Reviews tagging 'Blood'

The Book of Form and Emptiness by Ruth Ozeki

28 reviews

paperknotbooks's review against another edition

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challenging emotional hopeful inspiring lighthearted reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

I apologize to my socks whenever I start to roll them, thanks to Marie Kondo. Thanks for the reminder that I’ve always talked to inanimate objects. 

This is a book with an ending full of hope, despite the content. It may be a touch long, but worth the ride. I audiobook’d this, and had no problems with it. I know a lot of people find the audiobook a bit grating because Benny is over-the-top whinny and his mother sounds like an airhead. I enjoyed the listen, but it won’t be for everyone.

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storykath's review against another edition

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challenging dark emotional hopeful reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75

Whew, finally made it! I read this book in fits and starts over the last two weeks, and a lot of the time it felt unending, but in the end it was a worthwhile story that will probably stay on my mind for a while.

This book tackles a lot; there's commentary on mental health, addiction, the nature of stories, politics, and society as a whole. It was an effort to continually wade through them all, but the switches in POVs were effective for keeping things balanced.

There's also a lot of nuance and ambiguity in this book, and I think it was handled incredibly well. We hear the subjective thoughts and feelings of characters with mental illnesses and addictions, and we can see how easy it is for them to fall into deluded or dangerous ways of thinking. At times I was totally immersed in each character's perspective, and at other times I could approach it more objectively and see the truths that they were missing. To handle this type of writing so sensitively and faithfully is really a feat.

I don't think I would read this book again, as a lot of the philosophy was too nebulous for my tastes, but I would recommend it to anyone looking for an absurd yet bracingly real story of struggle and survival.

Definitely check content warnings before diving in.

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_inge's review against another edition

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slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

This was really good, though I can’t exactly explain why. I think Ozeki’s writing has a lot to do with this. Her writing really is amazing; her sentences are poetic and beautiful, but still very clear and easy to follow. The structure helped as well, the chapter length made it easier to digest what was happening in the story. The subject matter is quite heavy, but because of the overall style it never manages to be so dark you’d want to put this book away. 

I also really loved the characters in this. They are very flawed, but therefore very human. Like them we don’t know whether they’re doing the right thing or not, and we question what’s real and what isn’t in this story. Often I’d totally understand where both Benny and his mum came from and it hurt to see them argue. 

The book itself as a narrator worked so well too. I’d read stories where the book itself addresses you before (‘Wij Zijn Licht’) but I really liked the dialogue between Benny and the Book. Benny sometimes didn’t agree with what the Book was saying about his life, and these moments were some of the greatest in this novel for me. The book itself made me think too; I too prefer ‘happy’ books on my shelf, for instance, and often rate those more highly, even if their message isn’t as profound. 

At times I did think the plot dragged a bit, but that was mostly because I wanted to see what would happen next. Sometimes characters went away for a bit, and I felt annoyed they didn’t do anything to work on their issues instead - but maybe making the reader feel annoyed at this was the point? I also didn’t really like the connection between the Zen cleaning aspects (and Marie Kondo references?) and how this tied into the story in the final part of this book. I don’t quite know what these cleaning methods actually did for Annabelle and whether this even helped her clean at all. But perhaps it’s more about the ideas behind this cleaning method and what the Zen book represented for her. 

I hesitated picking this up because of the overall length, but I felt drawn to it and decided to give it a go. And I’m really glad I did. I still don’t know why I wanted to keep on reading as soon as I picked this up, and I can’t really form a clear opinion about this book as a whole. This’ll be a book I’ll think about for a long time to come.

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feebles640's review against another edition

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emotional sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75


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franklola's review against another edition

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dark emotional mysterious reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25


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prettycloud's review against another edition

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adventurous dark emotional funny hopeful informative inspiring mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

She had me with the intriguing premise, but this book delivers a nuanced look at mental illness, a thoughtful exploration of grief (both individual and the climate change/post-Trump Weltschmerz), and a celebration of love in all its forms. If I could distill this book into a single idea, it would be the forces that divide us and the ways we can connect in spite of them. This book has a lot of pain and disconnection in it, but it gave me hope that we can all somehow make it out of *gestures vaguely* all of this.

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masalacat's review against another edition

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reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.75


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thebacklistborrower's review against another edition

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emotional reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

 I finished this book and wasn’t ready to let it go. I immediately wanted to reread it again, forwards, backwards, and from right in the middle. It is about a boy named Benny who hears objects talking to him, including a book that narrates his life, and his mother, a woman who struggles with hoarding. Ultimately, this story is about our relationship with stuff and books in particular. 

This book covers so much ground: mental health, trauma, access to appropriate supports for children and adults, consumerism, capitalism, art, the nature of reality, society’s treatment of homeless people with mental health challenges, and books. Over and over again, language, stories, poetry, books, and libraries are looked to for solace, connection, and help. Many characters take refuge in the library and get help from the community that it builds around it. 

In this book, all things have spirits and voices and want to be heard. Benny goes in and out of live-in treatment when he starts to hear these voices, and an alphabet of diagnoses is sprinkled through the book as his doctors try to figure him out. But at the same time, as a reader I never felt that his hearing voices was wrong, with the book coming across as magical realism. Anybody who has read Ozeki’s “Tale for the Time Being” will know this style. In both books, the question of “what is real” is very present both for the characters and the reader. And ultimately, it is up to everybody’s interpretation what the answer is. I was fascinated to see in the Acknowledgements that Ozeki had consulted with various groups that support those who hear voices, which definitely leant itself to the way the topic is approached in the book.

I can’t say enough good things about this book. There is still so much I haven’t talked about, and I think everybody who reads this book will read something different and valuable out of it (a phenomenon actually referenced in the book). So I think anybody can and should read this book. It will be one of my favourites this year, and for many to come.

 

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