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4.27 AVERAGE
4.27 AVERAGE
An amazing sequel to Where the Mountain Meets the Moon!
adventurous
hopeful
inspiring
lighthearted
relaxing
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
Middle grade, fantasy, miracle, beautiful illustrations
I teach fifth grade and we read Where the Mountain Meets the Moon every year, which I have always loved. I found the two books after and they are amazing continuations to the original story. I love how all the stories are intertwined. Very artful writing.
I love these books. I’ve read them countless times now and will go back and read them again and again. Where The Mountain Meets The Moon will always be my favorite <3
I definitely need to read this one again as I was distracted while listening to the audiobook.
Review originally posted 8 February at Falling Letters.
I had some trouble with this review, as the beauty of this book distracted me from constructing thoughts beyond “It’s so lovely!” When the Sea Turned to Silver exemplifies beauty in both its physical design and story-telling prose. The final book in Grace Lin’s loosely connected trilogy of middle-grade novels, this delightful book tells the story of Pinmei and Yishan’s journey from their mountain homes to rescue Pinmei’s renowned storytelling grandmother.
Let’s start with the stunning book design, as that’s really where any reader starts. Lin’s artistic talent impresses me. My first thought upon holding this book was, “Wow, who is the illustrator?” Then I found out she both writes and illustrates her books. Lin “found her artistic voice” after painting a family portrait in the style of “flat, colorful Chinese folk art” (source). I love seeing a non-Western aesthetic featured so beautifully in a work for children. Lin’s artwork stars not only on the dust jacket, but inside the text as well – in the form of full page colour illustrations, line drawings at the start of each chapter, and bright borders that introduce each story. One of my favourite illustrations can be found on page 120. (View the photos on my blog.)
The illustrations and book design work well to convey the writing style. This kind of prose is what I enjoy most about middle grade fiction. Simple yet descriptive, everything parred down to get at the essence of what will spark your imagination.
I took a uni course on Chinese women and gender which we studied primarily via Chinese literature throughout the centuries, so I have a general familiarity with the flavour of Chinese storytelling. That being said, Chinese folklore is largely unfamiliar to me so I can’t speak much to how the tales coincide with or differ from traditional Chinese tales. What I can say is that is that stories are just what lovers of fairy or folk tales might expect. Characters trying to get ahead in life or trying to do their best, traces of the fantastic influencing their actions, and a relevance of the mini-story to the grander narrative. Aside from the sheer loveliness of When the Sea Turned to Silver, the storytelling theme is the aspect of this book I adored. I like how Pinmei learns how valuable her stories and her storytelling ability can be. I like how the stories bleed into Pinmei’s own journey. And I like what the climax of the story has to say about the importance of stories. This is a book for those who love stories. (The book read to me like a starter edition of [b: The Orphan’s Tales|202769|In the Night Garden (The Orphan's Tales, #1)|Catherynne M. Valente|https://images.gr-assets.com/books/1320548374s/202769.jpg|196179], another book rich in prose with interconnecting tales, which is in itself a spin off [b: One Thousand and One Nights|13109354|One Thousand and One Nights|Hanan Al-Shaykh|https://images.gr-assets.com/books/1363624580s/13109354.jpg|42672818].)
If I were pressed to be more critical of this novel, I might say that it’s a bit slow-paced. Although Pinmei and her friends are ‘racing’ to save Amah, the story does not hold a lot of tension. While there are a few chapters from Amah’s perspective, and a couple stories that describe her history and relationship with Pinmei, I would have loved more. I wonder if she pops up in the other two novels at all?
The Bottom Line: When the Sea Turned to Silver is a gorgeous rendering of Chinese folktales, told in a novel that explores the significance of stories through a young storyteller’s own adventure.
I had some trouble with this review, as the beauty of this book distracted me from constructing thoughts beyond “It’s so lovely!” When the Sea Turned to Silver exemplifies beauty in both its physical design and story-telling prose. The final book in Grace Lin’s loosely connected trilogy of middle-grade novels, this delightful book tells the story of Pinmei and Yishan’s journey from their mountain homes to rescue Pinmei’s renowned storytelling grandmother.
Let’s start with the stunning book design, as that’s really where any reader starts. Lin’s artistic talent impresses me. My first thought upon holding this book was, “Wow, who is the illustrator?” Then I found out she both writes and illustrates her books. Lin “found her artistic voice” after painting a family portrait in the style of “flat, colorful Chinese folk art” (source). I love seeing a non-Western aesthetic featured so beautifully in a work for children. Lin’s artwork stars not only on the dust jacket, but inside the text as well – in the form of full page colour illustrations, line drawings at the start of each chapter, and bright borders that introduce each story. One of my favourite illustrations can be found on page 120. (View the photos on my blog.)
The illustrations and book design work well to convey the writing style. This kind of prose is what I enjoy most about middle grade fiction. Simple yet descriptive, everything parred down to get at the essence of what will spark your imagination.
I took a uni course on Chinese women and gender which we studied primarily via Chinese literature throughout the centuries, so I have a general familiarity with the flavour of Chinese storytelling. That being said, Chinese folklore is largely unfamiliar to me so I can’t speak much to how the tales coincide with or differ from traditional Chinese tales. What I can say is that is that stories are just what lovers of fairy or folk tales might expect. Characters trying to get ahead in life or trying to do their best, traces of the fantastic influencing their actions, and a relevance of the mini-story to the grander narrative. Aside from the sheer loveliness of When the Sea Turned to Silver, the storytelling theme is the aspect of this book I adored. I like how Pinmei learns how valuable her stories and her storytelling ability can be. I like how the stories bleed into Pinmei’s own journey. And I like what the climax of the story has to say about the importance of stories. This is a book for those who love stories. (The book read to me like a starter edition of [b: The Orphan’s Tales|202769|In the Night Garden (The Orphan's Tales, #1)|Catherynne M. Valente|https://images.gr-assets.com/books/1320548374s/202769.jpg|196179], another book rich in prose with interconnecting tales, which is in itself a spin off [b: One Thousand and One Nights|13109354|One Thousand and One Nights|Hanan Al-Shaykh|https://images.gr-assets.com/books/1363624580s/13109354.jpg|42672818].)
If I were pressed to be more critical of this novel, I might say that it’s a bit slow-paced. Although Pinmei and her friends are ‘racing’ to save Amah, the story does not hold a lot of tension. While there are a few chapters from Amah’s perspective, and a couple stories that describe her history and relationship with Pinmei, I would have loved more. I wonder if she pops up in the other two novels at all?
The Bottom Line: When the Sea Turned to Silver is a gorgeous rendering of Chinese folktales, told in a novel that explores the significance of stories through a young storyteller’s own adventure.
I received this book in a Goodreads giveaway. I really enjoyed this book. I liked the journey it took me on and all of the stories within the book. I will definitely read Lin's other books.
adventurous
emotional
inspiring
reflective
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No