face of marginal existence, poverty, health problems and rampant alcoholism. [Position Doubtful], despite containing a great deal of death and desolation, is a ringing affirmation of life in all its messy, muddled, half-resolved possibilities.
New Internationalist
Books+Publishing
An extraordinary excavation of the relationship, past and present, between settlers and indigenous Australians, deeply grounded in this alluring tract of desert, but with relevance for us all.
The Monthly
Mahood brings a formidable intelligence to her work as a writer and an artist, but also a sly humour here and an almost uncanny talent for observation … By charting these wanderings with such eloquence and scrupulous self-examination, she has created in Position Doubtful a true map of the heart.
The Saturday Paper
[Mahood] is a talented writer whose mastery of the language is absolute. The combination of an artist’s eye, a mapmaker’s precision, and a wordsmith’s playfulness makes for a work of captivating beauty … a significant and timely work.
Weekend Australian
There is something profound about the directness and clarity with which Kim Mahood writes about her art, and her life, in particular her relationship with the land she grew up in and on, and her relationship to the indigenous people who have lived on that land much longer than she. As Mahood writes of — quite literally — building a map that is both geographic, social and cultural, you feel that she has, ever so gently, shifted your view of the world. Position Doubtful is a remarkable, intelligent and mature work. I really loved it.
Sophie Cunningham, Author of Warning: The Story of Cyclone Tracey, Geography and Bird
Position Doubtful attests to an eye that is unfailing and a lifetime of looking … She sees what she sees, and comes to her own conclusions … Powerful.
Australian Book Review
Position Doubtful leaps straight onto the shelf occupied by the great accounts of inland Australia. Theatrical, confessional, masterly descriptive, it is hard to find one word to sum up the achievement. Possibly it lies in the word character: in the brave character of the author herself, and in the spacious, beautiful, and unforgiving character of the Australian landscape and the people who dramatically take on its shape in these pages.
Roger McDonald, Author of Australia’s Wild Places, When Colts Ran, Mr Darwin’s Shooter and The Ballad of Desmond Kale
Kim Mahood is an astonishing treasure: an accomplished artist and writer who is equally well-equipped to navigate both Aboriginal and settler Australia. Her lyrical yet unsentimental memoir is a story of honouring the knowledge that two cultures have mapped upon each other, a lesson the entire globe needs to learn.
William L. Fox, Director, Center for Art + Environment, Nevada Museum of Art
An immersive, emotional and intelligent exploration into the relationship between artist, landscape, and land.
Mindfood
Mahood is a writer of country. Her chapters unfurl like the ribbons of red dunes. She says ‘this is a kind of love story’, and so it is, a love of land, not purchased acreages, but country, birth country. Apart from family and close friends, she says, ‘there has been no other love in my life as sustained as the one I felt for a remote pocket of inland Australia’. Country can get its fingers around your entrails, particularly if it owns them. That grip makes your movements cautious with the knowledge that, while you might move away for a time, the elasticity of your own gut drags you back. Mahood is dragged back. It can be excruciating reading the words of a non-Aboriginal person recording their impressions of a brief visit to Aboriginal community, but Mahood belongs to country and it blesses her with that most refined human sensitivity, doubt. She is not tempted to improve or judge the communities of her country because she prefers to love them; the whole buckled, lovely and jumbled chaos of the land. The rich pulse of country makes the heart quake with recognition. Position Doubtful has the scale and delicacy of desert and records genuine Aboriginal voice and emotion. Its breadth means that it is frequently visited by death but Mahood records those deaths with solemn grace while continuing to rejoice in the vibrance of the land with a calm and dignified joy. A book for people who love this country as if it were their mother.
Bruce Pascoe, Award-winning Author of Dark Emu, Fox a Dog and Convincing Ground
With compassion, wit and elegance, Mahood takes us to a landscape known by white people only as a barren and alien place of no value – except to mine for minerals. She shows us another way to look at it, through the eyes of the traditional owners as well as the perspective of an artist … Position Doubtful suggests a way forward, beyond us-and-them, based on sharing across cultural boundaries.
