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3.68 AVERAGE
3.68 AVERAGE
Slow to start and way too much talk about being fat and eating too much. I understood her insecurities the first time. Good fantasy, clean but quite a bit of violence.
"The Girl of Fire and Thorns" is a young princess, Elisa, aged sixteen, who has the dubious distinction of being the "Godbearer," the chosen one, caused by the mysterious placement of a blue jewel in her navel as a newborn infant. She spends most of her childhood and adolescence feeling out of place, inadequate, and uncomfortable in her surroundings, compared to her elder sister, the perfect princess (she's tall, elegant, skilled at statecraft). Elisa copes with these feelings by eating. She's a comfort eater. All this is briefly shown to the reader (the author does a good job showing, not telling), and the story begins with the fitting of the protagonist's too-tight wedding dress. She marries the unknown young king of the much larger neighboring kingdom, and sets off to the capital city of his realm. On the way they encounter bandits, which is the first instance of Elisa's inner strength. In her new home, she discovers political intrigues, and gets kidnapped by citizens desperate for help in their battle against the Enemy. The kidnapping leads to a journey across the desert, an intriguing young guide, guerilla warfare, a daring reconnaissance into enemy territory, another kidnapping and an even more daring escape, and a desperate mission to a neighboring lord for assistance. The story is full of intrigue, adventure, love and betrayal, and my favorite part, self-discovery.
I really loved the emotional growth of the main character, and the inner strength she discovers as she begins to take action in her own life. Elisa's character was realistic and very accurate, considering she is only sixteen at the opening of the book. An insecure, un-self-confident, imperfect sixteen. Watching her grow into a strong, confident young woman was one of the joys of this book.
I also appreciated the treatment of weight issues. Elisa is not comfortable with her eating habits and her weight. But that changes when she starts to act, to take charge of her life, her actions, and her situation. She starts to feel confident, to believe that she has worth and value, and in doing so, begins to take restorative steps for her own emotional well-being. Furthermore, the author makes it clear that she is addicted to sugar. I don't know many people who are aware that sugar can be addictive, but the headaches Elisa suffers from hint that she does need sugar, until she gets kidnapped and has to quit cold-turkey.
Although I never found myself liking the king, I did appreciate his character. This king is not the usual perfect, attractive young man that is often found in fantasy and YA fantasy. Instead, he is handsome but weak. There are also plenty of excellent supporting characters. All seemed genuine, realistic.
This book is both fast-paced and un-put-downable. It's been a long time since I've read fantasy involving arduous journeys and harrowing escapes and adventure, and I've missed it!
I found the magical premise not as much to my liking as I have other magics in other worlds and books, but I am interested in finding out more about how bearers become bearers and what the rules are for magic on this world. I also have some questions about the religion, the Godstones, and the amulets in the possession of Invierne, which I hope will be answered in the sequel.
At different times, this book reminded me of the works of Sharon Shinn and Sherwood Smith.
Overall, I really enjoyed this book, for the characterization but also the plot and all its adventure.
I really loved the emotional growth of the main character, and the inner strength she discovers as she begins to take action in her own life. Elisa's character was realistic and very accurate, considering she is only sixteen at the opening of the book. An insecure, un-self-confident, imperfect sixteen. Watching her grow into a strong, confident young woman was one of the joys of this book.
I also appreciated the treatment of weight issues. Elisa is not comfortable with her eating habits and her weight. But that changes when she starts to act, to take charge of her life, her actions, and her situation. She starts to feel confident, to believe that she has worth and value, and in doing so, begins to take restorative steps for her own emotional well-being. Furthermore, the author makes it clear that she is addicted to sugar. I don't know many people who are aware that sugar can be addictive, but the headaches Elisa suffers from hint that she does need sugar, until she gets kidnapped and has to quit cold-turkey.
Although I never found myself liking the king, I did appreciate his character. This king is not the usual perfect, attractive young man that is often found in fantasy and YA fantasy. Instead, he is handsome but weak. There are also plenty of excellent supporting characters. All seemed genuine, realistic.
This book is both fast-paced and un-put-downable. It's been a long time since I've read fantasy involving arduous journeys and harrowing escapes and adventure, and I've missed it!
