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lakecryptid's review against another edition
adventurous
challenging
dark
emotional
funny
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
This book really gripped me the whole time I was reading it-- I think I read it nonstop over a period of like 2 days, often late into the night. It pulled me into the story even when I had just planned to read a page or two while "multitasking" at cooking or working on personal projects. I was initially intrigued by the premise before the book came out, because I've read or seen so many different "gender apocalypse" stories which conveniently leave out trans people. As a trans woman myself, I obviously want to see a familiar perspective that is often neglected in fiction (I definitely need to broaden my horizons, but I think this is the first novel I've read with trans women protagonists), but I also think it's just good world-building, showing that the author has done some research and is willing to dig into the complicated nitty-gritty of what the effects of their chromosome apocalypse (or hormone plague or whatever) would actually be like, beyond a tired "battle of the sexes" type of story. I think that this book succeeds at telling a deeply human story of survival in the face of apocalypse, in such a way that the supernatural man-beasts take a back seat to the bone chilling political and genocidal violence that threatens to drown the main characters. That could be a plus or minus depending on how much sci-fi chaos people want in their post apocalypse, but I personally think this is the smart way to tell a post apocalypse story, in which the zombies or monsters become just another faction, or weapon, for the characters to navigate.
The level of violence in this book is a lot, and the constant peril that the trans characters are in, in addition to the persistent self hatred and interpersonal vitriol, is often overwhelming. It was heartbreaking to read about Beth and Fran's fraught relationship, and seeing the former woman express such beautiful compassion and love, and be met with such deep rejection and loneliness, even from her close friend, was crushing, if accurate. It's sad that the level of trans misogyny and transphobia feels so believable and true to the current moment. Fran's character is understandably grating a lot of the time, and at times it feels like she and Beth almost veer into stereotypes, but not quite. The complex internal narratives and contradictions of the characters save them from being one-note, or simple didactic archetypes to illustrate a political point. I appreciated that in the context of Fran, her betrayal of her friends was not excused, or easily forgiven, but neither was she made into a completely hate-able cast off (in my mind, that would have played into ideas of trans disposability that the story really tries to oppose). Her selfishness is abominable, and deeply human. . Speaking as a trans woman, I feel like Fran and Beth can represent different aspects that live inside all of us. Learning to look at the ugly parts of our personal image, and learning how to turn away from selfishness and towards solidarity, is an extremely difficult thing to do, but an act of reflection that I think this story really tries to draw out.
By far the most difficult sections of the book to read were the passages from the POV of Ramona, the TERF soldier. Those parts of the book, unfortunately sometimes felt the most didactic, and the closest to what would have been a worse book as a whole-- a graphic morality tale in which the transphobe POV finds her humanity through the fridging of her favorite sex object. I don't think this was the intention at all, but unfortunately, Feather is one of the few regular characters in the book whose interior narrative we never see. Even a single passage showing their perspective during one of Ramona's scenes would have made a huge difference. .
I recently finished the book, and upon reflecting more on the story, something I noticed was how all violence, including sexual violence, is presented in the book. The characters are always making pragmatic and strategic decisions about how much violence they can endure, at what cost, and when they can afford to fight back. This kind of grim pragmatism in perspective feels jarring and gross to read, and it should. It's the honest reflection of a bunch of people living through nonstop trauma, in which there often is no "safe" choice, and the only ways the characters can exercise control is by trying as hard as they can to pick how and when they can resist, and when they have to dissociate to live and fight another day. I've read criticisms that the violence and sex in the book is often described in a uniformly graphic style, regardless of the context. I can see that as a valid criticism, since it could be seen as not making a distinction, for example, between consensual sex and sexual violence, or violence and sex at all. In my view, that distinction is still there, but the stylistic unity across scenes shows that in the minds of the characters, the horrible violence they have endured never really leaves their minds, or bodies. It haunts them as they run, as they fight, as they hold their loved ones and are re-traumatized by their enemies. It's gruesome and crushing to read, but in my mind, those are some of the most realistic and affecting parts of the story that really make an impact about the type of world the characters are living in, and what types of perspectives they have been forced to abandon through trauma.
