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pacifickat's review
adventurous
dark
hopeful
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
"We'd fought side by side [...], and like I said, there's a bond between men who have placed their lives in a brother's hands and asked that brother to do the same. But there's fanaticism, too. There's faith unbridled and minds unquestioning, the soldier at the order of his commander, the faithful at the word of their priest. [...] My brother trusted me not so much as once he had."
Ok, so first off, my big beef with Kristoff as a writer:
He seems to have ripped off major elements of other writers and creators, such as
Do readers who adore this book simply not recognize all the glaringly obvious borrowed plot elements, or do they enjoy the references and not mind that it makes the storyline easy to anticipate? I felt like this blunted what probably should have been the most surprising plot twists, and saw several big reveals coming a mile away, somewhat gobsmacked the author would so directly pull from other books and media. When I described some of these overlaps with other works to my husband, he asked if I thought the book was partially written by AI. (I don't believe it was, but that would exlpain the number of things pulled from existing sources.)
I also didn't really like how sanguimancy was never really explained other than it fixes a lot of problems in a pinch in the story. Feels very convenient, a very squishy element of the magic system.
Now, on to things I liked:
In the end, I still very much enjoyed the audiobook. The audio narrator did a brilliant job bringing the characters to life with various distinct accents and voice intonations. I honestly probably would have given up on the book otherwise due to all of the seeming copy/paste from works of other creators and the subsequent predictability of the storyline.
I know the author doesn't like the term, but the story is grimdark through and through, meaning no good and noble deed goes unpunished. I like what this kind of story says about those who do good in a bleak world in spite of great personal cost. Kindness and mercy are only extended at great risk. I think this is one of the most compelling things about EotV. Allowing oneself to love takes the greatest sort of courage.
I liked how Kristoff used this dark and bloody setting to explore ideas about faith, fate, fidelity, fanaticism, family, friendship, and the stubborn endurance of hope. (I know, that last one should have started with F as well.) There are elements of the One Faith, the book's thinly veiled version of Christianity, that are just as dark and frightening as the impending vampire invasion: a torturous inquisition, corporal punishments, acts of violence in the name of blind faith, fidelity to the cruel teachings and practices of church leaders, fanatical interpretations of scriptures and prophecies, and an underlying religious lore that makes sacrificing individuals for the sake of the whole an acceptable and honorable wager (in the pattern of the Christ figure they call the Redeemer). This is a world of characters caught between a rock and a hard place, each deciding what to do in the face of their humanity becoming a liability. What will they hope in? What hill will they die on? Who/what will they sacrifice for redemption? This is where the book is at its best.
The best action sequence imo was
I wish that
Anyways, that's my meandering review on this 27+ hour listen. I will likely listen to book 2 next month.
Content Warnings
Graphic: Drug use, Misogyny, Physical abuse, Drug abuse, Cursing, Domestic abuse, Torture, Gore, Slavery, Homophobia, Addiction, Adult/minor relationship, Blood, Gun violence, Bullying, Body horror, Death, Outing, Sexual content, Death of parent, Murder, Grief, Toxic friendship, Injury/Injury detail, War, Child death, Toxic relationship, Violence, Animal death, Confinement, Child abuse, Fire/Fire injury, Kidnapping, Pedophilia, Religious bigotry, and Sexual harassment
Moderate: Sexual assault, Classism, Rape, and Sexual violence
Religious trauma, religious fanaticism, clergy abuse, fridged female characers, biting, eyeball injuriesmauillustrations's review against another edition
adventurous
dark
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
1.0
Oh god… this book…
Alright, let me start this review by stating that, unlike many other readers who gave this book a low rating, I was able to somewhat enjoy the read. To a certain extent at least. Edgy, gothic, vampire stories are my guilty pleasure and I have a certain fondness for the cringy emo vibes the writing style gives. I’ve also read this book in a big vampire binge. I’m playing a Curse of Strahd game, which I am impossibly obsessed with, and I had just finished watching Castlevania (the animated tv show). So when I stumbled upon Empire of the Vampire, I was in the perfect mood for the kind of story I thought it would tell and I might’ve tunnel visioned my experience of it to satisfy my cravings.