I found the magical premise not as much to my liking as I have other magics in other worlds and books, but I am interested in finding out more about how bearers become bearers and what the rules are for magic on this world. I also have some questions about the religion, the Godstones, and the amulets in the possession of Invierne, which I hope will be answered in the sequel.
At different times, this book reminded me of the works of Sharon Shinn and Sherwood Smith.
Overall, I really enjoyed this book, for the characterization but also the plot and all its adventure.
You know a book's good when you're so attached to the characters that when one of them dies, you rage quit. That's what happened to me. My favorite character. I'm so mad at the book right now. I have never been so angry with a story . . .ever. I may not even finsh this book . . . .
Anyway, enough with the ranting. For now.
I have read the majority of the book (up to chapter twenty-eight), and it's very, very good. It's very well-written, well thought out, has a great plot, and of course the characters are pretty good, one in particular. But I said I was through ranting.
This book would be great not only for the regular fantasy following, but also for those who tend to lean more towards the urban side of the fantasy spectrum. The first-person present narration gives it a good spin and really adds to the story.
I probably should finish reading this, but I don't know if I will at this time. I think I'll just wait until the sequel comes out, because if a character death can be so terrible, I'd really hate to see the sure to be cliffhanger ending.
Anyway, enough with the ranting. For now.
I have read the majority of the book (up to chapter twenty-eight), and it's very, very good. It's very well-written, well thought out, has a great plot, and of course the characters are pretty good, one in particular. But I said I was through ranting.
This book would be great not only for the regular fantasy following, but also for those who tend to lean more towards the urban side of the fantasy spectrum. The first-person present narration gives it a good spin and really adds to the story.
I probably should finish reading this, but I don't know if I will at this time. I think I'll just wait until the sequel comes out, because if a character death can be so terrible, I'd really hate to see the sure to be cliffhanger ending.
I loved it. The heroine is fantastic, the plot actually surprised me in places, and the treatment of faith and magic contributes to one of the more interesting reads in YA fantasy I've come across lately.
three stars
I love the MC she's so amazing and its a nice break from typical skinny cute girl
i like the setting
but like i didn't like the story itself and the writing as much anyhow k thats all
I love the MC she's so amazing and its a nice break from typical skinny cute girl
i like the setting
but like i didn't like the story itself and the writing as much anyhow k thats all
The cover is awful, but the book inside is surprisingly good. I'd compare it to Graceling, perhaps, although it's not such a tear jerker, because both books have the most vividly imagined fantasy worlds I've seen in young adult in a while.
Multiple characters showed a remarkable amount of growth, too. I particularly likedhow our heroine's husband at first comes off as a kind, handsome guy, and then is shown to be much weaker than we'd thought . And although the food/weight issues seem to have bothered a lot of reviewers, they seemed pretty true to me. (I only wish the publisher hadn't been so scared of them that he refused to put more than a person's almost-hidden face on the cover.)
But, mostly, I loved the book for the world and the way I could almost smell it. I've already got the second book on hold at the library --- yay!
Multiple characters showed a remarkable amount of growth, too. I particularly liked
But, mostly, I loved the book for the world and the way I could almost smell it. I've already got the second book on hold at the library --- yay!
Reread review from 2020:
This is my third time reading The Girl of Fire and Thorns, and I wasn't really looking forward to it, because I didn't like it much the first two times. "Why are you reading it again?" Because I enjoyed the rest of the series, and I decided to reread it before trying Empire of Dreams. Shock of all shocks, I really, really liked this book this time. Over the years, my rating for this book has gone from 1 to 2 to 4 stars. If I read it again, maybe it'll get five?
Perhaps I've grown or maybe another 8 years of reading has led me to appreciate the qualities of The Girl of Fire and Thorns that I initially didn't enjoy. Where I previously found this book predictable and the characters frustrating, I now enjoy the ways in which Elisa is not the typical fantasy heroine and the way the plot does things that are unexpected. The things which make this book weak for one reader make it strong for another.
