Reviews tagging 'Misogyny'

All the Light We Cannot See by Anthony Doerr

4 reviews

vas_17's review

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challenging emotional sad medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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orchidlilly's review

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adventurous dark emotional mysterious sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

2.5

,Let's face it, the world war II genre is overplayed. The writing here wasn't bad, it was good even, but the plot mostly lost me. It mainly follows two people, a blind French girl and an orphaned German boy as they grow up in Europe. The plot just doesn't feel very grabbing or original to me, it's your standard world war II book, with a bit of romance and, for some reason fantasy, thrown in unnecessarily. The short-lived romance between the two main characters seems odd and forced and the up in the air magical artifact McGuffin that then has no actual plot value is downright strange. Honestly, the best parts of this book are the ones that focus on the German boy's sister, and fellow soldier, but even those aren't very original. There's simply so much of the same world war II book a person can read without getting tired of the same old schtick, and this hit the limit for me.

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alittlelifer's review against another edition

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dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25


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lettersinthemargins's review

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The bleakness of the text is obvious considering it is a WW2 novel. However, the characters did not stick as much as other works I've read in this genre. Even a book as popular as The Book Theif. The women characters serve to further the male character's story. And Marie Laurie's disability narrative felt over the top. A few of the Nazi narrative details felt a little sensationalised and devoid of empathetic condemnation. Ultimately, couldn't get beyond the second half because it felt like too much effort for nothing. 

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