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lindyloureads's review against another edition
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.25
ritaralha's review against another edition
5.0
Mary Ann Evans (1819 — 1880) foi uma romancista autodidacta inglesa. Escolheu usar o pseudónimo de George Eliot para fugir dos estereótipos que diziam que as mulheres só escreviam romances leves.
Middlemarch foi inicialmente publicado como um romance/novela, dividido em oito partes que saíam a cada dois meses. Começou com a história de Lydgate e as dificuldades de ser um médico de província, depois passou para a história de Dorothea, e, posteriormente, George Eliot decidiu construir um mundo em torno destas duas personagens, criar o retrato de uma cidade e dos seus habitantes e, paralelamente, analisar tópicos políticos, sociais e económicos através de uma série de episódios que servem para mostrar como as pessoas são afectadas pelas mudanças, e como o progresso influencia as suas vidas. Um retrato da complexidade da vida humana comum: tragédias silenciosas, fracassos de pequenos personagens, pequenos triunfos e momentos tranquilos de dignidade.
É um romance invulgar, de proporções épicas mas que modifica a noção de épico. Em Middlemarch não há um herói e grandes aventuras, há a vida provincial de pessoas comuns, vidas e histórias perfeitamente normais.
E como ninguém pode representar a vida provincial, é necessário incluir várias pessoas. Assim como o número de personagens (>40*) é enorme, a diversidade de assuntos (>15*) não lhe fica atrás, o que dificulta, numa fase inicial, a leitura, mas à medida que vamos avançando percebemos a complexidade das personagens, as suas contradições e podemos apreciar, ou não, cada um deles de acordo com suas falhas e defeitos pessoais.
É uma experiência enriquecedora e memorável.
Houve momentos em que me senti aquela velha à janela sempre pronta a meter o nariz na vida dos outros.
Middlemarch foi inicialmente publicado como um romance/novela, dividido em oito partes que saíam a cada dois meses. Começou com a história de Lydgate e as dificuldades de ser um médico de província, depois passou para a história de Dorothea, e, posteriormente, George Eliot decidiu construir um mundo em torno destas duas personagens, criar o retrato de uma cidade e dos seus habitantes e, paralelamente, analisar tópicos políticos, sociais e económicos através de uma série de episódios que servem para mostrar como as pessoas são afectadas pelas mudanças, e como o progresso influencia as suas vidas. Um retrato da complexidade da vida humana comum: tragédias silenciosas, fracassos de pequenos personagens, pequenos triunfos e momentos tranquilos de dignidade.
É um romance invulgar, de proporções épicas mas que modifica a noção de épico. Em Middlemarch não há um herói e grandes aventuras, há a vida provincial de pessoas comuns, vidas e histórias perfeitamente normais.
E como ninguém pode representar a vida provincial, é necessário incluir várias pessoas. Assim como o número de personagens (>40*) é enorme, a diversidade de assuntos (>15*) não lhe fica atrás, o que dificulta, numa fase inicial, a leitura, mas à medida que vamos avançando percebemos a complexidade das personagens, as suas contradições e podemos apreciar, ou não, cada um deles de acordo com suas falhas e defeitos pessoais.
É uma experiência enriquecedora e memorável.
Houve momentos em que me senti aquela velha à janela sempre pronta a meter o nariz na vida dos outros.
ktrainofthoughts's review against another edition
challenging
slow-paced
- Plot- or character-driven? A mix
3.5
gabigw's review against another edition
dark
emotional
inspiring
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
angela_juniper's review against another edition
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
thebookishpersuasion's review against another edition
emotional
funny
hopeful
lighthearted
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.75
dyno8426's review against another edition
5.0
No better time to wrap up Middlemarch than the middle of March, isn't it? In fact, any time would do to experience this work that displays the intelligence and boldness of an authorship ready to challenge the Victorian England times. A contemporary of Jane Austen, Mary Ann Evans takes a "V for Vendetta" approach to talk about what she observes around her society. She germinates a whole ecosystem of characters with the richness of psychological realism that is enough to break down the fictional barrier that good books usually do. It is prominently through an attitude of honesty and humility in which the author recognises the position of "fairer sex" in their society and how the counterweight of fears and desires, dependence and independence made their existence a tightrope balancing act. The pun-intended on "act" for the responsibility to maintain a dignified character in the face of expectations that conventions set before them and the responsibilities they were supposed to bear as a result.
