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lanid's review against another edition
emotional
reflective
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Moderate: Death, Addiction, Injury/Injury detail, and Homophobia
Minor: Kidnapping, Pandemic/Epidemic, Confinement, Gun violence, Violence, and Drug use
wordsmithreads's review against another edition
emotional
hopeful
inspiring
reflective
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.0
Wood is time captured. A map. A cellular memory. A record. This is why, Liam believes, carpenters like himself will never go out of business. Because people will always keep wood close: in our houses and on our floors, ceilings, and walls; in our trusted canes and our finest musical instruments; in our heirloom tables and old rocking chairs; and, most tellingly, in the very capsules that ease our journey into the ground. When carpenters call a piece of wood clear, they mean it is free of knots and wanes and blemishes. And during his many years of fussing over wood, cutting it to exact lengths and lovingly fitting it together just right, all before buffing it to a soul-warming shine, Liam Greenwood has often thought that people like clear wood best because they need to see time stacked together. Years pressed against years, all orderly and clean. Free from obstruction or blemish. The way our own lives never are.
Content Warnings
Moderate: Ableism, Death of parent, Classism, Violence, Drug use, Colonisation, and Kidnapping
Minor: Homophobia, Sexual violence, Suicide, Cancer, and Miscarriage
mandi_lea's review against another edition
emotional
mysterious
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Abandonment, Grief, War, Addiction, Classism, Death, Injury/Injury detail, Alcohol, Alcoholism, Kidnapping, Death of parent, Homophobia, Infidelity, Pregnancy, Toxic relationship, Violence, Ableism, Animal death, Cancer, Drug use, Terminal illness, Blood, Drug abuse, and Fire/Fire injury
christinesmith205's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
4.5
Content Warnings
Graphic: Kidnapping and Injury/Injury detail
zumpers's review against another edition
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
2.5
Content Warnings
Minor: Homophobia, Kidnapping, Pregnancy, Death, and Injury/Injury detail
kktaylor11's review against another edition
adventurous
challenging
emotional
funny
hopeful
inspiring
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Last year I read Barkskins by Annie Proulx and was surprised at how much I enjoyed it. When I first picked up Greenwood I thought it was the same book -- then realized it's a very similar idea (multi-generational epic length story tied to ecology and trees) but a different book so I thought I'd give it a try. I was pleasantly surprised.
While Christie is clearly writing in the same branch (tree humor...lol) as Proulx, he writes an entirely different story, which was refreshing. As for the story itself - I'd say 90% of it is very good...10% of it is forced and frustrating.
The story starts with Jake, living in a futuristic world where a blight (the withering) has killed off nearly all the trees in the world. Jake works in a "tree cathedral" where people come to visit the few remaining trees, and a visitor with a mystery about her past opens the door to the rest of the book. (Spoliers to follow!) The story that unfolds is fantastic. I'd be remiss if I didn't acknowledge the "tree ring" metaphor -- structurally the story travels from Jake to her parents to her grandparents to her great grandparents and then back out again, "almost like rings on a tree!" However - it's not as clunky as at sounds. Christie is more a weaver than a woodsman, captivatingly transitioning from one time period to the previous and back again with finesse and gentle elegance. There are no hard stop chapter changes, a new character is introduced, gradually becomes central, and then slowly eases out of focus. When I first realized what was happening I was frustrated because I wanted the story that had been introduced with Jake, but by the end I was actually sorry to see the historical aspect fade away.
As for the story itself, Jake's story ended up being the biggest weakness. In the beginning I was hooked - I wanted to know how the drama of the sick trees and the question of her future would be solved. In the end, however, they weren't, and to me that was the biggest problem with this book. Christie took a cheap exit -- he left the trees sick and dying, left the money on the table, and left Jake with no future and randomly added a completely unnecessary child. It felt like he got bored and just decided to ditch things. All the items that he had carried in the book through decades -- the records, the tools, the journal - in a few pages it was just "oh well, they're all in the dump now." It felt like a heavy handed "now I'm going to end with an ecological message about how children are the future and we have to save the trees" when the book itself had so elegantly made clear the importance of trees throughout. In short - I loved everything about the book except the ending.
