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lakeland's review
dark
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
khcarson's review
4.0
Horror as a genre tends to lean towards the cartoonish -- madmen with axes, supernatural predators-- because the mundane horrors that fill an adult's everyday life are mostly intangible. Suzette Mayr leapt at that challenge like a cracked-up jackrabbit, using magical realism to bring the horrors of academia to life through a delightfully satirical perspective. As an academic herself, Mayr draws on her own experiences as an English professor when criticizing the institutional failings of universities that care more about profit and prestige than the well-being of their staff and students.
The book follows Edith, an introverted English professor facing increasing pressure from her department heads to hurry up and publish her dissertation. Edith struggles to find balance between her professional and personal life, and as stress mounts, she throws herself further into her work, hoping to find salvation through external validation. Health struggles compound under the poor building maintenance, and soon Edith begins seeing strange things within the university - fellow professors going missing, a sinkhole opening up, and the devilish hares that are more than they appear. But is any of it actually real? Or is she hallucinating due to a budding stress disorder? Mayr's use of magical realism within the book treads the fine line between real and imaginary, allowing the reader to draw their own conclusions. Is Crawley Hall really alive, or is Edith spiraling into mental illness?
Throughout the book, Edith refuses to acknowledge how systematic oppression/failures have harmed her and assumes personal responsibility for failing to keep up with impossible standards, driving her to figurative madness. The text almost feels Shakespearian at times due to Edith's inability to see how the system and environment she's in has pushed her to act against her best interest, while the audience can see the connection between her emotionally abusive upbringing, to her lack of a support system, to the predatory nature of the university. It feels like a modern iteration of a classic 'driven mad' Shakespeare narrative, but with a greater understanding of how various intersectionalities of identity (class, race, gender, upbringing, etc.) influence someone towards 'madness.' The magical elements really highlight and enhance this downwards spiral, as well as create a hauntingly creepy atmosphere to set the drama within.
This novel is both a character study as well as a critique of academia. As such, the plot is slow and mostly focuses on Edith's daily ruminations and routines, which takes time to build into a solid mystery. Tension does build right from the start around the school, but as Edith's focus is on her work, little of the narrative is spent actually trying to 'solve' the mystery. While this approach felt fresh when compared with other narratives where characters drive straight towards the plot, it also gave the book a literary feel, complete with the stereotypical pros and cons that come with the genre. To support readers through the slower plot points, Mayr filled the book with gorgeous, lyrical language that is heavily layered with symbols, metaphors, and satirical commentary on all facets of life.
The book's satire is deliciously absurd and yet freakishly real. The oppressive atmosphere mounts until it threatens to suffocate Edith by the finale, which beautifully illustrates how overwhelming stress and mental illness can become. Ultimately, my favourite part of the book is its finale, which (no spoilers) capitalizes on all the building horror and manages a twist that gave me chills in all the best ways. The ending satisfies by balancing Edith's wins and loses to create a catharsis for readers who enjoy it when both the hero and the villain get a few solid jabs in.
All in all, 4/5 stars. A chilling and satirical perspective on the horrors of academia.
The book follows Edith, an introverted English professor facing increasing pressure from her department heads to hurry up and publish her dissertation. Edith struggles to find balance between her professional and personal life, and as stress mounts, she throws herself further into her work, hoping to find salvation through external validation. Health struggles compound under the poor building maintenance, and soon Edith begins seeing strange things within the university - fellow professors going missing, a sinkhole opening up, and the devilish hares that are more than they appear. But is any of it actually real? Or is she hallucinating due to a budding stress disorder? Mayr's use of magical realism within the book treads the fine line between real and imaginary, allowing the reader to draw their own conclusions. Is Crawley Hall really alive, or is Edith spiraling into mental illness?
Throughout the book, Edith refuses to acknowledge how systematic oppression/failures have harmed her and assumes personal responsibility for failing to keep up with impossible standards, driving her to figurative madness. The text almost feels Shakespearian at times due to Edith's inability to see how the system and environment she's in has pushed her to act against her best interest, while the audience can see the connection between her emotionally abusive upbringing, to her lack of a support system, to the predatory nature of the university. It feels like a modern iteration of a classic 'driven mad' Shakespeare narrative, but with a greater understanding of how various intersectionalities of identity (class, race, gender, upbringing, etc.) influence someone towards 'madness.' The magical elements really highlight and enhance this downwards spiral, as well as create a hauntingly creepy atmosphere to set the drama within.
This novel is both a character study as well as a critique of academia. As such, the plot is slow and mostly focuses on Edith's daily ruminations and routines, which takes time to build into a solid mystery. Tension does build right from the start around the school, but as Edith's focus is on her work, little of the narrative is spent actually trying to 'solve' the mystery. While this approach felt fresh when compared with other narratives where characters drive straight towards the plot, it also gave the book a literary feel, complete with the stereotypical pros and cons that come with the genre. To support readers through the slower plot points, Mayr filled the book with gorgeous, lyrical language that is heavily layered with symbols, metaphors, and satirical commentary on all facets of life.
The book's satire is deliciously absurd and yet freakishly real. The oppressive atmosphere mounts until it threatens to suffocate Edith by the finale, which beautifully illustrates how overwhelming stress and mental illness can become. Ultimately, my favourite part of the book is its finale, which (no spoilers) capitalizes on all the building horror and manages a twist that gave me chills in all the best ways. The ending satisfies by balancing Edith's wins and loses to create a catharsis for readers who enjoy it when both the hero and the villain get a few solid jabs in.
All in all, 4/5 stars. A chilling and satirical perspective on the horrors of academia.
christinesandor's review
dark
funny
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
I read this for book club - to be honest I probably wouldn’t have finished it if I didn’t have to. I found the academic setting interesting and funny, but overall I didn’t find any of the characters very likeable. I found the first half of the book very slow to get going.
linneahedvig's review
4.0
I love an academic satire. The main character is really focused on whether her clothes make her look professorial enough and how long she can put off going to the bathroom while trying to get work done. It’s just too real.
dessa's review
5.0
This novel is like Martin John meets The First Bad Man meets every horrible thought I've ever had about academia, which is to say it's terrifyingly unsettling and sharp.
avab2000's review
3.0
dnf at 7.2%
sorry suzette, but this dark academia book had too much frickin academia in it for a poor average joe like me to enjoy……..
sorry suzette, but this dark academia book had too much frickin academia in it for a poor average joe like me to enjoy……..
nancymar's review against another edition
adventurous
dark
funny
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
idkmaclassiccars's review against another edition
4.5
Everything about this read felt unique, from the stream of consciousness to the disarming timelessness of it all, and the mystery of what is really going on, it was all a lot! But I had a great time reading this