Reviews tagging 'Drug use'

The Fear of Winter by S.C. Sterling

11 reviews

bkwrm1317's review

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dark tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.5

Received this book as part of an author giveaway on StoryGraph. Wasn't familiar with the author prior to reading and was a solidly middle of the line read for me. Characters weren't particularly complex/developed through the novel, and characters weren't particularly compelling for me. I generally enjoy more complex and compelling characters, hence the lower rating for this novel. Having read many thrillers and mysteries, the plot didn't make up for the weaker character development from my perspective. 

Do check CWs, especially around self-harm, addiction, and domestic abuse for those who may be impacted by these. 

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bearystarry's review against another edition

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dark mysterious fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.25

A very quick and time-passable read if you're into this type of thing, but definitely check trigger/content warnings before you pick it up. Also there were some mistakes that I think could've used editing, weird turns of phrase and typos and a few clunky sentences. I think the character POV switching was a little much at times, too.

Overall this was Fine for me. The characters are very trope-y and the plot is pretty typical.
The motive the killer gives at the end feels very... flimsy. Your dad is a cop so you have to die? Ok.
And the whole book had a kind of conservative air to me. But I do think it was very readable.

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kuritsahreads's review

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dark mysterious tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.25

I won this book in a StoryGraph giveway. All opinions in this review are my own.

This was a very quick read that I enjoyed overall. The intrigue definitely had me turning the pages, as I tried to figure out how the different POVs connect to each other. 

This is a very dark book, and I can't say that the ending left me happy. The book touches on a handful of topics in gloomy details, from self-harm to alcoholism to how families can fall apart after losing a child. After each reading session, the story weighed on me, but I must say that I like how to author described and navigated through these topics.

Two things I sadly did not enjoy were the POVs with time changes (I think ? There were 2 really bizarre passages about
Kevin
), as well as the first few chapters that felt like the author was trying to cram in as many American brands, bands and locations as possible. While naming all the roads and highways makes sense, I could have done without all the food brands and album names. I felt like I was reading a commercial.

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ziemia_do_nany's review against another edition

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dark emotional mysterious tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

5.0

It was an amazing read! And I say it as a person who generally hates crime books! 
~ I won it in Storygraph giveaway

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lavenderbtcpodcast's review

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dark emotional mysterious sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

5.0


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whatthekatdraggedin's review against another edition

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dark mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

2.0

I received this in a storygraph giveaway and unfortunately it was not for me. The characters felt very flat and cliche to me. They each have their own dark traumas and self destructive coping mechanisms.
There wasn't really any tension in the search for the missing girl. And there wasn't enough character depth to really bring out their emotional experience of the loss. The "bad guy" is kind of cartoonish in his cruelty. There was also quite a few "men writing women" moments in this book that made me wince. 

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skillyillian's review against another edition

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dark mysterious sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.75

For starters, I won a digital copy of this book from a storygraph giveaway. It's not my usual genre, but I do like true crime, so I figured I'd give it a shot. The first thing I want to say is, holy shit, trigger warnings. Check the trigger warnings. Sexual assault and abuse, self harm, domestic violence, suicide, drug addiction, it's checking all the boxes. I didn't realize this would include graphic, detailed descriptions of someone self-harming, otherwise I probably wouldn't have read this. I skimmed those parts but it was very detailed. The same with someone committing suicide, and someone else contemplates it multiple times, considering multiple ways to do it. 

The plot isn't bad, the writing is fine, but some stuff was oddly specific while other things were extremely vague. Every time music was playing, it was listed by specific songs, albums, and artists. Which is fine, other than it being the same 5-10 artists no matter who was playing music or where. But there were almost no actual character descriptions? Like we know Tom has a beard, but not his hair color? The best description we got of the murder victim was when her mother saw a missing persons poster at a liquor store, and it just said "hair: brown" etc and that was it. We know almost nothing about what these people look like. 

It became clear pretty early on where the story was going and what had happened to Megan, but I don't think the author was going for some big, surprise plot twist anyway. 