I had fun with the general aesthetics and world building, and took interest in how the author explore the vampire mythos. I especially enjoy when vampire stories link the creature to nobility like EotV does. The different Vampire houses were an interest premise and I thought some of the quotes landed well when you don’t mind Kristoff’s emo writing style.
Alright, let me start this review by stating that, unlike many other readers who gave this book a low rating, I was able to somewhat enjoy the read. To a certain extent at least. Edgy, gothic, vampire stories are my guilty pleasure and I have a certain fondness for the cringy emo vibes the writing style gives. I’ve also read this book in a big vampire binge. I’m playing a Curse of Strahd game, which I am impossibly obsessed with, and I had just finished watching Castlevania (the animated tv show). So when I stumbled upon Empire of the Vampire, I was in the perfect mood for the kind of story I thought it would tell and I might’ve tunnel visioned my experience of it to satisfy my cravings.
I had fun with the general aesthetics and world building, and took interest in how the author explore the vampire mythos. I especially enjoy when vampire stories link the creature to nobility like EotV does. The different Vampire houses were an interest premise and I thought some of the quotes landed well when you don’t mind Kristoff’s emo writing style.
“There’s no misery so deep as one you face by yourself. No nights darker than the ones you spend alone. But you can learn to live with any weight. Your scars grow thick enough, they become armor.”
“But more, and truer still, there’s just no one with more to prove than the boy at the bottom of the pile. You feed a man your table scraps, he grows hungry long before he grows thin."
That being said, there’s still A LOT to criticize about this book…
SPOILER WARNING for both Empire of the Vampire and the Nevernight trilogy ahead.
First off, Empire of the Vampire isn’t very original. Now, that’s not always a bad thing, it doesn’t necessarily mean that reading it is boring or unpleasant, but it sure as hell feels like a lot of the overall plot was recycled from other works. The author himself said that it’s heavily inspired by Interview with a Vampire and The Name of the Wind, and it shows. There’s also a plot twist at the end that’s basically copy pasted from The Last of Us and when you think about it, the whole concept is also pretty similar to his Nevernight trilogy:
An edgy main character with unique abilities who’s of a rare species/kind with dark hair and pale skin and loves to smoke and swear goes into some kind of cult like organisation situated in a weird church to be trained as killers. The MC has a quirky companion who most people can’t hear and who often comments or advise the MC on their quest in a world where the day and night cycle is fucked up. There’s at some point in the book a sapphic relationship with somewhat explicit sexual content between teenage girls, one being a viking inspired character and the other being a very skinny, spiteful young woman. And finally, the storytelling is told as if from a book or memoir and there’s often comments from the narrator(s).
So yeah… that’s that for the originality…
Second, EotV is the book that was most clearly written by a middle aged man I have ever read. Without even addressing the blatant misogyny, the general way women characters are written is clearly to cater to the male gaze. All woman are hot, they're usually describe in way more details than man characters and this goes not only when they are introduced. When they speak, when they move, when they enter a scene, there’s almost always a comment on how they’re dressed, how their limbs move sensually, how their lips are blood red, their skin milk white, their figure curvy, etc… The violence - because this book is very violent and gory - feels likes it’s described differently when women are the victim. The narration focuses way more on the description of their wounds, their screams and/or their bodies than it does with men (though there is exceptions, just talking generally here). There’s one of the antagonists who’s whole gimmick is slaving young virgin girls, using them like animals and shields. There’s at least 4 named female characters who are raped (and many more general mentions of different degrees of sexual assault). Not to mention the fridging of the main character’s mother, sisters, wife and daughter, the overall misogynistic setting, and the countless “your mom” and prostitutes jokes.