So what DID I love? Everett!! What a fantastic character! Christie really built him in such a three dimensional manner -- from scary, off-putting and negative to beloved. I might even have cried when Liam found Everett's coffin. OK, I might have cried a lot. Ironically, I also loved the character of Harris Greenwood - not as a person, but as such a well rounded, complete character! Watching Harris evolve over his lifetime was the epitome of a dynamic character, and not always in good ways. His brokenness, his intensity, his fear...it was all so powerful. I didn't love Harris, but I loved his character. I DID love Liam. I didn't like him at first, but I grew to love him, which just emphasizes how talented Christie is -- to create a character and pull us along the journey with Harris of coming to know and care for him. Lomax seemed a typical "bad-guy" and the "maybe it's my baby" part seemed forced and disconnected. Here's this guy who is so proud of being a father to seven children and the long suffering husband with his home and family and he's a "good guy" but apparently he's also sleeping with Euphemia? It doesn't fit with who he is painted to be. If he's a cheater who is sleeping around and then telling his lover (Euphemia) she has to give up the baby then it's not such a "fall from grace" for him to start the Opium trip. His character would be fine and effective - even sympathetic - if that twist was removed. It just felt cheap. I didn't love Liam 2 -- I wanted his character to be MORE fleshed out, but it felt like Liam 2's story is where Christie started to get bored and want to wrap things up too fast. Crawling from the house to the van and then back to the house was a little too much...It wasn't realistic first (if you have a spine severed that severely? Not likely.) and secondly it wasn't necessary. He could have done the same reflection lying on the floor without the back and forth dragging. It just felt forced...and I wanted to know more about him. We heard about his addiction, but his memories actually had nothing to do with it (aside from his detox with his mother.) How did he struggle? Also - no explanation of WHY he didn't answer Meena or every interact with his child? He loved her so much he almost lost it, but when she has his child he just totally ignores her? Doesn't seem realistic. Again - Christie seemed to be speeding up toward the end of the book. And then there's Jake. At the beginning I was really interested. Like I said above, I was actually frustrated when the book started going back in time because as it started I really wanted to focus on the future issues and how to solve the sick trees she's spotted. As soon as the Lomax hints started being dropped I got frustrated. It was too obviously a way to spin the end of the story. Take that out, let her claim her inheritance, and save the patch of trees. Or get rid of the "cathedral" and live on the island by herself. Better yet, let her BE pregnant and have the baby and live in Cabin 12 and emphasize the healing power of nature and why it has to be saved for the next generation -- that would make SO much more sense than her just picking a random child from a dump on the last pages of the book. The story is about family and continuity even when it's not expected or desired...but not just "hey, let me buy you dinner" while walking away from what the whole story has centered on. Honestly, Greenwood Island is the central spot in the story and at the end she just walks away from it into the dust and the retching and imminent death. So what was the whole point?
In the end, my assessment is this: Christie is a phenomenal historical fiction writer, but his post-apocalyptic writing leaves room for improvement. In my rating this one is good enough I'll keep it, think about it, and recommend it to friends -- but I don't think it will last for generations. 4 Stars.
While Christie is clearly writing in the same branch (tree humor...lol) as Proulx, he writes an entirely different story, which was refreshing. As for the story itself - I'd say 90% of it is very good...10% of it is forced and frustrating.
The story starts with Jake, living in a futuristic world where a blight (the withering) has killed off nearly all the trees in the world. Jake works in a "tree cathedral" where people come to visit the few remaining trees, and a visitor with a mystery about her past opens the door to the rest of the book. (Spoliers to follow!) The story that unfolds is fantastic. I'd be remiss if I didn't acknowledge the "tree ring" metaphor -- structurally the story travels from Jake to her parents to her grandparents to her great grandparents and then back out again, "almost like rings on a tree!" However - it's not as clunky as at sounds. Christie is more a weaver than a woodsman, captivatingly transitioning from one time period to the previous and back again with finesse and gentle elegance. There are no hard stop chapter changes, a new character is introduced, gradually becomes central, and then slowly eases out of focus. When I first realized what was happening I was frustrated because I wanted the story that had been introduced with Jake, but by the end I was actually sorry to see the historical aspect fade away.