One of the main aspects of this book I didn't care for originally was Elisa. She's weak and whiny and fat (which can be good but all she does is hate that she's fat for most of the book). I couldn't stand that about her. Now, though, at the grand old age of 32, reading about this 16-year-old girl chosen by god, disrespected by her family, I love that she's all those things. Elisa's been privileged all her life, and her father and sister have always treated her as lesser. She's never had to be brave, and she's never had anyone expect anything of her. She's thoroughly unprepared for what's to come, and being chosen has just made her even more protected.
When Elisa's wedded to Alejandro, she's uncomfortable but also dreams that this handsome king, her new husband, will love her. With very little encouragement, she's hopeful. This is sooooo being sixteen. Then she's kidnapped, and with very little time passing, she starts working with the kidnappers. It can seem like she's weak and without honor, but, in theory, they're all on the same side and ALSO she has no reason to be super loyal to Alejandro who she just met and whose entire court was pretty awful to her.
As the book progresses, Elisa loses weight and gains confidence. What's nice is that she doesn't set out to lose weight, and she doesn't modify her behavior in any way aside from what circumstances demand (being kidnapped and so forth). Initial gains in confidence come from others, as they respect her military acumen and Umberto lets her know he finds her attractive, but from that point she begins to learn to respect herself. It's great that Elisa's largely the same person she was, only given rein to indulge in her strengths and to accept what others deem her flaws.
While chosen narratives were annoying to me back then, now I can appreciate the way that this book plays with that. It's somewhat postmodern in the way that it questions what it means to be chosen. There's admittedly a lot of world building missing, but, having read the full series before, I know that explanations for much of that will be forthcoming. But there's something rather nice about the fact that Elisa knows she's been chosen but has no clue what that means. And that, in the end, it's rather anticlimactic.
It's so funny how much my feelings now differ from my feelings then. In terms of plot and characterization, this book takes a number of risks I still rarely see in fantasy.
P.S. But I still hate the words "belly" and "rear".
Reread review from 2012:
I have always loved rereading, and with my memory it's both a necessity (if I want to remember any details of my favorite books) and a pleasure. Even once I have a book pretty well ensconced in my head, I love to revisit the characters, to discover intricacies of the plot or little jokes that previously escaped me. On first rereads, I can be caught off guard by twists I had forgotten. In this case, though, my first reread of a book I've reviewed on my blog, I am rereading a book I didn't care for originally. You see, I read it and it left a bad taste in my mouth, but then everyone with similar taste read it and thought it was awesome, and I just felt I had to try again. Unfortunately, I still don't love it, but I do think I was a bit overly harsh in my first assessment, when I simply was not in the mood for the story.
I have two main issues with The Girl of Fire and Thorns: Elisa and religion. I'll discuss Elisa first. Initially, I was very excited to read a fantasy novel centering around an overweight heroine. Such a thing simply isn't seen. You do get some muscular heroines (like Kel from Tamora Pierce's Protector of the Small Quartet) who stand out from the svelte, trim crowd, but an unfit heroine...not so much. Then I met Elisa. She irritates the heck out of me. When the reader first meets her, she has sister issues like crazy, no self-esteem, hates herself for being fat, and eats everything in sight. Because of her inferiority complex, she moans and whimpers, blaming everyone else for her own shortcomings.
What I hoped for was a plus size heroine who would be okay with her size, but, instead, Elisa hates herself for it, yet refuses to do anything about it, taking a sort of perverse comfort in not trying, because she doesn't think she could live up to Alodia anyway. She does, through the course of the story, lose some of the weight, though she never becomes slender. With the loss of weight, her sense of self improves, and she looks at her previous clothing and deems it a tent, judging her former self. If she doesn't have sympathy for herself, why should I? She does sort of comes to term with her size, whatever it may be, to some degree later, I felt, but only because she found a boy she knew would love her no matter what she weighed. Again, I would really like this to come from inside. Maybe I'm being too picky because something about her narration just grates on me, but this is how I felt.
Pretty much the only thing I like about her in those first couple of chapters is how she wishes for an old, ugly husband or one with pock marks, even if it is so he won't be disappointed in her. Of course, what she actually gets is the most beautiful man she's ever seen, King Alejandro. For all that she hates how attractive she is, she kind of swoons all over him for a while, falling prey to his charms without really knowing anything about him.