One thing I found odd was the way the POVs switched. Another reviewer said it would've been easier to divide the POVs into their own chapters, and I agree. Having eight long chapters feels unnecessary when you're switching characters every few pages. Another thing I found odd was that it was almost impossible at times to tell how much time had passed, or what day it was. For example:

Katie gets captured by Nathan and we find out she's been there for days, but when we go back to someone else's pov, it doesn't seem like days have passed, like it goes back and forth, instead of one clear timeline everyone follows. 

Early on, Tom thinks Kevin Strand killed Megan, and after we hear about Kevin, it cuts to a summary of Kevin's career as a serial killer? And says something like "he would be executed x amount of time later" but why tell us Kevin's future? It would make more sense to let the reader wonder if it was Kevin, without us knowing what happens to him until later. Even then, I don't think Kevin's fate is relevant. We learn later when Tom interviews him that he's on death row and set to die, so why specify earlier? I feel like that could've been cut. But anyway, after that, we go back to another pov, and then back to Kevin, but it's Kevin's past, where he was burning a purse. Like, I guess, but?? Why in the past? And why not clarify that was in the past? We just had to use context clues to realize it was before Kevin was caught.


Anyway, overall this is fine? Not my favorite, the story didn't feel like it flowed super well. Minor details were very specific while important things were left too vague. Some things could've been taken out but they didn't necessarily ruin the story? But yeah, not my favorite.

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emory's review

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dark sad medium-paced
  • Plot- or character-driven? Plot
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.75

Some of the best writing I've seen in my adventures through middle to low quality thriller books recently. It was especially refreshing to read a book with multiple POVs that was able to keep them distinct and the characters moving through independent investigations. It had a very nice flow and tone to it (although one of my complaints is that this tone, while compelling at first, never changes and grows a bit flat).

The plot itself is pretty decent (even if I found it a bit annoying to make the case a cold case but then have three different characters discover the culprit independently through three different extremely simple investigative avenues); however, it lacks the suspenseful turns of a gripping thriller and also the character interiority that drives a tragedy about grief. Since I'm not sure exactly which one this book is going for, I'm not sure which to be more disappointed about. Hannah's character shone through (I would assume the series will follow her investigations, with this installment serving as a bit of an origin story), but even in her segments of narrative, we're told her emotions bluntly and clinically rather than shown through actions or relayed with any kind of warmth. Though emotional turmoil makes up a large part of each character's story, both the narrator and the characters themselves talk about them in the same flat tone as the rest of the novel. The death of
the main investigator in the case had absolutely no emotional impact, trimmed of all detail or decorum
. It just felt empty and one note. Time and space are nebulous, with little description of any space the characters inhabit and random moments within a chapter that mention it has now been weeks or months worth of time since an event. I think if the story leaned a bit harder into its characters rather than formulaic thriller speak--the killer actually says "your precious Megan" at one point--it really couldve shined! I especially would've liked more focus on Hannah's OCD(?)(that isn't represented for once as a nagging desire to wash her hands and nothing else; it's a miracle, even if the depiction could've been better in other ways), or Tom's feelings of guilt over "causing" his daughter's disappearance. As it was, though, the characters felt a bit cardboard.

One last little reservation I have is a bit of an odd tone surrounding vigilantism and the PIs using aggressive tactics that cops cannot. It's nothing you won't see in a typical police procedural, but still leaves a bitter taste in my mouth.

Overall I had my criticisms, but I did like the style of writing even with my reservations about the details it chooses to give or withhold. I wouldnt rule reading out more of the series.

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knkayaktel's review against another edition

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1.5

what don’t they contact the freaking police? this book was confusing with many characters being focused on and most of them had no resolution. I’m embarrassed to say I wasted time reading this book. Check out the TW, it basically covers everything you could think of in such a short book. 

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shoshpursley's review against another edition

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1.0

This book feels like the winner of a contest to see how many cliches could be crammed into 1 book! Damaged young woman looking to avenge something dark from her past (when she's not drinking or cutting herself, that is)? Check. Sad parents of the victim, struggling to keep their relationship together while also investigating what really happened to their daughter? Check. Washed up former police officer turned PI also hired to find out what really happened to the missing woman? Check! 
Clearly I didn't like anything about this book. It was cliched, predictable, and boring. The narrator also does a TERRIBLE job at speaking as the male voices! It was very irritating. 

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