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3.05 AVERAGE
3.05 AVERAGE
I won this proof in a Twitter giveaway held by the publisher. What I have written is an honest review.
Trigger & Content Warnings are under a spoiler button as there are a few of them.
Trigger & Content Warnings: This book features sex, death, a funeral, animal sacrifice, photos of naked people being taken without their consent, murder, and rape.
When I saw a giveaway for a proof of Impossible Causes - Julie Mayhew's adult debut - on Twitter, after looking it up, I knew that this book was right up my street. It sounded like a really intriguing thriller, and I was excited to read it. What I didn't expect was to read an incredibly heartbreaking and rage-inducing story that blew my mind.
After her the death of her dad and her brother, Viola and her mum move to the isolated and almost forgotten British island of Lark. With a small population and a tight-knit community, Lark is safe, and safety is what Viola's mum needs right now. Due to bad weather conditions, the island can only be reached between April and August, the rest of the time, this very religious community is shut off from the rest of the modern world; there is one radio telephone and one computer (used for placing orders only) on the whole island, no-one has mobiles, and all the movies on the island are several years old. To some, it sounds idyllic, but others feel trapped. When Viola meets the Eldest Girls - Britta, Anna, and Jade-Marie, the three eldest students on the island, she discovers there's more going on, on this island than anyone is willing to talk about, and finds herself becoming involved in the girls' experimentation in Paganism and witchcraft. When a dead body is discovered, the island must face what they have always kept hidden.
Impossible Causes is so brilliantly written! There are three perspectives; Viola's third person perspective; a teacher at the school, Leah Cedar's first person perspective; and an omnipresent third person narrative that shows us glimpses of conversations that neither Viola or Leah are witness to. With Viola's perspective, it jumps back and forth in time; the book starts on Friday 13th April 2018, when Viola has discovered the dead body of a man and reports it, and keeps coming back to this day and the events that happen after the body is found, but it also goes back to when Viola and her mum first moved to the island, and tells her story linearly from there, showing the events that lead up to Friday 13th April. It might sound complicated, what with three different narrations, and with Viola's jumping back and forth, but each chapter stays in a particular perspective and time, and you know from the beginning of each chapter who you're following and when. The skip in the narrations and the jumping back and forth in time is brilliantly done to keep the readers guessing. At the beginning, four questions are the reader's focus: who has been killed (because although Viola knows, it's not revealed to the reader at the time)? Why have they been killed? Who killed them? And what secrets is the town hiding? What's also really interesting is how Impossible Causes doesn't have the amount of dialogue that I'm used to. While you'd imagine this would involve a lot of telling instead of showing, it actually really works because of this omnipresent narrator, through which we get glimpses into the behaviours and minds of people we wouldn't otherwise. And it just really helps to create an atmosphere that drew me in, as well as the mystery
The whole mystery of the story was exciting! I was completely gripped, getting to know all the characters and the world of Lark, trying to figure things out for myself. The town is ridiculously patriarchal and sexist, with women not being allowed on the Council, and only being allowed to go to the pub at the weekend, stuck in the past where there were jobs for women and jobs for men. While this wound me up, for the most part, I was just rolling my eyes at the ridiculousness of it all, but kind of accepted it, because the whole island is cut off from the rest of the world, and they're stuck in the past in so many ways, it was kind of understandable, if not acceptable, that this was the way they lived and what they accepted as normal. There was middle-class pearl-clutching gossip between the ladies when they got their hair done that they absolutely revelled in - relishing in the latest scandal and saying what they really thought about certain people, while being nice as pie to their faces. There were the men in their pub and their outrageous sexist talk that went beyond what you might expect, and was quite shocking, insulting, and uncomfortable. It was also so hypocritical, yet completely expected; these people who quote scripture at the drop of a hat, are all holier-than-thou, and have certain expectations on how people should behave, and yet behind closed doors are absolutely disgusting. And after a while, my excitement for this mystery dwindled, as alarm bells started ringing, and the penny finally dropped.