I will give Elisa this, though. When the chips are down, she usually steps up. In quiet moments and social situations, she feels awkward and comforts herself with food and hatred of herself and others. In the midst of adventure, her mettle shows through. I like that Elisa so much better, and, thankfully, she comes to the forefront as the novel progresses. Even at the end, though, there's something about her that just grates, though I can't put my finger on precisely what. Oh, and I know this isn't a smooth transition but this thought doesn't merit a full paragraph, I could have done without a full chapter that kept mentioning how she'd pissed herself. Mentioning it once is good enough; I can remember it happened without constant descriptions of the acrid smell, okay?
Anyway, moving on to religion, Elisa happens to be the bearer of the Godstone, the Chosen One. This sounds really exciting and comes with some nice bling (a big jewel in her belly that appeared when she was a baby), but mostly just means she has to pray a lot and likely eventually give her life in service. For those that don't know, I am not religious, but I did minor in theology, so I do have some tolerance for religious discussions. I do not, however, generally like it to be a main theme in my novels. Sure, this religion has been made up, but aren't they all? The constant praying and such just wears on me. Again, this is my own issue, and other readers obviously weren't bothered, but, for those who are sensitive to such things, be forewarned.
As far as the other characters go, I really wasn't interested in most of them. The only female character I like is the prickly Cosmé. I appreciate her candor and her refusal to pretend to like people when she doesn't. Alejandro, Elisa's hottie husband, is incredibly weak and pathetic. He just bores me to tears. Hector, his man-at-arms, hasn't been given a ton of personality yet, but fits into the same archetype as the heroes from Grave Mercy and Touch of Power, so I like him thus far. Humberto, Cosmé brother is a sweetheart and reminds me a lot of a puppy. Rosario, Alejandro's son, actually was one of my favorite characters. He already has way more sense than his father.
The best thing about the novel, what really saved it from being all the way down in the 'didn't like it' end of my rating scale is that Carson does do some surprising things. While much of the book did feel unoriginal, she throws in some genuine twists. She's not afraid to hurt her characters, and I love that in an author. I hope she continues to take the plot in somewhat surprising directions.
I will be listening to Crown of Embers shortly, and I hope I like Elisa a bit better in that installment. I've seen The Girl of Fire and Thorns compared to Kristin Cashore's novels or Maria V. Snyder's and so far, I don't see it, but I'm going to give the series another shot.
Narration:
Jennifer Ikeda's narration fits the story very well. She has a gift for accents, which helps keep the characters clear and separate in my mind. The voices she gave suited the characters well, and at no time did her narration make me roll my eyes. Her tone suited Elisa quite well, I felt. Her voice was an easy one to pay attention to.
This is my third time reading The Girl of Fire and Thorns, and I wasn't really looking forward to it, because I didn't like it much the first two times. "Why are you reading it again?" Because I enjoyed the rest of the series, and I decided to reread it before trying Empire of Dreams. Shock of all shocks, I really, really liked this book this time. Over the years, my rating for this book has gone from 1 to 2 to 4 stars. If I read it again, maybe it'll get five?
Perhaps I've grown or maybe another 8 years of reading has led me to appreciate the qualities of The Girl of Fire and Thorns that I initially didn't enjoy. Where I previously found this book predictable and the characters frustrating, I now enjoy the ways in which Elisa is not the typical fantasy heroine and the way the plot does things that are unexpected. The things which make this book weak for one reader make it strong for another.
One of the main aspects of this book I didn't care for originally was Elisa. She's weak and whiny and fat (which can be good but all she does is hate that she's fat for most of the book). I couldn't stand that about her. Now, though, at the grand old age of 32, reading about this 16-year-old girl chosen by god, disrespected by her family, I love that she's all those things. Elisa's been privileged all her life, and her father and sister have always treated her as lesser. She's never had to be brave, and she's never had anyone expect anything of her. She's thoroughly unprepared for what's to come, and being chosen has just made her even more protected.
When Elisa's wedded to Alejandro, she's uncomfortable but also dreams that this handsome king, her new husband, will love her. With very little encouragement, she's hopeful. This is sooooo being sixteen. Then she's kidnapped, and with very little time passing, she starts working with the kidnappers. It can seem like she's weak and without honor, but, in theory, they're all on the same side and ALSO she has no reason to be super loyal to Alejandro who she just met and whose entire court was pretty awful to her.
