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3.81 AVERAGE
3.81 AVERAGE
challenging
dark
mysterious
sad
tense
medium-paced
Holy... First long fiction book I have read in a long time and it was worth every minute.
This isn't a story about war. It's about ruin.
I read books like this because I believe the world is going to change drastically in my lifetime. I read them because no one really knows what that's going to look like, but I want to see the possibilities, the "worst case scenarios." If you don't believe that global warming is real, if you don't think that we need to break our dependence on fossil fuels if we want to survive as a species, and if you think America is the greatest country in the world, then this book is not for you. You will probably agree with reviewers who call this a "revenge fantasy" written by an author who "hates America."
The main narrative, the biography of Sara T. "Sarat" Chestnut as written by her nephew, is interspersed with various documents, such as the syllabus from a history course about the Second Civil War. Because of this format, you know the general outline within the first 25 pages: when the U.S. outlaws the use of fossil fuels, the states of Mississippi, Alabama, and Georgia secede from the Union, setting off a second civil war which lasts about 20 years. Sarat is 6 years old when the war breaks out, living in the neutral area of Louisiana, which has basically been transformed into a third world country by rising water levels, shortages, and militia activity. She spends her formative years in a refugee camp, where her otherness as an oversized, unfeminine adolescent, and the influence of a mysterious mentor, shape her into (as the book jacket says) "a deadly instrument of revenge." The war ends with a conditional surrender by the "Free Southern State," but at the "Reunification Day Ceremony," a virus is released that kills a significant portion of the population. "The identity of the terrorist responsible remains unknown." (But you can probably guess.)
But here's the twist that makes this more than just a dystopian novel: by the end of the 21st century, the Middle East and Africa have worked out all their problems, have in fact, banded together into the powerful Bouazizi Empire. They, along with China, now send aid to the refugees in the FSS -- cheap clothes, food (like nutritional gel), small appliances, most of all, blankets.
Blankets saturated every aid shipment to Camp Patience, boxes upon boxes of burly fabric that scraped the skin like sandpaper. Even in the deadest of winter there was no need for blankets, so instead the refugees fashioned from them room dividers and tablecloths, foot mats and drawer-lining. Still, there were more blankets than anyone knew what to do with. Folded piles of blankets lay beneath the twins' beds and above the filing cabinet. They were useless as bartering currency, subject to an inflation even worse than that of the Southern dollar. And yet the anonymous benefactors across the ocean in China and the Bouazizi Empire kept sending more. For the life of her, [Sarat's mother] could not imagine what the foreigners thought the weather was like in the Red, but then she couldn't even imagine the benefactors as people. They existed in another universe, not as beings of flesh and blood but as pipes in some vast, indecipherable machine, its only visible output these hulking aid ships full of blankets.
Are you starting to see it? Mr. El Akkad has brought modern war, with its refugee camps, biological weapons, and terrorists groups, onto American soil. It's no longer a problem from the other side of the world. Knowing from the beginning how this will end, the story is how Sarat becomes what she becomes. How do these things happen? Just like this.
I read books like this because I believe the world is going to change drastically in my lifetime. I read them because no one really knows what that's going to look like, but I want to see the possibilities, the "worst case scenarios." If you don't believe that global warming is real, if you don't think that we need to break our dependence on fossil fuels if we want to survive as a species, and if you think America is the greatest country in the world, then this book is not for you. You will probably agree with reviewers who call this a "revenge fantasy" written by an author who "hates America."
The main narrative, the biography of Sara T. "Sarat" Chestnut as written by her nephew, is interspersed with various documents, such as the syllabus from a history course about the Second Civil War. Because of this format, you know the general outline within the first 25 pages: when the U.S. outlaws the use of fossil fuels, the states of Mississippi, Alabama, and Georgia secede from the Union, setting off a second civil war which lasts about 20 years. Sarat is 6 years old when the war breaks out, living in the neutral area of Louisiana, which has basically been transformed into a third world country by rising water levels, shortages, and militia activity. She spends her formative years in a refugee camp, where her otherness as an oversized, unfeminine adolescent, and the influence of a mysterious mentor, shape her into (as the book jacket says) "a deadly instrument of revenge." The war ends with a conditional surrender by the "Free Southern State," but at the "Reunification Day Ceremony," a virus is released that kills a significant portion of the population. "The identity of the terrorist responsible remains unknown." (But you can probably guess.)
But here's the twist that makes this more than just a dystopian novel: by the end of the 21st century, the Middle East and Africa have worked out all their problems, have in fact, banded together into the powerful Bouazizi Empire. They, along with China, now send aid to the refugees in the FSS -- cheap clothes, food (like nutritional gel), small appliances, most of all, blankets.
