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booksthatburn's review against another edition
mysterious
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
ONLY A MONSTER engages with difference, family, belonging, and monstrosity as Joan, a half-human, half-monster girl witness the massacre of her family by a hero.
The narration focuses on Joan's reactions to various events, often returning to pieces of already-known information as her feelings change in light of new circumstances. It has the cumulative effect that very few things actually happen during the story, and long stretches of time are about processing those events and deciding how to proceed. Aaron's initial disdain transforming into patient support is one of my favorite parts of the book (and is why the ending particularly devastates me). I also like how Tom is a more complicated character than he first appears to be.
This dwells in long stretches of worldbuilding, specifically on snapshots of monster society within human society. Joan marvels at their various waystations, safe places they control for long stretches of time and can get food or supplies for the time where they've arrived. I enjoyed the descriptions as they didn't get bogged down in picky details, but included Joan's thoughts about what she was witnessing. The way the monster powers work is pretty cool, and I enjoyed the various facets of that world. One of my favorite simple details is that they call themselves monsters and that's the end of it. There's no complicated other label for themselves, as they're unashamed of how they live their lives. It's a detail that makes them truly feel like a group whose lives don't revolve around what humans think of them (since humans are little more than fuel to monsters).
I have very mixed feelings about the ending. It uses a trope I've loved at the conclusion of long series, but it leaves me unsure of the direction for the next book. It generates a feeling of immense work that's extremely important but completely invisible to everyone around Joan by the end. The most important thing at the end of the book is how the experience changed Joan, and the specific goal she was able to achieve. The relationships that are built up the most (between Joan and her fellow monsters) are not the ones with the weight of destiny behind them, and I'm nervous for what a sequel could bring.
The narration focuses on Joan's reactions to various events, often returning to pieces of already-known information as her feelings change in light of new circumstances. It has the cumulative effect that very few things actually happen during the story, and long stretches of time are about processing those events and deciding how to proceed. Aaron's initial disdain transforming into patient support is one of my favorite parts of the book (and is why the ending particularly devastates me). I also like how Tom is a more complicated character than he first appears to be.
This dwells in long stretches of worldbuilding, specifically on snapshots of monster society within human society. Joan marvels at their various waystations, safe places they control for long stretches of time and can get food or supplies for the time where they've arrived. I enjoyed the descriptions as they didn't get bogged down in picky details, but included Joan's thoughts about what she was witnessing. The way the monster powers work is pretty cool, and I enjoyed the various facets of that world. One of my favorite simple details is that they call themselves monsters and that's the end of it. There's no complicated other label for themselves, as they're unashamed of how they live their lives. It's a detail that makes them truly feel like a group whose lives don't revolve around what humans think of them (since humans are little more than fuel to monsters).
I have very mixed feelings about the ending. It uses a trope I've loved at the conclusion of long series, but it leaves me unsure of the direction for the next book. It generates a feeling of immense work that's extremely important but completely invisible to everyone around Joan by the end. The most important thing at the end of the book is how the experience changed Joan, and the specific goal she was able to achieve. The relationships that are built up the most (between Joan and her fellow monsters) are not the ones with the weight of destiny behind them, and I'm nervous for what a sequel could bring.
Content Warnings
Graphic: Child abuse, Panic attacks/disorders, Blood, Violence, Physical abuse, Torture, Murder, and Death
Moderate: Death of parent, Confinement, Medical trauma, Racism, Alcohol, Kidnapping, Torture, Injury/Injury detail, and Medical content
Minor: Vomit
gattolinos_nerdy_nook's review against another edition
adventurous
dark
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Reread 10/11/2023 - Second time round reading this and it is still a great time. I did read this with a friend who was reading it for the first time and it was great to see the same moments that hit for me was hitting for them too.
I was in a reading slump and it was good to just had a familiar book to read.
Original read 07/08/2022
I absolutely loved this book. It was so much fun to read and unlike anything I have read in a long time.
This book is so unique that it grips you and pulls you right into it's world that Vanessa Len has crafted and you just go with it because why wouldn't you? All the character presented felt different, they had their own stories and feelings about the insinuating event and history of the world. They exceeded my expectations and I fell in love with Joan, Aaron and Ruth. They had great moments of growth and vulnerabilities together as well as some great banter and bickering.
The plot is set at a fast paced as everything hits the fan within the first few chapters. I loved every moment of chaos that raised from it. Without spoiling the book each twist, turn, and reveal were really well plotted.
This book breaths life into an over saturated market. I cannot wait to for the next book and see where this series goes from here onwards. I just know it is going to be great.
