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katipheria's review
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.25
However, the actual story within this world just doesn't do it for me. There's a lot of unnecessary sex scenes and as someone who prefers to avoid an excess amount of that (regardless of sex/gender of participants), I found myself skimming a lot to get back to the actual plot and feeling disappointed. While I understand that an apocalyptic setting inspires depravity and these moments highlight an innate desire for comfort and companionship,
While it's not necessarily a horrible book, it is most definitely designed to be an uncomfortable read centered around characters who don't have many redeeming qualities.
Graphic: Genocide, Blood, Body horror, Misogyny, Pregnancy, Rape, Toxic relationship, Violence, Biphobia, Cannibalism, Classism, Death, Sexual violence, Ableism, Body shaming, Dysphoria, Emotional abuse, Fatphobia, Gore, Grief, Hate crime, Gun violence, Injury/Injury detail, Miscarriage, Murder, Pandemic/Epidemic, Physical abuse, Sexual content, Sexual assault, Slavery, Toxic friendship, and Transphobia
nostradamnus's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
The two strongest elements of Manhunt are its prose and characters, in that order and on purpose; by which I mean, despite having the trappings of a traditional dystopia, Manhunt is a horror novel, and the first priority of a good horror novel (which this is) is making its readers connect with their "ugly feelings," à la Sianne Ngai. To that end, the author prioritized viscerality and humanity (however fucked it may be) over worldbuilding and plot. If you go in knowing that, I think you'll have a better reading experience than if you're expecting something more whimsical.
What struck me most about the prose and characters of Manhunt was the way that F-M was able to weave them together to create an argument-driven novel that rarely feels like it's trying to convince you of something. One of the most poignant commentaries of the book is its perspective on the violences committed against trans woman, particularly non-passing trans women, in spaces that claim to welcome them. F-M weaves this commentary seamlessly into the narrative
Where F-M lost me was when this honestly masterful rhetorical work was interrupted by what I can only describe as cloying complaints about issues that are at best, tertiary to the text and, at worst, self-apologetics that bully readers into compliance under the guise of being equivalent to essential issues of self that are above interlocution.
My point in all of this is that F-M is an excellent creative writer and rhetorician, and so the moments where she is less than excellent are distinctly unpleasant not in the way that good horror must be, but in the way that real people often are. For a different reader, that could be a welcome thing, but for me, it was disappointing. I'll read more of Felker-Martin's work in the future, but if the flaws of Manhunt carry forward, I'll inevitably tap out of her list.
Tertiarily: Manhunt reminded me a lot of The Handmaid's Tale, in that it engaged in the white literary tradition of reimagining violence committed in the name of anti-Blackness/misogynoir to victimize white women? It was particularly odd in this case because white trans women (our primary protagonists) face their own contemporary struggles that could have been and were taken to their reasonable conclusions within the text, but those conclusions were kind of replaced in the last act by chattel slavery? Very weird, very white.
Graphic: Rape, Pandemic/Epidemic, Misogyny, Hate crime, Body horror, Transphobia, Violence, Torture, and Cannibalism
Moderate: Death of parent, War, Animal death, Incest, Toxic relationship, Blood, Death, Slavery, Toxic friendship, and Fatphobia
birbmcbirb's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Violence, Toxic relationship, Toxic friendship, Physical abuse, Murder, Gun violence, Gore, Dysphoria, Death of parent, Death, Blood, Hate crime, Emotional abuse, Deadnaming, Bullying, Slavery, Pregnancy, Outing, Sexual violence, Sexual harassment, Self harm, Sexual content, Sexual assault, Sexism, Eating disorder, Torture, Suicidal thoughts, Rape, Miscarriage, Medical trauma, Homophobia, Fatphobia, Excrement, Body shaming, Body horror, Ableism, War, Transphobia, Gaslighting, and Pandemic/Epidemic
