Reviews with content warning for Sexual assault - Jumătate de soare galben

This is a beautiful and difficult book. Difficult because of the painful narratives of the Biafran War, but beautiful in the characters who are so vivid and real in their flaws, their hopes, and their lived existence. We meet Ugwu, a thirteen year old boy from a small village who works as a servant for Odenigbo, Professor of Mathematics at Nsukka University. Odenigbo's girlfriend, then wife, is Olanna, daughter of the influential Chief Ozobia, and more significantly, twin sister to Kainene, who was one of my favorite characters in the book. Not blessed with Olanna's commonly-accepted beauty, Kainene is fearless, acerbic, and honest (especially in the latter half of the book when war reaches her heart). Kaynene takes up with Richard, an English writer who comes to Nigeria to write a book about the art. Adichie artfully uses Richard to express the more subtle racism (whereas his ex-girlfriend is outright and obviously racist). For example, in Chapter 6, Kainene says to Richard: "...it's wrong of you to think that love leaves room for nothing else. It's possible to love something, and still condescend to it." This powerful statement is made after Richard is called out at a party for going on and on about the amazing details and complexity of some African bronzes, not realizing the implication of his surprise--why would they NOT be amazing and complex? Richard is one of the three main narrative voices and the way he grows, partially due to his love for and relationship with Kainene, is really thoughtful and not a single narrative. None of the main characters are unidimensional. Odenigbo moves from idealist to grieving son. Ugwu moves from innocent to war-worn and morally compromised. But perhaps it is mostly the story of the two sisters, Olanna and Kainene where this book touched me most. The horrors of war have their own narratives, but Adichie does not lose sight of the human story that perseveres -- love, betrayal, friendship, enmity--everyone with a heart that has to question some of the time.

Adichie does not sidestep some of the particulars of the Biafran War, however. The book is an opportunity to understand better (particularly for those of us who were not taught about the Igbo and the Hausa) the complex politics, racism, and global manipulations/voyeurism that brought about between 500,000 and two million Biafran civilians dying of starvation.

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demeryg's review against another edition

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challenging dark emotional informative reflective sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.5

I thought this book was fantastic. Though I would say at points it was slow. It took me a moment to fall into the rhythm but once I did it was game over!
I found the topics in this book really educational and relevant to other genocides happening at the hands of USA and Britain. It was informative and also a beautiful story between the mix of characters and their interpersonal relationships.

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kalobar's review against another edition

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dark emotional sad fast-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

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fionafsw's review against another edition

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challenging funny informative reflective sad fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

Fact and fiction blend, past and present blend, as I read about the Nigerian civil war next to BBC headlines and couldn't stop thinking about the indiscriminate misery and human suffering Israel has unleashed in its current war in Gaza. It is impossible in March 2024 to read about starvation and not be reminded that 1 in 6 children <2 years are acutely malnourished in Gaza, with dozens dying of dehydration and malnutrition. The sheer desperation of a population brought to its knees and then beaten while on the ground translates seamlessly from the late 1960s to this week.

There's not much more I can say about this powerful novel except that Adichie manages to weave humour throughout to help the reader get through the horrors of war and to present something so alien to readers like me who have had the dumb luck of knowing nothing but peacetime through an individual, human lens rather than statistics or political or military manoeuvres. And for readers like me who had no idea about Nigeria, her fantastic writing brought to life every smell, taste, and sensory input.

But where the book really excels, I think, is in describing tension between individuals in the most subtle way that still makes it obvious. Tension (sexual and otherwise) that you could cut with a knife, as if you were there, in the room, as the protagonist. As Richard might say, it's really quite fantastic.

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abhi_vijay94's review against another edition

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dark emotional informative sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.5

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danidanseuse's review against another edition

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challenging emotional tense slow-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? No

5.0

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andeulea's review against another edition

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dark emotional reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes

5.0

Chimamanda Adichie is great at humanizing characters amidst war. While the Biafran War was a central theme, the focus on the characters' emotions and thoughts takes precedence.

War is undeniably devastating, people in first-world countries (like me) may struggle to comprehend the impact on every individual affected by such atrocities. Adichie skillfully avoids confining characters into these "victim" stereotypes, portraying each one as uniquely human, with inherent flaws and individuality, both within and beyond the context of war. It prompted my reflection on the consciousness of every individual, highlighting shared dreams and desires.

Adichie also weaves three distinct narratives, each representing a unique perspective of the war and family – Olanna, Ugwu, and Richard. These perspectives collectively contribute to a rich and comprehensive portrayal of the war and its impact on their lives, families, and community.

I'm grateful to be exposed to narratives that we don't hear about in our history classes. Would recommend this if you're interested in historical fiction and curious about the Nigerian Civil War.

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