Reviews tagging 'Blood'

Wandering Stars by Tommy Orange

11 reviews

nerp's review against another edition

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emotional reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

WOW. I really enjoyed There There but Wandering Stars was INCREDIBLE. Prose, themes, structure, tone—truly incredible. I love Orange’s prose and how he structures his books. It so deeply impacts your experience with it. 

This isn’t a plot heavy book, particularly in part one, but the telling of the ancestors was vital to the telling and the whole point. It’s about intergenerational trauma and the lineage of addiction as a coping mechanism for experiencing unbelievable violence. Each story reinforces those. You can read it without There There, although it’s technically a sequel. 

Also, the audio is a delight!!

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january_one's review

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challenging dark emotional informative reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Gave me a lot of anxiety but well written

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lvleggett's review

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challenging dark emotional hopeful informative reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0

Wandering Stars picks up where There, There left off - in terms of characters and themes. But you can enjoy as a standalone book.

First, Orange takes us back a few generations to when things initially shifted for the family. A massacre of a Shawnee village sends Jude Star on the run. He and the generations that follow are wandering through the world, separated from who they once were and unsure how or if they can get back to it. 

As with There, There, the narrative takes on the POVs of the different characters. Wandering Stars is a more reflective book. Plenty of plot, centered on the newest generation of Stars in modern-day America, but with a strong internal dialogue that brings us deep into the experiences of these characters. This book explores how you figure out who you are in a world that has sought to eradicate your family, history and culture across hundreds of years. Yet you exist. We meet characters across the generations who are striving to hold onto what's been lost, to reclaim & rediscover, and to define the future for themselves. 

Orange writes young men especially with such precision and care. I can see many generations of readers connecting with their struggles and joys.

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jamiejanae_6's review

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challenging emotional hopeful reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

3.25


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ecn's review against another edition

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4.5

So so good, excellent mesh of prequel and sequel, and an absolute KNOCK out ending

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readingwithkaitlyn's review

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reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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emelynreads's review against another edition

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dark emotional reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

I read There, There right before cracking Wandering Stars open. This book focuses heavily on addiction much more than There, There. You still get the author's amazing prose and unique style of writing inner dialogue. 

I'm not sure what the purpose of having one nonbinary character was when it's only brought up twice and not for development. This was a turn off. 

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ktdakotareads's review against another edition

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dark emotional slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Diverse cast of characters? Yes

4.5


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caseythereader's review against another edition

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challenging dark emotional reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75

Thanks to AA Knopf for the free copy of this book.

 - I knew Orange would break my heart with WANDERING STARS, and he sure did.
- Orange expands on the legacy of colonization and the generational traumas that stem from it, showing different ways they manifested throughout the decades.
- Orange’s writing is so gorgeous, the kind of writing that you can’t imagine being done any other way.
- I reread THERE THERE immediately before this one, and am happy to report that the anti-fat bias in the first book is almost entirely gone. 

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bookishmillennial's review against another edition

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emotional funny reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes
disclaimer: I don’t really give starred reviews. I hope my reviews provide enough information to let you know if a book is for you or not. Find me here: https://linktr.ee/bookishmillennial 

Thank you to NetGalley and the publisher for the arc, I'm providing an honest review of my own accord <3

"The word family will never feel the same as it once did, or maybe it never quite fit. Like we need new words for what we become, how much we change, how we wear words and names out, especially when your heart breaks about going from being a kid to being an adult because you have to, because the world isn't made for kids." 

At first, I was nervous about this falling into the same issues I encountered when reading There, There, and though I think others may feel differently, I really enjoyed this follow up and think TO's writing has only improved (who am I, I'm a peasant, but I adored his prose and I personally appreciate a bit of heavy-handedness so whatever!) and drew me in even more with this sequel.

The narratives that pulled me in the most were those of Sean Price, an adoptee living in Oakland with his white family, and Orvil Red Feather, who we revisit in the aftermath of his school shooting, and he meets Sean via the world wide internet! I was so intrigued by Sean's journey of discovering his ethnicity through 23andMe, and learning he was part indigenous (but unfortunately does not know which tribe), part Black, and part white. He grew up with a white family, and once he finds out his background, he begins to question and challenge so much about his family and society as a whole.