Minor: Biphobia, Eating disorder, Incest, Cultural appropriation, Racism, and Stalking
sydneynorman's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Graphic: Blood, Suicidal thoughts, Colonisation, Injury/Injury detail, Kidnapping, Classism, Death, Homophobia, Sexual assault, Sexual content, Sexual violence, Toxic friendship, Gore, Hate crime, Murder, Sexual harassment, Animal death, Body horror, Sexism, War, Outing, Pandemic/Epidemic, Transphobia, Violence, Alcohol, Dysphoria, Medical content, Pregnancy, Rape, Self harm, Confinement, Cursing, Physical abuse, Police brutality, Chronic illness, Toxic relationship, Vomit, Body shaming, Bullying, Gun violence, Infertility, Medical trauma, Miscarriage, Misogyny, Suicide, and Torture
Moderate: Infidelity, Death of parent, Alcohol, Alcoholism, Child death, Domestic abuse, Eating disorder, Addiction, and Self harm
Minor: Deadnaming
audrilou's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Transphobia, War, Sexual violence, Rape, Death, Toxic friendship, Panic attacks/disorders, Mental illness, Deadnaming, Body shaming, Blood, Toxic relationship, Sexual content, Sexual assault, Sexism, Pregnancy, Police brutality, Physical abuse, Pandemic/Epidemic, Murder, Misogyny, Miscarriage, Medical trauma, Medical content, Lesbophobia, Infertility, Homophobia, Hate crime, Gun violence, Grief, Gore, Genocide, Gaslighting, Forced institutionalization, Fatphobia, Emotional abuse, Dysphoria, Drug use, Cursing, Body horror, Alcoholism, Alcohol, Ableism, and Abortion
larzhagen's review against another edition
- Dialogue seems unnatural; Beth's dialogue, for example, carries a humor which doesn't fit the horrific situations she's recently been through. "It's the last man on earth. How's it hangin', pal?" (p.57)
- Excessive use of epithets i.e. "... glancing at the injured girl" (p.55), and "the other woman" in lieu of characters' names.
Graphic: Violence, Fatphobia, Body horror, Sexual content, Transphobia, and Rape
Moderate: Deadnaming, Misogyny, Murder, Torture, Medical trauma, Toxic relationship, Vomit, Cursing, Hate crime, Suicidal thoughts, Dysphoria, Injury/Injury detail, Gun violence, and Medical content
I have and will continue to support trans authors. It's unfortunate that I did not enjoy GFM's writing, nor the material in Manhunt.swalshbuckles's review against another edition
2.0
Graphic: Toxic relationship, Transphobia, Torture, War, Violence, Toxic friendship, Gun violence, and Sexual violence
careinthelibrary's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
The violence is so visceral. Picking this up was like choosing to plunge full-body into a pool full of sparking livewires (in the best way). It's electric. It's harsh, dark, ultraviolent, perverted, fast, tense, and all of this makes it so realistic. Wonderfully horrific.
This is SO trans. Not just transgender but transgressive. They refuse to fit into the ideal box set up by neoliberal society. They don't always pass. They're pre- "the surgery". They're violent. Loud. Not sexless, in fact they're horny. They're T4T. They don't always use the most pc language for themselves. They don't fit into the gender binary that many demand trans women must in order to be respected or acknowledged as women.
I loved Fran and Beth. They are perfectly imperfect. This makes them so interesting, so real, so compelling. I also loved Indi's character so much. Her fatness isn't hidden away but always described with dignity. She is desirable, intelligent, hardworking, badass. Things we don't see fat people depicted as very often.
The middle chunk of the book got a little chaotic for me with too many perspective changes (it's hard to follow on audio) and plot that I wasn't as interested in. But then the ending got me good, leaving me with tears in my eyes. As hard and cruel as this story is, there is also so much love and tenderness. The sense of community between the four main characters is everything.
I don't like explicit sex in books (I usually just skim-read over those scenes) so obviously this part of the book wasn't my favourite. But that's a me thing, nothing I'd knock down the book's rating for. That being said, there's a lot of criticism about the sexual content in this book and most of it seems to be coming from cis women who are offended by it. So I'll iterate my stance on that.
Depictions of misogyny do not make it a misogynist book. Review bombing a woman's book because you don't agree with her politics does make you misogynist.
