Reviews tagging 'Torture'

Audition by Ryƫ Murakami

36 reviews

jroberts3456's review against another edition

Go to review page

challenging dark emotional tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.0


Expand filter menu Content Warnings

f18's review against another edition

Go to review page

dark funny tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

I can't be the only person who finds Ryu Murakami hilarious. Cmon fix your votes for tone/mood!

I saw the movie Audition years ago, and found it underwhelming. In part, because I had been overhyped on how gory it would be but reading the book reminded me of other issues I had with the story.

After watching Love & Pop, Audition, and both reading and watching Piercing I think that what I really wanted from this book isn't what Murakami is interested in exploring in his work. I did enjoy this more than Piercing.  Aoyama wasn't exactly likeable but he was far less grating than Kawashima who made me constantly want to throw the book across the room until around the halfway point when the comedy of errors plot kicked in. Piercing I found funny straight away which made it a much more entertaining read. Murakami's works are ultimately focused on internal psychology though, and in a way I always seem to have mixed feelings about.
Having forgotten the plot since watching the film (other than the most basic outline) I was really expecting Asami to be lying to Kawashima about her past trauma and have been setting him up from the very beginning to fall for her in order to get him close enough to torture. Being reminded that no, actually her trauma had just made her a yandere was a disappointment. Aoyama assumed the homeless child would be capable of murder and I would have loved for him to assume that Asami had turned on him because of her past only for her to reveal it had all been a lie. While people's lives inform their actions of course (cycles of violence exist) its frustrating to see the idea over and over again that its a given that a tough past will turn someone into a monster.


Regardless, the ending was brilliant.

Expand filter menu Content Warnings

melosamatic's review

Go to review page

dark tense fast-paced

3.75


Expand filter menu Content Warnings

mayankaris's review

Go to review page

dark mysterious tense fast-paced
  • Plot- or character-driven? N/A
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

4.25


Expand filter menu Content Warnings

mossroot's review against another edition

Go to review page

dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.75

Audition is the second book by Ryu Murakami that I have read. Having started with Piercing, Audition was a bit slower paced. However, once it gets into the horror, it is so visceral and well described that it feels like a hot iron down your throat. 

I've seen some complaints about the ending, but personally I believe it fits so well with the characters and is a really good example of the characterization that Murakami uses. 


I really think the ending shows Aoyama finally being broken from his delusional point of view. The spell has truly broken and he sees in her what everyone else has seen the entire time.

Audition took me about two hours to finish. 

Expand filter menu Content Warnings

mareld's review

Go to review page

dark mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.0


Expand filter menu Content Warnings

broccoli_aesthetics's review against another edition

Go to review page

dark tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.5


Expand filter menu Content Warnings

mermaidsherbet's review against another edition

Go to review page

dark mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

1.0


Expand filter menu Content Warnings

spooky_coochie's review

Go to review page

dark tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? N/A
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

has a few great moments really dissecting how ridiculously high standards are for women and how men will completely disregard a woman's personhood in favor of their fantasy. Aoyama can only think of women as a dichotomy of good and bad, despite being told - "nice person, bad person, that's not the level this girl is at," and his eventual concession that she "was not a nice girl, but that was how he decided to think of her."

And OF COURSE the final third goes hard.

But I hate to say, Takashi Miike's film adaptation really elevates the source material. For starters, the tension building doesn't really work as well in the book - probably because we're really only in Aoyama's mind, and not getting things like flashes of Asami waiting by the phone or feeding vomit to a tongueless bag man (who is not present in the book at all).

It's fine that the violence and horror isn't as overt in the book, but it is so very unsubtle about Asami's motivations by the end. As Aoyama is being poisoned, he stops a moment and spells out Asami's entire psyche - oh, she must hate men because of her abuse and therefore wants to remove their feet just like her stepdad who molested her blah blah blah. It goes on for a page or so explaining everything in no uncertain terms. Like, thanks, I gathered that. And it's so unnatural, too - why would he have this moment pondering her entire schtick and thoroughly psychoanalyzing her when he's minutes from getting gored? Perhaps the bluntness is partially a translation issue, but even then, I think Miike draws this out much better. The film's not exactly subtle in how it connects the dots between Asami's past and her violent tendencies, but it's a bit more artful than this.

Anyways, I hate to say but I'd probably like this better had I not already seen the film adaptation. In comparison, this feels like...a half-baked treatment of the film script. Which obviously isn't the case, but...

also, and this is of course not Ryu Murakami's fault, I really cannot get over how atrociously bad this release's cover art is!!!! My other thought is that, based on how he's written women in the books by him I've read, Haruki Murakami totally would have fallen for Asami's shtick and had his feet removed lol 

Expand filter menu Content Warnings

thespencerj's review

Go to review page

dark mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


Expand filter menu Content Warnings