Now, I’m not saying misogyny can’t or shouldn’t be portrayed in a story, a setting or a character. But EotV uses misogyny as an aesthetic. It’s there to make the world edgy, to portray the characters as assholes (sometimes in a quirky kind of way). It’s not necessarily portrayed as a good thing, there’s clearly an underlying implication that it’s a bad aspect of the culture and setting, but it’s never adressed more deeply than once or twice by a #girlboss character who throws a line like “girls aren’t just tits on legs”. Wow. Feminism at its finest…
There’s also a constant presence of oversexualization of any female character, especially, and uncomfortably so, underaged ones. I’ve already mentioned the focused descriptions and the sexual jokes, but it goes way further than this. There’s plenty of explicit sex scenes between minor characters, the book even starts with one. In the two timelines where the book takes place, first one following teenage main character and second one following the MC in his thirties, most of the explicit sex scenes take place in the underaged timeline.
There also random sexual descriptions or instances that happen in moments where I really feel is tonally inapropriate. For exemple, there’s a scene at one point where a vampire just starts to touch herself mid-combat, for no reason at all except that I guess there’s blood that has been shed? It didn’t bring the scene further, didn’t provide anything for the story or to the characterization of said vampire (who I believe we never see again).
“She ran her tongue along her teeth, bloody fingertips across the gaping wound at her throat, roaming down the hourglass of her body and pressing hard between her legs.”
To top it all, the main character is constantly struggling to keep it in his pants. Him being a pale blood supposedly makes him super horny and his inner dialogue is often reminiscing on how he’s hot and hard for whoever’s in front of him, on how his blood is boiling from the desire and so on - which becomes really weird when you remember he’s actually saying all of this out loud to some vampire who’s writing it all down on paper.
So yeah… as much as I felt enjoyment while reading it, the more I think about it, the more the experience sours. I read this book in 2021, before I started to put conscious efforts into analysing my reads and diversifying what I consume. 3 years later, I’ve very much developped (or so I hope) my critical thinking and I’ve now consumed more diverse stories. I know now that to enjoy a good story, I don’t have to turn a blind eye to what feels wrong. You want a good gothic vampire story? Read A Dowry of Blood by S.T. Gibson or Silver Under Nightfall|60321513|Silver Under Nightfall by Rin Chupeco or even Woman, Eating by Claire Kohda. These are stories who succeed in being gothic and macabre, epic and/or edgy, without forcing misogyny or bigotry on the reader. They might explore these themes, but they never use it as an aesthetic to make the setting dirtier.
Anyway! If you read until this point, props to you! That’s all I have for EotV. I’m still debating whether I’ll read the sequel or not. I’m still curious about the plot, but I dread having to go through another 700 or so pages of this r/menwritingwomen script…
Content Warnings
Graphic: Gore, Sexual content, Blood, Death of parent, Drug use, Injury/Injury detail, Misogyny, Torture, Alcohol, Sexual violence, Physical abuse, Violence, Addiction, Murder, Rape, Religious bigotry, Sexism, and Sexual assault
Moderate: Slavery
novaleestar's review against another edition
adventurous
challenging
dark
emotional
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I loved this book just as much as anticipated! It is a dark, macabre trek through an endless forest full of horrible frights, and I often felt as if I were a phantom being led through a bloody painting. Viseral, beautiful, heart wrenching. Jay Kristoff always does such a good job making me reach out to find the hope he has hidden in the darkest nooks and flaws of his characters. This was no exception, and I can't wait for the next book.
Content Warnings
Graphic: Blood, Pandemic/Epidemic, Alcohol, Animal death, Death, Alcoholism, Gore, Religious bigotry, Fire/Fire injury, Addiction, Grief, Violence, and War
Moderate: Cursing, Child death, Physical abuse, Death of parent, Torture, Body horror, Domestic abuse, Excrement, and Rape
n_j_k's review against another edition
adventurous
challenging
dark
inspiring
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
Content Warnings
Graphic: Drug abuse, Blood, Death, Murder, Sexual assault, Bullying, Cursing, Gore, Torture, Vomit, Rape, Death of parent, and Sexual content
violet_gray's review
adventurous
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
This review is specifically for the audio version with no pretty pictures to distract me from the hot mess which is the writing.
The “banter” is early 2000’s edgy stand up style humor.