I won't police women's depictions of rape which is unfortunately such a common experience of womanhood, and especially trans women's experience. It is graphic and disturbing in Manhunt and I believe it's meant to shock to prove a point and elicit a response. Mine was sympathy, anger, disgust, and kinship. Unfortunately others have failed to sympathize with these women protagonists and instead are apathetic or irritated by its provocative violence. I wonder if these readers resonated more with the ideology of the XX TERFs. I didn't feel that the sexually violent scenes were glorifying or romanticizing sexual assault and I won't presume to tell women how they should or shouldn't discuss, depict, and process sexual violence.
Graphic: Murder, Sexual content, Sexual violence, Toxic relationship, Cannibalism, Gun violence, Trafficking, Transphobia, Cursing, Dysphoria, Physical abuse, Gore, Body horror, Grief, Injury/Injury detail, Rape, Self harm, Death, Blood, Hate crime, Medical content, Sexism, Sexual assault, Outing, Violence, and Misogyny
Moderate: Antisemitism
Minor: Incest
sphinxofblackquartz's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
Graphic: Gore, Gun violence, Rape, Body horror, Cannibalism, Transphobia, Violence, Hate crime, Death, Sexual assault, Dysphoria, Injury/Injury detail, Misogyny, Sexual content, and Homophobia
Moderate: Body shaming, Fatphobia, and Medical content
Minor: Antisemitism, Genocide, Pregnancy, Miscarriage, War, Self harm, Toxic relationship, and Suicidal thoughts
ramreadsagain's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
3.0
My rating for this honestly could have gone either way so I have decided to go down the middle with three stars. At its core it's a (not original but in quite an original setting) critique on TERFs and how their transphobia is so overpowering that they pretty much stop caring about anything else. Even the literal zombie-cis-men overrunning the planet. There is a lot of emphasis on their hypocrisy, as they allow some trans women to live as sex workers for their own gratification (in a 'turning a blind eye' kind of way but ultimately killing them too), as well as force-transitioning young men for their army (their solution to the threat of male puberty turning them into monsters). They will allow trans existence and transition under their own terms, as long as they can control the bodies exactly how they want. They consider their castrated/medically transitioned young men to be women, but fake women, because they have the right genitals, highlighting how TERFs' view of womanhood only really extends to external sex characteristics.
Another important point is the critique of TERFs' 'feminism' which never extends beyond simply a society of role reversal. They envision and want to create a world of female supremacy still within the violent, oppressive capitalist system. At several points in the book, characters note how the TERFs are 'no better than men' and 'doing to them what men did to women'.
Overall I rate this positively because of the above, as I do believe this should be an important part of queer literature.
The book has just as many downsides though which do bring my rating down. Violence for violence's sake seems to be just how the author writes but it was a bit much, and at some point you just become a bit numb to it. The characters do also seem to recover very quickly from life-threatening injuries. I really didn't like the constant sexual content, which was usually uncomfortable, graphic, and repulsive. The POVs were often difficult to work out, with characters not having a distinct voice, and it wasn't clear when POVs changed until you saw a different 'narrator name' a few paragraphs in. This meant I often had to reread sections to understand them from someone else's POV to whose I originally thought it was. The characters themselves were unlikeable, which is not an issue in and of itself but they weren't even really distinguishable from each other. The book also had a slump in the middle third that was quite difficult to push through and the book felt much longer than it is.
The book's treatment of fat people and POC made me uncomfortable. Size and race were often used as the only descriptor for a character, and Indi's extreme self hatred and the constant reference to her size (in quite inventive ways) got old very fast. The TERFs were also constantly referred to as nazis or neo nazis, which was a poor decision in my opinion. They did not demonstrate massive levels of white supremacy (unlike many irl TERFs - I understand the use of neo nazi when referring to actual twitter terfs at times) which made the descriptor just feel like a quip.
Graphic: Body horror, Body shaming, Death, Fatphobia, Hate crime, Medical trauma, Physical abuse, Sexual violence, Blood, Cannibalism, Cursing, Dysphoria, Medical content, Self harm, Sexual content, Torture, Violence, Vomit, War, Sexism, Gore, Genocide, Gun violence, Injury/Injury detail, Murder, Rape, Sexual assault, and Transphobia
Moderate: Deadnaming, Child death, Pregnancy, Excrement, Outing, Toxic friendship, and Toxic relationship