Blankets saturated every aid shipment to Camp Patience, boxes upon boxes of burly fabric that scraped the skin like sandpaper. Even in the deadest of winter there was no need for blankets, so instead the refugees fashioned from them room dividers and tablecloths, foot mats and drawer-lining. Still, there were more blankets than anyone knew what to do with. Folded piles of blankets lay beneath the twins' beds and above the filing cabinet. They were useless as bartering currency, subject to an inflation even worse than that of the Southern dollar. And yet the anonymous benefactors across the ocean in China and the Bouazizi Empire kept sending more. For the life of her, [Sarat's mother] could not imagine what the foreigners thought the weather was like in the Red, but then she couldn't even imagine the benefactors as people. They existed in another universe, not as beings of flesh and blood but as pipes in some vast, indecipherable machine, its only visible output these hulking aid ships full of blankets.
Are you starting to see it? Mr. El Akkad has brought modern war, with its refugee camps, biological weapons, and terrorists groups, onto American soil. It's no longer a problem from the other side of the world. Knowing from the beginning how this will end, the story is how Sarat becomes what she becomes. How do these things happen? Just like this.
This was a big swing and also a miss. I wouldn't be against reading Akkad's second novel, since I like big swings, but the politics of this just seem extremely misguided. The continued evocation of a particular "Southernness" throughout the novel that is somehow disconnected from race just doesn't match US history. I agree that the Reds of our Red States are actually more united by a nostalgia, grievance, and social contagion than they are by White supremacy (witness more POC voting Red in 2020 than ever before), but to imagine that in two to three generations Black and Brown people will join in coalition with White southerners against elitist northern technocrats is...incorrect.
On the other hand, I found many of his descriptions of the coming climate change politics to be correct, and I fear that Blue people may be underestimating the violence of this particular issue in the future.
On the other hand, I found many of his descriptions of the coming climate change politics to be correct, and I fear that Blue people may be underestimating the violence of this particular issue in the future.
"American War" has a fascinating premise: in about the year 2070, part of the American South secedes from the rest of the US after the US federal government outlaws use of fossil fuels because climate change has destroyed the coast. There are obvious parallels to the first Civil War, of course, and El Akkad certainly draws comparisons. But there are many differences too, the most important being that race is not an issue in the South.
The whole world looks very different than it does today. The Bouzazi Empire in Africa and the Middle East is the major player on the world stage, and Europeans flee the destruction of their continent due to climate change. I'm sure El Akkad found it bittersweet to create a world in which the Middle East is the one accepting refugees.
El Akkad has said in interviews (see: If America becomes a dystopian hellscape, it might look like this) that "American War" is not meant as political prophecy, so it is best not to read it is a starkly realistic future. There are certainly elements of America today that if carried through to the extreme could look like the future in "American War," but I don't think El Akkad meant it to be a realistic future.
"American War" follows a Sarat Chestnut, a Southerner whose family is ravaged and upended by the civil war. El Akkad does a wonderful job developing Sarat from childhood through adulthood, showing how the traumas she endures shapes her and makes her vulnerable to being recruited as a political and military weapon. The other characters are also well developed.
Between each chapter of Sarat's life are documents or testimony from others who lived through the war. I found these to be generally fascinating and they added important context, but a few were stronger than others.
El Akkad does not shy away from writing violent and painful scenes. This book is not for the weak of stomach. Sarat's prison and torture scenes are difficult to read. I'm sure El Akkad was making an important political point by having waterboarding be the worst torture inflicted upon Sarat in prison.
The ending is not mean to be a surprise; that's fine with me. The key theme of the book is, how did Sarat decide to do what she did? After reading the book, you may not agree with Sarat's decisions. But you can feel anger and anguish at the forces that sculpted her.
I would have liked a little more context about what the world is like in the 2070s-90s. How did the Bouzazi Empire come about? What countries constitute it? Is Russia still an important player in world politics? But I understand that the focus of "American War" is meant to be America.
I recommend this book to those who worry about America being torn apart in a future civil war, to those afraid of the political upheaval climate change will wreak, and to anyone who just likes to read a good dystopian novel.
The whole world looks very different than it does today. The Bouzazi Empire in Africa and the Middle East is the major player on the world stage, and Europeans flee the destruction of their continent due to climate change. I'm sure El Akkad found it bittersweet to create a world in which the Middle East is the one accepting refugees.