And everything came crashing down. What's happening on the island is so strongly alluded to before it's actually stated, that there can be no doubt. There are no words for the immensity of the dread and the sadness and the rage. It just comes down to who and when and for how long. And how - how on Earth could this be happening in such a small town. How?! So you go back to the main mystery of the body. Who is it? Who did it? How did they do it? And now there's a greediness to wanting to know these answers, a righteousness to this death, this murder, because although I didn't know who it was, I believed I knew what they did. I had so many theories of who the dead body was. I kept jumping from person to person, because Mayhew has written this book so fantastically, only giving certain information here and there, and sometimes those hints are just the assumptions of Leah or Viola, and they're not necessarily correct. It could be any of a number of people. My heart had broken and I was raging, and I needed to know who had died, and that they suffered. And then there's a twist. The biggest twist of all. Something absolutely no-one will see coming, because it's just impossible to. And my heart broke all over again. The truth, the truth of everything, is almost too much to bear. My rage intensified, and I just wanted to shout at these people, "Look! Look what you did!"
I want to touch on the Paganism and witchcraft in Impossible Causes. I didn't know about this side of the story originally, before starting, but I was so pleasantly surprised! It isn't a massive element of the story; we don't see a huge amount of what the Eldest Girls actually get up to. We just know they go to their stone circle, wearing old fashioned nightdresses, they cast circle, they invoke gods, and they cast spells. We don't know the details of those spells - what they are, nor what they're intention is - partly because if we know what and why they were casting spells, their reason for turning to witchcraft, it would spoil some of the mystery. We do find out, but we find out later. But it warmed my heart to see them discussing deosil and widdershins (clockwise and anti-clockwise), and the what and the how don't matter so much as the intent does. It's nor just kids having a laugh, they're serious about it, and they're respectful, and it's written about respectfully. There's also Margaritte, Leah's elderly next door neighbour who she visits for tarot readings every Tuesday evening, who has books and books about dreams, astrology, runes and pastlives, and so on. Margaritte is an outcast in this very religious community, and originally, the Eldest Girls and their antics are dismissed with derision as child's play, but unholy nonetheless. That is until things start to become more serious, and there's religious outrage and disgust that is reminiscent of the witch hunts of the past. As awful as it was, it was believable of the community of Lark; they wouldn't have reacted in any other way. I loved that Mayhew not only included Paganism and witchcraft, and treated it respectfully, but also this nod to the witch hunts and what innocent people suffered.
At intervals of the story, there are images of the Major Arcana tarot cards, which was just amazing! I loved how Mayhew used them to tell the story; each card related to a specific part of the story in some way, whether it was directly about the name of the card, like Death or Justice, or the themes of the card. As someone who is learning to read tarot cards, I really appreciated this, and the insight it gave me into what could be coming up, and then relating what I was reading to the card if it wasn't quite so obvious at first. This was just a brilliant addition to the story, and fantastic storytelling, because each card, in chronological order, told the story, really - or the story was written around the order of the cards and their names/themes. This was just so very clever, and I absolutely loved it!
Something else I also want to talk about, before I end this review, is the age category. I originally thought this was YA, because there's no mention of any protagonist other than Viola in the description I read. However, it's marketed as Mayhew's adult debut, and published by an adult imprint. When it comes to Leah's perspective, and occasionally the omnipresent narration, it does feel kind of more adult - not in regards to content, because YA covers similar topics, just the way it's written, the writing style for the adult voices. There are a few short sex scenes from Leah's perspective, and while not gratuitous or overly graphic, the writing of those scenes felt different to YA sex scenes, too. I think Mayhew does an absolutely fantastic job of switching from the YA feel of Viola's voice to the adult voices of Leah and the narrator. All of this is to answer the question, would teen readers want to read Impossible Causes? As a reader and a bookseller, I think this would probably be more appealing to older teens, but in my opinion, it's definitely a crossover novel, and I don't think it's necessarily "inappropriate" for teens. It really depends on the individual teen reader, what they like reading, and what they feel ready for - and whether they think they would enjoy the older voices, because of the different styles.
