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4.09 AVERAGE
4.09 AVERAGE
***1/4: for all the hype of this recently rediscovered, great “lost” noir, I was slightly underwhelmed. It was solid and enjoyable, especially the first half but got repetitive toward the end and left me somewhat unsatisfied.
Whoa.
Compact and neatly told. This one is definitely bigger on the inside. Just over 200 pages but the story is much longer than the number of pages implies.
Compact and neatly told. This one is definitely bigger on the inside. Just over 200 pages but the story is much longer than the number of pages implies.
Soon to be made into a movie starring Tom Hiddleston and Anna Paquin. I'm interested to see how that goes.
Although I do not normally read crime fiction, I was inspired to read this book by this LitHub article. I'm glad I did for its no-nonsense prose and thrilling conclusion. I am a bit surprised by the explicit sexuality (given its publication in the 1950's), but believe this book deserves to be made into a movie (again).
Yea idk. Maybe crime noir just isn’t for me. Nothing wrong with the book particularly but it bored me and I couldn’t finish it even though it’s very short. Will possibly revisit it at a later date but right now I have too many things I want to read that seem much more appealing than this
dark
mysterious
medium-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
challenging
dark
reflective
medium-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Built for one thing…
On the run after a prison-break, Tim Sunblade stops off in a cheap motel and hires himself a ten-dollar hooker. But when Virginia shows up, all lavender eyes and sinuous limbs and expensive scent, Tim sees she’s clearly used to a much classier trade. Next day he takes her along with him, telling himself he’ll drop her somewhere when he tires of her. But his fascination with her grows, to say nothing of his lust, and anyway he needs someone to help him with the big job he’s planning. Virginia has her own reasons to get away for a while and doesn’t object at all to the idea of getting rich, so Tim’s plan suits her just fine…
A noir thriller from 1953, apparently the book went out of print for many years and the difficulty of getting hold of it added to its aura as a cult classic. It’s now been back in print for a decade or so, and seems to be pleasing its new readership just as much as its reputation suggested. Noir sometimes works for me and sometimes not, so I was intrigued to give it a try at least, especially since the audiobook narrator, Malcolm Hillgartner, has also been highly praised.
Tim is our narrator and in true noir style we know from the beginning that his story is going to end badly. Virginia is the mystery that keeps the suspense going. Will she betray him, or will she share his downfall? The more time Tim spends with her, the more addicted to her he becomes – and it is an addiction, one he often wishes he could shake, but her looks, her sensuality, even her calculating coldness all exert a growing hold over him, so that he finds he can’t face losing her. But what of her? Is there a heart underneath her hard exterior? Does Tim mean anything to her or does she simply see him as a means to an end? Does she feel any of the lust and passion Tim feels for her, or is she just very good at her profession?
This is undoubtedly noir, but not quite as pitch black as some. Tim has a heart and Virginia is ambiguous enough for us not to be sure till quite late on whether she has too. This gives it a kind of emotional warmth despite their actions – there’s not quite the level of amorality as there is in The Postman Rings Twice, for instance, which is way too dark for me. Although this pair are driven by lust and money, you kinda feel they’re both deeper than that – that perhaps there are reasons they are as they are. I found myself liking them both, despite everything, and that meant I was far more interested in their fate than if I’d wholeheartedly despised them. There’s also a strong feeling that they are both emotionally affected by their actions too, that guilt may not be an altogether foreign emotion to either of them, which isn’t generally the case in the blackest noir, I think.
But it’s certainly noir in that there’s no hope of a happy ending, and the sense of impending tragedy grows strongly in the latter stages. We don’t know what the tragedy will be, exactly, but there’s a kind of inexorable quality to it, as if all things are fore-ordained, and once on the path there’s no way to turn off.
The writing is great, with rather more literary qualities than a lot of pulp noir – it has more depth of characterisation and a wider focus, so that we see the world these two live in rather than being laser-focused on their lust, greed and crimes, though all those aspects are there too.
I loved it – probably my favourite noir novel, though I admit I haven’t read a lot of the genre. I also loved Malcolm Hillgartner’s narration – he is completely believable as Tim and keeps the emotional level just right, relying on little changes in speed or emphasis to increase the tension as the story moves towards its wonderfully dark climax. And one last bit of praise – isn’t it a wonderful cover? Perfect for the story and the expression on the blonde’s face is exactly Virginia.