The inconsistent mix of random French, faux old English and modern day English breaks all immersion.
I’m ok with mixing timelines but they don’t pay off. Also the contant moving of the goal post robs the story of anything remotely resembling a satisfying conclusion .
The world building is not there. There’s mushrooms, potatoes, water and vague other races. Where are they? How does that impact who they are and how the world treats them? 🤷🏼♀️
Now specifically for the audio version… oh dear. That was a hot mess of accents and styles.
Less objective thoughts.
This reads like fan fiction of many different properties , most blatantly The Vampire Chronicles (French Nobel woman in exile in the country side, married to drunk husband has a child that extra special and their name is Lion something) and The Last of Us (hear me out: grumpy dude who loses daughter must deliver children to authorities that will use her to save the world but then decides he’d rather burn the world than have her die. Also fungus monsters) but the author likes gritty comics and George Carlin humour and things they can do better and this was their attempt at that.
And as someone that likes all those things as well, I do wish this worked.
Hence the two starts instead of 1. But it doesn’t work cause the writing is bad. There is no real reason for this book to be this long unless you are aiming to appeal to Sanderson fans but can’t do all the world building he does.
If books were kids toys, Sarah j Maas would purple sparkly toy and this would the exact same crap plastic toy but in blue and black.
The “banter” is early 2000’s edgy stand up style humor.
The inconsistent mix of random French, faux old English and modern day English breaks all immersion.
I’m ok with mixing timelines but they don’t pay off. Also the contant moving of the goal post robs the story of anything remotely resembling a satisfying conclusion .
The world building is not there. There’s mushrooms, potatoes, water and vague other races. Where are they? How does that impact who they are and how the world treats them? 🤷🏼♀️
Now specifically for the audio version… oh dear. That was a hot mess of accents and styles.
Less objective thoughts.
This reads like fan fiction of many different properties , most blatantly The Vampire Chronicles (French Nobel woman in exile in the country side, married to drunk husband has a child that extra special and their name is Lion something) and The Last of Us (hear me out: grumpy dude who loses daughter must deliver children to authorities that will use her to save the world but then decides he’d rather burn the world than have her die. Also fungus monsters) but the author likes gritty comics and George Carlin humour and things they can do better and this was their attempt at that.
And as someone that likes all those things as well, I do wish this worked.
Hence the two starts instead of 1. But it doesn’t work cause the writing is bad. There is no real reason for this book to be this long unless you are aiming to appeal to Sanderson fans but can’t do all the world building he does.
If books were kids toys, Sarah j Maas would purple sparkly toy and this would the exact same crap plastic toy but in blue and black.
Content Warnings
Moderate: Sexual violence, Murder, Homophobia, Religious bigotry, Body horror, Rape, Sexual assault, and Torture
lifeonasofa's review against another edition
adventurous
challenging
dark
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Empire of the Vampire 🧛🏼♂️ Review
“Finally, he retrieved a tarnished royale from his pocket. 'Here.'
'What is that for?' Jean-François demanded.