I was in a reading slump and it was good to just had a familiar book to read.
Original read 07/08/2022
I absolutely loved this book. It was so much fun to read and unlike anything I have read in a long time.
This book is so unique that it grips you and pulls you right into it's world that Vanessa Len has crafted and you just go with it because why wouldn't you? All the character presented felt different, they had their own stories and feelings about the insinuating event and history of the world. They exceeded my expectations and I fell in love with Joan, Aaron and Ruth. They had great moments of growth and vulnerabilities together as well as some great banter and bickering.
The plot is set at a fast paced as everything hits the fan within the first few chapters. I loved every moment of chaos that raised from it. Without spoiling the book each twist, turn, and reveal were really well plotted.
This book breaths life into an over saturated market. I cannot wait to for the next book and see where this series goes from here onwards. I just know it is going to be great.
Content Warnings
Graphic: Death, Torture, and Death of parent
Moderate: Gaslighting and Injury/Injury detail
introverted_reads's review
adventurous
mysterious
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Content Warnings
Graphic: Death
Moderate: Cursing, Grief, Blood, Torture, Death of parent, Child abuse, and Injury/Injury detail
hiddeninfantasy's review against another edition
adventurous
mysterious
fast-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Moderate: Death, Gore, Grief, Murder, Death of parent, Alcohol, Blood, Drug use, Violence, Alcoholism, Cursing, Injury/Injury detail, and Torture
sp00ky_n3rd's review
adventurous
emotional
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Okay, I REALLY enjoyed this. It was so fast paced, engaging and such an easy read. Exactly what I needed. I feel like there are so many unfinished threads! I have questions! The character building was generally good but I loved Aaron in particular and he definitely grew as a character throughout.The world building was great, it was full of romantic clichés and low key predictable storylines. All in all, a good, strong YA. 4.5 stars.
Content Warnings
Graphic: Death, Death of parent, Grief, and Murder
dreamerfromthebooks's review against another edition
adventurous
funny
hopeful
inspiring
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This was the first YA fantasy I’ve read in almost a year. I’ve forgotten how magical and whimsical this genre can be.
I liked the writing and pacing of the story. It kept me on my toes, although it was a little difficult to follow. I didn’t realize the book dealt with time travel. It’s an element I don’t always enjoy, but it really depends on how it’s done. In this case it was well written, but as I was listening to the audiobook I think I ended up missing a few key things here and there.
The love story for me felt unnecessary. If we had found out earlier about Nick’s and Joan’s lives I think I would appreciated their romance more. But the ending felt rushed trying to squeeze very shocking parts in the last 15% of the book.
The book does two things very well — it’s beginning and the characters’ relationships. The beginning had me hooked. I wasn’t expecting time travel let alone a whole massacre within the first 20%. It kept me engaged and wanting to hear what happened next to Joan on her adventure.
The characters’ relationships were developed so well. Aka Aaron and Joan had such great development (listen he gives me Warner vibes 😂). I loved their relationship throughout all of this. Even if they stay friends (questionable since he’ll probably have to kill her if they meet again) I’d be happy about that. But I felt as though their building (possible) romance was far better than Nick’s and Joan’s.
Ruth was so funny and lovable. When she died in the beginning I wasn’t happy because I was just getting to really like her, only to find out that she went back in time and lived!! I’m glad she survived the change to the main timeline and that their family was restored ♥️
Overall I appreciate the talent of this craft, the engaging characters, and what it took to really become the hero of your own story.
CW: major character death, death of family members, death of partners, violence, mild gore
I liked the writing and pacing of the story. It kept me on my toes, although it was a little difficult to follow. I didn’t realize the book dealt with time travel. It’s an element I don’t always enjoy, but it really depends on how it’s done. In this case it was well written, but as I was listening to the audiobook I think I ended up missing a few key things here and there.
The book does two things very well — it’s beginning and the characters’ relationships. The beginning had me hooked. I wasn’t expecting time travel let alone a whole massacre within the first 20%. It kept me engaged and wanting to hear what happened next to Joan on her adventure.
Ruth was so funny and lovable. When she died in the beginning I wasn’t happy because I was just getting to really like her,
Overall I appreciate the talent of this craft, the engaging characters, and what it took to really become the hero of your own story.
