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brijeanson's review against another edition
4.0
First 3/4 insane and he totally knew the future before any of us did, but the last 1/4 kind of lost me but that could just be because I’m not as familiar with the references he was making.
matthew4's review against another edition
3.0
The expansion on the idea of the 'integrated spectacle' is welcome, although all in all due to its pessimistic nature I found it hard to be inspired by this text as much as the original upon which it is building on.
depandy's review against another edition
5.0
Estes Comentários são uma espécie de atualização e meditação sobre A Sociedade do Espetáculo tendo por base os acontecimentos desde a publicação desta última obra. É neste ensaio que Debord apresenta o conceito de "espetacular integrado", atualizando e combinando os conceitos de "espetacular difuso" e "espetacular concentrado" d'A Sociedade do Espetáculo.
Se há detalhes que são produto do seu tempo, como as partes sobre serviços e agentes secretos muito própria da Guerra Fria, também há detalhes que ganham a sua maior relevância nos dias de hoje, como a desinformação e as noticias falsas, o terrorismo ou o fenómeno das celebridades. Continua a ser um ensaio bastante relevante para os dias de hoje.
Se há detalhes que são produto do seu tempo, como as partes sobre serviços e agentes secretos muito própria da Guerra Fria, também há detalhes que ganham a sua maior relevância nos dias de hoje, como a desinformação e as noticias falsas, o terrorismo ou o fenómeno das celebridades. Continua a ser um ensaio bastante relevante para os dias de hoje.
daviddavidkatzman's review against another edition
5.0
With the primaries in progress, and the battle approaching to save the pale semblance of a democracy that we live in from the fascist tyranny of Trump and the Republican party, I elected to repost this review that fits the spectacle of Trump oh so precisely.
Comments on the Society of the Spectacle is a must read. Although it enhances your understanding to read [b:Society of the Spectacle|381440|The Society of the Spectacle|Guy Debord|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1370746722l/381440._SY75_.jpg|371226] first, it's not absolutely necessary. SotS is one of the most politically astute grand visions of the social order ever written. Revolutionary. Profound. Enlightening. (And admittedly somewhat difficult in its degree-of-esoteric-jargon. But if you can accept not understanding everything, it’s worth it.)
Debord was of course French and the original work inspired the student/union workers revolt that occurred in France in 1968. Debord and his fellow movement leaders were called The Situationists or Situationist International. It's rather amazing to think, from the current perspective of a relatively inactive, uninspired and uneducated American society, that an esoteric book of political theory inspired student to lead a mass strike involving up to 11 million workers for two weeks. This was roughly 2/3 of the French workforce. The closest thing that has occurred today is the revolution in Egypt.
The students and workers in ’68 were primarily revolting against modern consumerist and technologist society; the movement was anti-authoritarian and anti-capitalist. Yes, it was grounded in Marxism, but it was quite opposed to both Communism and Capitalism. They were decidedly anti-Stalinist. Strangely enough, The Situationists married Marxist thinking with avant-garde art.
Debord advocated for businesses and industry to be run by individual workers' councils--the employees run their own companies, not executives or managers. Not a centralized Communist government, but local, autonomous collectives. I think this would certainly be a big improvement over the way our current society is run, but my biggest objection to Marxism has been the presumption that industry should exist at all. I think the unstoppable juggernaut which is global warming demonstrates that processing natural materials on an industrial scale is a suicidal practice. But despite my opposition to industrial product, Debord critique of civilization is invaluable as it demonstrates exactly how our self-destructive behavior is obscured and transformed by “The Spectacle.” Interestingly, in this book, the Comments on his original, he does not mention the workers' councils at all.
So, what is the Spectacle? It’s not just advertising, television and the media although those are significant tools and aspects of it. The Spectacle is the totality of methods, constructs and communications used in an advanced capitalist society to construct a false reality to mask the real one, the degraded reality created by Capitalism. Baudrillard is a good reference here, see Screened Out, who talks about how our experiences have been “virtualized.” All branding, for example, acts as a tool to distract consumers from reality and get them to focus on symbolism instead of concrete reality. Nike represents sports, endurance, overcoming challenges, grabbing what you want from life, athleticism and through celebrity endorsements, the peak that the body can achieve. The reality is that almost all Nike clothes and shoes are made by poor overworked children and adults in third-world countries who barely survive on poverty-maintaining wages. In another regard, why is one bag intended to carry supplies priced at $10 and the next one $500. Because it’s Land's End vs. Gucci. An illusion. It gets deeper and deeper the more you look at the illusions that motivate us. The fact that every time we drive our cars we’re spewing poison that contributes to global warming. These realities are constantly obscured and obfuscated along with many, many others. Our entire political system is based on falsification of the debate, side issues and distractions. We have dumb and dumber parties to choose from. For a reason…even when you support the lesser of two evils, you’re still supporting the system. Obama provided cover and bandaids to a system of control. Trump is pure spectacle and falsification married to aggressive plunder.