'I want you to take this coin to market, and buy me a fuck to give.” - Jay Kristoff 🪙
⭐️⭐️⭐️⭐️ 4.5 Stars
If you’re looking for an adult vampire world to live in for the foreseeable future…this is it. At over 700 pages, this is only part one and Jay Kristoff is taking his TIME telling Gabriel’s tale. But for an opening, this book was art 😘
It took me some time to get through this. It’s definitely not a relaxing read, it’s an experience. Having said that, when I did read it, the plot still moved pretty quickly. The book jumps everywhere along the timeline so it keeps it interesting 🤔
I LOVED Gabriel, his character was so fleshed out. He felt so real. The whole silversaint thing, so interesting. Surprisingly, the religion side of this was probably my favourite part. Particularly, the loss in belief and light - it really helped flesh out the history of the world👌🏻
Heads up, it’s a blood bath so if you’re put off by blood, death (some pretty sad) and foul language…I’d be wary 😂 it’s definitely not a kids book. I really loved how Kristoff combined such a classic story telling writing style with the relaxed banter dialogue, it somehow kept it light 👏🏻
Content Warnings
Graphic: Injury/Injury detail, Murder, Addiction, Alcohol, Cursing, Violence, Blood, Death, Gore, and Grief
Moderate: Confinement, Death of parent, Religious bigotry, Torture, Animal death, Homophobia, War, Child death, Fire/Fire injury, and Misogyny
Minor: Adult/minor relationship, Sexual assault, Sexual content, Infidelity, Pregnancy, and Rape
aseel_reads's review against another edition
adventurous
challenging
dark
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
While I liked the narrator style and the world we were in, it was super long for no reason? The amount of detail for someone recounting their life was absolutely ridiculous. I also can't believe there are going to be 5 books
Content Warnings
Moderate: Injury/Injury detail, Rape, Religious bigotry, Sexual assault, Child death, Gore, Grief, Domestic abuse, Pregnancy, Sexism, Addiction, Animal death, Child abuse, Death of parent, Death, Torture, Violence, Alcohol, Blood, and War
booksandstarss's review
adventurous
dark
emotional
mysterious
sad
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Body horror and War
Minor: Rape and Xenophobia
jlynnelseauthor's review against another edition
adventurous
dark
reflective
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
"Empire of the Vampire" is a journey. Its a long one as our main character, de Leon, is recounting his heart-rending life to a vampire historian. This is like, perhaps, an 18th-Century-esque French setting. There's a large amount of world building particularly around religion. The religion is basically Christianity but with subtle differences.
The book goes down a bit for its treatment of women. Many women are clearly there to entice the male reader. The main female vampire is often touching herself and trying to sexually manipulate the men chasing her...in public no less--very annoying. Women are often brutalized more explicitly than male characters. And if you're a woman, stay away from de Leon.
Besides a couple people, everyone else curses like a sailor. Every. Single. Person. There is an excessive use of the word c*nt, but most often its variations on f*ck. The book is also much more sexually explicit than I'm used to reading. There's even underage sex, including a drawn photo in the book, which is not a welcome addition. Finally, it's extremely violent and bloody.
With everything being said, there are epic battles, hidden religious secrets, a vow of vengeance, and a struggle of faith. De Leon is an intriguing character. Kristoff does have some beautiful passages about choice and life and fate. I don't know if I'd be able to read a book 2 as I can't imagine keeping all of this in my head!
The book goes down a bit for its treatment of women. Many women are clearly there to entice the male reader. The main female vampire is often touching herself and trying to sexually manipulate the men chasing her...in public no less--very annoying. Women are often brutalized more explicitly than male characters. And if you're a woman, stay away from de Leon.
Besides a couple people, everyone else curses like a sailor. Every. Single. Person. There is an excessive use of the word c*nt, but most often its variations on f*ck. The book is also much more sexually explicit than I'm used to reading. There's even underage sex, including a drawn photo in the book, which is not a welcome addition. Finally, it's extremely violent and bloody.
With everything being said, there are epic battles, hidden religious secrets, a vow of vengeance, and a struggle of faith. De Leon is an intriguing character. Kristoff does have some beautiful passages about choice and life and fate. I don't know if I'd be able to read a book 2 as I can't imagine keeping all of this in my head!
Content Warnings
Graphic: Alcoholism, Gore, Religious bigotry, Violence, Cursing, Death, Misogyny, Murder, Physical abuse, Sexual content, Torture, and Animal death
Moderate: Homophobia and Rape
roxxie's review against another edition
adventurous
dark
emotional
mysterious
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
A Tale of Blood and Darkness ♦ Jay Kristoff | Rezension
Mit A Tale of Blood and Darkness beginnt die neue epische Fantasy – Reihe Das Reich der Vampire aus der Feder von Jay Kristoff. Hast du das Buch gelesen, dann wirst du den folgenden Worten sehr wahrscheinlich zustimmen. Hast du es noch vor dir, dann nehme dir meine Worte zu Herzen.