Great book, great narration – highly recommended!
www.fictionfanblog.wordpress.com
On the run after a prison-break, Tim Sunblade stops off in a cheap motel and hires himself a ten-dollar hooker. But when Virginia shows up, all lavender eyes and sinuous limbs and expensive scent, Tim sees she’s clearly used to a much classier trade. Next day he takes her along with him, telling himself he’ll drop her somewhere when he tires of her. But his fascination with her grows, to say nothing of his lust, and anyway he needs someone to help him with the big job he’s planning. Virginia has her own reasons to get away for a while and doesn’t object at all to the idea of getting rich, so Tim’s plan suits her just fine…
A noir thriller from 1953, apparently the book went out of print for many years and the difficulty of getting hold of it added to its aura as a cult classic. It’s now been back in print for a decade or so, and seems to be pleasing its new readership just as much as its reputation suggested. Noir sometimes works for me and sometimes not, so I was intrigued to give it a try at least, especially since the audiobook narrator, Malcolm Hillgartner, has also been highly praised.
Tim is our narrator and in true noir style we know from the beginning that his story is going to end badly. Virginia is the mystery that keeps the suspense going. Will she betray him, or will she share his downfall? The more time Tim spends with her, the more addicted to her he becomes – and it is an addiction, one he often wishes he could shake, but her looks, her sensuality, even her calculating coldness all exert a growing hold over him, so that he finds he can’t face losing her. But what of her? Is there a heart underneath her hard exterior? Does Tim mean anything to her or does she simply see him as a means to an end? Does she feel any of the lust and passion Tim feels for her, or is she just very good at her profession?
This is undoubtedly noir, but not quite as pitch black as some. Tim has a heart and Virginia is ambiguous enough for us not to be sure till quite late on whether she has too. This gives it a kind of emotional warmth despite their actions – there’s not quite the level of amorality as there is in The Postman Rings Twice, for instance, which is way too dark for me. Although this pair are driven by lust and money, you kinda feel they’re both deeper than that – that perhaps there are reasons they are as they are. I found myself liking them both, despite everything, and that meant I was far more interested in their fate than if I’d wholeheartedly despised them. There’s also a strong feeling that they are both emotionally affected by their actions too, that guilt may not be an altogether foreign emotion to either of them, which isn’t generally the case in the blackest noir, I think.
But it’s certainly noir in that there’s no hope of a happy ending, and the sense of impending tragedy grows strongly in the latter stages. We don’t know what the tragedy will be, exactly, but there’s a kind of inexorable quality to it, as if all things are fore-ordained, and once on the path there’s no way to turn off.
You’ve never heard a siren until you’ve heard one looking for you and you alone. Then you really hear it and know what it is and understand that the man who invented it was no man, but a fiend from hell who patched together certain sounds and blends of sounds in a way that would paralyze and sicken. You sit in your living room and hear a siren and it’s a small and lonesome thing and all it means to you is that you have to listen until it goes away. But when it is after you, it is the texture of the whole world. You will hear it until you die. It tears the guts out of you like a drill against a nerve and it moves into you and expands.
The writing is great, with rather more literary qualities than a lot of pulp noir – it has more depth of characterisation and a wider focus, so that we see the world these two live in rather than being laser-focused on their lust, greed and crimes, though all those aspects are there too.
I loved it – probably my favourite noir novel, though I admit I haven’t read a lot of the genre. I also loved Malcolm Hillgartner’s narration – he is completely believable as Tim and keeps the emotional level just right, relying on little changes in speed or emphasis to increase the tension as the story moves towards its wonderfully dark climax. And one last bit of praise – isn’t it a wonderful cover? Perfect for the story and the expression on the blonde’s face is exactly Virginia.
She was a creature of moonlight, crazy as moonlight, all upthrusting radiance and hard silver dimples and hollows, built for one thing and only one thing and perfectly for that.
Great book, great narration – highly recommended!
www.fictionfanblog.wordpress.com
A '50's noir pulp cult classic, now available from NYRB Classics. I read the $0.99 ebook version - some complaints elsewhere about typos, but I found less than 10. And, one of the "reviewers" on amazon has been good enough to share Barry Gifford's short intro to the new edition with us. And in that intro, he thankfully lets us know that maybe 1 other of Chaze's novels is worth reading. So no need to shell out those hard earned bucks on hard to find, poor condition, $$$$$ pb's of his other titles on the used and rare market.
His description of Denver is rather bland, but it is obvious Chaze loved Louisiana much more. From hints earlier in the book you know what is gonna happen, but he draws it out over the last 30 or so pages so well - and you're not sure until the end how it is all going to happen.
So, yes, if you love Cain, Goodis and McCoy, this is really a MUST read. A fine noir rediscovery.
His description of Denver is rather bland, but it is obvious Chaze loved Louisiana much more. From hints earlier in the book you know what is gonna happen, but he draws it out over the last 30 or so pages so well - and you're not sure until the end how it is all going to happen.
So, yes, if you love Cain, Goodis and McCoy, this is really a MUST read. A fine noir rediscovery.