trashbinfluencer's review against another edition

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adventurous challenging dark emotional informative reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.25


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fionamclary's review against another edition

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adventurous challenging dark emotional informative inspiring sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

If you've ever found yourself wondering what it would take for you to give up your current way of life and join an uprising, this book is for you.

As a huge language nerd, I was absolutely delighted with the magic system. It's clear that Kuang is also a language lover and has put a lot of research and passion into all the many languages that play a part in Babel. It's not a complicated magic system by any means, but it doesn't have to be when the intricacies are SO fascinating (at least to me).

Also, as a current physics grad student, the descriptions of Robin and his classmates' first few years at Babel were all too familiar and at times painfully relatable. The intense workload, the way it makes you a bit crazy, the closeness it can bring about when shared with others. The first third of the book set up the perfect premise for dark academia: golden summer days of picnics with your best friends, long nights in the library, and many hints that all is not right within the institution. And Kuang certainly delivered on that premise, escalating matters all the way.

I'm aware that this book made several white women quite angry. As a white woman, I can see why. Through one particular character, Kuang delivers an unflattering portrait of how white women can harm their friends of color simply by inaction and ignorance, and how they can fail when presented with the opportunity to commit to liberation. Although in some ways simplified for the purposes of fitting within the story and conveying the author's point, this portrait is not exactly wrong. I think there's some validity to criticism that the book does not do enough to address Robin and Ramy's internalized sexism, which hurts both Victoire and Letty. I think the fact that only Robin and to a somewhat lesser extent Ramy are fully fleshed-out for about the first half of the book does hamper some of the book's messages. But to say that this book indicts white women or even white people is ridiculous. The climax involves an immense show of solidarity across class and racial lines. Professor
Craft
, in my mind, serves to show what
Letty
could have been if she had fully confronted her biases and her complicity and done the right thing.

Speaking of which, the climax of this book was beautiful and destructive. I cried for fully the last 20 pages, which never happens. In the end, I don't think I fully agree with Robin. I'm not sure if Kuang does, either. I don't think we're meant to feel one way or the other -- just consider his choices and his beliefs, and hopefully we understand how he came there, having grown up with him, as it were, and seen him through all the events that led up to his decisions in the last chapters of the book.

Highly recommend for language lovers, academics who feel complicated about their funding sources, and first-world leftists trying to understand their place in the world and their role in a frightening future.

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julia_eve_r's review against another edition

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challenging dark emotional informative inspiring mysterious reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

5.0

This book is incredible. The magic system is rich and well fleshed out, the characters are foils to each other, they represent bigger ideas/beliefs. The way the book is written uses references uniquely and well, and the rich language is amazing. Best book of the year. Also it educated me on etymology and expanded my experiences with ‘double consciousness’ and systematic discrimination and so much more. This book should be studied at school. 

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ericadawson's review against another edition

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adventurous challenging dark emotional funny hopeful informative inspiring sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75

I'd give it 4.9 if I could. Explanation below:

People like to pull Playfair's quote about the violence and betrayal of translation from the text and present it as one of the most gut-wrenching lines in the entire novel. In fact, there are many such lines across many contexts. If I went through Babel now to put them all here, I'd never stop. I may as well quote the whole book. 

Babel is about a a young, half-Chinese, half-English man named Robin Swift as he grapples with his role in support Britain's colonial Empire in the 1830s. The lynchpin for all of England's dealings is silver, imbued with the magical and abstract powers of the tongue via the powerful spaces between translation. 

Babel has almost everything for me. I love all of the characters. The "math" of the arcs--that is, why anyone one character says or does anything at any give time--makes perfect sense. It's not predictable; simply logical. I could never hate Robin or Victoire or Letty for their initial love of Babel. I couldn't blame Ramy for anything he did or said. Letty's white feminism, white supremancy, and willfully ignorant understanding of the world was on point until it got tiresome. 

That is where I have to shave off a portion of a point, unfortunately. Letty's point as a character was hammered home until the wood was dented and the head was flying off the hammer. While I can understand that narrative math of Robin, Ramy, and Victoire explaining to Letty over and over how hard it is to be non-white in a fundamentally white supremacist insitution, white supremacist land--at a point, I grew patient with them. Especially after
Letty shoots Ramy in a classic case of a white woman's sexual entitlement to a brown man ending in violence
, I truly could not wrap my head around why they bothered speaking to her again, after that. 

Another portion of a point gets shaved off for Victoire's character. I loved her, I do, I just wish she stood out more from the beginning. I loved her especially in the end, with how her character was set up against Robin's and how they played off each other's strengths and weaknesses. 

Yet another portion of a point for the pacing of the ending in general. It was slow for me. There were two supposed twists/keys to success that I was waiting for the characters to remember and use, which made me get impatient. 

