Scan barcode
evarinya's review against another edition
dark
mysterious
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
Somehow the most interesting premise managed to end up getting worse chapter by chapter... Similar to the MC, I'm afraid.
I liked trying to figure out the mystery, but then when it was resolved it felt like there was no way a reader (or, well, me) could have actually figured out what happened with the information that was given.
Also there were some really contrived bits I strongly disliked.
At least some scenes were cute and/or funny, though.Grasshopper is actually so cute/funny!
It was cool to see that there was a bunch of diversity throughout the book, but [heavy spoilers]that every genderqueer person died at the end left a really stale taste for me. I mean, great, the woman liking women and two of the gay/bi men survived, but the trans man as well as the nonbinary person died in the stupidest ways (imho)
I liked trying to figure out the mystery, but then when it was resolved it felt like there was no way a reader (or, well, me) could have actually figured out what happened with the information that was given.
Also there were some really contrived bits I strongly disliked.
At least some scenes were cute and/or funny, though.
It was cool to see that there was a bunch of diversity throughout the book, but [heavy spoilers]
Content Warnings
Graphic: Physical abuse, Suicidal thoughts, Violence, Xenophobia, Suicide attempt, Alcohol, and Classism
Moderate: Death, Emotional abuse, Torture, Toxic relationship, Blood, Grief, Murder, and Injury/Injury detail
Minor: Vomit and War
amyvbxx's review against another edition
adventurous
dark
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Body horror, Child death, Death, Blood, Murder, and Injury/Injury detail
Moderate: Suicide, Violence, and Death of parent
hollowspine's review against another edition
adventurous
funny
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
This is a definite romantasy with an emphasis on the romance. Readers who want something a little spicy (but not too spicy) and who love classic romance tropes, like enemies to lovers, forced proximity/stuck together, and drunken games of 'never have I ever,' will find all that and more here, including a HEA. The other element is the mystery, which is similar to And Then There were None, only on a cruise ship rather than an island. Fans of snarky narrators will enjoy the feisty main character, Ganymedes, who is never without a quip no matter if the situation is a fusty dinner party, or witnessing a murder. The characters, representing the twelve political entities of the fantasy world, are a representation of POC, disabled and LGBTQIA+ folks. This romantasy mystery mashup is for fans of In Other Lands, and would lend itself to YA crossover readers. Fantasy readers who want very detailed world building and magic systems may feel let down. Avid mystery readers may figure out the puzzle early on in the story. While this is marketed for an adult audience the tone and characters are really more in line for YA readers. While this is in no way as good as Six of Crows, that's more what you're getting for character type, and romance spicy level in this book rather than the Magicians or A Marvelous Light. The characters, some of whom are in their late 30's read like teens.
This was not my cup of tea, I was really in it for the people dying on a cruise ship thing, but that wasn't the focus of the story. The more I thought about it the more I felt like I was reading a fanfiction about something I'd like, but where the author and I had very different ideas about situations to put the characters in. While I was interested in who would die next, and whodunit, this was much more a romance story than a mystery. Many pages were dedicated to developing a romance, which I was not on board with (see the pun!) at first, but eventually came around to, but then the twist happened and nothing made sense.
I had just accepted the fact that I was reading a romantasy with a slight murder mystery subplot and was if not loving the heavy use of romance tropes, I was at least agreeing to stay on the ride. Through the chapters dedicated to having the characters need to go to the baths (together because murderer is out there!), deciding they needed a break from investigating all the murders to get drunk and play never have I ever together (totally not going to get murdered when we're passed out!) and then smooch under a willow tree in a scene that was not not inspired by the little mermaid. I was still on the ride. I liked the two characters (enough) and wanted to see how it all panned out (also I was still really hopeful that the first character who died would come back because she seemed like she'd be really cool).
Then the author revealed a twist, that for me made all of those scenes very very weird. And not in a good way. The author also pretty much treated the twist like it made sense and the characters accepted it pretty much within a paragraph and were able to move forward with a this new/old/other romantic thing that just made absolutely no sense to me at all. I mean, it also solved the mystery, but in a really stupid way - basically Ganymedes the MC who has been playing detective this whole time, just has the murderers explain everything to him. It was kinda like the scene where the detective gathers everyone in the study for the big reveal, only it's the murderer revealing it to the detective.