Impossible Causes is an absolutely incredible, but a very hard-hitting, unbearable story that ripped me to shreds. There is so much more I could say, so much more I want to discuss, but can't without spoiling the story. But it's such an important, powerful book, and I absolutely implore you to read it. This is one book I won't be forgetting in a very long time.
Thank you to Raven Books for the proof.
Trigger & Content Warnings are under a spoiler button as there are a few of them.
Trigger & Content Warnings: This book features sex, death, a funeral, animal sacrifice, photos of naked people being taken without their consent, murder, and rape.
When I saw a giveaway for a proof of Impossible Causes - Julie Mayhew's adult debut - on Twitter, after looking it up, I knew that this book was right up my street. It sounded like a really intriguing thriller, and I was excited to read it. What I didn't expect was to read an incredibly heartbreaking and rage-inducing story that blew my mind.
After her the death of her dad and her brother, Viola and her mum move to the isolated and almost forgotten British island of Lark. With a small population and a tight-knit community, Lark is safe, and safety is what Viola's mum needs right now. Due to bad weather conditions, the island can only be reached between April and August, the rest of the time, this very religious community is shut off from the rest of the modern world; there is one radio telephone and one computer (used for placing orders only) on the whole island, no-one has mobiles, and all the movies on the island are several years old. To some, it sounds idyllic, but others feel trapped. When Viola meets the Eldest Girls - Britta, Anna, and Jade-Marie, the three eldest students on the island, she discovers there's more going on, on this island than anyone is willing to talk about, and finds herself becoming involved in the girls' experimentation in Paganism and witchcraft. When a dead body is discovered, the island must face what they have always kept hidden.
Impossible Causes is so brilliantly written! There are three perspectives; Viola's third person perspective; a teacher at the school, Leah Cedar's first person perspective; and an omnipresent third person narrative that shows us glimpses of conversations that neither Viola or Leah are witness to. With Viola's perspective, it jumps back and forth in time; the book starts on Friday 13th April 2018, when Viola has discovered the dead body of a man and reports it, and keeps coming back to this day and the events that happen after the body is found, but it also goes back to when Viola and her mum first moved to the island, and tells her story linearly from there, showing the events that lead up to Friday 13th April. It might sound complicated, what with three different narrations, and with Viola's jumping back and forth, but each chapter stays in a particular perspective and time, and you know from the beginning of each chapter who you're following and when. The skip in the narrations and the jumping back and forth in time is brilliantly done to keep the readers guessing. At the beginning, four questions are the reader's focus: who has been killed (because although Viola knows, it's not revealed to the reader at the time)? Why have they been killed? Who killed them? And what secrets is the town hiding? What's also really interesting is how Impossible Causes doesn't have the amount of dialogue that I'm used to. While you'd imagine this would involve a lot of telling instead of showing, it actually really works because of this omnipresent narrator, through which we get glimpses into the behaviours and minds of people we wouldn't otherwise. And it just really helps to create an atmosphere that drew me in, as well as the mystery
The whole mystery of the story was exciting! I was completely gripped, getting to know all the characters and the world of Lark, trying to figure things out for myself. The town is ridiculously patriarchal and sexist, with women not being allowed on the Council, and only being allowed to go to the pub at the weekend, stuck in the past where there were jobs for women and jobs for men. While this wound me up, for the most part, I was just rolling my eyes at the ridiculousness of it all, but kind of accepted it, because the whole island is cut off from the rest of the world, and they're stuck in the past in so many ways, it was kind of understandable, if not acceptable, that this was the way they lived and what they accepted as normal. There was middle-class pearl-clutching gossip between the ladies when they got their hair done that they absolutely revelled in - relishing in the latest scandal and saying what they really thought about certain people, while being nice as pie to their faces. There were the men in their pub and their outrageous sexist talk that went beyond what you might expect, and was quite shocking, insulting, and uncomfortable. It was also so hypocritical, yet completely expected; these people who quote scripture at the drop of a hat, are all holier-than-thou, and have certain expectations on how people should behave, and yet behind closed doors are absolutely disgusting. And after a while, my excitement for this mystery dwindled, as alarm bells started ringing, and the penny finally dropped.