None of these things overall seriously detracts from my star-point rating for Babel. It was a lovely book. The prose was straightforward without being plain, and often punched me in the gut (in a good way). The concept was amazing, and the entire plot was clearly well-researched. I loved the footnotes. I loved everything. Highly recommended. If there was top-shelf wine for books, Babel would be up there.

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jiwiz's review against another edition

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challenging dark emotional informative reflective tense medium-paced
  • Strong character development? Yes

4.0

I'll start off with a disclaimer; This was my first time listening to an audiobook, and I've often had trouble paying attention to audio so there may be some portions that I missed. For example, I didn't realise Robin was wasian until much later than when it was revealed.

I'd describe this book in one sentence as a very loud 'Fuck you' to western colonialism. I've seen people criticise how on-the-nose it is. It drives its point home in such a glaringly obvious way that it's impossible to misinterpret it. I think it definitely could stand to deliver its message in a more subtle, nuanced manner. That being said, it was a solid read. I think R.F. Kuang does a good job at writing less-than-perfect protagonists and the magic system is very fresh and unique. 


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mereas's review against another edition

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dark emotional slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

A contemporary classic in literature. By the end, I felt simultaneously ruined and astonished by Rebecca F. Kuang's work. She covers the most existential questions in the frame of language and translation. The foundation of etymology and epistemology in the scene of colonialism and systematic oppression are narrated under one boy, Robin Swift, who is half-Chinese and half-English. I found the saddest aspect to this novel being that we never truly know his native name, of which was chosen by his late (Chinese) mother, and I cannot fathom the weight immigrants hold when they are told their names are too hard, complicated, or otherwise foreign for the English man. This also includes the erasure that colonial structures translate upon the foreign body, for they are left with no name nor grave. Rebecca F. Kuang leaves us to question whether protest and resistance should be violent or nonviolent to produce systematic change, in similar vein to the Civil Rights Movement.

Besides the foundation to this historical fantasy, the found-family trope touched my soul. I am a sucker for the most of unlikely friends to become a group of four. Between the lines, there are undertones of queer sentiments that also resonated with me, though they do not go further than just that. This, I did not mind because the characters are constantly in survival mode whether physically or emotionally. The reality underneath Rebecca F. Kuang's words is like a goldfish peaking above the water's surface--the social arguments always felt natural and fluid, which hurt the most.

Language holds so much power, yet it can just as easily be lost.
-
On a side note, I love to find authors' favorite diction. Rebecca F. Kuang is biased to: teeter, tranquility, translation.
-
"'What you don't understand,' said Ramy, 'is how much people like you will excuse if it just means they can get tea and coffee on their breakfast tables. They don't care, Letty. They just don't care'" (356).

"'Because you're a good translator.' Ramy leaned back on his elbows. 'That's just what translation is, I think. That's all speaking is. Listening to the other and trying to see past your own biases to glimpse what they're trying to say. Showing yourself to the world, and hoping someone else understands'" (535).

"Oxford relied on silver, how without the constant labour of its translation corps, of the talent it attracted from abroad, it immediately fell apart. It revealed more than the power of translation. It revealed the sheer dependence of the British, who, astonishingly, could not manage to do basic things like bake bread or get safely from one place to another without words stolen from other countries" (471). This, made me question what else can stand in for silver. Oil. Petroleum. Fast fashion. And, at what cost?

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navayiota's review against another edition

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adventurous challenging dark emotional funny hopeful informative inspiring mysterious reflective sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

A love letter to all who suffered and continue to suffer. A modern classic, heartbreaking and perfect. I cried in the night, staying up late to finish this behemoth of a book. My new favourite of all time.. Bless Kuang and her brilliant mind. 

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penofpossibilities's review against another edition

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challenging dark emotional informative mysterious slow-paced
  • Plot- or character-driven? Character
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0

the first half was incredibly slow paced and at times a drag to get through. If it wasn't for some long train rides with nothing better to do, I would've taken much longer to finish. The last quarter or so was really exciting though! I even got emotional and started crying near the end. 

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carlapastor's review against another edition

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dark mysterious reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

This is my second read of the book and I found that I had forgotten so much about it. How Rebecca manages to create a world, half fantasy half truth (sometimes couldn't tell the difference) and make such a strong critical book is amazing. First time I read it I picked it up randomly but it is truly one of my favorite books. 
Also, I don't think it was ever dense. This is one of those books that just make you want to keep reading. If I'm honest, I hope next time I read it it's not before bed, because I just can't put it down.

One of the few 5 stars I've read in my life.

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quinn24's review against another edition

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adventurous challenging emotional funny informative reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

I am absolutely floored. I was so fucking stressed reading this I had to keep taking breaks and honestly I’m a little pissed at how intelligent R.F. Kuang is. Insane. 

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