Also, there is no justice in the story. The MC ends up with someone I would say is a psycho and he's like, "you complete me." It's bonkers. Lastly, way too much telling, and very little showing.
This was not my cup of tea, I was really in it for the people dying on a cruise ship thing, but that wasn't the focus of the story. The more I thought about it the more I felt like I was reading a fanfiction about something I'd like, but where the author and I had very different ideas about situations to put the characters in. While I was interested in who would die next, and whodunit, this was much more a romance story than a mystery. Many pages were dedicated to developing a romance, which I was not on board with (see the pun!) at first, but eventually came around to, but then the twist happened and nothing made sense.
I had just accepted the fact that I was reading a romantasy with a slight murder mystery subplot and was if not loving the heavy use of romance tropes, I was at least agreeing to stay on the ride. Through the chapters dedicated to having the characters need to go to the baths (together because murderer is out there!), deciding they needed a break from investigating all the murders to get drunk and play never have I ever together (totally not going to get murdered when we're passed out!) and then smooch under a willow tree in a scene that was not not inspired by the little mermaid. I was still on the ride. I liked the two characters (enough) and wanted to see how it all panned out (also I was still really hopeful that the first character who died would come back because she seemed like she'd be really cool).
Then the author revealed a twist, that for me made all of those scenes very very weird. And not in a good way. The author also pretty much treated the twist like it made sense and the characters accepted it pretty much within a paragraph and were able to move forward with a this new/old/other romantic thing that just made absolutely no sense to me at all. I mean, it also solved the mystery, but in a really stupid way - basically Ganymedes the MC who has been playing detective this whole time, just has the murderers explain everything to him. It was kinda like the scene where the detective gathers everyone in the study for the big reveal, only it's the murderer revealing it to the detective.
Also, there is no justice in the story. The MC ends up with someone I would say is a psycho and he's like, "you complete me." It's bonkers. Lastly, way too much telling, and very little showing.
Content Warnings
Moderate: Death, Eating disorder, Fatphobia, Self harm, Suicidal thoughts, Suicide, Terminal illness, Toxic relationship, Suicide attempt, Murder, and Toxic friendship
Minor: Body shaming, Bullying, Blood, and Colonisation
katie_helf96's review against another edition
adventurous
emotional
funny
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? N/A
5.0
Fantastic fantasy novel! Join the twelve blessed of Concordia as they make the pilgrimage to the sacred mountain. The problem is that as soon as their vessel sets sail, bodies begin to pile up. As the twelve day voyage progresses, more and more blessed die. Ganymedes (our main character and underdog) attempts to solve the mystery and find out who or what is killing the blessed.
The only thing that I found a little too trite was the ending and how nearly the author wraps things up. I don’t think the ending would actually go down the way the author wrote it. However, I truly enjoyed all of the plot twists and this was a wonderful mystery/fantasy novel.
The only thing that I found a little too trite was the ending and how nearly the author wraps things up. I don’t think the ending would actually go down the way the author wrote it. However, I truly enjoyed all of the plot twists and this was a wonderful mystery/fantasy novel.
Content Warnings
Graphic: Bullying, Death, Racism, Suicidal thoughts, Terminal illness, Violence, Grief, and Classism
kiwij96's review against another edition
adventurous
dark
emotional
funny
mysterious
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
The leaders of the country's 12 provinces find themselves on a murder cruise. I mean, what isn't to love about that idea? Characters with their own strong beliefs and concerns, and heavy on the distrust.
100% check your trigger warnings for this one. However, there is so much to love about this story. It is well-paced and the perfect length for the story to be told. Nothing felt wasted or out of place in terms of the pacing,however, I didn't super love the fade to black at the end of the last chapter. That felt really out of place for me.</spoiler
100% check your trigger warnings for this one. However, there is so much to love about this story. It is well-paced and the perfect length for the story to be told. Nothing felt wasted or out of place in terms of the pacing,
Content Warnings
Graphic: Body horror, Bullying, Death, Suicidal thoughts, Suicide, Torture, Violence, Xenophobia, Blood, Grief, Suicide attempt, Murder, Colonisation, Injury/Injury detail, and Classism
Moderate: Child abuse, Genocide, and Mental illness
Minor: Ableism, Drug use, and Sexual content
rubyredders's review against another edition
adventurous
dark
emotional
hopeful
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
This book does NOT go big into details on the magic system or hitting you with the history of the world or even how the weird weather patterns work but you know what I DO NOT CARE - I didnt come here for high fantasy Tolkien level world building. I came here for the murder mystery with fantasy elements and I got that.
