Reviews with content warning for Murder - The Witch and the Tsar

Reviews tagging 'Murder'

The Witch and the Tsar by Olesya Salnikova Gilmore

16 reviews

ttorisaurus's review against another edition

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adventurous tense medium-paced

Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes

4.75

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oisinthewizard's review

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adventurous dark emotional medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.25

I loved this book up to about page 340.

The characters are robust and dynamic, even in their flaws. I appreciate Yaga's flaws and limited perception of time and place, even as the daughter of a god. It takes a deft hand to write a vulnerable immortal and Salnikova Gilmore pulled it off. The landscape of Ivan the Terrible's Russia draws the reader in with its starkness and brutality. I enjoyed the found family dynamics with the Skomorokhi Knights, although sensitive readers may find the brutality of the Oprichniki to be too much. (To be fair to the author, they were far more brutal in actual history than in this fantasy novel.)

As my issues with the book are primarily with the ending, I will write them as spoilers.

Once it became obvious that Selica, Lady of Death, sister of Baba Yaga, is also Kostroma, Lady of Spring nad Rebirth, sister of Kupalo, I thought the plot to kill Selica would have an obvious ending - it is in the killing to of the deity of winter that she can become the deity of spring. This is a known mythological cycle and makes sense. So when Yaga's ritual just perma-kills her and the goddess of spring and winter is no more - I am honestly confused as to how that would possibly restore the order of seasons in Russia, especially with Morozko, who has been inflicting eternal winter on Russia, unpunished and unfettered.

I also found Vasily's story from page 340 on to be unnecessarily complicated and without proper resolution. He could have just disappeared in the war against the Lithuanian and Polish armies. To have him under some unexplained spell and then just appear, perfectly fine, at the end of the book, despite Yaga and Marina waiting for him for months in Psok makes no sense.

Selica's anger at men does not have any textual support, as it was her mother who sold her into marriage and her husband, Morozko, who supported her escape from it. On page 344, she accuses Morozko of infidelity and punishes Vasily for "Yet he is a man, and how easily they forget. She is doing Yaga a favor. Look where men have gotten Selica. Like all women, her sister is better off on her own." None of this is supported by the text. We have no evidence prior to this of Morozko having any lover other than Selica and Vasily has loyal to Yaga.

Lastly, I was very disappointed that after Selica is banished to the lands of the dead, none of the characters who were participating in brutal massacres for basically the entire book have any responsibility to their actions and in fact, appear to just stop now that the Lady of Death is gone. Do they not have any agency of their own?

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alisonvh's review

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adventurous dark emotional medium-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

Baba Yaga is a mostly immortal half goddess trying to stop Ivan the Terrible from being so terrible. I love historical fiction, I love magic, I love talking animals, and I love stories about gods and goddesses messing with human affairs. Mix it all together and you have a book written just for me!

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lovosii's review

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adventurous dark emotional hopeful inspiring sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

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gondorgirl's review

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adventurous challenging emotional hopeful reflective sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? N/A
Flaws of characters a main focus? Yes

4.0

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skitch41's review

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adventurous dark emotional informative mysterious tense fast-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? No

4.0

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alba_marie's review against another edition

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sad slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? N/A
Flaws of characters a main focus? Yes

3.5

3.5 stars

I think I would have been more receptive to this book if Russia wasn't currently being a prick and instigating a war in Ukraine, or if the story of the Baba Yaga was set in a different Eastern European location.

It was the tale of the Baba Yaga that drew me to this book. I used to live in Poland and heard tales of the infamous witch, the Baba Yaga. I love retellings and fairytales, and enjoy a good feminist retelling. I was intrigued to read a feminist version of this Slavic witch. However, I'm not sure Gilmore's Baba Yaga really lived up to my expectations...

I expected a good old fashioned redemption story. I am a sucker for both redemption stories and a villain's backstory. In fact, these are among my favourite tropes. Often the bad buy with the secret heart of gold is my favourite character, and tales that surround them fascinate me (think Lucifer, Crowley from Supernatural, Damon, Regina the Evil Queen...). So this one seemed very much my thing.

But then I read it, and Baba Yaga was just... Yaga. There was no redemption, at least not for her. There was no backstory. There was no "and this is all the bad shit that happened to me to get me here" or "this is who I really am but I'm misunderstood because of XYZ." Yaga was just nice. Nothing like the stories that cast her as a dark witch.

God after god was thrown at the reader, as were human characters, real and imagined. Every character had at least two or even three names. So many folkloric places were also included. So complex was it that she had to include a glossary – too bad it was at the end and I didn't realise it was there until I was halfway through. It was hard to keep track of it all. It was like Gilmore didn't know if she wanted to be Neil Gaiman in American Gods or Madeline Miller's Greek retellings, and in trying to do both, she succeeded in neither one.

The slightly whimsical purple prose did not allow me to be immersed as much as I'd want, and felt like the story was constantly keeping me at a distance. Plus, the Russian setting didn't add any favours. Over all, I really wanted to like it, and while I didn't dislike it, it wasn't the Baba Yaga story I was looking for.

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