The level of violence in this book is a lot, and the constant peril that the trans characters are in, in addition to the persistent self hatred and interpersonal vitriol, is often overwhelming. It was heartbreaking to read about Beth and Fran's fraught relationship, and seeing the former woman express such beautiful compassion and love, and be met with such deep rejection and loneliness, even from her close friend, was crushing, if accurate. It's sad that the level of trans misogyny and transphobia feels so believable and true to the current moment. Fran's character is understandably grating a lot of the time, and at times it feels like she and Beth almost veer into stereotypes, but not quite. The complex internal narratives and contradictions of the characters save them from being one-note, or simple didactic archetypes to illustrate a political point. I appreciated that in the context of Fran,
By far the most difficult sections of the book to read were the passages from the POV of
I recently finished the book, and upon reflecting more on the story, something I noticed was how all violence, including sexual violence, is presented in the book. The characters are always making pragmatic and strategic decisions about how much violence they can endure, at what cost, and when they can afford to fight back. This kind of grim pragmatism in perspective feels jarring and gross to read, and it should. It's the honest reflection of a bunch of people living through nonstop trauma, in which there often is no "safe" choice, and the only ways the characters can exercise control is by trying as hard as they can to pick how and when they can resist, and when they have to dissociate to live and fight another day. I've read criticisms that the violence and sex in the book is often described in a uniformly graphic style, regardless of the context. I can see that as a valid criticism, since it could be seen as not making a distinction, for example, between consensual sex and sexual violence, or violence and sex at all. In my view, that distinction is still there, but the stylistic unity across scenes shows that in the minds of the characters, the horrible violence they have endured never really leaves their minds, or bodies. It haunts them as they run, as they fight, as they hold their loved ones and are re-traumatized by their enemies. It's gruesome and crushing to read, but in my mind, those are some of the most realistic and affecting parts of the story that really make an impact about the type of world the characters are living in, and what types of perspectives they have been forced to abandon through trauma.
Content Warnings
Graphic: Body horror, Child death, Emotional abuse, Fatphobia, Gore, Gun violence, Hate crime, Misogyny, Pedophilia, Physical abuse, Racism, Rape, Self harm, Sexism, Sexual assault, Sexual content, Sexual violence, Suicidal thoughts, Torture, Transphobia, Violence, Blood, Medical content, Kidnapping, Grief, Cannibalism, Religious bigotry, Medical trauma, Murder, Pregnancy, Outing, Dysphoria, and Injury/Injury detail
criticalgayze's review against another edition
adventurous
challenging
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
My thanks to the publisher, Tor Nightfire, for an advanced digital copy of this title via Netgalley in exchange for free and fair review consideration.
Holy heck. As you can see from the litany of "trigger warnings" appended to this review (on Storygraph, if viewing on another platform), this book is a minefield of topics. Felker-Martin is most definitely not aiming for inclusion in your local right-wing library.
If you read last year's bestselling and highly lauded Detransition Baby, then you have already been in conversation with many of the ideas presented here. In fact, Felker-Martin both quotes and credits the author, Torrey Peters, within the work. Like Detransition, Baby, Manhunt is actively wrestling with both how trans people, specifically trans women, are socialized amongst each other and among the broader (specifically female-identifying) population.
By mutating all peoples producing high, masculine-assigning levels of testosterone, Felker-Martin is able to grapple almost exclusively with how trans women, and their allies to a lesser extent, are treated by the femme-assigned-and-identifying by allowing the latter group to have reason to make their discomfort and disdain explicit. As these trans women could be biologically betrayed into regressing to masc-presentation levels of testosterone, which would force them to succumb to the novel's male-mutating pandemic. With this excuse, femme-assigned-and-identifying women seeking gender purity and previously denied power structures are able to finally dissociate from tacit allyship in favor of a sex-based caste system.
This book is shamelessly targeted. Felker-Martin repeatedly calls out known TERF (trans-exclusionary radical feminist) J.K. Rowling, who has on multiple occasions sought to delineate trans women from biological women, like herself. Because of this pointed critique, this book will face its share of intense backlash and vitriol from those who claim themselves allies (or those who purposefully do not) yet want to exclusively own their biological title as "woman" in an attempt to win the "oppression olympics."
Consider this my Surgeon General's book stamp: Approach with caution, but approach.