It's very locked room murder mystery ala And Then There Were None, with everyone on board the ship being a chosen magic user for their respective area and the deaths start thick and fast. Trying to figure out the murder mystery was fun.I was watching those dead bodies mount up like which of you are fake dead I know one of you must be because Mrs Christie has my mind always looking for that false lead and I WAS RIGHT
So many of the characters are endearing and the representation is insane. We got queers of every flavour, trans rep, a wheelchair user and a chronic pain sufferer with long term illness. Plus every one of them is some variety of messed up. These people have suffered, are suffering and are causing suffering to each other.
Our main character Ganymedes (Dee) sometimes comes across a bit younger than he is in the writing, but I can excuse it because, again, all these characters are going through it and clearly living a different life from the average person. He did have some great moments of maturity thoughHow he describes his meetings with the Crabs and others reactions to them, his care for Grasshopper and the chess match! Dee's biggest strength is how much everyone underestimates him due to his purposely off-putting behaviour
There was a romance subplot that I shan't say more about because spoilersit was sweet, is all I'll say
The ending wrapped everything up while leaving the future open to interpretation.
I'll be keeping my eye out for the authors future works because this is a very strong start.
It's very locked room murder mystery ala And Then There Were None, with everyone on board the ship being a chosen magic user for their respective area and the deaths start thick and fast. Trying to figure out the murder mystery was fun.
So many of the characters are endearing and the representation is insane. We got queers of every flavour, trans rep, a wheelchair user and a chronic pain sufferer with long term illness. Plus every one of them is some variety of messed up. These people have suffered, are suffering and are causing suffering to each other.
Our main character Ganymedes (Dee) sometimes comes across a bit younger than he is in the writing, but I can excuse it because, again, all these characters are going through it and clearly living a different life from the average person. He did have some great moments of maturity though
There was a romance subplot that I shan't say more about because spoilers
The ending wrapped everything up while leaving the future open to interpretation.
I'll be keeping my eye out for the authors future works because this is a very strong start.
Content Warnings
Graphic: Death
Moderate: Child abuse, Xenophobia, and Death of parent
lilacverses's review against another edition
dark
funny
lighthearted
mysterious
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.5
I would like to preface this review with (1) my great disappointment that I did not enjoy this book and (2) that my own name is Cordelia, and that will become relevant shortly.
This book should be commended for its bold and wide diversity. Truly imaginative and colorful, this book is perhaps the most inclusive in its characters that I’ve read in a while if ever. However, this book also made me think on at least one occasion how important it is that marginalised perspectives be written by the marginalised, which gave me complicated feelings, since I do think all authors should consider and employ diversity in storytelling as often as possible.
I hated the main character. I did not find them or their voice funny, which this book really was trying to be. I found it similar to bad sitcom humor.
I hated most of the other characters, mostly because the main character whose whole existence is supposed to foil the eleven others, was just as filled with disdain for them as they were for him. Moments of empathy were only found when the veil of archetype/caricature were briefly lifted, but often almost immediately fell back into place. If you’re going to write an ensemble cast, can I suggest making them people? Perhaps not relying on one-note flags to skip the work of characterising? Especially because I could feel reading how much this book wanted to push for its “everyone matters, everyone is human” sentiments, but time and time again characters crueler actions were brushed off as being motivated by nothing but their lack of qualities aside from cruelty. The book seemed in conflict with itself in that regard.
A great way to have dealt with this would’ve been multiple POV, one for each character, sprinkled through our main POV. I’d have loved to see it, the dramatic irony and consequent tension that could have built, on top of really exercising the reader’s own empathy skills throughout! It would have been delicious!
We shant be discussing the worldbuilding. There isn’t much to speak of, anyway.
