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cjordahl's review against another edition
2.0
The Grass Kingdom is an atypical setting with potential for compelling character dynamics and social commentary. A few of the characters are amusing enough. The central mystery -- was it murder or suicide -- is fine... far from unique, but a decent place to start. But the execution was disappointing. The plot was very by-the-numbers, pacing was erratic, many of the characters' motivations and behaviors were confusing and/or unbelievable. Of the 5 chapters, I liked 2, and the other three were meh.
The art was quite well done.
The art was quite well done.
shim's review against another edition
4.0
Intriguing premise for a series for sure, with artwork that really stands out and goes with the story with its rough texture and watercolours. Demonstrates the kinds of down-to-earth stories you can tell in a graphic novel without delving into the supernatural or futuristic settings. Curious to see what happens next.
sorayah11's review against another edition
dark
mysterious
tense
slow-paced
- Plot- or character-driven? N/A
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
3.0
dantiquity's review against another edition
4.0
Took a turn it seems from the first book or maybe I just need to reread the first one. Continues to be interesting and beautifully illustrated
hypops's review against another edition
4.0
The second volume/act of Matt Kindt and Tyler Jenkins’ brilliant, slow-burn thriller set on a small, intentional community. The tension remains taught. The art remains gorgeously suggestive. The characters remain interesting and rich.
I’m surprised this book has received relatively little attention. It’s easily among Kindt’s best work. While it resembles some of his other books (especially Dept. H), working with a collaborator has pared this book down to its bare, raw essentials. A fantastic example of “rural noir.”
I’m surprised this book has received relatively little attention. It’s easily among Kindt’s best work. While it resembles some of his other books (especially Dept. H), working with a collaborator has pared this book down to its bare, raw essentials. A fantastic example of “rural noir.”
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