El Akkad has said in interviews (see: If America becomes a dystopian hellscape, it might look like this) that "American War" is not meant as political prophecy, so it is best not to read it is a starkly realistic future. There are certainly elements of America today that if carried through to the extreme could look like the future in "American War," but I don't think El Akkad meant it to be a realistic future.
"American War" follows a Sarat Chestnut, a Southerner whose family is ravaged and upended by the civil war. El Akkad does a wonderful job developing Sarat from childhood through adulthood, showing how the traumas she endures shapes her and makes her vulnerable to being recruited as a political and military weapon. The other characters are also well developed.
Between each chapter of Sarat's life are documents or testimony from others who lived through the war. I found these to be generally fascinating and they added important context, but a few were stronger than others.
El Akkad does not shy away from writing violent and painful scenes. This book is not for the weak of stomach. Sarat's prison and torture scenes are difficult to read. I'm sure El Akkad was making an important political point by having waterboarding be the worst torture inflicted upon Sarat in prison.
The ending is not mean to be a surprise; that's fine with me. The key theme of the book is, how did Sarat decide to do what she did? After reading the book, you may not agree with Sarat's decisions. But you can feel anger and anguish at the forces that sculpted her.
Spoiler
She becomes the greatest murderer in the history of the world, without any remorse. This is reprehensible, of course, but after Sarat went through, El Akkad wants the reader to consider what you would have done in her place. Would you take revenge upon your enemies?I would have liked a little more context about what the world is like in the 2070s-90s. How did the Bouzazi Empire come about? What countries constitute it? Is Russia still an important player in world politics? But I understand that the focus of "American War" is meant to be America.
I recommend this book to those who worry about America being torn apart in a future civil war, to those afraid of the political upheaval climate change will wreak, and to anyone who just likes to read a good dystopian novel.
I generally like dystopian novels and the story telling style of this reminded me a bit of the way World War Z was told. However it got a little too heavy handed with the politics of global warming for me to lose myself in the story.
Equal parts dystopian and speculative, American War leads the reader through the second US Civil War, which, on its surface, is fought over the ban of fossil fuels. El Akkad’s portrayal of uncontrollable climate change is terrifyingly persuasive, but the resultant reconfiguration of world powers is a bit dubious. Most impressively, the readers can’t help but empathize with the protagonist, a terrorist by today’s standards, because we are by her side during her justifiable genesis. Overall, El Akkad should be commended for brilliantly showing how war lingers long after its end; I just wish he had created more compelling characters in addition to Sarat.
challenging
dark
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
Arghhh I wanted to love this one I really did, but for such an exciting premise I found myself constantly distracted and/or bored while reading.
American War starts off strong. The opener is written retrospectively and explains that between the years 2075 and 2094 America was engaged in a second civil war between the dominant North and the rebel South, largely over the outlaw of fossil fuel (which to me was a fairly weak catalyst for a 20 year war, when there are soooo many other things that could and should have contributed).
The world is a changed place with country borders flooded by the oceans, and new dominant world powers. The bulk of the story follows protagonist Sarat during the course of the war. We see Sarat experience unspeakable tragedies that slowly strip her of her humanity and turn her into the South's most powerful weapon.
So where did it go wrong? Something about it felt very impersonal. Despite the horrific things done to Sarat, I felt very little for her. There was a ginormous time frame of events to get through, and it felt like true character development was sacrificed because of this. I found the structure off putting, with a lot of jumping from event to event, and jumping from first person to third person.
It would have worked much better as a trilogy and probably will work much better as a movie. A+ for originality, D for execution.
American War starts off strong. The opener is written retrospectively and explains that between the years 2075 and 2094 America was engaged in a second civil war between the dominant North and the rebel South, largely over the outlaw of fossil fuel (which to me was a fairly weak catalyst for a 20 year war, when there are soooo many other things that could and should have contributed).
The world is a changed place with country borders flooded by the oceans, and new dominant world powers. The bulk of the story follows protagonist Sarat during the course of the war. We see Sarat experience unspeakable tragedies that slowly strip her of her humanity and turn her into the South's most powerful weapon.
So where did it go wrong? Something about it felt very impersonal. Despite the horrific things done to Sarat, I felt very little for her. There was a ginormous time frame of events to get through, and it felt like true character development was sacrificed because of this. I found the structure off putting, with a lot of jumping from event to event, and jumping from first person to third person.
It would have worked much better as a trilogy and probably will work much better as a movie. A+ for originality, D for execution.
challenging
dark
emotional
sad
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
No
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
Content Warnings
Graphic: Torture, Kidnapping, Mass/school shootings, War, Injury/Injury detail
Minor: Rape, Sexual content, Murder, Injury/Injury detail