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booksthatburn's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Gore, Gun violence, Violence, Blood, and Injury/Injury detail
Moderate: Cursing, Death, Mental illness, Misogyny, Sexism, Forced institutionalization, Murder, and Lesbophobia
Minor: Drug use, Self harm, Sexual content, Torture, Car accident, and Alcohol
oldladysadie's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Blood
Moderate: Misogyny, Sexism, and Forced institutionalization
Minor: Homophobia, Transphobia, Lesbophobia, and Outing
ehmannky's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Death, Gun violence, Violence, and Blood
Moderate: Forced institutionalization
Minor: Child death and Death of parent
crownoflaurel's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Moderate: Religious bigotry and Lesbophobia
Minor: Blood, Dementia, and Car accident
carriepond's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Helen is an augur (magic-user) and a detective who, after being thrown out of her magic fraternity for selling her soul, is taking contract jobs to make enough money to make sure her love, Edith, is taken care of after the devil comes to claim her. Not long before her time is up, Helen is offered a job tracking down the White City Vampire, whose gruesome murders seem part of a brutal ritual. Despite its danger, Helen is offered terms that she can't refuse-- a boatload of money and her soul.
I knew this book would be super fun-- I was all in for a noir with a queer, female detective and a dark magic twist-- but I didn't know how tender and hopeful it would be. Also, I am in awe of how much Polk was able to weave into this story in so few pages. We're thinking about patriarchy and bullshit gender roles, we're thinking about homophobia, we're thinking about forced institutionalization, we're wondering how everything is going to turn out for our dear Helen, we're loving her love with Edith, we wondering how baby brother is doing, we want to know how this mystery ends, and then we sigh, teary, and shut the book.
I loved this, and if anything about the premise of this book interests you in the slightest, I just know you will too.
Graphic: Gun violence and Blood
Moderate: Homophobia and Forced institutionalization
Minor: Car accident and Death of parent
blainereads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? N/A
2.75
Anyway, maybe short stories just aren’t for me!
Graphic: Gun violence, Homophobia, Violence, and Blood
clarabooksit's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
The stakes are high, and the way the story developed and unravelled made it very hard to put down. While I would’ve loved more information about the magic and how it works, this story is well contained and moves the reader right along. The murders are gruesome, religion is a fascinating element, and the motivations are compelling. I was invested.
My favorite parts were the relationship between Helen and Edith and the way Polk wove in history, especially the high price of being a queer at the time. The hidden lesbian club and the brief visit to the asylum were great touches.
For all you historical fantasy fans out there, definitely check this one out. It’s a tense, quick read that builds very nicely and has a swoony romance at its heart. Also, how gorgeous is that cover?
Graphic: Death, Gun violence, Misogyny, Sexism, Violence, Blood, and Murder
Moderate: Homophobia, Mental illness, Forced institutionalization, Medical trauma, and Lesbophobia
Minor: Vomit
schnaucl's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
There's a similar lack of discussion regarding how one gets into heaven or even how one gets into hell aside from selling one's soul. I think there's a discussion of what the it would take for the secret society to kick a person out but I don't think that was supposed to necessarily equate to the admission requirements for heaven and hell. It's a little confusing.
I was also strongly reminded of Buffy the Vampire Slayer by the ending in that she had been in heaven and was pulled back by her friends. Though in that case it was to more fighting and death, which isn't the case here. Nevertheless, selling her soul to bring Edith back from heaven is an incredibly selfish thing to do, which is touched on, but there isn't really time to explore it given that it's a novella. It ends in a happy place, but I could see how that act would actually poison the relationship over time, especially depending on what heaven is. If they could have spent eternity together instead of a decade, I would think there might be some resentment about that, even aside from pulling Edith out of heaven to accomplish it.
Anyway, Helen seems more afraid of death and not particularly afraid of hell (or even curious about hell, which is a little bit odd given that she's supposed to be there in a few days).
As far as I know, this is a standalone novella but I'd definitely read more about this world and these characters.
Moderate: Death, Homophobia, Misogyny, Violence, Blood, and Lesbophobia
mantarays's review against another edition
3.75
Graphic: Death, Homophobia, and Blood
Minor: Death of parent
cascannotread's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
I did not have much expectations for this book nor was I really sure what it was even about. I do, however, trust C. L. Polk as an author to write something worthwhile so I read this book on a whim during a long flight and it proved to be the perfect choice. I could hardly put it down and I managed to finish it in one sitting. The story and pacing were well done, especially considering the short length. The novella throws you into the story headfirst but holds off on long info dumps and expositions, instead peppering the story with little bits of info here and there. This works well to drive the story along and only presents the reader with information that is relevant in that moment.
*Side note: I am a big fan of books that use their title within the actual book and this was perhaps the most delightfully heart wrenching use of it. It was so satisfying but with the context made me want to burst into to tears in the middle of my flight. 10/10
I do feel like most of novellas are best read knowing as little as possible. I also don’t feel like confident in my ability to accurately describe the plot in a way that would not be a disservice to the novella, so I highly recommend you just read it; I promise you won’t regret it.
Big thanks to Netgalley and Tor for granting me an advanced readers copy in exchange for an honest review.
Graphic: Death, Blood, and Murder
Moderate: Homophobia, Forced institutionalization, and Grief
Minor: Gun violence and Death of parent