Reviews with content warning for Sexual content - Jumătate de soare galben

I could not connect with the characters; they were not well-developed people and did not feel authentic. Much of the novel focused on graphic sexual scenes that felt gratuitous. The women characters were constantly objectified.

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deparme's review against another edition

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challenging emotional inspiring reflective sad medium-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

5.0

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selimhannah's review against another edition

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informative inspiring sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.25

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rebcamuse's review against another edition

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challenging dark emotional hopeful reflective sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

This is a beautiful and difficult book. Difficult because of the painful narratives of the Biafran War, but beautiful in the characters who are so vivid and real in their flaws, their hopes, and their lived existence. We meet Ugwu, a thirteen year old boy from a small village who works as a servant for Odenigbo, Professor of Mathematics at Nsukka University. Odenigbo's girlfriend, then wife, is Olanna, daughter of the influential Chief Ozobia, and more significantly, twin sister to Kainene, who was one of my favorite characters in the book. Not blessed with Olanna's commonly-accepted beauty, Kainene is fearless, acerbic, and honest (especially in the latter half of the book when war reaches her heart). Kaynene takes up with Richard, an English writer who comes to Nigeria to write a book about the art. Adichie artfully uses Richard to express the more subtle racism (whereas his ex-girlfriend is outright and obviously racist). For example, in Chapter 6, Kainene says to Richard: "...it's wrong of you to think that love leaves room for nothing else. It's possible to love something, and still condescend to it." This powerful statement is made after Richard is called out at a party for going on and on about the amazing details and complexity of some African bronzes, not realizing the implication of his surprise--why would they NOT be amazing and complex? Richard is one of the three main narrative voices and the way he grows, partially due to his love for and relationship with Kainene, is really thoughtful and not a single narrative. None of the main characters are unidimensional. Odenigbo moves from idealist to grieving son. Ugwu moves from innocent to war-worn and morally compromised. But perhaps it is mostly the story of the two sisters, Olanna and Kainene where this book touched me most. The horrors of war have their own narratives, but Adichie does not lose sight of the human story that perseveres -- love, betrayal, friendship, enmity--everyone with a heart that has to question some of the time.

Adichie does not sidestep some of the particulars of the Biafran War, however. The book is an opportunity to understand better (particularly for those of us who were not taught about the Igbo and the Hausa) the complex politics, racism, and global manipulations/voyeurism that brought about between 500,000 and two million Biafran civilians dying of starvation.

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