Generally, I did not enjoy the plot. This I think is not the fault of the book or author. I hate mysteries in books. I hate the way information is revealed, I hate how so often (while specifics remain unknown) I can call exactly where it’s going. However, there was also a big plot twist that made me want to throw my hands up in the air and toss the book entirely. I wish I could say more but out of respect for the pub date and the future readership, I shall say nothing more than “how fucking convenient.”
Really had a hard time with the prose at times. There was a small handful (I think three) really gorgeous lines, like truly beautiful gems of description. These ultimately made me more frustrated because I could taste however briefly the full potential of the author. Could’ve done with a small handful more! Got it, flaunt it, Frances!!! Mostly, thought the mix of “pain in my backside” washed word choice and “fuck this fuck that fuck you” happening really had me confused and frustrated. Also the sexual humor in a literal locked box murder situation was like … “in front of my salad?” But the salad is a mutilated corpse and the fate of an empire.
Finally, I want to briefly discuss the Cordelia. As a character who is not our main character, she is hated, for various reasons, some valid and some less so. As a person called Cordelia, I cannot hide my bias. I wanted to identify with her. And I did, a little. As a Cordelia who, while brunette, generally also identifies as “skinny” and has been called/likened to a “doll” (as our fictional Cordelia has), I just want to say that villainising a character or generally trying to create a sense of audience dislike for a character shouldn’t mean that character is subject to negative comments about their body. I wanted to think this would be something the main character (who is fat) would understand? Especially as he is subject to body comments throughout the book as well? It was just sort of unfortunate to read a book that was so inclusive and about uplifting others and kindness and empathy and then to have the one female character who is explicitly skinny be called “stick” over and over. Yeah, there are worse things to be called, but I’ve only ever been called “stick” and it’s not a compliment! The opposite actually! There are better words and ways to communicate the size and consequent expectations of ability of someone’s body than words like stick. Which the author demonstrated with other slender male characters who got a more favorable opinion from the MC.
All that said, the book is fine. I don’t think I will recommend it with my personal stamp of approval on it, but it’s still better than Fourth Wing, so if you like goofy fun delightfully queer tales with potentially cringey humor, pick this one up! Please read trigger warnings, though!
Thank you to the publisher for providing an advanced reading copy in exchange for an honest review.
This book should be commended for its bold and wide diversity. Truly imaginative and colorful, this book is perhaps the most inclusive in its characters that I’ve read in a while if ever. However, this book also made me think on at least one occasion how important it is that marginalised perspectives be written by the marginalised, which gave me complicated feelings, since I do think all authors should consider and employ diversity in storytelling as often as possible.
I hated the main character. I did not find them or their voice funny, which this book really was trying to be. I found it similar to bad sitcom humor.
I hated most of the other characters, mostly because the main character whose whole existence is supposed to foil the eleven others, was just as filled with disdain for them as they were for him. Moments of empathy were only found when the veil of archetype/caricature were briefly lifted, but often almost immediately fell back into place. If you’re going to write an ensemble cast, can I suggest making them people? Perhaps not relying on one-note flags to skip the work of characterising? Especially because I could feel reading how much this book wanted to push for its “everyone matters, everyone is human” sentiments, but time and time again characters crueler actions were brushed off as being motivated by nothing but their lack of qualities aside from cruelty. The book seemed in conflict with itself in that regard.
A great way to have dealt with this would’ve been multiple POV, one for each character, sprinkled through our main POV. I’d have loved to see it, the dramatic irony and consequent tension that could have built, on top of really exercising the reader’s own empathy skills throughout! It would have been delicious!
We shant be discussing the worldbuilding. There isn’t much to speak of, anyway.
Generally, I did not enjoy the plot. This I think is not the fault of the book or author. I hate mysteries in books. I hate the way information is revealed, I hate how so often (while specifics remain unknown) I can call exactly where it’s going. However, there was also a big plot twist that made me want to throw my hands up in the air and toss the book entirely. I wish I could say more but out of respect for the pub date and the future readership, I shall say nothing more than “how fucking convenient.”
Really had a hard time with the prose at times. There was a small handful (I think three) really gorgeous lines, like truly beautiful gems of description. These ultimately made me more frustrated because I could taste however briefly the full potential of the author. Could’ve done with a small handful more! Got it, flaunt it, Frances!!! Mostly, thought the mix of “pain in my backside” washed word choice and “fuck this fuck that fuck you” happening really had me confused and frustrated. Also the sexual humor in a literal locked box murder situation was like … “in front of my salad?” But the salad is a mutilated corpse and the fate of an empire.
