Reviews

Making Pretty by Corey Ann Haydu

girlinthepages's review against another edition

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2.0

*Actual Rating: 2.5 Stars*

Making Pretty captivated me by throwing a curve ball at me within the first 70 or so pages that I could not ignore; a plot twist so disturbing that I had to keep reading the book even though there were several things about it that did not work for me. So instead of DNF-ing it, I plowed through 300+ pages of seventeen year old Montana's narrative to find myself at the end of it feeling a lot of things, though "liking" this book is unfortunately not one of them. While Haydu crafts a story with intensely messy family dynamics and underlying themes that are unique, I was so turned off by the protagonist that it hindered my overall experience with the book.

Creating a dialogue about plastic surgery

The fact that that Montana, the protagonist, has a plastic surgeon as a father is what really made this book worth reading for me, as it opened up a subtle dialogue about plastic surgery (and other body modification) without completely taking a hard line for or against it. The premise for the family's dysfunction lies with Montana's father's various marriages and relationships, which his daughters notice always end once he makes the woman flawlessly beautiful and there's nothing left for him to "fix." The girls have grown up with a distorted image of beauty and the uncomfortable knowledge that their father would gladly pay for them to fix their flaws, and even encourages them to do so at times. Montana thus often views plastic surgery as an evil thing designed to make women (and men) feel inferior, but she also dabbles in other forms of body modification throughout the novel (hair dye, piercings, tattoos) without fully realizing that she's altering her appearance to impress others or to try to convey a certain persona to people, to make them see her the way she wants to be seen. Montana's sister Arizona has a disdain for plastic surgery too, but still has a treatment done to alter a part of her appearance that she's always felt insecure about. The novel really presents a lot of ways in which people alter their appearance and for different reasons, and shows both people disappointed and empowered by plastic surgery (though it does tend to lean more toward presenting such surgery as a negative). I think that this topic is a good one for YA because teenagers and young adults are definitely getting plastic surgery and are often stigmatized and shamed without a real discussion as to the causes for such body modification, especially in comparison to other forms.

This story deals in uncomfortable truths

Making Pretty deals with a lot of uncomfortable situations that most readers would be hard pressed to be able to answer decisively: What would you do if your parents offered you plastic surgery? What would you do if your parent started dating someone close to your own age? How do you distinguish between love and infatuation? Does wanting to look a certain way make you a lesser person? Haydu was really great at incorporating these messy dynamics into her story about a family falling apart at the seems, and how family drama can bleed out into friendships, relationships, and other areas of one's life. One of my favorite "uncomfortable" aspects was Montana having to realize that some of the traits she disliked most about her father were ones she inherited and was practicing herself, because I think everyone swears in some way or another that they won't be like their parents in some aspect when they're a teenager.

Being a teenager is not always an excuse

What really irritated me about this book is that Montana was constantly making bad, irresponsible choices and I tired of reading about them. She caved to peer pressure about 95% of the time, whether it be smoking even though she didn't like to because it made her look cool or consistently getting drunk every time she hung out with another teen or young adult (I can't even count how many times this happened, at least once every 50 pages on average). Coupled with the fact that Montana almost never stood up for herself despite having to listen to her narrative about how much she disliked everything that was going on was infuriating by the end. Montana just continued to let herself fall into toxic relationships and let those relationships rule her actions (and usually choosing such relationships over her family). I feel like the story tries to account for such immaturity with the premise of Montana being young/in love/finding herself/coming of age/etc., but you can be a teenager and be responsible and not continually make bad choices.

I clashed with the writing style and pacing

The writing style was also fraught with phrases that just felt strange and awkward, such as "It was the opposite of a surprise." when something was obvious. I think the narrative was trying to convey a certain style in which Montana thought, but it felt choppy and awkward to me. The pacing was often slow for me as well, and I almost DNF'd it around 50 pages until THE THING happened that I had to know more about.
SpoilerMontana's dad starts dating Montana's new BFF who is like 25 years younger than him and I had to see how that disaster was going to pan out.
I didn't even really feel like I got a satisfactory ending though, as nothing really felt "resolved" or "fixed" by the end. There was also a sort of underlying subplot of Montana needing to reconnect with all of her past mother-figures as she "finds herself" but readers don't even get to see her eventual contact with her birth mother, which personally for me was a huge letdown.

Overall: This is the first novel I've read by Corey Ann Haydu and while it is based on a messy and controversial topic that creates an interesting dialogue on body modification, the characters really fell flat for me to the point of being downright irritating. Haydu excels at creating messy family dynamics and putting her characters in uncomfortable situations, but I personally didn't see enough character growth or plot resolution for such aspects to be worthwhile.


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merkyr's review against another edition

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4.0

Such lovely writing that made you feel just like you're in the middle of a sticky stinky sweet city summer. I loved the New Yorkishness of this but more than that I loved immersing myself in that time when everything is changing far too fast.

zozoisgolden's review against another edition

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2.0

Honestly, I was unsatisfied with this entire story. Like heavens no. The ending just made it worse.