And everything came crashing down. What's happening on the island is so strongly alluded to before it's actually stated, that there can be no doubt. There are no words for the immensity of the dread and the sadness and the rage. It just comes down to who and when and for how long. And how - how on Earth could this be happening in such a small town. How?! So you go back to the main mystery of the body. Who is it? Who did it? How did they do it? And now there's a greediness to wanting to know these answers, a righteousness to this death, this murder, because although I didn't know who it was, I believed I knew what they did. I had so many theories of who the dead body was. I kept jumping from person to person, because Mayhew has written this book so fantastically, only giving certain information here and there, and sometimes those hints are just the assumptions of Leah or Viola, and they're not necessarily correct. It could be any of a number of people. My heart had broken and I was raging, and I needed to know who had died, and that they suffered. And then there's a twist. The biggest twist of all. Something absolutely no-one will see coming, because it's just impossible to. And my heart broke all over again. The truth, the truth of everything, is almost too much to bear. My rage intensified, and I just wanted to shout at these people, "Look! Look what you did!"
I want to touch on the Paganism and witchcraft in Impossible Causes. I didn't know about this side of the story originally, before starting, but I was so pleasantly surprised! It isn't a massive element of the story; we don't see a huge amount of what the Eldest Girls actually get up to. We just know they go to their stone circle, wearing old fashioned nightdresses, they cast circle, they invoke gods, and they cast spells. We don't know the details of those spells - what they are, nor what they're intention is - partly because if we know what and why they were casting spells, their reason for turning to witchcraft, it would spoil some of the mystery. We do find out, but we find out later. But it warmed my heart to see them discussing deosil and widdershins (clockwise and anti-clockwise), and the what and the how don't matter so much as the intent does. It's nor just kids having a laugh, they're serious about it, and they're respectful, and it's written about respectfully. There's also Margaritte, Leah's elderly next door neighbour who she visits for tarot readings every Tuesday evening, who has books and books about dreams, astrology, runes and pastlives, and so on. Margaritte is an outcast in this very religious community, and originally, the Eldest Girls and their antics are dismissed with derision as child's play, but unholy nonetheless. That is until things start to become more serious, and there's religious outrage and disgust that is reminiscent of the witch hunts of the past. As awful as it was, it was believable of the community of Lark; they wouldn't have reacted in any other way. I loved that Mayhew not only included Paganism and witchcraft, and treated it respectfully, but also this nod to the witch hunts and what innocent people suffered.
At intervals of the story, there are images of the Major Arcana tarot cards, which was just amazing! I loved how Mayhew used them to tell the story; each card related to a specific part of the story in some way, whether it was directly about the name of the card, like Death or Justice, or the themes of the card. As someone who is learning to read tarot cards, I really appreciated this, and the insight it gave me into what could be coming up, and then relating what I was reading to the card if it wasn't quite so obvious at first. This was just a brilliant addition to the story, and fantastic storytelling, because each card, in chronological order, told the story, really - or the story was written around the order of the cards and their names/themes. This was just so very clever, and I absolutely loved it!
Something else I also want to talk about, before I end this review, is the age category. I originally thought this was YA, because there's no mention of any protagonist other than Viola in the description I read. However, it's marketed as Mayhew's adult debut, and published by an adult imprint. When it comes to Leah's perspective, and occasionally the omnipresent narration, it does feel kind of more adult - not in regards to content, because YA covers similar topics, just the way it's written, the writing style for the adult voices. There are a few short sex scenes from Leah's perspective, and while not gratuitous or overly graphic, the writing of those scenes felt different to YA sex scenes, too. I think Mayhew does an absolutely fantastic job of switching from the YA feel of Viola's voice to the adult voices of Leah and the narrator. All of this is to answer the question, would teen readers want to read Impossible Causes? As a reader and a bookseller, I think this would probably be more appealing to older teens, but in my opinion, it's definitely a crossover novel, and I don't think it's necessarily "inappropriate" for teens. It really depends on the individual teen reader, what they like reading, and what they feel ready for - and whether they think they would enjoy the older voices, because of the different styles.
