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mynameisinigomontoya's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.0
Graphic: Sexual assault, War, Violence, Torture, Death, Emotional abuse, Grief, Homophobia, and Sexual violence
Moderate: Outing, Misogyny, and Physical abuse
Minor: Abortion and Miscarriage
wrenaldreads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Xenophobia, War, Self harm, Sexual violence, Miscarriage, Misogyny, Violence, Sexism, and Rape
nikenacs's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: War, Violence, Sexual content, Sexual violence, Blood, Rape, Vomit, Animal cruelty, Sexism, Animal death, Physical abuse, Sexual assault, Death, Self harm, Pregnancy, Murder, Suicidal thoughts, and Sexual harassment
Moderate: Abortion, Miscarriage, and Infertility
yourbookishbff's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Our character foils from book one, Zhu and General Ouyang, orbit each other even more closely in this installment, and I was fascinated to see the ways in which they aided and betrayed one another. I was surprised by how much time we spend with Wang Baoxiang, and didn't anticipate how central his storyline would become, but I honestly loved how the threads came together and how his story intersects with Zhu and General Ouyang. And never fear, because my favorite side character from book one, Ma, becomes pivotal in the final act, and I was so delighted to see how she influences the course of the narrative.
Though this book was exceedingly dark with significant on-page trauma (including rape, sexual violence, miscarriage and abortion, in addition to murder and war), these scenes felt intentional more than gratuitous, as Parker-Chan examines the intersections of revenge, sex, pain and violence in compelling and devastating ways.
I felt the story was surprisingly well-paced (given its length), and there were significant landmark scenes throughout that will haunt me for some time (sailing through ghosts?! IYKYK).
Because of how graphically violent and dark this duology is, I wouldn't necessarily recommend it to all fantasy readers, but I would absolutely recommend for those who love historical fantasy, historical retellings, speculative fiction, gender+bent history, and queer retellings with deeply (deeply) morally gray characters.
Graphic: Blood, Death, War, Misogyny, Rape, Sexual assault, Ableism, Classism, Murder, Outing, Abortion, Grief, Sexual violence, and Miscarriage
Moderate: Gore, Dysphoria, Infidelity, Confinement, and Body shaming
shibh's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Sexual harassment, Slavery, Violence, Grief, Physical abuse, Self harm, Injury/Injury detail, Abandonment, Animal death, Homophobia, Body shaming, Classism, Emotional abuse, Kidnapping, Medical content, Sexual assault, Ableism, Animal cruelty, Bullying, Domestic abuse, Murder, Abortion, Confinement, Genocide, Mental illness, Miscarriage, Rape, Lesbophobia, Addiction, Misogyny, Child death, Colonisation, Dysphoria, Gore, Infertility, Pregnancy, Blood, Body horror, Cursing, Death, Infidelity, Toxic relationship, Child abuse, Pandemic/Epidemic, War, Vomit, Xenophobia, Sexism, Transphobia, Sexual content, Sexual violence, Suicidal thoughts, and Torture
isi__1's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
2.25
Graphic: Violence, Sexual violence, Domestic abuse, Self harm, War, and Sexual assault
Moderate: Miscarriage, Torture, and Rape
Minor: Suicidal thoughts
thegabecole's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
Graphic: Ableism, Sexual violence, and Torture
Moderate: Miscarriage and Homophobia
thecaffeinatedlibrary's review against another edition
5.0
This book. This freaking book.
Shelley Parker-Chan masterfully mixes the queer experience with the historic backdrop in SWBTS, and this continues in new wonderful and tragic ways in the sequel. It is stunning in its prose and pacing, and so well researched. The settings are vivid, from the smells to the backdrops of pirate ships. It spits in the face of gender, and gender roles, and challanges mysgony in every breath. I was angry, I was distraught, and I was heartbroken, but it was also so strangely beautiful and hopeful, in spite of all the darkness. This is a book about power, ambition, desire, and what you would do to seize your fate.
The character arc of each of these characters is astronomical, particularly in our main protagonist, Zhu Yuanzhang. Zhu has done nothing but survive for her entire life, but in HE, we begin to see her learn the costs of her will, her pursuit of greatness. We see Zhu learn about herself, own herself and her body, and learn to accept and give love to those she cares for. We see her learn and grow, and when we finally see her wants come to fruition, it feels so right.
Ouyang is a character I have EXTREMELY complicated feelings about. General Ouyang leads a tragic life from start to finish. Ouyang's desires juxtaposed against Zhu's reveal several similarities, but I think Ouyang is Zhu if she never learned to see outside of herself. The way these two characters balance against each other? Magic. Ouyang's entire arc just hurt, hurt in a way that made me want to hug my friends closer.
Baoxiang is a can of worms that I was not expecting from this book. His melodrama and flair and just sheer toxicity were like a bomb going off. It hurt to watch, but it hurt more to look away. Baoxiang was the quiet one, the one no one saw coming. His quiet ascent was bone chilling, but his bitter-sweet downfall brought forth Zhu's merciful side beautifully. I found myself relating to him one sentence, wanting to hug him in another, and then being horrified the next.
And that ENDING. Perfect. No notes.
Graphic: Misogyny, Murder, Sexism, Sexual violence, Child death, Fire/Fire injury, Mental illness, Physical abuse, Violence, Homophobia, War, Slavery, Injury/Injury detail, Self harm, Miscarriage, and Death
Moderate: Deadnaming
cheye13's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Even more so than the previous book, the transness in this one is tangible. A number of lines were clearly written in response to current events in our world. The interweaving of the ensemble is just as masterful as the first book. Beginning this book, I was afraid that it would fall short because my favorite element of book one couldn't continue (
My options discussing this book are to break it down entirely and speak at length, or to simply say it's magnificent, and I suppose I'll settle for the latter.
(I strongly recommend checking content warnings. If you would prefer not to, keep the tone and events of book one in mind and know book two pushes a little bit further.)
Graphic: Grief, Injury/Injury detail, Torture, War, Miscarriage, Self harm, Death, Misogyny, Murder, and Violence
Moderate: Child death, Sexual violence, Rape, Homophobia, Ableism, Suicide, Gore, Infidelity, Mental illness, and Sexual content
Minor: Abortion, Colonisation, Cursing, Dysphoria, Infertility, Pregnancy, and Trafficking
A number of characters rely on dissociation as a coping mechanism. Especially compared to the previous book, there is quite a bit of on-page sex. While technically on page, it is almost never graphically detailed. Additionally (and fitting for the setting), it almost always falls into the dicey consent grounds of transactional sex – e.g. a lesbian actively choosing to sleep with a certain man for money or power. There is a single rape scene, and again, while on-page, it's brief and sparsely detailed.spootilious's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Title: He Who Drowned the World
Review:
Graphic: Kidnapping, Mental illness, Suicide attempt, Animal death, Body shaming, Death of parent, Grief, Pregnancy, Racism, Murder, Outing, Suicide, Torture, Confinement, Death, Infertility, Miscarriage, Toxic relationship, Transphobia, Infidelity, Medical content, Medical trauma, Misogyny, Gore, Rape, Schizophrenia/Psychosis , Physical abuse, Injury/Injury detail, Cursing, Domestic abuse, Bullying, Classism, Deadnaming, Violence, Vomit, Sexual harassment, Sexual violence, Child death, Abortion, Blood, Sexual assault, Slavery, War, Xenophobia, Child abuse, Emotional abuse, Self harm, Alcohol, Alcoholism, Body horror, Sexism, Suicidal thoughts, Toxic friendship, Gaslighting, and Sexual content