Finally, I want to briefly discuss the Cordelia. As a character who is not our main character, she is hated, for various reasons, some valid and some less so. As a person called Cordelia, I cannot hide my bias. I wanted to identify with her. And I did, a little. As a Cordelia who, while brunette, generally also identifies as “skinny” and has been called/likened to a “doll” (as our fictional Cordelia has), I just want to say that villainising a character or generally trying to create a sense of audience dislike for a character shouldn’t mean that character is subject to negative comments about their body. I wanted to think this would be something the main character (who is fat) would understand? Especially as he is subject to body comments throughout the book as well? It was just sort of unfortunate to read a book that was so inclusive and about uplifting others and kindness and empathy and then to have the one female character who is explicitly skinny be called “stick” over and over. Yeah, there are worse things to be called, but I’ve only ever been called “stick” and it’s not a compliment! The opposite actually! There are better words and ways to communicate the size and consequent expectations of ability of someone’s body than words like stick. Which the author demonstrated with other slender male characters who got a more favorable opinion from the MC.
All that said, the book is fine. I don’t think I will recommend it with my personal stamp of approval on it, but it’s still better than Fourth Wing, so if you like goofy fun delightfully queer tales with potentially cringey humor, pick this one up! Please read trigger warnings, though!
Thank you to the publisher for providing an advanced reading copy in exchange for an honest review.
Content Warnings
Graphic: Death, Suicidal thoughts, and Suicide attempt
Moderate: Ableism, Body shaming, Bullying, Violence, and Blood
Minor: Grief, Outing, and Injury/Injury detail
tarfishy's review against another edition
challenging
dark
funny
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Death
kylosten's review against another edition
adventurous
funny
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I was ready to give this 5 stars because it was such a fun read up until an aspect of the ending pertaining to the L.I. that I will put in spoiler tag below.
I thought I was going to be lost at first because of how many characters there were (I struggle with remembering names) but the map and list of characters at the beginning helped a lot! I flipped back to both throughout the story.
I thought the way the author gave pieces to solve the mystery was good. Not telegraphing everything too much, but nothing came out of nowhere, either.
The relaxed writing style and angsty MC had me unsure if I was going to like this but it made this really easy to read and I ended up really enjoying it! The angst made sense for a 22 year old who has grown up with trauma.
If you like movies like Clue or Knives Out you'll probably enjoy the vibes of this (if you're also okay with some fantasy mixed in).
The chapters are on the longer side.
Ending spoiler:
I found it really odd the MC forgave the LI for going along with and being ready to participate in a genocide of all the people the MC cared about. It was pretty much completely disregarded and barely acknowledged.
I almost wish the LI would have died even though it would take away from the HEA.
I thought I was going to be lost at first because of how many characters there were (I struggle with remembering names) but the map and list of characters at the beginning helped a lot! I flipped back to both throughout the story.
I thought the way the author gave pieces to solve the mystery was good. Not telegraphing everything too much, but nothing came out of nowhere, either.
The relaxed writing style and angsty MC had me unsure if I was going to like this but it made this really easy to read and I ended up really enjoying it! The angst made sense for a 22 year old who has grown up with trauma.
If you like movies like Clue or Knives Out you'll probably enjoy the vibes of this (if you're also okay with some fantasy mixed in).
The chapters are on the longer side.
Ending spoiler:
I almost wish the LI would have died even though it would take away from the HEA.
Content Warnings
Graphic: Death, Xenophobia, Blood, Injury/Injury detail, and Classism
Moderate: Suicidal thoughts and Fire/Fire injury
Minor: Sexual content
slinkmalink's review against another edition
adventurous
funny
mysterious
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Really fun mystery, big And Then There Were None vibes but fantasy and on a boat. I loved him gradually getting to know the other characters and finding out they were not what he thought (but still not necessarily liking eachother anyway). Honestly the first two deaths really took me by surprise but Ravi coming back also did tbh I was not anticipating that and honestly I didn't trust him right till the end after he did come back
Content Warnings
Moderate: Death and Violence