Impossible Causes is an absolutely incredible, but a very hard-hitting, unbearable story that ripped me to shreds. There is so much more I could say, so much more I want to discuss, but can't without spoiling the story. But it's such an important, powerful book, and I absolutely implore you to read it. This is one book I won't be forgetting in a very long time.
Thank you to Raven Books for the proof.
Firstly, a huge thanks to Bloomsbury India for the review copy in exchange of an honest review. All opinions are my own! Book was released on 17th October, 2019,so you go check it out if it intrigues you!
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The story takes place on a fictional island called Lark that's off the coast of England where people live a simple, primitive lifestyle. They've got one school, one store, one church. And they're all happy. Supposedly, anyway. It begins with a murder, an event unheard of the island. And as the mystrey of the killer unravels, so does the past which led to this murder in a parallel narrative, unearthing all the buried secrets of the island.
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This book had a great concept, to start with. It was written exceptionally well-each sentence laced with the deliberate earthiness that lender to the atmosphere it was trying to create. And the character dynamics were so well done, too! Once you got into the novel, you really couldn't stop reading. Even though it was slow, it held your attention! And I can totally see how this book can be a favorite for so many others.
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However, for me, I felt like the writing was too dense to get through in the beginning of the book. I had to put it down after the first 50 pages back in October because I just couldn't read it. I was only able to get through when I picked it up now, after 3 months. This, to me, says that that beginning could've been edited down heavily. That goes for a lot of parts in the book. While they all lended to the atmosphere, they took from immersion in places because of their bulkiness and that just wasn't a tradeoff that was worth in, in my opinion.
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I liked the partitioning of the chapters, the parts labeled not in word, but with a card from the tarot deck-that was so creepy! The "twist" in the book, however, was no twist at all.It was something anyone could've predicted withing the first 100 pages of the book. And that really diminished my experience of reading because every *culty* thing that happened seemed reduced because I had figured out the "secret". And... I don't know.. It didn't seem like the book was doing anything new with it either. So that was really disappointing. All in all, not a bad read. But the 410 pages is a bit much, so I wouldn't recommend it unless you're alright with reading heavy books like that when there's nothing too mysterious about them!
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The story takes place on a fictional island called Lark that's off the coast of England where people live a simple, primitive lifestyle. They've got one school, one store, one church. And they're all happy. Supposedly, anyway. It begins with a murder, an event unheard of the island. And as the mystrey of the killer unravels, so does the past which led to this murder in a parallel narrative, unearthing all the buried secrets of the island.
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
This book had a great concept, to start with. It was written exceptionally well-each sentence laced with the deliberate earthiness that lender to the atmosphere it was trying to create. And the character dynamics were so well done, too! Once you got into the novel, you really couldn't stop reading. Even though it was slow, it held your attention! And I can totally see how this book can be a favorite for so many others.
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
However, for me, I felt like the writing was too dense to get through in the beginning of the book. I had to put it down after the first 50 pages back in October because I just couldn't read it. I was only able to get through when I picked it up now, after 3 months. This, to me, says that that beginning could've been edited down heavily. That goes for a lot of parts in the book. While they all lended to the atmosphere, they took from immersion in places because of their bulkiness and that just wasn't a tradeoff that was worth in, in my opinion.
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
I liked the partitioning of the chapters, the parts labeled not in word, but with a card from the tarot deck-that was so creepy! The "twist" in the book, however, was no twist at all.It was something anyone could've predicted withing the first 100 pages of the book. And that really diminished my experience of reading because every *culty* thing that happened seemed reduced because I had figured out the "secret". And... I don't know.. It didn't seem like the book was doing anything new with it either. So that was really disappointing. All in all, not a bad read. But the 410 pages is a bit much, so I wouldn't recommend it unless you're alright with reading heavy books like that when there's nothing too mysterious about them!