Für diesen Wälzer, mit über 1.000 Seiten, solltest du deine wirkliche Welt anhalten, bevor du den Fantasy – Zug besteigst. Denn ab dann heißt es Anschnallen für eine emotionale Achterbahnfahrt in ein gotisches Blutbad!
A Tale of Blood and Darkness ♦ Jay Kristoff
Meinung
Ich hätte nicht im Entferntesten daran gedacht, dass mich dieses Buch so gefangen nehmen wird, dass ich schon fast von Besessenheit sprechen könnte. Gleich zu Beginn muss ich klarstellen, dass ich jede Zeile, jeden Abschnitt, jede Seite eines Kapitels liebe. Ich werde wohl auch sehr bald die englische Ausgabe zur Hand nehmen, um die Tiefe des Buches noch einmal im Original erleben zu können. Dies wird meine Sehnsucht auf den zweiten Band nur leider nicht mindern.
Nach Dracula wird dieses Buch nun wohl endgültig Interview mit einem Vampir vom zweiten Platz meiner liebsten Vampirbücher stoßen. A Tale of Blood and Darkness hat es in sich. Es ist rund, es ist spannend, es besitzt Tiefe, Emotionen und Charaktere, die einen vollkommen einnehmen. Das Worldbuilding verzaubert. Aber alles der Reihe nach.
Mit A Tale of Blood and Darkness beginnt die neue epische Fantasy – Reihe Das Reich der Vampire aus der Feder von Jay Kristoff. Hast du das Buch gelesen, dann wirst du den folgenden Worten sehr wahrscheinlich zustimmen. Hast du es noch vor dir, dann nehme dir meine Worte zu Herzen.
Für diesen Wälzer, mit über 1.000 Seiten, solltest du deine wirkliche Welt anhalten, bevor du den Fantasy – Zug besteigst. Denn ab dann heißt es Anschnallen für eine emotionale Achterbahnfahrt in ein gotisches Blutbad!
A Tale of Blood and Darkness ♦ Jay Kristoff
Meinung
Ich hätte nicht im Entferntesten daran gedacht, dass mich dieses Buch so gefangen nehmen wird, dass ich schon fast von Besessenheit sprechen könnte. Gleich zu Beginn muss ich klarstellen, dass ich jede Zeile, jeden Abschnitt, jede Seite eines Kapitels liebe. Ich werde wohl auch sehr bald die englische Ausgabe zur Hand nehmen, um die Tiefe des Buches noch einmal im Original erleben zu können. Dies wird meine Sehnsucht auf den zweiten Band nur leider nicht mindern.
Nach Dracula wird dieses Buch nun wohl endgültig Interview mit einem Vampir vom zweiten Platz meiner liebsten Vampirbücher stoßen. A Tale of Blood and Darkness hat es in sich. Es ist rund, es ist spannend, es besitzt Tiefe, Emotionen und Charaktere, die einen vollkommen einnehmen. Das Worldbuilding verzaubert. Aber alles der Reihe nach.
»Fragt mich nicht, ob Gott existiert, fragt mich lieber, wieso er so ein Arschloch ist.«
Die Handlung
Die Geschichte nimmt die Legende des Heiligen Grals und den Mythos der Vampire auf, verwebt beide so stark miteinander, dass dieser völlig originelle und blutige Weg nur gemeinsam bestritten werden kann. Es ist düster, brutal und stellenweise profan. Während der gesamte Lesedauer hatte ich ein bedrückendes, teils erdrückendes Gefühl auf meiner Brust.
Von Seite eins an wurde ich in eine paranormale, apokalyptische Welt voller Vampire und unerschrockener Helden entführt. Vor mir offenbarte sich ein grausames Spektakel des Bösen, gepaart mit schrecklichen Gelübden, unendlich viel Tod, einer sündigen Liebe. Ich musste einem tiefen Verlust in die Augen sehen, der mich wahrhaftig zu Tränen rührte. Ich traf auf ein Schicksal, so unverrückbar, wie die Chinesische Mauer und eine Prophezeiung, welche die Grundfesten dieser fiktiven Welt ins Wanken brachte. Dieses Buch wird mich lange nicht loslassen.
