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legs_n_chins's review against another edition
adventurous
dark
mysterious
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.0
I really, really wanted to like this book, but unfortunately it failed to engage me and the things I found lacking ended up far outweighing the things I really enjoyed. I came very close to DNF-ing multiple times. But I wanted to see it through to the end and the horror elements were solid enough that I wanted more of that.
Tl;dr: Main character suffers too much from Main Character Syndrome and too much of the story felt spoon-fed. Messaging was muddled. But horror elements held up through the end and atmosphere was appropriately dark.
The writing was technically solid. Henderson can set a scene well and creates a solid atmosphere. I felt the pacing was steady, quick to get from one part to the next without falling stagnant. However, the author also fell very heavily into the trap of telling, not showing. Many things that we were told occurred or things we were told the mc was thinking would’ve been more impactful if we had any basis of textual evidence for these statements. I also felt that information was spoon fed to the audience far too often, almost to the point that I felt condescended to. Some of the revelations, for example, that come toward the end that seem shocking to the mc shouldn’t have been shocking at all, as we seemed to have dwelled on this information for a long time prior.
I did really enjoy some parts of this book. The tension of the climax was excellent and the elements of nature and darkness were utilized well. I like the horror aspect, the constant haunting that seemed to dog our steps as the story progressed. The plagues were creative and helped continually raise the stakes through the narrative. And the way Henderson envisioned the witches, Lilith especially, was really incredible. I loved the image of the witches and the sinister otherworldliness of them.
Unfortunately, the rest of the book fell short of my expectations. Maybe I’m judging to harshly because of that, but I felt that the characters were shallow and relationships hollow. Some scenes between characters I felt were undeserved, the relationship not built enough for me to grasp the emotion the author was trying to convey. The mc never convinced me of her motivation or strength of character, and far too often it felt like she was in a bad quest epic where the most significant steps she took in her own narrative were to decide who to ask for help and when. And then in those cases she seemed to receive answers or aid without any significant obstacle. I could really overdo the word count on some examples, but this is already getting long and my main gripe is more significant.
I was confused by the commentary or message this book was attempting to impart. I’ll admit I can be dense about these things, and maybe I was told to expect something different that what this was intended to be, but this was billed to me as a dark fantasy wrapped around an intersectional feminist narrative. As a female-presenting poc myself, I was eager to see how Henderson would dig into this, but like everything else it felt rather shallow. The message I believe I could see here was that the patriarchal system seeks to make monsters of us all and turn women against each other to keep the structure in place. Which is all well and good, but I was hoping the narrative would allow for a breaking of that and give the women a chance to be allies with each other. Minor end spoilers:I suppose it did at the end, but like everything else it felt undeserved as up until that moment everyone had turned their back on the mc . More significant end spoiler: And, in the end, one of the final decisions made by the mc is in service to the saving of a man. A love interest I felt was unnecessary, eschewing the previously established motivation of saving the whole town.
There was also a part toward the middle of the book where the mc, a biracial woman, seeks to connect with her Black heritage and the time spent on that subplot was unfortunately brief. I’m biracial myself, I recognized some of what the author was saying here, but it still felt too surface-level because I didn’t feel the mc had a clear enough through-line of deep desire to make these connections. Though she expressed feelings of being an outsider in her own family, I wasn’t convinced of her consistent motivation to find the piece that was missing.
All in all, I was hoping for more depth and found it lacking. I may have been blinded by my own expectations and, unable to shake them, let my disappointment color my potential enjoyment of the book. But, I stand by my own critiques.
Tl;dr: Main character suffers too much from Main Character Syndrome and too much of the story felt spoon-fed. Messaging was muddled. But horror elements held up through the end and atmosphere was appropriately dark.
The writing was technically solid. Henderson can set a scene well and creates a solid atmosphere. I felt the pacing was steady, quick to get from one part to the next without falling stagnant. However, the author also fell very heavily into the trap of telling, not showing. Many things that we were told occurred or things we were told the mc was thinking would’ve been more impactful if we had any basis of textual evidence for these statements. I also felt that information was spoon fed to the audience far too often, almost to the point that I felt condescended to. Some of the revelations, for example, that come toward the end that seem shocking to the mc shouldn’t have been shocking at all, as we seemed to have dwelled on this information for a long time prior.
