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geckotigerwolf's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
4.0
Graphic: Rape, Sexual assault, Sexual violence, and Violence
Moderate: Misogyny, Sexism, Grief, and Injury/Injury detail
Minor: Abandonment
karwc's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Minor: Death, Misogyny, Rape, Sexual assault, Sexual violence, Violence, Kidnapping, Murder, and Injury/Injury detail
juan_adhd_reading's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
3.0
One thing that really bothered me, is that a very large plot point of the book doesn't get resolved.
Anyway, I think this book would've worked a lot better if we just kept the chapters focusing on Medusa and her sisters. Because these parts were really beautiful, showing how much love she had for her sisters, and how her sisters loved her so much back, enough to being actually able to change, when their nature is to be unchanging and unmovable. I really wanted to know their grief and emotions after Medusa is killed, but instead, we just get it passively and briefly through other narrators. So, because of this, I decided to lower my original rating, but I'm still hopeful to read other works by this author.
Graphic: Rape, Sexual assault, Sexual harassment, and Injury/Injury detail
Moderate: Misogyny, Violence, and Grief
aseel_reads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Death, Gore, Rape, Murder, and Injury/Injury detail
Moderate: Misogyny and Sexism
Minor: Animal death
phantomgecko's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Otherwise... A++ for making Perseus seem like the least competent manbaby in the world.
Not 5 stars simply because I didn't love love it. Recommend it tho.
Moderate: Death, Infidelity, Rape, Sexual assault, Toxic relationship, Grief, Murder, and Injury/Injury detail
savage_book_review's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The book is written from the point of view of several different characters (much like 'A Thousand Ships'), utilising both third and first person perspectives. And yet the book still flows really well and keeps you immersed. I particularly liked the chapters that 'break the fourth wall' and address the reader directly - you can definitely sense the author's own attitude and comedic prowess coming through in those pages.
Equally though, because of the constant shifting in perspectives it doesn't always feel like you're getting the depth you want; it is very much skimming the surface. The chapters are also quite short, so it is a lot of bouncing around - the story is linear, but it's hard to tell how much time is passing between chapters, sometimes due to the author's own phrasing. For example, we know that Perseus has two months to retrieve the head of a Gorgon and return home to save his mother from an unwanted marriage. But at one point, the author includes the line (paraphrasing) 'she could have been married and had three kids by now!' And yet he manages to return home with a day to spare? I know that time is immaterial to Gods and this is illustrated throughout, but there's just something about the way it's written that muddies the waters a bit for me.
I've been listening to Natalie Haynes a lot recently - both her audio version of 'A Thousand Ships' and her Radio 4 show 'Natalie Haynes Stands Up for the Classics' on Spotify, so I feel like I'm getting a good grasp of the way she expresses herself. As a result, it was very easy to 'hear' her reading the words in my head and this gave the book an extra lift.
While I knew the story of Medusa, I didn't know the wider story of Perseus and how he came to pursue her nearly as well, so this was something of a reintroduction to me. Overall, while this book is about Medusa, the author very cleverly balances the other strands of the tale, both human and divine. If you aren't familiar with the story, there are a couple of moments earlier on which do throw the reader and make you wonder how a mortal queen with vanity issues links into the story, but everything weaves together seamlessly and all is revealed as you progress. However, this does also raise a criticism - there's just not quite enough Medusa for me!
This books also highlights some of the 'problems' with Greek myths generally. How many times must a mortal woman be punished for being the victim of a God forcing himself upon her? I love the stories of Ancient Greece, always have, but I don't think it's ever come across to me so starkly that the men (human and Gods) aren't always quite as heroic or divine as they might seem, and how vindictive the Goddesses can be, even when it should be obvious to all that they're taking their anger out on the wrong person. This is one of the reasons I love these feminist retellings though; some of the women involved absolutely deserve to be seen in a different light!
Clever, different and a good read.
Moderate: Death, Infidelity, Misogyny, Rape, Sexism, Blood, Murder, and Injury/Injury detail
Minor: Animal death, Gore, Sexual assault, Violence, Stalking, and Abandonment
javafenn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
This was a great take on the story of Medusa and her sisters and how the various tales of the various Greek myths intertwined with her own, tragic story. I loved the authors interpretation and delicate care of Medusa’s story and she narrates the book herself! Though several parts are beyond tragic, she adds lightheartedness and levity to the situations.
Moderate: Animal cruelty, Animal death, Body horror, Body shaming, Bullying, Child death, Confinement, Death, Incest, Infertility, Infidelity, Rape, Sexism, Sexual assault, Sexual content, Toxic relationship, Blood, Kidnapping, Stalking, Death of parent, Murder, Pregnancy, Gaslighting, Abandonment, Sexual harassment, and Injury/Injury detail
garnethalo's review
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Confinement, Misogyny, and Murder
Moderate: Blood and Abandonment
Minor: Animal death, Rape, Violence, Grief, and Injury/Injury detail
Medusa's story from before she was cursed. If you know Greek mythology, you know why. Also, Greek stories are usually a tragedy!nak34's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.0
Graphic: Death, Rape, Sexual assault, Torture, Murder, and Sexual harassment
Moderate: Child death, Misogyny, Sexism, Grief, War, and Injury/Injury detail
annick's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This is beautifully poignant in writing and audio . It makes so much more sense than the tales of Perseus and Medusa and Athene I grew up with.
There are many moments of beautiful writing. Chapter from the snakes’ perspective. The dialogue of assertive Medusa and petulant Poseidon. But especially when it’s 1POV addressed to the reader.
I like the choice for most of the violence and sexual assault to be excluded from the scenes written. Even the narrative on turning people to stone is empathetic to the character’s trauma and the readers.
I can’t find fault with the writing, I want to revisit it, and recommend it to others. So it meets my pesky criteria for five stars.
Graphic: Injury/Injury detail
Moderate: Misogyny, Sexism, and Violence