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dantastic's review
4.0
11 - There's a new Stunt Master and the old one wants to sue him for using his name. Meanwhile, Matt and Foggy are working on Matt's autobiography.
The new Stunt Master is a douche nozzle and I can't wait for Daredevil to settle his hash. I'm really enjoying how Waid and Samnee are dusting off and using villains that aren't The Kingpin.
12 - Daredevil finally gets his hands on the Stunt Master.
Now that was some crazy shit. There were twists and some awesome action, such as Daredevil driving a car using his billy club and cane while chasing the Stunt Master. Turns out both of them are douche nozzles.
13 - Kirsten's dad has bodyguards secretly following her. Good thing, since she's in danger...
Is one of Daredevil's foes striking at him through Kirsten? Also, the Shroud shows up and things look to be heating up between San Francisco's top two blind crime fighters.
14 - Matt ditches his Daredevil outfit in favor of a red and black suit. Meanwhile, the Owl's daughter is looking for her old man.
You have to admit, Mark Waid has balls, having Matt ditch the mask and tights for a red and black suit but it works. I also liked where things are going with The Shroud, the Owl, Owlette, or whatever her name is, and Daredevil in the next issue.
15 - The Shroud is using The Owl to look for his missing girlfriend and launches a campaign to ruin Daredevil in San Francisco.
Yeah, Daredevil's up to his neck in sewage in this one. Every cell phone conversation and meeting he's ever had is broadcast and Foggy's been outed. And Matt has to make a deal with his worst enemy to settle things.
Closing Thoughts: Mark Waid's had one hell of a run on Daredevil, making him one of my top Marvel characters of all time. It's a shame someone will probably hit the status quo button as soon as he leaves. Four out of five stars.
The new Stunt Master is a douche nozzle and I can't wait for Daredevil to settle his hash. I'm really enjoying how Waid and Samnee are dusting off and using villains that aren't The Kingpin.
12 - Daredevil finally gets his hands on the Stunt Master.
Now that was some crazy shit. There were twists and some awesome action, such as Daredevil driving a car using his billy club and cane while chasing the Stunt Master. Turns out both of them are douche nozzles.
13 - Kirsten's dad has bodyguards secretly following her. Good thing, since she's in danger...
Is one of Daredevil's foes striking at him through Kirsten? Also, the Shroud shows up and things look to be heating up between San Francisco's top two blind crime fighters.
14 - Matt ditches his Daredevil outfit in favor of a red and black suit. Meanwhile, the Owl's daughter is looking for her old man.
You have to admit, Mark Waid has balls, having Matt ditch the mask and tights for a red and black suit but it works. I also liked where things are going with The Shroud, the Owl, Owlette, or whatever her name is, and Daredevil in the next issue.
15 - The Shroud is using The Owl to look for his missing girlfriend and launches a campaign to ruin Daredevil in San Francisco.
Yeah, Daredevil's up to his neck in sewage in this one. Every cell phone conversation and meeting he's ever had is broadcast and Foggy's been outed. And Matt has to make a deal with his worst enemy to settle things.
Closing Thoughts: Mark Waid's had one hell of a run on Daredevil, making him one of my top Marvel characters of all time. It's a shame someone will probably hit the status quo button as soon as he leaves. Four out of five stars.
helpfulsnowman's review
3.0
Geez, wouldn't it be horrible if someone could totally view or hear anything that ever happened within range of a phone, webcam, computer, or whatever? What a dystopia...
some_okie_dude27's review
Admittedly, I was skeptical of Waid at first. I thought that he was another one of those 'nerds who pretend to be writers' (ala Dan Slott), and certainly he can fall into those cliches at times. Yet I was surprised to see that he was capable of spinning a good yarn, offering a more optimistic bent to superheroes in Alan Moore's shadow without seeming contrived or silly with his seminal work Kingdom Come. But sadly, there comes an age where a creative mind reaches his peak, and Waid has clearly passed his.
I understand that Waid was attempting to bring a lighter tone to the Daredevil world, but so was Jeph Loeb and Tim Sale with Daredevil: Yellow, and I found that story was more heartfelt, while not losing the tragedy that defines Daredevil's world. Waid certainly attempts to achieve a similar effect, but he seems to have no understanding on what makes Daredevil so compelling, instead making him into a snarky, wisecracking jackass no different than Austin Powers. I found awkward jokes, cringey moments, and the contrived, hokey storytelling that he had spent his career quietly subverting.
Now one might think of me as one of those angsty fanboys who can't accept change to an established character that I like. But I found that Andy Diggle's run and Shadowland, which is quite the opposite of Waid's take on the character, to also become unintentionally silly and ridiculous with how dark and intense that it got, with none of the mastery of tone that Bendis and Brubaker would take with the character, and one that Zdarsky would also take when approaching the character. But Waid proves that going in the complete other direction doesn't do much to help things either, and it only becomes more disheartening once you begin to see
Certainly, there were the good moments, there are times that Waid attempts to give more depth to Matt and the other characters and attempt to explain his reasoning as Matt attempting to hide the constant pain that he struggles with with humor and laughter, and admittedly that would be an interesting direction for the Man Without Fear to go, but I find that it falls flat for two major reasons. For starters, I found that there wasn't enough emotional investment to really grab me, most moments where it attempted to make a connection either became a cheap punchline or they went right back to snarky obliviousness. Secondly, there hasn't ever been a time in Daredevil's history where he's attempted to use humor to cover up emotional pain (that I know of, to be fair). Now, I'm not one who harps too much on continuity, but it has its importance where it allows the stories and runs on characters to come together cohesively, and I don't find that Waid stuck to it or even cared to get a grasp on the character. One could make an argument for Stan Lee's original run with the character or Daredevil or Loeb and Sale's Yellow, but I found that they were fun while also keeping the tragedy of the character intact.