CW: major character death, death of family members, death of partners, violence, mild gore
Content Warnings
Moderate: Death, Death of parent, and Violence
kassidyreads's review against another edition
adventurous
dark
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Violence, Death, Death of parent, and Torture
kate_woollams's review against another edition
adventurous
challenging
hopeful
mysterious
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Cursing, Death, and Death of parent
Moderate: Violence, Torture, Toxic relationship, Abandonment, and Child abuse
Minor: Alcohol and Blood
plumpaperbacks's review against another edition
adventurous
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Len’s idea to write the traditional hero vs monster story from a monster’s perspective, thus framing the hero as the villain, was a clever one, as was her idea to give the monsters the ability to time travel by stealing time from humans. The combination of those two ideas could’ve resulted in a phenomenal, intriguing story, but unfortunately, that wasn’t the case.
Most of the world-building was explained too briefly or not at all, leaving me almost constantly confused. There were a few instances where the opposite was true as well, where we learn a lot of information at once, and if we can’t remember it all, too bad, because it’s not getting explained again.
At times, reading this felt like arguing with a child, like when you ask them “Why?”, and all they say is “Because,” and refuse to actually elaborate. It was a bit frustrating, honestly. A fantasy story, regardless of sub-genre, cannot only be ~vibes~. There needs to be structure, there needs to be logic, and this book didn’t have enough of either one. We know there’s a king no one has seen and a royal court suspended in time, but not how the king came to power or what power system exists for the monsters beyond said king. We know there are twelve monster families each with a unique ability, but not if they’re noble, if there are any monsters outside of those families, or if they’re special in some other way. Sure, one could argue that we’ll learn these things in the next book, but to that I say, why should we have to wait for a sequel to (potentially) get basic world-building? Furthermore, how am I supposed to become invested in the story when my confusion over these missing details makes it difficult to focus on anything else? And don’t even get me started on the dual timelines mess.
Moving on, the protagonist Joan discovers early on that she’s a human-monster hybrid, and thus an anomaly, not truly belonging in either world but forced into the monster world after a rather traumatic night. We’re told repeatedly that she’s different, she’s special, she’s not like other monsters, but we don’t know why. And honestly, she didn’t feel special. She was likable enough, I suppose, but didn’t really have any defining characteristics; Len didn’t give me any reason to root for her. I felt more attachment to Joan’s companions than I did to her.
Speaking of, I quite liked the side characters. We’ve got Ruth, Joan’s cousin with a comeback for every situation and occasional kleptomaniac tendencies; Aaron, a member of a rival monster family that seems to hide vulnerability beneath cynicism; and Tom, a suspicious guy with a bigger role than I anticipated that, without spoiling anything, ended up being the complete opposite of what I expected. I found all three of them more compelling than Joan, and especially—to my surprise—loved Aaron.
From the beginning, I was reading between the lines of every interaction Joan and Aaron had, convinced that every snide comment, lingering touch or uncertain feeling meant something more. They reminded me heavily of Roma and Juliette from These Violent Delights, of Ismae and Duval from Grave Mercy—two of my absolute favorite enemies to lovers ships—forced to work together under less-than-ideal circumstances, only to find that, when they can finally split up… they might not want to. I go feral over this dynamic every time, and they’re no exception.
At least, they would be no exception, if Len hadn’t RUINED EVERYTHING with that ending. I’m so annoyed, even a few hours after finishing. She tried to force a ship that had no chemistry, presumably for the sake of plot. I hope she doesn’t actually want these characters together, partially because it wouldn’t make sense after the way the book ended, but mostly because I HATE IT.
Feelings aside, the end of the book… didn’t make much sense? Joan supposedly figured out what was so special about her, and used her power in a way that I think was supposed to be shocking, but really, it only managed to confuse me further. How can she have a power greater than any monster when she’s only half-monster? Add it to the list of things about this book that don’t make sense, I guess.
All in all, despite my heavy criticism of it, I wouldn’t say I hated Only a Monster. I think it’s a textbook case of good premise, poor execution. The side characters pulled their weight and then some, which is a significant part of why I’m not giving the book a lower rating. As for whether or not I’d recommend it, I’m hesitant to say outright that I wouldn’t—I usually reserve that for books I truly hated—but I will say that there are other books I’d recommend first. If you want a YA historical fantasy with time travel, try The Last Magician by Lisa Maxwell. If you want a YA historical fantasy with an enemies to lovers romance, try Grave Mercy by Robin LaFevers and/or These Violent Delights by Chloe Gong. And if you want a YA urban fantasy with Asian representation, try Wicked Fox by Kat Cho and/or Wicked as You Wish by Rin Chupeco.
Currently unsure if I’ll read the sequel when it releases. Reading books out of sheer curiosity against my better judgment is my toxic trait, so we’ll see. If Aaron’s in it, I might push through whatever else is there just to see him again.