So what DID I love? Everett!! What a fantastic character! Christie really built him in such a three dimensional manner -- from scary, off-putting and negative to beloved. I might even have cried when Liam found Everett's coffin. OK, I might have cried a lot. Ironically, I also loved the character of Harris Greenwood - not as a person, but as such a well rounded, complete character! Watching Harris evolve over his lifetime was the epitome of a dynamic character, and not always in good ways. His brokenness, his intensity, his fear...it was all so powerful. I didn't love Harris, but I loved his character. I DID love Liam. I didn't like him at first, but I grew to love him, which just emphasizes how talented Christie is -- to create a character and pull us along the journey with Harris of coming to know and care for him. Lomax seemed a typical "bad-guy" and the "maybe it's my baby" part seemed forced and disconnected. Here's this guy who is so proud of being a father to seven children and the long suffering husband with his home and family and he's a "good guy" but apparently he's also sleeping with Euphemia? It doesn't fit with who he is painted to be. If he's a cheater who is sleeping around and then telling his lover (Euphemia) she has to give up the baby then it's not such a "fall from grace" for him to start the Opium trip. His character would be fine and effective - even sympathetic - if that twist was removed. It just felt cheap. I didn't love Liam 2 -- I wanted his character to be MORE fleshed out, but it felt like Liam 2's story is where Christie started to get bored and want to wrap things up too fast. Crawling from the house to the van and then back to the house was a little too much...It wasn't realistic first (if you have a spine severed that severely? Not likely.) and secondly it wasn't necessary. He could have done the same reflection lying on the floor without the back and forth dragging. It just felt forced...and I wanted to know more about him. We heard about his addiction, but his memories actually had nothing to do with it (aside from his detox with his mother.) How did he struggle? Also - no explanation of WHY he didn't answer Meena or every interact with his child? He loved her so much he almost lost it, but when she has his child he just totally ignores her? Doesn't seem realistic. Again - Christie seemed to be speeding up toward the end of the book. And then there's Jake. At the beginning I was really interested. Like I said above, I was actually frustrated when the book started going back in time because as it started I really wanted to focus on the future issues and how to solve the sick trees she's spotted. As soon as the Lomax hints started being dropped I got frustrated. It was too obviously a way to spin the end of the story. Take that out, let her claim her inheritance, and save the patch of trees. Or get rid of the "cathedral" and live on the island by herself. Better yet, let her BE pregnant and have the baby and live in Cabin 12 and emphasize the healing power of nature and why it has to be saved for the next generation -- that would make SO much more sense than her just picking a random child from a dump on the last pages of the book. The story is about family and continuity even when it's not expected or desired...but not just "hey, let me buy you dinner" while walking away from what the whole story has centered on. Honestly, Greenwood Island is the central spot in the story and at the end she just walks away from it into the dust and the retching and imminent death. So what was the whole point?
In the end, my assessment is this: Christie is a phenomenal historical fiction writer, but his post-apocalyptic writing leaves room for improvement. In my rating this one is good enough I'll keep it, think about it, and recommend it to friends -- but I don't think it will last for generations. 4 Stars.
Content Warnings
Moderate: Cancer, Mental illness, Homophobia, Drug abuse, Kidnapping, and Death of parent
Minor: War and Infertility
atlas_reads's review against another edition
adventurous
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? N/A
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Addiction and Drug use
Moderate: Kidnapping, Death, Pregnancy, and Suicide
feathery's review against another edition
challenging
dark
mysterious
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.75
Content Warnings
Graphic: War, Violence, Toxic relationship, Cursing, Cancer, Bullying, Blood, Animal death, Drug use, Alcoholism, Homophobia, Classism, Addiction, Medical trauma, Hate crime, Gun violence, Ableism, Chronic illness, Drug abuse, Alcohol, Xenophobia, Racial slurs, Racism, Terminal illness, Police brutality, Misogyny, Kidnapping, Injury/Injury detail, Grief, Gore, Colonisation, Death, Death of parent, and Child abuse
Moderate: Sexual content, Outing, Infertility, Vomit, Ableism, Suicidal thoughts, Sexism, Pregnancy, Infidelity, Excrement, Cursing, and Fire/Fire injury
Minor: Pedophilia, Suicide attempt, Outing, Miscarriage, Rape, Murder, Abortion, and Sexual violence
oceanxbluess's review against another edition
dark
emotional
mysterious
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
5.0
I've found so many forever favourites this year already, and my luck didn’t run out when I recently read Michael Christie’s ‘Greenwood’.