I gave it 2 stars because the author had a nice writing style which I enjoyed but that was where it ended for me. Montana's life is terrible. Like seriously. She had a horrible parental figure who thrives on bringing inconsistency into her life. He dates her new friend Karissa, who I find it weird that Montana still managed to like after all. The woman manipulated her for goodness sakes. Am I the only who noticied that the only reason she befriended Montana was because of her Dad?!

Arizona was the only person I remotely liked. I didn't like Benardo at all. I think Montana was hypocritical dating him and falling in love so instantly when she blamed her Father for doing the exact same thing.

Her Dad was a horrible person and parent. End of story. Even at the end, he still chose Karissa despite the whole dramatic she's my daughter speech he gave.

This girl never found any real answers, the worst possible ending to ever give anyone

haia_929's review against another edition

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4.0

This is a trimmed down version of my review, to view the full review visit The Book Ramble.

I received a copy of this book from HarperCollins Children on Edelweiss in exchange for an honest review.

Montana feels lost. Her sister and best friend have moved on with their lives at university. Her father is constantly changing wives and changing how they look. She feels ungrounded and scared. She gets swept up in romance over the summer. Two romances. The romance of Karissa, the nymph-like girl from her acting class, and the romance of Bernardo, the charming stranger she's constantly making eyes with in the park. She struggles through the summer trying to understand love and her family, trying to find her place - trying to belong.

Making Pretty took me by surprise. I was so delighted and absorbed by this book. I felt like this book was about me. And maybe that's what makes this book so nearly perfect - everyone feels lost and out of place at some point in their life. Montana's story feels like the story of all of us, and it was so comforting and exhilarating to read about it and feel the passion and chaos of her life. This book has an excellent sense of motion and stillness, fantastic characters, a sense of realism unlike any other, and heart wrenchingly good writing.

I struggled a lot when reading this to explain to family and dates and friends what this book was about. This isn't a hugely plot focused book, it's a character driven book about Montana's development, it's about the search for belonging and the self and a sense of freedom and being you but also being something more than that - being a piece of something bigger, like a family. That's hard to explain, it's hard to understand if you're on the receiving end of that description. Haydu perfectly captures this sense of adventure, belonging, alienation, loss, longing, freedom, being stuck, being in love, and not, and wanting something more but not knowing what or how.

This book, the plot and the characters and the feelings, leapt off the page and filled me up because they were so real. Haydu has such a knack for creating realistic drama and feeling in her books. Montana's worries are so real, and her attempts to be herself are so reckless and real and true.

Montana and her sister, Arizona, have the sort of relationship many siblings who are close in age have - they're inseparable until they're not and then they're both reeling from this sense of loss. Karissa is so enchanting and charming and horrifying all at once because she's perfect it's unnerving. Bernardo was charming and lovely. Montana's parental drama is realistic. Her sense of longing for something that was never her's in the stepmothers, and her own mother, is so relatable it stings.

I don't think I have enough words of praise to give to this book. It was enchanting and powerful. I was somewhat disappointed with the ending at first - because it doesn't wrap everything up perfectly - but it fits. Things don't need to be perfectly wrapped and pretty. That's not realistic.

pikasqueaks's review against another edition

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4.0

Definitely a strong contender in the realm of contemporary YA. Incorporating a strong narrator who is both strongly flawed and has a strong voice, MAKING PRETTY steps aside from the ideas that teenagers have to be nice, boring kids who sit inside all day or are awful human beings. Montana and Arizona are sisters who have the commonality of being raised by ex-hippies who should have never had children to begin with.

The mom is your standard freebird cliche, she needed to get out of there in order to feel her true calling or whatever or something. This always seems to go hand-in-hand with the hippie stereotype in YA. But to pair with that, there's the father who was never able to seal up the hole she left, and instead just went after women in a more dangerous way than your average serial monogamist.

Montana is lost and needs some sense of family -- and she finds it in her boyfriend, and believes she finds it in her new friend, Karissa. But those relationships come with a number of issues on their own, throwing Montana into the mix of some serious family drama that gets worse as the book goes on.

I'd like to say she comes out of it stronger, but she kind of leaves that open to be seen.

MAKING PRETTY deals with sister relationships -- especially between a sister who needs to keep the other too close, too similar, in order to feel connected to her, and the other, who wants to break free of the restraints she's been under her whole life. This is balanced really well with the other stories, but remains the most memorable part of all.

danicapage's review against another edition

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4.0

My Rating: 4 out of 5 stars.

Disclaimers: I received an e-galley of this novel from the publisher in exchange for my honest opinion. I was not obligated to write a good review nor did I receive any compensation for writing this review.

My Overall Thoughts/Impressions: This book was nothing like I thought it was going to be like, and in this case, that was a good thing. This book explored some pretty intense issues, but it did so in such an original way.

While I didn't necessarily love the characters, I loved the writing. Haydu had a great voice and I loved how she told her story.