Representation
Most of the world-building was explained too briefly or not at all, leaving me almost constantly confused. There were a few instances where the opposite was true as well, where we learn a lot of information at once, and if we can’t remember it all, too bad, because it’s not getting explained again.
At times, reading this felt like arguing with a child, like when you ask them “Why?”, and all they say is “Because,” and refuse to actually elaborate. It was a bit frustrating, honestly. A fantasy story, regardless of sub-genre, cannot only be ~vibes~. There needs to be structure, there needs to be logic, and this book didn’t have enough of either one. We know there’s a king no one has seen and a royal court suspended in time, but not how the king came to power or what power system exists for the monsters beyond said king. We know there are twelve monster families each with a unique ability, but not if they’re noble, if there are any monsters outside of those families, or if they’re special in some other way. Sure, one could argue that we’ll learn these things in the next book, but to that I say, why should we have to wait for a sequel to (potentially) get basic world-building? Furthermore, how am I supposed to become invested in the story when my confusion over these missing details makes it difficult to focus on anything else? And don’t even get me started on the dual timelines mess.
Moving on, the protagonist Joan discovers early on that she’s a human-monster hybrid, and thus an anomaly, not truly belonging in either world but forced into the monster world after a rather traumatic night. We’re told repeatedly that she’s different, she’s special, she’s not like other monsters, but we don’t know why. And honestly, she didn’t feel special. She was likable enough, I suppose, but didn’t really have any defining characteristics; Len didn’t give me any reason to root for her. I felt more attachment to Joan’s companions than I did to her.
Speaking of, I quite liked the side characters. We’ve got Ruth, Joan’s cousin with a comeback for every situation and occasional kleptomaniac tendencies; Aaron, a member of a rival monster family that seems to hide vulnerability beneath cynicism; and Tom, a suspicious guy with a bigger role than I anticipated that, without spoiling anything, ended up being the complete opposite of what I expected. I found all three of them more compelling than Joan, and especially—to my surprise—loved Aaron.
From the beginning, I was reading between the lines of every interaction Joan and Aaron had, convinced that every snide comment, lingering touch or uncertain feeling meant something more. They reminded me heavily of Roma and Juliette from These Violent Delights, of Ismae and Duval from Grave Mercy—two of my absolute favorite enemies to lovers ships—forced to work together under less-than-ideal circumstances, only to find that, when they can finally split up… they might not want to. I go feral over this dynamic every time, and they’re no exception.
At least, they would be no exception, if Len hadn’t RUINED EVERYTHING with that ending. I’m so annoyed, even a few hours after finishing. She tried to force a ship that had no chemistry, presumably for the sake of plot. I hope she doesn’t actually want these characters together, partially because it wouldn’t make sense after the way the book ended, but mostly because I HATE IT.
Feelings aside, the end of the book… didn’t make much sense? Joan supposedly figured out what was so special about her, and used her power in a way that I think was supposed to be shocking, but really, it only managed to confuse me further. How can she have a power greater than any monster when she’s only half-monster? Add it to the list of things about this book that don’t make sense, I guess.
All in all, despite my heavy criticism of it, I wouldn’t say I hated Only a Monster. I think it’s a textbook case of good premise, poor execution. The side characters pulled their weight and then some, which is a significant part of why I’m not giving the book a lower rating. As for whether or not I’d recommend it, I’m hesitant to say outright that I wouldn’t—I usually reserve that for books I truly hated—but I will say that there are other books I’d recommend first. If you want a YA historical fantasy with time travel, try The Last Magician by Lisa Maxwell. If you want a YA historical fantasy with an enemies to lovers romance, try Grave Mercy by Robin LaFevers and/or These Violent Delights by Chloe Gong. And if you want a YA urban fantasy with Asian representation, try Wicked Fox by Kat Cho and/or Wicked as You Wish by Rin Chupeco.
Currently unsure if I’ll read the sequel when it releases. Reading books out of sheer curiosity against my better judgment is my toxic trait, so we’ll see. If Aaron’s in it, I might push through whatever else is there just to see him again.
Representation
- Chinese-English protagonist
- Chinese side characters
- gay side character (and an implied achillean relationship)
Content Warnings
Graphic: Death, Murder, Death of parent, Grief, Blood, Gore, and Violence
Moderate: Confinement
Minor: Torture
bookishjamie's review against another edition
adventurous
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? N/A
4.5
Content Warnings
Moderate: Death and Death of parent