Quotes:
Pussy certified all-natural by the Daughters of the Witches You Couldn’t Burn or whatever Michigan Womyn’s Music Festival bullshit the TERFocracy in Maryland bowed down to. (Location 82)
She always scarred like that, as though her body had known ahead of time that it was going to be torn open. As though it were prepared for mutilation. (Location 603)
“Oh, honey.” Indi settled deeper into the chair, shifting back and forth inside its confines. “The world is over. Who cares how fast you go?” (Location 1061)
She’d been like that for as long as Fran had known her, as meticulous about her clothes, her hair, her makeup as she was careless about her house, as though she were a topiary: not quite static, but reliant on the illusion of it. (Location 1321)
She had a whole drawer full of different smiles for when she needed them. (Location 1386)
Fran could see the blank “Sex” boxes on the intake form, twin islands all-encompassing in a sea of ephemera. How many times had she dithered in the blank quarter inch between them? (Location 1560)
“I’m trans. I’ve had first dates with more crying than that.” (Location 1998)
It’s just a way to keep from being drawn and quartered by the Knights of J. K. Rowling. (Location 2217)
“Them, the people outside, the people in Boston and Concord and Worcester. Every dyke and freak and faggot in the world is my fucking problem, and they’re yours too, Fran." (Location 2599)
Community is when you never let go of each other. Not even after you’re gone. (Location 3965)
Holy heck. As you can see from the litany of "trigger warnings" appended to this review (on Storygraph, if viewing on another platform), this book is a minefield of topics. Felker-Martin is most definitely not aiming for inclusion in your local right-wing library.
If you read last year's bestselling and highly lauded Detransition Baby, then you have already been in conversation with many of the ideas presented here. In fact, Felker-Martin both quotes and credits the author, Torrey Peters, within the work. Like Detransition, Baby, Manhunt is actively wrestling with both how trans people, specifically trans women, are socialized amongst each other and among the broader (specifically female-identifying) population.
By mutating all peoples producing high, masculine-assigning levels of testosterone, Felker-Martin is able to grapple almost exclusively with how trans women, and their allies to a lesser extent, are treated by the femme-assigned-and-identifying by allowing the latter group to have reason to make their discomfort and disdain explicit. As these trans women could be biologically betrayed into regressing to masc-presentation levels of testosterone, which would force them to succumb to the novel's male-mutating pandemic. With this excuse, femme-assigned-and-identifying women seeking gender purity and previously denied power structures are able to finally dissociate from tacit allyship in favor of a sex-based caste system.
This book is shamelessly targeted. Felker-Martin repeatedly calls out known TERF (trans-exclusionary radical feminist) J.K. Rowling, who has on multiple occasions sought to delineate trans women from biological women, like herself. Because of this pointed critique, this book will face its share of intense backlash and vitriol from those who claim themselves allies (or those who purposefully do not) yet want to exclusively own their biological title as "woman" in an attempt to win the "oppression olympics."
Consider this my Surgeon General's book stamp: Approach with caution, but approach.
Quotes:
Pussy certified all-natural by the Daughters of the Witches You Couldn’t Burn or whatever Michigan Womyn’s Music Festival bullshit the TERFocracy in Maryland bowed down to. (Location 82)
She always scarred like that, as though her body had known ahead of time that it was going to be torn open. As though it were prepared for mutilation. (Location 603)
“Oh, honey.” Indi settled deeper into the chair, shifting back and forth inside its confines. “The world is over. Who cares how fast you go?” (Location 1061)
She’d been like that for as long as Fran had known her, as meticulous about her clothes, her hair, her makeup as she was careless about her house, as though she were a topiary: not quite static, but reliant on the illusion of it. (Location 1321)
She had a whole drawer full of different smiles for when she needed them. (Location 1386)
Fran could see the blank “Sex” boxes on the intake form, twin islands all-encompassing in a sea of ephemera. How many times had she dithered in the blank quarter inch between them? (Location 1560)
“I’m trans. I’ve had first dates with more crying than that.” (Location 1998)
It’s just a way to keep from being drawn and quartered by the Knights of J. K. Rowling. (Location 2217)
“Them, the people outside, the people in Boston and Concord and Worcester. Every dyke and freak and faggot in the world is my fucking problem, and they’re yours too, Fran." (Location 2599)
Community is when you never let go of each other. Not even after you’re gone. (Location 3965)
Content Warnings
Graphic: Body horror, Body shaming, Cursing, Death, Emotional abuse, Fatphobia, Gore, Gun violence, Physical abuse, Rape, Sexual content, Suicidal thoughts, Suicide, Terminal illness, Torture, Transphobia, Violence, Blood, Medical content, Grief, Medical trauma, Murder, Alcohol, Dysphoria, and Injury/Injury detail
Moderate: Addiction, Animal death, Child death, Confinement, Domestic abuse, Infertility, Panic attacks/disorders, Sexual assault, Sexual violence, Toxic relationship, Kidnapping, Toxic friendship, Sexual harassment, and War
Minor: Deadnaming, Self harm, Trafficking, and Death of parent