I think the reason that narrative stood out to me was because of my own bias, since I live in the SF Bay Area and the following the narrative of someone in 2018 in Oakland felt familiar to read about. Though there are a multiple people we follow in this book, I didn't feel it was too hard to follow because we had met some of them in There, There, and I had a better handle on the family tree this time around.

Overall, the underlying themes of addiction, colonization, and familial generational trauma were clearly a bit grim, but ultimately it was powerful (in quiet, validating sort of way for me) and provided direct and tough commentary. 

Quotations that stood out to me
Everything that happens to a tribe happens to everyone in the tribe. Good and bad. Their mom said that once. But then she said now that we're so spread out, lost to each other, it's not the same, except that it's the same in our families, everything that happens to you once you make a family, it happens to all of you, because of love, and so love was a kind of curse.

This made him think about how African Americans were people who used to be from Africa but were now from America but then also both, and how that was true of Native Americans except there wasn't such a thing as Native America anymore the same way there was an Africa still.

It makes more sense to Lony to worship something like the sun than a dead guy on a cross who rose from the grave like a zombie, and all that stuff about eating his body and drinking his blood, or bread and wine to pretend it was his body and blood? Christianity is so weird, but everyone pretends like it isn't.

That they keep anything that came from your mother will be a kind of miracle, as all Indians alive past the year 1900 are kinds of miracles.

In an ideal world, Sean would be referred to as they/them, by everyone without anyone having to ask or explain. In an ideal world, there would be better, more inclusive, kinder language for everyone. He does not live in such a world.

Sean Price had had this fuck-it kind of energy for as long as he could remember. He believed he was born with it, that people who were could just say fuck it and do something crazy, something most people would have the common sense never to do, because yes you only live once and all that, but the fuck-it energy was different. It wasn't even necessarily a bad thing. It could be useful. Sean believed it came from having been adopted, from someone else having said fuck it about him.

White boys thought the world of themselves, thought the world was themselves, and that anything otherwise was out of place, needed to be noticed or ignored. But Sean wasn't gonna pretend like at one point he didn't want to be one of them. He was always careful about how much sun he got. He reserve pinched the sides of his eyes to a stretch to try to make them stay bigger, or pulled his nose out to make it less wide, or sucked his lips in to hide the fullness. 

"But nobody wants to be told they need therapy just like nobody wants to be told they got problems."
"They should make one called 23andMeToo, people could use it to find out how many known rapists are in their line," Sean said, thinking this would, as his dad suggested, lighten things up.
"You can't use DNA to know who was a rapist," Tom said.
"Well, first of all, you can and they very much use DNA to prosecute rapists, but also, speaking historically, of people in your line, if they were known rapists, say someone like Thomas Jefferson for example, he was a rapist.."
.....
"We used to be able to joke around a lot more. I'm sorry, but I miss that," Tom said.
"Yeah, sorry, life was way funnier before Mom died and I almost lost the use of my legs."
"We can't keep being all down about it. We've got to get up and stay up. She would want it that way, right?" Tom said. "Mom would want it that way, right?"
"We're not saying anything to each other," Sean said. "We're not hearing each other." 

 The spit said he was white from Northern and Southern Europe, Native American from North America, and Black from the North African region. He’d already assumed he was part Black, because he knew what he looked like. Because people know what they look like. And because of the way people had always looked at him in the white community he grew up in; there was no mistaking the look you got if you were assumed Black or part Black in a white community—whether you were or were not all or part, with or without the data regarding your DNA. But everything about race and background was trickier when you were adopted. Sean didn’t feel he had the right to belong to any of what it might mean to be Black from Oakland. And he couldn’t pretend to now be Native American, not white either, but he would continue to be considered Black, holding the knowledge of his Native American heritage out in front of him like an empty bowl. Being part white was something he’d just assumed. Even if he hadn’t been white, everyone was raised with whiteness as the standard and as the gaze, so you had it in you even if you didn’t, it was the background sound you only ever noticed got turned off in rare moments when the spotlight shifted temporarily.

But when Sean said I am Oakland at the end of his presentation, it felt more true than when he heard Oakland Lee say it. Sean felt good when he said it, about saying it, but Oakland Lee made everyone laugh, and Sean had basically shit on white liberals celebrating diversity without really addressing the white supremacist, systemic problems that made diversity so necessary feeling as to be celebrated by white people who want so bad to be on the right side of history they forget they're inevitably on the white side of history. So Sean ended up feeling really bad about the whole thing in the end.

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