Whatever little preface my edition gives into the author's personal background, reveals how the author transfuses parts of her life into the prominent female characters in the book - Dorothea Brooke championing philanthropy and breaking the mould of a comfort-filled existence in her pursuit of helping others at the cost of her own happiness; Mary Garth possessing the sensibility and confidence that comes from the warranted compass of righteous living; the unshakeable and romantic Rosamund Vincy probably the most flawed in her self-assuredness and guilt-free expectations from life. What is amazing is the balancing array of insightful and equally rich male characters who represent another masterful achievement of this book - the psychological dynamism between the two genders and marriage - the latter being a dominant and unavoidable theme of the relationship between two sexes and the quantum of social consequence of intertwined fates. The multi-dimensional richness of individuals brings colour and freshness to the otherwise expected difficulty and complications of marriage - like the underlying struggle to preserve parts valuable to oneself in a recurring demand to compromise them for the happiness of the other.
The subtleties of human behaviour, the transitoriness and layerings of our psyche as humans aspiring for nobler intentions of honour, power and greatness is captured with the relatable plainness of realism that inspires recognition and respect for author's perceptiveness. There are also flavours of philosophy interspersed through artefacts of politics, religion and making-a-living throughout the story. Surprisingly enough, rather that hindering the reader's interest in the story through its lengthy prose, it offers noteworthy excerpts that I ended up marking regularly for the humble, higher truth they communicate. While its brilliance shines through its universality of social identifiers, its focus from being a book about women and their perspective of the world made equally for them is unwavering and equally strong for me to recommend it as an impressionable book out there of voices worth acknowledging.
Whatever little preface my edition gives into the author's personal background, reveals how the author transfuses parts of her life into the prominent female characters in the book - Dorothea Brooke championing philanthropy and breaking the mould of a comfort-filled existence in her pursuit of helping others at the cost of her own happiness; Mary Garth possessing the sensibility and confidence that comes from the warranted compass of righteous living; the unshakeable and romantic Rosamund Vincy probably the most flawed in her self-assuredness and guilt-free expectations from life. What is amazing is the balancing array of insightful and equally rich male characters who represent another masterful achievement of this book - the psychological dynamism between the two genders and marriage - the latter being a dominant and unavoidable theme of the relationship between two sexes and the quantum of social consequence of intertwined fates. The multi-dimensional richness of individuals brings colour and freshness to the otherwise expected difficulty and complications of marriage - like the underlying struggle to preserve parts valuable to oneself in a recurring demand to compromise them for the happiness of the other.
The subtleties of human behaviour, the transitoriness and layerings of our psyche as humans aspiring for nobler intentions of honour, power and greatness is captured with the relatable plainness of realism that inspires recognition and respect for author's perceptiveness. There are also flavours of philosophy interspersed through artefacts of politics, religion and making-a-living throughout the story. Surprisingly enough, rather that hindering the reader's interest in the story through its lengthy prose, it offers noteworthy excerpts that I ended up marking regularly for the humble, higher truth they communicate. While its brilliance shines through its universality of social identifiers, its focus from being a book about women and their perspective of the world made equally for them is unwavering and equally strong for me to recommend it as an impressionable book out there of voices worth acknowledging.
museumonfire's review against another edition
challenging
emotional
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
Read for a class, but actually read the entire book and adored it. If you’re looking to get into the big books™️of the Victorian era this is a good place to start
taraabdi's review against another edition
challenging
lighthearted
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
tamara_danielle's review against another edition
challenging
emotional
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0