Meh. Sounded intriguing, started off well with excellent word painting of the setting. Then it just......came to a slow halt for me. I struggled to finish. Would I recommend it?Yes, because I think there are readers who will find it fascinating.,and, people need to make their own decisions about what books work for them.
This was a story that took me a while to get in to, purely because the two main storytellers are often telling the story from different moments in time.
We stayed with these characters throughout their time on Lark island and dealt with lots of obstacles and general life situations with them.
A lot of the storyline was made up of things that were hinted towards, but not fully confirmed. This made me eager to read more and everything was finally explained within the last few chapters.
It is a book that was eventful, well written and captivating and I would recommend it to my friends that are in to less straightforward stories. However that is not my personal preference hence the 3* rating. It was a very good story but I didn't quite gel with the format as much as I wished I would.
We stayed with these characters throughout their time on Lark island and dealt with lots of obstacles and general life situations with them.
A lot of the storyline was made up of things that were hinted towards, but not fully confirmed. This made me eager to read more and everything was finally explained within the last few chapters.
It is a book that was eventful, well written and captivating and I would recommend it to my friends that are in to less straightforward stories. However that is not my personal preference hence the 3* rating. It was a very good story but I didn't quite gel with the format as much as I wished I would.
dark
mysterious
reflective
slow-paced
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
Thanks to Bloomsbury for providing me a finished copy of this book when it came out in 2019, in exchange for an honest review (pbk pub date Oct 17, 2020)--
Impossible Causes is a spooky atmospheric slow-burn novel that takes place on an isolated island where the residents are old-school religious. There's suspicion of witches, devil worship with goat horns, a voodoo doll heart, a ritual murder, multiple tarot-card reading scenes--basically everything I'd want in a Halloween read. Unfortunately, this book fell apart for me as the narrative continued.
The book hones in on three strangers who arrive at the island. A teenager named Viola and her mother decide to move to the island after experiencing a tragic family loss, and a young male teacher named Ben comes to instruct the island's students about science. Impossible Causes operates on two timelines: a murder discovery in the present, and events from the past year that led up to the killing. Our main perspectives center around Julia and a teacher on the island named Leah--who is lonely and hoping for love. A majority of the story focuses on the Eldest Girls--three sixteen-year-olds who the town suspects of participating in witchcraft. As Ben and Viola both get close to the Eldest Girls, and as Leah develops a relationship with Ben, the truth about what's going on with the girls and the island's secrets are exposed.
This book is so well-written and has so much potential, but it really flames out in the end. The slow-burn quality of the narrative is aggressive and relentless, with information withheld for hundreds of pages. I normally don't mind that, but then the book needs to have a worthwhile payoff in the end. The big reveal of Impossible Causes was simultaneously predictable and frustrating, rendering a super interesting book into yet another simplistic abuse narrative. I was really hoping for more.
Content Warnings
Minor: Rape, Sexual assault
The fictional Lark Island is located in the Northern Atlantic, 1500 miles away from the nearest sign of civilisation and only reachable for six months of the year. Sounds like the perfect hideaway given the current situation in the world, doesn’t it?
But things are seldom what they seem and a conservative, isolated community will surely have its own dirty secrets to hide.
Deborah Kendrick and her 16-year-old daughter, Viola, see Lark Island as a potential escape from their troubled present. However, they are not the only newcomers on the island with something to hide. Ben, the new teacher at St. Rita’s, causes quite a stir, especially among the teenage girls and fellow teacher Leah Cedars.
As time passes secrets are unravelled and suspicions arise when a body is found on the island. As with closed-off communities the fear of the unknown leads to irrational behaviour and this is no less the case than on Lark. The question is – what are the islanders hiding and at what cost do they want to keep their secrets?
Impossible Causes captures the claustrophobic feeling of living in isolation perfectly, while it keeps you in the dark about who the guilty parties are. Highly entertaining and much needed escapism.
But things are seldom what they seem and a conservative, isolated community will surely have its own dirty secrets to hide.