I was hooked from page one. There are thousands of realistic young adult novels, but this one stood out for me.

I would have liked a more detailed conclusion. A lot of things were left opened. However, I actually didn't mind all that much. The ending fit the theme of the novel in my opinion.

If you like books that are different and make you think, then I'd definitely recommend this one. This novel was very thought-provoking.

Major Strengths: The voice she infused into her novel. The originality.

Major Weaknesses: At parts the story dragged.

So why 4 stars? It was unique and thought-provoking.

Warnings/Side-notes: Vague sexual references, several instances of strong language. 16+.

The Wrap-up: I'll be interested in reading more by this author.

Love,

Danica Page

charmaineac's review against another edition

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4.0

I've never read anything quite like this before. If you stop and think about what is happening, the entire plot seems absolutely absurd. Most times, books aren't good unless you can relate to them on a fundamental level. And although there are so many unrelatable aspects of the plot, the themes are universal. Beauty. Confidence. Being young and invincible like you are living right there, in the centre of the universe.

Above all, Corey Ann Haydu is a master at writing books about losing control. It's a thing of wonder to see Montana slowly accept wilder and wilder situations. I definitely sympathized with Arizona. She had to accept and love some seriously messed up stuff. I loved Natasha's role in the story. Tess and Janie's reactions were realistic as well.

My only gripe was where the story ended. I really wish we got some CLOSURE. Their mom played such a large role in the story, and we deserved to know how she would react to seeing her kids. And what was happening with Karissa? That relationship doesn't seem sustainable at all. I wish the characters all grew more, by the end of it. If ever, it seemed like a sad story about how the more things change, the more they stayed the same.

chrissireads's review against another edition

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3.0

Making Pretty is the first book that I’ve read by Corey Ann Haydu, but it won’t be the last. I thought Making Pretty was an interesting contemporary read. It felt a little long in parts and some it was a little predictable, but I think that’s becuse I read quite a lot of contemporary books.

In Making Pretty, we follow Montana, who has been left by her mother when she was younger. She feels let down by her sister who has changed since she went to college. Montana always felt like her sister was part of her, and now she has returning looking and acting differently, she feels lost and let down. Montana and Arizona’s father frequently marries women, encourages them to get plastic surgery to improve themselves and then divorces them. They despair of their father’s antics, and Montana is in for a shock when the new stepmother could be Karissa, someone that she thought was her new best friend.

I think you’ll either love or hate the characters in Making Pretty. They’re complex, confusing and some are quite irritating. But they’re unique and memorable. I thought their father was absolutely awful. He’s a plastic surgeon and believes that everyone should look perfect, or at least his idea of perfect. I cringed when I read that he gave his daughters gift certificate for plastic surgery. Way to raise their self-esteem, hey?! Their father obviously has his own hang ups but I thought it was awful that the sisters had to go through so many stepmothers. I’d like to say he had some redeeming qualities, but I really don’t think he did!

The reason why I haven’t rated this book any higher, was because I felt it was too long and even at the end of it, it didn’t really feel resolved. I felt sad for the girls that they were so insecure and so desperate to be loved. I don’t think Montana really grew as a character.

There’s no denying that Making Pretty is a well written book. It’s messy, controversial and definitely discussion worthy.

liralen's review against another edition

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3.0

Making Pretty breaks free of some normal YA restrictions in a pretty great way—that is, Montana does some dumbity dumb stuff and makes some pretty lousy judgement calls with long-term consequences...but ones that are still realistic for a teen. I find in a lot of YA that, while protagonists are allowed to make mistakes, they aren't allowed to make certain kinds of mistakes: sleep with the wrong guy or make permanent cosmetic changes that they might regret or...but Montana does those things
Spoilermaybe the wrong guy. I mean less 'wrong guy', I guess, than 'guy with whom there is not a happily-ever-after by the end of the book'.
, and they cause problems, and they are also totally normal and teenage things to do, so...that pleases me.

Let's back up. The premise: Montana is in the summer before her last year of high school, and it's the summer everything is changing. Her sister is back from college, but she's changed. Her plastic-surgeon father hasn't changed, which is to say that he's just divorced his fourth wife and is on to someone new...a relationship that will have a different kind of Consequence in Montana's life. Montana has made a new friend, but what seems at first like a long-lasting and tight friendship rapidly spirals into something damaging. Because Karissa, the new friend? Karissa is compliziert. She has...issues.

But complicated characters make for more interesting books, and so this was interesting...Karissa less so for herself than for the way other characters interact with her. I'm particularly interested in Montana's father, the plastic surgeon, and they way he absentmindedly doodles on every picture of a woman he comes across, marking where he would make adjustments to make them more 'perfect'. Because this idea of perfection...it is so limited. He assumes, I think, that there is a single set of perfect features, or at least a very narrow set of perfect features, rather than thinking that different people might have different definitions of perfect, or thinking that differences—imperfections—are what give life to people's faces.

I wouldn't especially want to hang out with any of these characters, but they and their imperfections were worth spending a train ride and airport wait with.