This particular book, Comments on the Society of the Spectacle, published 22 years after [b:Society of the Spectacle|381440|The Society of the Spectacle|Guy Debord|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1370746722l/381440._SY75_.jpg|371226], is a thoughtful gloss on the original, updating Debord's views on how the Spectacle has evolved over the years, strengthened its grip on us, and continued to weave a web of lies that is nearly inescapable—because it benefits those who currently control the wealth and power. A valuable book and highly recommended.
Comments on the Society of the Spectacle is a must read. Although it enhances your understanding to read [b:Society of the Spectacle|381440|The Society of the Spectacle|Guy Debord|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1370746722l/381440._SY75_.jpg|371226] first, it's not absolutely necessary. SotS is one of the most politically astute grand visions of the social order ever written. Revolutionary. Profound. Enlightening. (And admittedly somewhat difficult in its degree-of-esoteric-jargon. But if you can accept not understanding everything, it’s worth it.)
Debord was of course French and the original work inspired the student/union workers revolt that occurred in France in 1968. Debord and his fellow movement leaders were called The Situationists or Situationist International. It's rather amazing to think, from the current perspective of a relatively inactive, uninspired and uneducated American society, that an esoteric book of political theory inspired student to lead a mass strike involving up to 11 million workers for two weeks. This was roughly 2/3 of the French workforce. The closest thing that has occurred today is the revolution in Egypt.
The students and workers in ’68 were primarily revolting against modern consumerist and technologist society; the movement was anti-authoritarian and anti-capitalist. Yes, it was grounded in Marxism, but it was quite opposed to both Communism and Capitalism. They were decidedly anti-Stalinist. Strangely enough, The Situationists married Marxist thinking with avant-garde art.
Debord advocated for businesses and industry to be run by individual workers' councils--the employees run their own companies, not executives or managers. Not a centralized Communist government, but local, autonomous collectives. I think this would certainly be a big improvement over the way our current society is run, but my biggest objection to Marxism has been the presumption that industry should exist at all. I think the unstoppable juggernaut which is global warming demonstrates that processing natural materials on an industrial scale is a suicidal practice. But despite my opposition to industrial product, Debord critique of civilization is invaluable as it demonstrates exactly how our self-destructive behavior is obscured and transformed by “The Spectacle.” Interestingly, in this book, the Comments on his original, he does not mention the workers' councils at all.
So, what is the Spectacle? It’s not just advertising, television and the media although those are significant tools and aspects of it. The Spectacle is the totality of methods, constructs and communications used in an advanced capitalist society to construct a false reality to mask the real one, the degraded reality created by Capitalism. Baudrillard is a good reference here, see Screened Out, who talks about how our experiences have been “virtualized.” All branding, for example, acts as a tool to distract consumers from reality and get them to focus on symbolism instead of concrete reality. Nike represents sports, endurance, overcoming challenges, grabbing what you want from life, athleticism and through celebrity endorsements, the peak that the body can achieve. The reality is that almost all Nike clothes and shoes are made by poor overworked children and adults in third-world countries who barely survive on poverty-maintaining wages. In another regard, why is one bag intended to carry supplies priced at $10 and the next one $500. Because it’s Land's End vs. Gucci. An illusion. It gets deeper and deeper the more you look at the illusions that motivate us. The fact that every time we drive our cars we’re spewing poison that contributes to global warming. These realities are constantly obscured and obfuscated along with many, many others. Our entire political system is based on falsification of the debate, side issues and distractions. We have dumb and dumber parties to choose from. For a reason…even when you support the lesser of two evils, you’re still supporting the system. Obama provided cover and bandaids to a system of control. Trump is pure spectacle and falsification married to aggressive plunder.
This particular book, Comments on the Society of the Spectacle, published 22 years after [b:Society of the Spectacle|381440|The Society of the Spectacle|Guy Debord|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1370746722l/381440._SY75_.jpg|371226], is a thoughtful gloss on the original, updating Debord's views on how the Spectacle has evolved over the years, strengthened its grip on us, and continued to weave a web of lies that is nearly inescapable—because it benefits those who currently control the wealth and power. A valuable book and highly recommended.