As the book progresses, Elisa loses weight and gains confidence. What's nice is that she doesn't set out to lose weight, and she doesn't modify her behavior in any way aside from what circumstances demand (being kidnapped and so forth). Initial gains in confidence come from others, as they respect her military acumen and Umberto lets her know he finds her attractive, but from that point she begins to learn to respect herself. It's great that Elisa's largely the same person she was, only given rein to indulge in her strengths and to accept what others deem her flaws.
While chosen narratives were annoying to me back then, now I can appreciate the way that this book plays with that. It's somewhat postmodern in the way that it questions what it means to be chosen. There's admittedly a lot of world building missing, but, having read the full series before, I know that explanations for much of that will be forthcoming. But there's something rather nice about the fact that Elisa knows she's been chosen but has no clue what that means. And that, in the end, it's rather anticlimactic.
It's so funny how much my feelings now differ from my feelings then. In terms of plot and characterization, this book takes a number of risks I still rarely see in fantasy.
P.S. But I still hate the words "belly" and "rear".
Reread review from 2012:
I have always loved rereading, and with my memory it's both a necessity (if I want to remember any details of my favorite books) and a pleasure. Even once I have a book pretty well ensconced in my head, I love to revisit the characters, to discover intricacies of the plot or little jokes that previously escaped me. On first rereads, I can be caught off guard by twists I had forgotten. In this case, though, my first reread of a book I've reviewed on my blog, I am rereading a book I didn't care for originally. You see, I read it and it left a bad taste in my mouth, but then everyone with similar taste read it and thought it was awesome, and I just felt I had to try again. Unfortunately, I still don't love it, but I do think I was a bit overly harsh in my first assessment, when I simply was not in the mood for the story.
I have two main issues with The Girl of Fire and Thorns: Elisa and religion. I'll discuss Elisa first. Initially, I was very excited to read a fantasy novel centering around an overweight heroine. Such a thing simply isn't seen. You do get some muscular heroines (like Kel from Tamora Pierce's Protector of the Small Quartet) who stand out from the svelte, trim crowd, but an unfit heroine...not so much. Then I met Elisa. She irritates the heck out of me. When the reader first meets her, she has sister issues like crazy, no self-esteem, hates herself for being fat, and eats everything in sight. Because of her inferiority complex, she moans and whimpers, blaming everyone else for her own shortcomings.
What I hoped for was a plus size heroine who would be okay with her size, but, instead, Elisa hates herself for it, yet refuses to do anything about it, taking a sort of perverse comfort in not trying, because she doesn't think she could live up to Alodia anyway. She does, through the course of the story, lose some of the weight, though she never becomes slender. With the loss of weight, her sense of self improves, and she looks at her previous clothing and deems it a tent, judging her former self. If she doesn't have sympathy for herself, why should I? She does sort of comes to term with her size, whatever it may be, to some degree later, I felt, but only because she found a boy she knew would love her no matter what she weighed. Again, I would really like this to come from inside. Maybe I'm being too picky because something about her narration just grates on me, but this is how I felt.
Pretty much the only thing I like about her in those first couple of chapters is how she wishes for an old, ugly husband or one with pock marks, even if it is so he won't be disappointed in her. Of course, what she actually gets is the most beautiful man she's ever seen, King Alejandro. For all that she hates how attractive she is, she kind of swoons all over him for a while, falling prey to his charms without really knowing anything about him.
I will give Elisa this, though. When the chips are down, she usually steps up. In quiet moments and social situations, she feels awkward and comforts herself with food and hatred of herself and others. In the midst of adventure, her mettle shows through. I like that Elisa so much better, and, thankfully, she comes to the forefront as the novel progresses. Even at the end, though, there's something about her that just grates, though I can't put my finger on precisely what. Oh, and I know this isn't a smooth transition but this thought doesn't merit a full paragraph, I could have done without a full chapter that kept mentioning how she'd pissed herself. Mentioning it once is good enough; I can remember it happened without constant descriptions of the acrid smell, okay?