I did really enjoy some parts of this book. The tension of the climax was excellent and the elements of nature and darkness were utilized well. I like the horror aspect, the constant haunting that seemed to dog our steps as the story progressed. The plagues were creative and helped continually raise the stakes through the narrative. And the way Henderson envisioned the witches, Lilith especially, was really incredible. I loved the image of the witches and the sinister otherworldliness of them.
Unfortunately, the rest of the book fell short of my expectations. Maybe I’m judging to harshly because of that, but I felt that the characters were shallow and relationships hollow. Some scenes between characters I felt were undeserved, the relationship not built enough for me to grasp the emotion the author was trying to convey. The mc never convinced me of her motivation or strength of character, and far too often it felt like she was in a bad quest epic where the most significant steps she took in her own narrative were to decide who to ask for help and when. And then in those cases she seemed to receive answers or aid without any significant obstacle. I could really overdo the word count on some examples, but this is already getting long and my main gripe is more significant.
I was confused by the commentary or message this book was attempting to impart. I’ll admit I can be dense about these things, and maybe I was told to expect something different that what this was intended to be, but this was billed to me as a dark fantasy wrapped around an intersectional feminist narrative. As a female-presenting poc myself, I was eager to see how Henderson would dig into this, but like everything else it felt rather shallow. The message I believe I could see here was that the patriarchal system seeks to make monsters of us all and turn women against each other to keep the structure in place. Which is all well and good, but I was hoping the narrative would allow for a breaking of that and give the women a chance to be allies with each other. Minor end spoilers:
There was also a part toward the middle of the book where the mc, a biracial woman, seeks to connect with her Black heritage and the time spent on that subplot was unfortunately brief. I’m biracial myself, I recognized some of what the author was saying here, but it still felt too surface-level because I didn’t feel the mc had a clear enough through-line of deep desire to make these connections. Though she expressed feelings of being an outsider in her own family, I wasn’t convinced of her consistent motivation to find the piece that was missing.
All in all, I was hoping for more depth and found it lacking. I may have been blinded by my own expectations and, unable to shake them, let my disappointment color my potential enjoyment of the book. But, I stand by my own critiques.
Content Warnings
Graphic: Pregnancy, Gore, Blood, Religious bigotry, and Animal cruelty
Moderate: Domestic abuse and Sexual assault
Minor: Pedophilia and Incest
sdsmith80's review against another edition
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
***Spoilers***
I put this book on hold because it was a book club pick, although I didn't get it in time to participate. I'm always a fan of religious horror though, so was somewhat looking forward to this. My first thoughts with it were that Bethel has shades of the FLDS and other local sects that subjugate women. I was pretty sure that the author was going to make the point that women are oppressed to strip them of their power, and that the witches would ultimately be forces of good. I was pleasantly surprised to find that this book has a level of nuance in its characters, and the battle between good and evil, that isn't normally seen. I'll let the author tell it in their own words:
"Some of them were innocent, others complicit; still more were caught in the gray between right and wrong. Few were wholly blameless, and none were free of sin."
The fact that in the end, the witches weren't good, although their actions weren't fully evil either, was such a good choice. I truly loved the fact that everything in the end comes down to the choices of the characters. While I did feel that the ending was a bit rushed in places, the hopeful note I think was the perfect tone to leave on.
I put this book on hold because it was a book club pick, although I didn't get it in time to participate. I'm always a fan of religious horror though, so was somewhat looking forward to this. My first thoughts with it were that Bethel has shades of the FLDS and other local sects that subjugate women. I was pretty sure that the author was going to make the point that women are oppressed to strip them of their power, and that the witches would ultimately be forces of good. I was pleasantly surprised to find that this book has a level of nuance in its characters, and the battle between good and evil, that isn't normally seen. I'll let the author tell it in their own words:
"Some of them were innocent, others complicit; still more were caught in the gray between right and wrong. Few were wholly blameless, and none were free of sin."
