Scan barcode
faythfarrar's review
- Strong character development? Yes
- Loveable characters? Yes
4.25
Moderate: Death and Abandonment
sophiesmallhands's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Police brutality, Colonisation, Trafficking, Death, and Slavery
Moderate: Genocide, Grief, Drug use, Forced institutionalization, War, Child abuse, Classism, Injury/Injury detail, and Racism
Minor: Vomit, Suicide attempt, Suicide, Death of parent, Sexual violence, Pregnancy, and Rape
emily_journals's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
The characters are really the heart of this story, and I really loved that this was such a character driven story, especially for being a big space opera where I think the emphasis is usually put on the plot. I really loved both of our main characters and they both felt extremely complex and lifelike. All the side characters also very much felt like they were their own people and not just devices of the story which I found really impressive, especially for a debut author. I also think the overall plot was really satisfying, I did see most of the "twists" coming but I don't think the book was necessarily trying to hide the twists from you. It was more wanting to take you on the journey that the characters had to go through experiencing these things, so the plot still felt satisfying even seeing where the story was going. I also generally enjoyed the prose of this book, I think the author had a really beautiful way of selecting and composing the words in this book generally.
I do think there were some craft issues with this book, but most of them were easy for me to gloss over and didn't interrupt my reading experience. I also think all of the craft issues are ones that I would typically expect from a debut author, especially one who started writing this book as a teen. Sometimes there was quite a bit of over explaining and I think this book could have been trimmed down by getting rid of some of the repetition. Also, there were a couple of times that there was head jumping, but it didn't happen often enough or extreme enough to really interrupt my reading experience. There was only one time where I really stopped and was like "wait, who are we focusing on right now?", but all the other couple of times it would just be a brief second of confusion. Also, I really really wish there was a glossary in the back of this book and I'm hoping there will be one in the next book.
Overall, this was a good introduction to this world and a very good debut.
Graphic: Drug use, Genocide, Chronic illness, Colonisation, Slavery, Racism, Addiction, and Drug abuse
Moderate: Body horror, Gun violence, Injury/Injury detail, Blood, Violence, Death, Gore, and Grief
Minor: Sexual assault, Child abuse, Alcohol, Abandonment, Pregnancy, Rape, and Sexual content
inkysplodge's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
2.25
- characters: 3/10
- atmosphere: 3.5/10
- writing: 3/10
- plot: 4/10
- intrigue: 4/10
- logic: 1/10
- enjoyment: 5/10
i enjoyed the story but the writing is very clearly from a 16 - 18 year old and the only thing that makes it new adult rather than young adult is swearing. the story has so much potential and i feel that with experience (and a better editor), this book could have been amazing. a LOT of typing errors (there was literally about 3 short chapters without any and this is a 43 chapter book) and inconsistencies e.g. one chapter switches between being in a garden and in a room... 3 times; Obi was
pretty much all character development (including relationships) happened off-page so i struggled to care about the stakes later on because i felt no connection to them. we also go the whole book knowing they're part of a prophecy which the characters know exists, but they only really find out they're a part of after 75% of the book is done
i'll be trying book 2 only because the author was young when she wrote this and now she has a degree in English Literature so hopefully the writing will be better (still needs a better editor though). this story has serious potential and i hope we get to see it fully realised
Graphic: War, Confinement, Injury/Injury detail, Abandonment, and Genocide
Moderate: Death, Suicide, and Body horror
Minor: Vomit, Sexual assault, and Suicidal thoughts
while most injury detail is mild to moderate, there is one short graphic scene duringpersephonefoxx's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
It is a story about a girl and her friends, and how hard times made heroes of them, whether they wanted to be or not. It is a story of loss, and adventure, of daring and of courage burning in the bleakest of times. It is a story about love.
Can we talk about how insane it is that this is a space opera meets historical fiction…and yet, somehow, it works?!
I may not be the biggest sci-fi girlie when it comes to literature (something I am trying to improve upon). But I am a historical fiction girlie, and definitely had an intense Doctor Who phase as a teenager, so this book has its appeal.
Asha and Obi are so complex. The romance had me in my feelings, and there were twists I didn’t see coming. It’s engaging, fun, and (in some places) a little soul wrenching. You know what you did Part Three. I am keen to see where this series goes.
Graphic: Violence, Colonisation, Death, Gun violence, Suicide, and Slavery
Moderate: War, Medical trauma, Racism, and Torture
Minor: Rape
ruthhelizabeth's review
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I loved our main characters, and their flawed, courageous warmth. It was a genuine joy to see their character development throughout their building adventure. I'm not normally a fan of books with British royalty in, but I loved how many parts of this faced up to the most problematic elements of having a prince tied up in colonialism interact with a commoner.
I don't read a lot of epic fantasy or sci-fi and at times I was a little lost in all the detail. However, the strong characterisation kept me invested and moving through the bits I was a bit unsure in.
I would echo another reviewer and raise a word of caution around characterising a ruling class as anything similar to a lizard. I felt like if they had been portrayed on screen, this could have been fleshed out more so it was clear they were not similar to antisemitic tropes. However with so much left to the reader's imagination and in the place they held in the society, I felt this might have benefitted from an amendment.
Overall, this was a satisfying and epic tale, and I can imagine myself picking it up again before the sequel comes out.
Graphic: Grief, Murder, Colonisation, Death, War, Suicide, Abandonment, Child abuse, Drug abuse, Violence, Drug use, Kidnapping, Physical abuse, Racism, and Slavery
Moderate: Pregnancy, Injury/Injury detail, Blood, Genocide, Suicide attempt, and Xenophobia
Minor: Gore and Death of parent
blacksphinx's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.5
1. The author wrote this book between the ages of 16 and 18, and you can tell.
2. Marketing this as an adult book is a massive mistake, and it should have be aimed at a teen audience.
This is not to say that the book is bad. I applaud the young author for her genre smashing approach, wanting to create a time traveling space opera that is also an epic fantasy and a gay regency romance. It's also a blisteringly fast-paced book with little meandering and downtime. I think if I was a teenager I would have really enjoyed it. But wow, having an ill-defined prophesy the characters must all follow really fills this book with insta-found family and insta-love. Some characters that are supposed to be educated, wise adults come off as extremely childish (see: the commentary on the prophecy we get sometimes at the end of chapters that no academic would have written in such a casual tone). I think there's potential here, and I'm curious if she keeps writing after this series is finished.
I just can't get past looking at the King George IV, known womanizer and extravagant spender, and going "what if he was a progressive, anti-imperialist gay man with a Black lover?" I can't do it. It is so hilarious it makes my brain shut down.
Graphic: Drug abuse, Suicide, Abandonment, Death, Addiction, Slavery, and Drug use
Moderate: Injury/Injury detail, Colonisation, Confinement, Gun violence, Genocide, Blood, Classism, and Vomit
Minor: Medical content, Police brutality, Torture, Trafficking, and War
lisashelves's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Violence, Slavery, Death, and Injury/Injury detail
Moderate: Murder
Minor: Kidnapping, Trafficking, and Torture