Ich möchte hier nicht weiter auf die Handlung eingehen. Der Klappentext des Buches ist ausreichend, alles andere würde in Spoiler eskalieren und davon möchte ich einfach Abstand nehmen.
»In Qualen fand ich die Glückseligkeit, im Leid Erlösung.«
Die Charaktere
Die Charaktere, vom Protagonisten bis hin zur kleinsten Nebenfigur, sind einfach faszinierend. Dabei ist es völlig irrelevant, ob ich sie geliebt oder verachtet habe. Normalerweise braucht es, meiner Erfahrung nach, bei einer Trilogie meist bis zum letzten Band, bis sich alle Charaktere voll entwickelt haben. Doch Jay Kristoff hat hier einen Spagat hingelegt, den ich bewundere. Die Entwicklung seiner Figuren, besonders des Protagonisten Gabriel de Léon, sind schon fast Perfektion. Grandios führte mich der Autor durch diverse Lebensabschnitte der Hauptfigur und wirklich jeder Schritt war stimmig.
Das Setting
Die Welt von Elidaen ist so detailreich beschrieben, dass es fast authentisch wirkt und die Zahnräder des Kopfkinos auf Heavy Rotation laufen. Es ist die Art von Welt, die mich einfach nicht mehr losgelassen hat und ich die Fortsetzung nur schwer abwarten kann. Jay Kristoff hat in seinen Vampirmythos nicht viel Neues verarbeitet. Vielmehr hat er die uns bereits bekannte Legendenbildung dieser paranormalen Wesen nur ein wenig ausgearbeitet und sie in verschiedene, sogenannte Blutsippen unterteilt. Die Zugehörigkeit bestimmt auch über die übernatürlichen Fähigkeiten und wie sie sich Elidaen versuchen zu Eigen zu machen.
Auch das Ereignis der plötzlich auftretenden Dunkelheit, auch bekannt als der Tagestod, verflechtet sich meisterlich mit dem Schauplatz und drückt der Szenerie eine schaurige Atmosphäre auf. Das Worldbuilding ist zum Sterben schön.
Der Schreibstil
Ich habe bereits viele positive Aspekte des Buches aufgezeigt, doch der Schreibstil ist das i-Tüpfelchen. Es hebt das Buch auf eine neues Level im High Fantasy – Genre und lässt die Geschichte merklich herausstechen. Obwohl die teils obszöne Ausdrucksweise hemmungslos daherkommt, ist es für dieses Buch einfach absolut prägnant. Denn die Sprache ist an vielen Stellen zwar sehr schroff, aber auch poetisch.
Neben dem sagenhaften Schreibstil traf ich auch auf dutzende, malerisch düstere Illustrationen von Bon Orthwick, welche die Seele des Buches eindrucksvoll darstellen.
»In der Asche dessen, was ich einmal gewesen war, flammte es auf wie ein Phoenix. Ein Feuer, das lange geschlafen hatte.«
Fazit
★★★★★
Im ersten Moment mag das Buch nur so vor Verachtung triefen. Doch beim genaueren Hinsehen, fand ich mich in einer Geschichte wieder, welche das Vertrauen in Freunde und einen unverrückbaren Glauben in die Menschheit trägt. Eine Geschichte, welche weniger einer fiktionalen Erzählung nahe kommt, sondern eher einer Biografie ähnelt. Komme der zweite Teil, wird es für mich kein Halten geben.
A Tale of Blood and Darkness ist mein ungeschlagenes Jahreshighlight.
»Von seinem Ausguck beobachtete der Königsmörder, wie die Sonne sich von ihrer unverdienten Ruhe erhob, und während er die dünne Knochenpfeife an seine Lippen setzte, erinnerte er sich, wie gut die Hölle schmeckte.«
Content Warnings
Graphic: Alcoholism, Blood, Cursing, and Death
Moderate: Physical abuse, Misogyny, and Murder
Minor: Homophobia, Rape, and Suicidal thoughts