Content Warnings
Moderate: Domestic abuse, Child abuse, Sexual assault, Racism, and Xenophobia
jessn13's review against another edition
dark
emotional
reflective
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Rather dark story about a puritanical community buried deep in a history of using religion as an excuse for systemic problems of violence and abuse. I enjoyed the main character development from a follower to a leader, and thought the story was one about the power of feminism.
Content Warnings
Graphic: Blood, Religious bigotry, Racism, Violence, Gore, and Adult/minor relationship
Moderate: Domestic abuse
erkietheturkey's review against another edition
challenging
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Blood, Child abuse, Death, Pedophilia, Violence, Body horror, Child death, Classism, Death of parent, Infidelity, Injury/Injury detail, Misogyny, Murder, Physical abuse, Religious bigotry, Sexism, and Adult/minor relationship
Moderate: Animal death, Gore, Gun violence, Sexual violence, Domestic abuse, Emotional abuse, Fire/Fire injury, Grief, Homophobia, Pregnancy, Racism, Sexual assault, and Confinement
Minor: Medical content
queer_bookwyrm's review against another edition
adventurous
dark
mysterious
sad
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
4 ⭐ CW: descriptions of blood and gore, violence, death/murder, animal sacrifice, animal death, misogyny, scarification, self-harm, menstruation mention, sex, racism, domestic abuse, child abuse, child sexual abuse mention, torture, childbirth/medical trauma
The Year of the Witching by Alexis Henderson is book 1 in the Bethel series. This is the first book about witches in a puritanical society I've read that features a black MC. This is the witch and Salem witch trial adjacent story I've been looking for! There is way more rep for black people in this book than I've seen for this time period other than slavery.
We follow Immanuel Moore, a mixed race black girl in land called Bethel, that is puritanical to its core. Women have no rights and they and the younger girls bear the burden of sin due to the belief in witchcraft. Except in Bethel, witches are real, and Immanuel's mother consorted with them. In Bethel, the only way to purge and purify a sinner such as a witch, means burning them on a pyre.
When Immanuel accidentally sets off plagues in Bethel, she realizes she's the only one that can stop the curse and save Bethel and all the innocent girls in it. Soon Immanuel realizes the threat isn't the witches, it's the system the Church and the Prophet created to harm and exploit women and girls, and the complicity bystanders who do nothing.
This was a very gruesome read, but fascinating nonetheless. Henderson examines themes around religious and patriarchal oppression as a means to gain power and control, the hypocrisy of the Church, and the endless cycle of violence. She examines how prolonged abuse and oppression can turn someone who used to be gentle into a violent, vengeful thing. She tells us that mercy is the only way to move forward and leave the violence behind. "Blood begets blood."
There were so many passages I tabbed, because the messages are just so good. It's nice to see a fresh take on puritanical witches and society. I will be reading the next book.
The Year of the Witching by Alexis Henderson is book 1 in the Bethel series. This is the first book about witches in a puritanical society I've read that features a black MC. This is the witch and Salem witch trial adjacent story I've been looking for! There is way more rep for black people in this book than I've seen for this time period other than slavery.
We follow Immanuel Moore, a mixed race black girl in land called Bethel, that is puritanical to its core. Women have no rights and they and the younger girls bear the burden of sin due to the belief in witchcraft. Except in Bethel, witches are real, and Immanuel's mother consorted with them. In Bethel, the only way to purge and purify a sinner such as a witch, means burning them on a pyre.
When Immanuel accidentally sets off plagues in Bethel, she realizes she's the only one that can stop the curse and save Bethel and all the innocent girls in it. Soon Immanuel realizes the threat isn't the witches, it's the system the Church and the Prophet created to harm and exploit women and girls, and the complicity bystanders who do nothing.