Rosemary Sorensen, Sydney Review of Books
The beauty of the landscape is explored through … indigenous and kartiya perspectives … astute and compassionate.
Right Now
This is a book for reading and re-reading, a revealing excavation of our place and times, grounded in the desert, but of broad relevance to all Australians who think about our relationship to country, to its Indigenous peoples, to our shared history and to one another.
Kieran Finnane, Alice Springs News
Position Doubtful is entrancing and different; it is poetic, gritty, confronting, and inspiring all at once, and offers a rare and valuable window onto Aboriginal Australia.
Tom Griffiths, Australian Book Review, Best Books of 2016
Sometimes lyrical, sometimes grumpy, sometimes elegiac, but always frank, Position Doubtful ranges across the wide meaning of country, extending past landscape into story, family, history, politics, geology, art, memory, and belonging. It is a vivid and memorable book.
Lisa Gorton, The Age, Best Books of 2016
Position Doubtful probes through layers of understanding of the people and land where she was born, across the Tanami Desert to the East Kimberley; it is rich with insights delivered with sensitivity and honesty.
Susan Lever, Australian Book Review, Best Books of 2016
My book of the year … If anyone’s written more beautifully and modestly about this country and its people I’m not aware of it. I think it’s a treasure.
Tim Winton, The Age, Best Books of 2016
Position Doubtful is delivered with such verve for accuracy that everything seems to have light in it —points of illumination enhanced by the light of the country. And the figure of the author, who often describes herself in the third person, is the guiding light, a pilot on her inland sea. As Mahood modestly maps her terrain, its inner and outer worlds at once fragile, transitory, enduring, Position Doubtful acquires the aura of a classic. A book of extraordinary wisdom and subtlety … the writing is so good that nothing feels forced.
Barry Hill, Sydney Morning Herald
Kim Mahood writes with insight and without condescension of the indigenous community’s struggle to maintain traditions and cohesion in the face of marginal existence, poverty, health problems and rampant alcoholism. [Position Doubtful], despite containing a great deal of death and desolation, is a ringing affirmation of life in all its messy, muddled, half-resolved possibilities.
New Internationalist
wtb_michael's review
4.0
Thoughtful and thought-provoking, this memoir of Mahood's experiences in remote Indigenous communities has flown a bit under the radar this year, but really deserves a wide readership. She wrestles with important issues, writes beautifully about art and community and refuses to provide platitudes or easy answers.
archytas's review
informative
reflective
medium-paced
4.75
It's hard to know where to classify this book. To call it a memoir feels too small, too trivialising, yet the strength of this book is that it examines such big topics - cosmology, politics, art, and cartography - through such a personal lens. Mahood avoids answers, or even really questions, in this recounting of a journey into Country, and infuses her prose with grief, admiration, frustration, more grief, and occasionally a little peace. The book draws sharp portraits, of her friends, her family, and her frenemies, these portraits are a large source of the delight in the book, but Mahood never lets us forget that we are looking through her eyes. In the end, the book gives a glimpse of the world as she analyses it, and also as she feels it, and in this way it burrows deep somewhere inside.
I was stuck reading this book mostly at night, before falling asleep, which made it more disjointed than I suspect it needed. I found Mahood's adventures infiltrating my dreams, wrapping around my Canberra life with this other life in the desert. I've never had that happen with a book before, not regularly, and never so seamlessly. It was both disconcerting, and kinda beautiful.
I was stuck reading this book mostly at night, before falling asleep, which made it more disjointed than I suspect it needed. I found Mahood's adventures infiltrating my dreams, wrapping around my Canberra life with this other life in the desert. I've never had that happen with a book before, not regularly, and never so seamlessly. It was both disconcerting, and kinda beautiful.
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