Chris Samnee's art was a continual source of enjoyment throughout this series, he brings a nostalgic, cartoon like flare to the series that was reminiscent of the great Darwyn Cooke, though a bit more upbeat and 'safe' unlike Cooke, who brought an evocative and moody tone to his art work with his work on Batman: Ego and his adaptations of Stark's Parker. But I still quite enjoyed Samnee's artwork throughout Waid's run, even as my interest began to wane.
In the end, I found that what truly went wrong with this series is that they got the wrong team to do it. I find that they would have been better on an Avengers book rather than a Daredevil one. The style, tone, and themes that are usually befitted to Daredevil are not found here, and I didn't find that Waid went in a very interesting direction with his take on Daredevil. Then again, it's always sad to see a once great creator begin to lose his touch, and Waid makes the list as he goes along.
Note: I won't be discussing any of the controversies that have befallen Waid over the last several years, I am only judging the quality of the storytelling in this run alone, any other drama that he's involved with has to do with him and the other parties involved in the situation.
I understand that Waid was attempting to bring a lighter tone to the Daredevil world, but so was Jeph Loeb and Tim Sale with Daredevil: Yellow, and I found that story was more heartfelt, while not losing the tragedy that defines Daredevil's world. Waid certainly attempts to achieve a similar effect, but he seems to have no understanding on what makes Daredevil so compelling, instead making him into a snarky, wisecracking jackass no different than Austin Powers. I found awkward jokes, cringey moments, and the contrived, hokey storytelling that he had spent his career quietly subverting.
Now one might think of me as one of those angsty fanboys who can't accept change to an established character that I like. But I found that Andy Diggle's run and Shadowland, which is quite the opposite of Waid's take on the character, to also become unintentionally silly and ridiculous with how dark and intense that it got, with none of the mastery of tone that Bendis and Brubaker would take with the character, and one that Zdarsky would also take when approaching the character. But Waid proves that going in the complete other direction doesn't do much to help things either, and it only becomes more disheartening once you begin to see
Certainly, there were the good moments, there are times that Waid attempts to give more depth to Matt and the other characters and attempt to explain his reasoning as Matt attempting to hide the constant pain that he struggles with with humor and laughter, and admittedly that would be an interesting direction for the Man Without Fear to go, but I find that it falls flat for two major reasons. For starters, I found that there wasn't enough emotional investment to really grab me, most moments where it attempted to make a connection either became a cheap punchline or they went right back to snarky obliviousness. Secondly, there hasn't ever been a time in Daredevil's history where he's attempted to use humor to cover up emotional pain (that I know of, to be fair). Now, I'm not one who harps too much on continuity, but it has its importance where it allows the stories and runs on characters to come together cohesively, and I don't find that Waid stuck to it or even cared to get a grasp on the character. One could make an argument for Stan Lee's original run with the character or Daredevil or Loeb and Sale's Yellow, but I found that they were fun while also keeping the tragedy of the character intact.
Chris Samnee's art was a continual source of enjoyment throughout this series, he brings a nostalgic, cartoon like flare to the series that was reminiscent of the great Darwyn Cooke, though a bit more upbeat and 'safe' unlike Cooke, who brought an evocative and moody tone to his art work with his work on Batman: Ego and his adaptations of Stark's Parker. But I still quite enjoyed Samnee's artwork throughout Waid's run, even as my interest began to wane.
In the end, I found that what truly went wrong with this series is that they got the wrong team to do it. I find that they would have been better on an Avengers book rather than a Daredevil one. The style, tone, and themes that are usually befitted to Daredevil are not found here, and I didn't find that Waid went in a very interesting direction with his take on Daredevil. Then again, it's always sad to see a once great creator begin to lose his touch, and Waid makes the list as he goes along.
Note: I won't be discussing any of the controversies that have befallen Waid over the last several years, I am only judging the quality of the storytelling in this run alone, any other drama that he's involved with has to do with him and the other parties involved in the situation.
peter_xxx's review
4.0
Mark Waid's run at Daredevil keeps a constant high level of quality. And this trade is no exception. Great run.
mjfmjfmjf's review
3.0
Not real deep, but a nice pleasant read. Good enough story, good enough art, good enough characterization. Basically a small book with a small story. Sure the end story is overly complicated but in this book it's just getting started. Matt in San Francisco finally makes some sort of sense. 3.5 of 5.
natnurdock's review
adventurous
funny
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
iffer's review
4.0
Okay, okay, if I averaged out how much I liked the issues in this collection, I would probably rate this as a three-star book. I wasn't that into the stuntman storyline, but ::squeal:: KINGPIN IS BACK! (Obviously I somehow didn't come into contact with spoilers.)
I'm really excited to see where the series goes, and I'm once again impressed by how Waid manages to keep the main themes of Daredevil, while treading new ground. Somehow he manages to make his run of Daredevil successfully "the same but different" in a good way. Although Daredevil's identity is now public knowledge, it appears that Daredevil/Matt's enemies are once again able to mess with his life by disclosing his secrets and the secrets of those closest to him, undermining the public's faith in him, and forcing a shady deal with the Kingpin.
I'm really excited to see where the series goes, and I'm once again impressed by how Waid manages to keep the main themes of Daredevil, while treading new ground. Somehow he manages to make his run of Daredevil successfully "the same but different" in a good way. Although Daredevil's identity is now public knowledge, it appears that Daredevil/Matt's enemies are once again able to mess with his life by disclosing his secrets and the secrets of those closest to him, undermining the public's faith in him, and forcing a shady deal with the Kingpin.