This was a very gruesome read, but fascinating nonetheless. Henderson examines themes around religious and patriarchal oppression as a means to gain power and control, the hypocrisy of the Church, and the endless cycle of violence. She examines how prolonged abuse and oppression can turn someone who used to be gentle into a violent, vengeful thing. She tells us that mercy is the only way to move forward and leave the violence behind. "Blood begets blood."
There were so many passages I tabbed, because the messages are just so good. It's nice to see a fresh take on puritanical witches and society. I will be reading the next book.
Content Warnings
Graphic: Adult/minor relationship, Animal death, Misogyny, Blood, Death, Domestic abuse, and Gore
Moderate: Child abuse
Minor: Sexual content
chichio's review against another edition
dark
mysterious
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
ARGH! This was so good.
The writing in this book was unbelievable—so atmospheric and full of details without being unnecessarily convoluted. I could quite literally see all of the imagery in my mind’s eye, and there were very clear moments where I was able to watch characters move throughout the space as though I were watching a movie. On the topic of imagery, the horrific elements of this book were so creative and grotesque. I loved every single second of it.
Also, obsessed with our protagonist Immanuelle! Loved her so much. The author did an amazing job writing this character, to the point where even when she made decisions that I didn’t agree with, I still felt as though they were justifiable because of the kind of person she’d been crafted by the author to be.
The only reason why this isn’t getting the whole 5 stars from me is the pacing, namely near the very end of the book. Understandably, action scenes are meant to be shorter in order to depict tension and high stakes but I couldn’t help but feel that it all felt too rushed. I definitely think it would’ve added to the book if we got to see a little more of the aftermath of the Slaughter on page, rather than just through summary/exposition.
Still, this was a fantastic horror read for autumn written by a black author with a black protagonist! I enjoyed it all so much and will definitely checking out more from this author.
The writing in this book was unbelievable—so atmospheric and full of details without being unnecessarily convoluted. I could quite literally see all of the imagery in my mind’s eye, and there were very clear moments where I was able to watch characters move throughout the space as though I were watching a movie. On the topic of imagery, the horrific elements of this book were so creative and grotesque. I loved every single second of it.
Also, obsessed with our protagonist Immanuelle! Loved her so much. The author did an amazing job writing this character, to the point where even when she made decisions that I didn’t agree with, I still felt as though they were justifiable because of the kind of person she’d been crafted by the author to be.
The only reason why this isn’t getting the whole 5 stars from me is the pacing, namely near the very end of the book.
Still, this was a fantastic horror read for autumn written by a black author with a black protagonist! I enjoyed it all so much and will definitely checking out more from this author.
Content Warnings
Graphic: Misogyny, Blood, Gore, Death of parent, Body horror, Injury/Injury detail, Violence, and Sexism
Moderate: Animal death, Domestic abuse, Gun violence, Pregnancy, Sexual assault, and Emotional abuse
thebakersbooks's review against another edition
challenging
dark
emotional
sad
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
In The Year of the Witching, author Alexis Henderson takes the ‘dark bad, light good,’ trope often seen in speculative fiction to its logical conclusion in order to dissect it. The story comes down heavily on themes of corruption and misogyny in (Christian) religious settings—I can’t say if it’s a discussion of a particular sect or denomination, since I’m not Christian. This was a tough, emotional read, but it was very skillfully written and the fantasy elements made the hard-hitting parts more bearable.
I’m going to let this book speak for itself on a few of the topics I thought it addressed really well.
- Misogyny in Christianity: “Bethel has placed its burdens on the shoulders of little girls for far too long.”
- Inaction in the face of injustice: “Good people don’t bow their heads and bite their tongues while other good people suffer. Good people are not complicit.”
- Anti-Blackness in western Christianity: “In all her sixteen years, Immanuelle had never seen any saints or effigies in her own likeness. None of the statues and paintings housed in the Prophet’s Cathedral bore any resemblance to her.”
- The church allowing men to take sexual advantage of children: “It was the sickness that placed the pride of men before the innocents they were sworn to protect. It was a structure that exploited the weakest among them for the benefit of those born to power.”