Spanning over 120 years the book is structured like the concentric growth rings of a tree and focuses on 5 of the most pivotal rings in Greenwood history - giving the term ‘family tree’ a whole new definition.
The Greenwood family, as their surname suggests, are all in some way or another connected to trees - whether that be through logging, carpentry, dendrology, tourism or activism.
We flick from 2038 where ‘The Great Withering’ - the wave of fungal blights and insect infestations caused by climate change - has wiped out almost all of the world's forests and people around the globe are dying from a new cough-inducing strain of tuberculosis caused by the increase of dust storms, all the way back to 1908 where the logging industry was just beginning to find its feet.
Trees became a luxury, only affordable for the richest members of society, with Greenwood Arboreal Cathedral open for pilgrims, celebrities & billionaires to spend some valuable time with one of the last remaining forests in the world - although most of them just want to take a selfie in the trees to post to their socials..
Christie’s writing completely blew my mind. The story is structured in such a unique & apt way, and the details are absolutely insane! It was so easy to become invested in each and every character, learning so much about each of their lives with SO MUCH DETAIL. I adored every character.
This is what I would class as a climate fiction book, but the story comes incredibly close to our reality right now (as do most in this genre). Of course many of us have been aware of the detrimental effects of climate change across the globe for a while now, and with temperatures reaching 40C for the first time in the UK this week, it is becoming harder and harder for people to deny & ignore.
This is definitely one for fans of The Overstory. I also kept thinking of Once Upon A River whilst reading this, finding familiarities in how incredible the storytelling is.
This multigenerational, pageturner of a climate fiction book is a must-read and has definitely made it into my top 5 reads so far this year, and claimed a spot on my forever shelf.
Content Warnings
Moderate: Drug use, Kidnapping, Abandonment, Alcoholism, Alcohol, Addiction, Cancer, Drug abuse, and War
Minor: Death of parent, Fire/Fire injury, Rape, Gun violence, Pregnancy, Suicide, and Homophobia
hmatt's review against another edition
emotional
mysterious
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This one snuck up on me. At the start, I maybe expected the story to stay more in the speculative future and stick to that genre, but it really is much more historical fiction than anything.
It starts slower than I usually enjoy, but the characters really grew on me. I wasn't expecting the depth in the characterizations and the nuance within each character's storyline.Imagine my joy at the low-key queer storyline AND how it resolved to be not-quite-as-tragic-as-it-could-have-been! While I agree it was a necessary inclusion, the only character I couldn't quite connect with was Lomax.
The writing style plus the Canadian-centric setting really reminded me of Emily St. John Mandel, except perhaps more developed with a better plot than most of her work (sorry, I love her writing, but Station Eleven is a clear outlier when it comes to a solid plot).
I know this is a book that I will read again - I'm sure it's one of those ones where you notice so many more little details on the re-read. And I love that there's a book club kit for it (that has recipes).
It starts slower than I usually enjoy, but the characters really grew on me. I wasn't expecting the depth in the characterizations and the nuance within each character's storyline.
The writing style plus the Canadian-centric setting really reminded me of Emily St. John Mandel, except perhaps more developed with a better plot than most of her work (sorry, I love her writing, but Station Eleven is a clear outlier when it comes to a solid plot).
I know this is a book that I will read again - I'm sure it's one of those ones where you notice so many more little details on the re-read. And I love that there's a book club kit for it (that has recipes).
Content Warnings
Graphic: Addiction, Blood, Cursing, Death, Death of parent, Drug abuse, Drug use, Gun violence, Hate crime, Homophobia, Kidnapping, Pregnancy, and Violence
Moderate: Infidelity, Murder, Police brutality, Racial slurs, Racism, and Sexual violence
Minor: Bullying and Emotional abuse