Reviews tagging 'Sexual violence'

Troubled Blood by Robert Galbraith

29 reviews

iva_kocourkova's review against another edition

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adventurous dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

3.75


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jessiejessj's review against another edition

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adventurous challenging dark emotional inspiring mysterious reflective sad tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

The fifth book in the series, Troubled Blood takes readers on a convoluted path that has every suspect looking like a murderer at one point, and simultaneously, the main character looking like a possible runaway instead of a possible victim. The character progression between Cormoran and Robin is intriguing also, as this is the first book in the series where I found their friendship/relationship frustrating to experience as Cormoran’s personal situation has him lashing out, making me quite frustrated in his behaviour. While I did consider deducting stars due to the fact there’s a significant focus on rape in this book which made me uncomfortable, in the end the writing was so excellent and the reveal so shocking, I had to give it 5 stars in the end regardless.

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emerion's review against another edition

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adventurous dark mysterious slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.75

The latest in the Strike/Robin detective agency series. It has a main investigation of a cold case, and several smaller jobs, running concurrently. These, plus the interplay between Strike, Robin and several new employees of the agency held my interest, despite the length of the book, which I would normally find off-putting. 

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katie_noelani's review against another edition

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adventurous dark emotional mysterious reflective sad tense medium-paced

4.0


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mishat's review against another edition

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3.0

I went into this with trepidation because of what I'd read about it being transphobic, but I think that is a very unfair critique given what's actually in the book, as other people have said. I was also nervous because I do not want to read about sexual violence, and it was clear from the beginning that that was a possible aspect of this book. But reviewers were describing it as a cozy mystery, and I have faith in the author, and early on when there are some graphic details the characters step away and say things like "I don't need to hear the details," so I kept reading. Very disappointed that the graphic descriptions increased later on in the book. I did a lot of skipping ahead in those sections (I was listening to the audiobook) and don't feel I missed anything important to the story (which means they are gratuitous details). I also think the book is just bloated and overly long... so many unnecessary details about what they're having for lunch and who's taking a sip of coffee when and oh god the astrology. All that said, I love Robin and I like Strike, and their romantic tension is fun, and the mystery (several mysteries really) are interesting. The audiobook narrator is fantastic, really captures both Strike and Robin and all kinds of other characters with different accents.

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sauvageloup's review against another edition

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dark mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? N/A
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.5

Complicated feelings over this one

Pros:
- Rowling is an exceptional writer; the complicated but satisfying plot, the mixture of straightforward tone interspersed with moments of lyrical descriptions and reflection, the characterisation and development, the slowly eked out relationship development, the depth of every single side character, how each character's dialogue is made distinct and accents rendered realistically, the research that's clearly gone into it... just so much to admire in the actual writing and her skill.
- I like Robin and Strike and many of the other side characters. They feel real and Rowling puts across their emotions very well. There's a very real feeling of being as harried and pressured as Strike clearly is with everything piling up and then the release at the end.
- the plot was complex but wrapped up very neatly at the end. It was complicated by various characters' mixed motives but it didn't feel forced.

Cons:
- My only complaint about the writing was that it was *massively* confusing at the beginning. SO. MANY. NAMES. Got super confused. Also later on completely forgot who
Joanna Hammond
, which might be due to it being 3am right now, but still. Took the punch out of the revelation at the end because I couldn't remember who the hell they were talking about.
- Rowling's views... Rowling as a person... that was just in my head the whole time I was reading.
- her views then come through in this book, more than the others I think. This is the first book to come out post Rowling revealing herself as a massive transphobe and I think there's a lot of elements of that that come through in this.
-
There's the killer, Creed, dressing up in women's clothes to lull his victims into a sense of security, which is the most transphobic bit. Then there's a good bit of fatphobia in there with obvious scorn and disgust angled towards fat people, including Creed being obese. A point I hated a lot was when it's made fun of that Irene has IBS. The condition is given to an already dislikeable character and it's encouraging the reader to laugh at her during that whole episode, which I thought was really cruel. No-one, however dislikeable, should be subject to mockery because of a chronic and painful medical condition. There were other bits too and I can't speak for disabled people but I wasn't sure how some of the portrayals of disabled people would come off to them. Then there's points where I felt that Rowling was hammering home other points, about women's safety, about Robin's rape, about domestic abuse, manipulative men, feminism, and about people who arguing for changing language rather than actually making a difference (the students Strike has a rant at in Max's flat over a so called 'slutwalk'). None of that was wrong, but I felt it linked back to Rowling's perception of herself within the world.


Anyway, the book was written excellently, but Rowling is a piece of shit. Unfortunately, I am also very jealous of her writing abilities and wish they'd been given to someone more worthy.

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hdeherrera14's review against another edition

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adventurous challenging dark mysterious tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.5


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kdmusings's review against another edition

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adventurous challenging dark emotional mysterious reflective sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

As with the other books in the Strike series, I was addicted from the first page. I’m not super keen on slowed paced books, but Rowling is an incredible writer. 

This book was very personal to me. However, upon reflection it is important to remember Rowling’s homophobic views and how this has been directly relayed through in her writing. 

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jitskevddoes's review against another edition

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adventurous dark mysterious medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0


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kumquat9's review against another edition

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mysterious slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.0


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