- White people not coming through for their mixed-race family: Main character Immanuelle’s white grandmother betrays her to the religious authority and Immanuelle later says, “She’s no kin to me.”
- Religious rhetoric being used to justify atrocities: “The Holy Scriptures had always made those conflicts seem like battle sands wars, but in actuality, it was just a massacre.”
This was an excellent book. I wouldn’t necessarily call it an enjoyable read at all times, but it contained lots of great social commentary built on a foundation of rich worldbuilding. I recommend The Year of the Witching to anyone who enjoys intense fantasy and won’t be disturbed by the religious commentary (or will be disturbed in a good way; western Christianity needs to be shaken up this way now and then, in my opinion.)
Content notes: mention of rape in a religious context; spousal abuse; religion-base misogyny; racism/colorism; blood/gore; ritual self-harm; ritual sacrifice of animals; religion-sanctioned child rape; on-page traumatic childbirth; death of birthing parent
I’m going to let this book speak for itself on a few of the topics I thought it addressed really well.
- Misogyny in Christianity: “Bethel has placed its burdens on the shoulders of little girls for far too long.”
- Inaction in the face of injustice: “Good people don’t bow their heads and bite their tongues while other good people suffer. Good people are not complicit.”
- Anti-Blackness in western Christianity: “In all her sixteen years, Immanuelle had never seen any saints or effigies in her own likeness. None of the statues and paintings housed in the Prophet’s Cathedral bore any resemblance to her.”
- The church allowing men to take sexual advantage of children: “It was the sickness that placed the pride of men before the innocents they were sworn to protect. It was a structure that exploited the weakest among them for the benefit of those born to power.”
- White people not coming through for their mixed-race family: Main character Immanuelle’s white grandmother betrays her to the religious authority and Immanuelle later says, “She’s no kin to me.”
- Religious rhetoric being used to justify atrocities: “The Holy Scriptures had always made those conflicts seem like battle sands wars, but in actuality, it was just a massacre.”
This was an excellent book. I wouldn’t necessarily call it an enjoyable read at all times, but it contained lots of great social commentary built on a foundation of rich worldbuilding. I recommend The Year of the Witching to anyone who enjoys intense fantasy and won’t be disturbed by the religious commentary (or will be disturbed in a good way; western Christianity needs to be shaken up this way now and then, in my opinion.)
Content notes: mention of rape in a religious context; spousal abuse; religion-base misogyny; racism/colorism; blood/gore; ritual self-harm; ritual sacrifice of animals; religion-sanctioned child rape; on-page traumatic childbirth; death of birthing parent
Content Warnings
Graphic: Child abuse
Moderate: Blood, Domestic abuse, Racism, and Sexism
Minor: Adult/minor relationship, Body horror, Misogyny, Rape, Self harm, Pedophilia, Pregnancy, and Sexual assault
decie's review against another edition
5.0
Content Warnings
Graphic: Torture, Blood, Body horror, Rape, Sexism, Animal death, Physical abuse, Pregnancy, Adult/minor relationship, Child death, Gore, Grief, Injury/Injury detail, Misogyny, Murder, Pedophilia, Death, Gun violence, Religious bigotry, Violence, Confinement, Death of parent, and Domestic abuse
Moderate: Self harm and Racism
lisammuch's review against another edition
adventurous
dark
emotional
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.5
Content Warnings
Graphic: Body horror, Blood, Religious bigotry, Emotional abuse, Death, Xenophobia, Domestic abuse, and Medical content
Moderate: Racism and Rape
bnelson13's review against another edition
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This book is fantastic! I loved the plot and the characters. Immanuelle was a great protagonist and I loved her journey. This book was so hard to put down.
Content Warnings
Moderate: Physical abuse, Pregnancy, Rape, Religious bigotry, Violence, War, Cursing, Animal death, Blood, Death of parent, Adult/minor relationship, Death, Gore, Grief, Misogyny, Murder, Child death, Domestic abuse, Fire/Fire injury, Genocide, Infidelity, Injury/Injury detail, Pedophilia, Self harm, Sexual assault, Sexual content, and Torture