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bartlebybleaney's review against another edition
4.0
HIGHLY disappointed that Hardy didn’t give that trifling, troublesome, self-satisified little girl what she had coming. The ending rather spoiled what was otherwise a great novel. The only other complaint is how long and tedious and repetitive were the scenes of De Stancy’s inability to take “No” for an answer. Come to think of it, none of the principle players were altogether likeable: Paula was a coquette, De Stancy a boor, and Somerset clingy and needy. I suppose it was only Hardy’s writing that saved the thing. This is the first time I can remember any scene in Hardy’s novels taking place outside of England. I wonder if there are any other such scenes in his works?
Edit: Well, on a second reading, some four years later, I find myself having much more sympathy for Paula, bullied and bothered as she was by the various men who pursued her. I wonder if there were enough changes in the Wessex edition by Hardy from the original serialized version to change my opinion. I still couldn't enjoy the continental scenes at all; they've nothing at all to do with what Hardy is best at. This must be my least favorite of Hardy's novels, but even so it's enjoyable merely by being Hardy's writing.
Edit: Well, on a second reading, some four years later, I find myself having much more sympathy for Paula, bullied and bothered as she was by the various men who pursued her. I wonder if there were enough changes in the Wessex edition by Hardy from the original serialized version to change my opinion. I still couldn't enjoy the continental scenes at all; they've nothing at all to do with what Hardy is best at. This must be my least favorite of Hardy's novels, but even so it's enjoyable merely by being Hardy's writing.
crayolabird's review against another edition
3.0
I have read Thomas Hardy before, so I wasn't afraid to read this very-small-print-and-many-pages book that my book club chose for this month. Sadly, The Laodicean took me far longer to get into than Tess and I never did find any love or real sympathy for the main characters.
The plot is thus: George Somerset is a young architect who stumbles into the life of the lovely Paula Powers. Not only is Paula the heiress of her late father's railroad fortune, she is also the new owner of Stancy Castle, the ancestral home of the De Stancy Family. Paula's desire to refurbish the castle often throw George and Paula into each other's company and a one-sided romance ensues. I won't share any more of the drama, in case you choose to read this, but let it be said that there is a plethora of drama, of the serialized, soap opera type. People are wooing, people are illegitimate sons, people are forging telegrams - misunderstandings and deceits abound.
An ongoing theme throughout the book is the contrast between historical and modern, forward and backward thinking, staunchly kept vows and lukewarm devotion. Paula is the ultimate representative of all that is lukewarm - her vagueness and indecision was incredibly frustrating, although she does reap the consequences, somewhat. Her desire to be both avant-garde and yet a part of a grand old family makes her a bit of an enigma. George is steadfast and honest, but far too simpering for me. They each have companions that help and hinder them, providing a good portion of all that aforementioned drama.
I like how Hardy set up the plot - always omniscient narrator but giving us a vision of the same scene from different viewpoints and cluing us in to things the other character's don't yet know. I enjoyed having architecture and design itself as a subplot to the book. He is a magnificent writer, I'll give him that, even though I thought this book as a whole was not really up to par. For example:
I have thought of fifty things to say to you of the too far sort, not one of any other; how unfortunate then is your prohibition, by which I am doomed to say things that do not rise spontaneously to my lips, but have to be made, shaped and fashioned.
Although I liked his style and found it, for the most part, fairly readable - this book went on way too long. Even if I hadn't known that it was a serialized publication, I could've guessed based on how certain scenes dragged on. I won't say it's not worth reading - I just don't think I'll be picking it up again.
The plot is thus: George Somerset is a young architect who stumbles into the life of the lovely Paula Powers. Not only is Paula the heiress of her late father's railroad fortune, she is also the new owner of Stancy Castle, the ancestral home of the De Stancy Family. Paula's desire to refurbish the castle often throw George and Paula into each other's company and a one-sided romance ensues. I won't share any more of the drama, in case you choose to read this, but let it be said that there is a plethora of drama, of the serialized, soap opera type. People are wooing, people are illegitimate sons, people are forging telegrams - misunderstandings and deceits abound.
An ongoing theme throughout the book is the contrast between historical and modern, forward and backward thinking, staunchly kept vows and lukewarm devotion. Paula is the ultimate representative of all that is lukewarm - her vagueness and indecision was incredibly frustrating, although she does reap the consequences, somewhat. Her desire to be both avant-garde and yet a part of a grand old family makes her a bit of an enigma. George is steadfast and honest, but far too simpering for me. They each have companions that help and hinder them, providing a good portion of all that aforementioned drama.
I like how Hardy set up the plot - always omniscient narrator but giving us a vision of the same scene from different viewpoints and cluing us in to things the other character's don't yet know. I enjoyed having architecture and design itself as a subplot to the book. He is a magnificent writer, I'll give him that, even though I thought this book as a whole was not really up to par. For example:
I have thought of fifty things to say to you of the too far sort, not one of any other; how unfortunate then is your prohibition, by which I am doomed to say things that do not rise spontaneously to my lips, but have to be made, shaped and fashioned.
Although I liked his style and found it, for the most part, fairly readable - this book went on way too long. Even if I hadn't known that it was a serialized publication, I could've guessed based on how certain scenes dragged on. I won't say it's not worth reading - I just don't think I'll be picking it up again.
lori_goshert's review against another edition
3.0
I knocked off a star for the final sentence. Sorry!
wolfsonarchitect's review against another edition
4.0
This is a book for architects like me who enjoy melodramas. There’s a lot of admiring medieval architecture and even an architectural competition. Hardy is good in writing novels about strong women and this protagonist, Paula Power is a good one. She has money which makes all the difference in these marriage novels. The book is stronger in the first half and then drags a little before getting to a satisfying ending.
fateleanor's review against another edition
lighthearted
medium-paced
3.75
A story of class, inheritance, love and duty. It gave a sense of England in early 20 century.
novel_nomad's review against another edition
3.0
Whilst not my favourite Hardy, I found it an interesting read with a few moments of brilliant rural writing thrown in.