Anyway, moving on to religion, Elisa happens to be the bearer of the Godstone, the Chosen One. This sounds really exciting and comes with some nice bling (a big jewel in her belly that appeared when she was a baby), but mostly just means she has to pray a lot and likely eventually give her life in service. For those that don't know, I am not religious, but I did minor in theology, so I do have some tolerance for religious discussions. I do not, however, generally like it to be a main theme in my novels. Sure, this religion has been made up, but aren't they all? The constant praying and such just wears on me. Again, this is my own issue, and other readers obviously weren't bothered, but, for those who are sensitive to such things, be forewarned.
As far as the other characters go, I really wasn't interested in most of them. The only female character I like is the prickly Cosmé. I appreciate her candor and her refusal to pretend to like people when she doesn't. Alejandro, Elisa's hottie husband, is incredibly weak and pathetic. He just bores me to tears. Hector, his man-at-arms, hasn't been given a ton of personality yet, but fits into the same archetype as the heroes from Grave Mercy and Touch of Power, so I like him thus far. Humberto, Cosmé brother is a sweetheart and reminds me a lot of a puppy. Rosario, Alejandro's son, actually was one of my favorite characters. He already has way more sense than his father.
The best thing about the novel, what really saved it from being all the way down in the 'didn't like it' end of my rating scale is that Carson does do some surprising things. While much of the book did feel unoriginal, she throws in some genuine twists. She's not afraid to hurt her characters, and I love that in an author. I hope she continues to take the plot in somewhat surprising directions.
I will be listening to Crown of Embers shortly, and I hope I like Elisa a bit better in that installment. I've seen The Girl of Fire and Thorns compared to Kristin Cashore's novels or Maria V. Snyder's and so far, I don't see it, but I'm going to give the series another shot.
Narration:
Jennifer Ikeda's narration fits the story very well. She has a gift for accents, which helps keep the characters clear and separate in my mind. The voices she gave suited the characters well, and at no time did her narration make me roll my eyes. Her tone suited Elisa quite well, I felt. Her voice was an easy one to pay attention to.
3.5. I enjoyed this far more than I thought I would, given how skimpy/dumb so many YA novels are. The descriptions of the desert, the surprising twists in the romantic side of the story, the growth of the main character. Be sure to read the afterword section where the author reveals some of her thoughts about writing such a fat heroine, and why it was a concern when she thins down in the story. Really good stuff.
The good:
Smooth writing and good tension made this a quick read. I liked the Spanish (and Moroccan?) inspired fantasy world and emphasis on faith. The romantic elements aren’t the main point. It was all a refreshing change. I also liked that the protagonist and other main characters were unambiguously PoC. I am also happy the protagonist is fat.
The not so much bad as disappointing:
Early on, I was put on edge because I couldn’t quite trust the fat protagonist was in safe authorial hands. After finishing the book, I still don’t know. I started writing about it here, but deleted the essay. I’ll say it looks as if good faith was there, but there are enough of the troubling pieces to dampen my enthusiasm.
That being said, I intend to read more in the series. I liked the writing. Maybe the next books will back off on the food fixation and “sausage” descriptors, etc.
Smooth writing and good tension made this a quick read. I liked the Spanish (and Moroccan?) inspired fantasy world and emphasis on faith. The romantic elements aren’t the main point. It was all a refreshing change. I also liked that the protagonist and other main characters were unambiguously PoC. I am also happy the protagonist is fat.
The not so much bad as disappointing:
Early on, I was put on edge because I couldn’t quite trust the fat protagonist was in safe authorial hands. After finishing the book, I still don’t know. I started writing about it here, but deleted the essay. I’ll say it looks as if good faith was there, but there are enough of the troubling pieces to dampen my enthusiasm.
That being said, I intend to read more in the series. I liked the writing. Maybe the next books will back off on the food fixation and “sausage” descriptors, etc.
Started out pretty cool, kind of generic as far as YA fantasy goes but I liked the atypical heroine. Not the usual effortlessly-fit, thoughtlessly-attractive girl hero. Except that's all tossed aside before the halfway point. So that was a letdown, but the action's still good and she gets to do some pretty badass stuff. There's a running "chosen by God" line--not really my bag, but besides that it didn't add anything except to add religious flavoring. No spiritual awakening, just "God made this happen" and lots of praying. Eh.