Deborah Kendrick and her 16-year-old daughter, Viola, see Lark Island as a potential escape from their troubled present. However, they are not the only newcomers on the island with something to hide. Ben, the new teacher at St. Rita’s, causes quite a stir, especially among the teenage girls and fellow teacher Leah Cedars.
As time passes secrets are unravelled and suspicions arise when a body is found on the island. As with closed-off communities the fear of the unknown leads to irrational behaviour and this is no less the case than on Lark. The question is – what are the islanders hiding and at what cost do they want to keep their secrets?
Impossible Causes captures the claustrophobic feeling of living in isolation perfectly, while it keeps you in the dark about who the guilty parties are. Highly entertaining and much needed escapism.
Impossible Causes is a book that caught me completely off-guard. It touts itself as a thriller but it is that and so much more; Julie Mayhew is an author to watch. This is a tense tale of isolation, witchcraft and murder with a very thought-provoking and accurate message about the insidious nature of rumour, gossip and suspicion. Set on the fictional and extremely remote North Atlantic island of Lark we are treated to a richly Gothic and often uncomfortably religious atmosphere which felt rather cult-like in its ways. The twists and turns in the plot get darker as you move through the book and it is beautifully written. However, I feel there were too many characters that were unnecessary to the plot and the multiple threads made the narrative a little too busy and confusing to some.
If you can overlook the difficulty in immersing yourself in the story at the beginning then you will find you are rewarded by a creepy, hypnotic tale which is both clever and original. It's is a potent mix of mystery, crime, religion, dystopia and paranormal and I was gripped by the unease between the Christian and Pagan religions on the island. Despite the minor issues I enjoyed Impossible Causes with its quasi-feminist undertones and odd structure. The Eldest Girls and the teacher, the main characters, were superbly developed and, like everyone in this book, were intriguing. I honestly believe that it could've been much more chilling and effective had it been edited down a bit and the story tightened up, but on a positive note I know I will remember the atmosphere. Many thanks to Raven Books for an ARC.
If you can overlook the difficulty in immersing yourself in the story at the beginning then you will find you are rewarded by a creepy, hypnotic tale which is both clever and original. It's is a potent mix of mystery, crime, religion, dystopia and paranormal and I was gripped by the unease between the Christian and Pagan religions on the island. Despite the minor issues I enjoyed Impossible Causes with its quasi-feminist undertones and odd structure. The Eldest Girls and the teacher, the main characters, were superbly developed and, like everyone in this book, were intriguing. I honestly believe that it could've been much more chilling and effective had it been edited down a bit and the story tightened up, but on a positive note I know I will remember the atmosphere. Many thanks to Raven Books for an ARC.
When you get to the end of this book and realise what the storyline was, in what order things happened, and how they happened it's an enjoyable book. I can see why the author chose to jump backwards and forwards in time and I think, handled well, it could have been very powerful. But because one of the timelines, the 'now' timeline, consists of one day told in sections, separated by a lot of 'then' I found it hard to recall exactly what had happened at the start by the time I was 3/4 of the way through.
There was a lot of instances with characters not talking about things, allowing big misunderstandings to happen, part of that was for the sake of other characters, and part of it was for The Drama which I found very annoying. Initially I thought I would like Viola but she is too self-involved and likes messing things up for other people to save her own skin, or just because she wants to. I find that hard to like in a character and find it harder to read a book with protagonists I don't like. Leah was less annoying, but never talked things over properly with anyone.
The reveal of the issues of the island, while I expected it in some way was still quite shocking to me and I thought that was done well. It would have been good but I don't think the time jumping helped the book, just muddied the waters.
There was a lot of instances with characters not talking about things, allowing big misunderstandings to happen, part of that was for the sake of other characters, and part of it was for The Drama which I found very annoying. Initially I thought I would like Viola but she is too self-involved and likes messing things up for other people to save her own skin, or just because she wants to. I find that hard to like in a character and find it harder to read a book with protagonists I don't like. Leah was less annoying, but never talked things over properly with anyone.
The reveal of the issues of the island, while I expected it in some way was still quite shocking to me and I thought that was done well. It would have been good but I don't think the time jumping helped the book, just muddied the waters.