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haley_reads_books's review against another edition
adventurous
emotional
inspiring
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.75
Unlike the first book, this was not an effortless read for me, but it was still filled with just as much magic. The plot twists with Xingyin‘s romances are what saved this story for me. If she had ended up marrying and becoming empress , I think the book would have felt like a waste, but as it is, I really am glad I pushed through to the end when I was struggling to continue. I loved the maturity this book brought to Xingyin‘s character, and I am so glad she found her happiness in the end. I also want to mention one of my favorite parts about Tan’s writing: the way she describes everything wish so much care and attention to detail. There is so much life and color in each page and that really is what made me adore this duology.
Content Warnings
Graphic: Blood, Violence, Grief, Toxic relationship, Death, Fire/Fire injury, Injury/Injury detail, and Murder
Moderate: Fire/Fire injury, Terminal illness, and Vomit
Minor: Kidnapping
samchase112's review against another edition
adventurous
emotional
hopeful
sad
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
An enthralling, action-packed fantasy epic! This stunning series finale certainly kept me turning the pages, and there was never a dull moment. However, I found myself skimming at times as I was wholly uninterested in the love triangle that consumed the book. If there had been no romance — or if Xingyin had simply chosen a man and stuck with him — I think I would’ve enjoyed this so, so much more because the plot and Xingyin’s story could have centered around much more interesting angles; her parents, her friends, her own maturation, etc.
I’ve seen this book described as a C-drama, and I wholeheartedly agree. It has the emotionality and cinematic scope of a well-done fantasy drama, and I love that! Maybe not my personal favorite genre, but I can certainly see how it would appeal to so many others.
All in all, I am truly glad I finished out this series — it’s helped remind me of my love for fantasy, and for that I’m grateful.
I’ve seen this book described as a C-drama, and I wholeheartedly agree. It has the emotionality and cinematic scope of a well-done fantasy drama, and I love that! Maybe not my personal favorite genre, but I can certainly see how it would appeal to so many others.
All in all, I am truly glad I finished out this series — it’s helped remind me of my love for fantasy, and for that I’m grateful.
Content Warnings
Graphic: Death, Violence, Murder, War, Blood, and Child death
Minor: Kidnapping and Confinement
navayiota's review against another edition
adventurous
dark
emotional
hopeful
informative
inspiring
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Somehow even better than the first. So worth the wait. I think this might be the first book to have ever made me romantically interested in a character. Wenzhi stole my heart and it was so unexpected, cause Liwei was and is still my favourite character. I think that it was all executed perfectly. Tan managed to capture the experience of being in love with two people which is usually too difficult to verbalise in an informal setting, nevermind in a book with such wonderful writing. Reading it was a healing experience. I never forgot about the first book and I will never forget about this one either. I don't do re-reads often but I might do it for this series.
How I wish there was a third book, so we could watch them fall in love again. I wanted more time with Liwei, he was such a pure soul in that way that only fictional people can be. I felt heartbroken for him when Xingyin picked Wenzhi, but it was also healing for me. Seeing someone do everything right, be the best version of themselves and still be rejected because the person they love does not love them back.. Xingyin not wanting him back does not make him any less valuable as a person. It doesn't blow out the light in his soul. He continues to exist. He is her friend. It gives one hope after heartbreak.
Content Warnings
Graphic: Grief, Murder, Abandonment, Death of parent, Injury/Injury detail, Classism, Torture, Blood, Child death, Death, and Kidnapping
Moderate: Alcohol and Fire/Fire injury
thequeeraunt's review against another edition
adventurous
emotional
hopeful
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I am reviewing this audiobook after receiving a complimentary ALC from Libro.fm
There are many, many things that I loved about Heart of the Sun Warrior, and only a few things I disliked. I'll start with the dislikes, first.
The love triangle took up far more space than it needed in this novel. I'm an avid romance reader, so I don't mind romantic subplots in other genres, but what bothers me is when the romantic subplots eclipse the bigger narrative taking place. Such was the case with Heart of the Sun Warrior. There's a really cool, fascinating conflict that Xingyin and her family must navigate, but so much page space is spent on Xingyin's divided feelings between her two beaus.I didn't love the way the triangle resolved, either. Xingyin made a choice by not making a choice, and I feel that it detracts from the supposed strength of her convictions.
We got some LGBTQ+ representation... tacked on to the very end of the novel like an afterthought. This is one of my least favorite ways to introduce queer characters. It feels like Tan may have gotten to the end of the novel, realized she had only heterosexual romances represented, and smashed two characters with barely a hint of chemistry (and certainly no page space to develop feelings for one another) into a relationship. Cool. It's not quite as bad as certain writers proclaiming characters to be gay long after books have been published with literally no supporting evidence for their gayness. That said, it was disappointing.
Those two major complaints aside, a lot of what I loved about Daughter of the Moon Goddess was present here in Heart of the Sun Warrior as well. The worldbuilding is exquisitely done without falling into the habit of being overly-descriptive. The different immortal kingdoms have unique identities that set them apart from one another. Natalie Naudus' performance of the audiobook was enjoyable from beginning to end. And, in spite of the fact that I was disappointed by the amount of pining taking place throughout this whole apocalyptic conflict, I would still recommend this novel (and of course, its predecessor) to anyone in need of a vivid and delightful fantastical romance.
There are many, many things that I loved about Heart of the Sun Warrior, and only a few things I disliked. I'll start with the dislikes, first.
The love triangle took up far more space than it needed in this novel. I'm an avid romance reader, so I don't mind romantic subplots in other genres, but what bothers me is when the romantic subplots eclipse the bigger narrative taking place. Such was the case with Heart of the Sun Warrior. There's a really cool, fascinating conflict that Xingyin and her family must navigate, but so much page space is spent on Xingyin's divided feelings between her two beaus.
We got some LGBTQ+ representation... tacked on to the very end of the novel like an afterthought. This is one of my least favorite ways to introduce queer characters. It feels like Tan may have gotten to the end of the novel, realized she had only heterosexual romances represented, and smashed two characters with barely a hint of chemistry (and certainly no page space to develop feelings for one another) into a relationship. Cool. It's not quite as bad as certain writers proclaiming characters to be gay long after books have been published with literally no supporting evidence for their gayness. That said, it was disappointing.
Those two major complaints aside, a lot of what I loved about Daughter of the Moon Goddess was present here in Heart of the Sun Warrior as well. The worldbuilding is exquisitely done without falling into the habit of being overly-descriptive. The different immortal kingdoms have unique identities that set them apart from one another. Natalie Naudus' performance of the audiobook was enjoyable from beginning to end. And, in spite of the fact that I was disappointed by the amount of pining taking place throughout this whole apocalyptic conflict, I would still recommend this novel (and of course, its predecessor) to anyone in need of a vivid and delightful fantastical romance.
Content Warnings
Graphic: Child death, Death, Violence, and Blood
Moderate: Grief, War, Fire/Fire injury, and Kidnapping
booksthatburn's review against another edition
adventurous
emotional
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
HEART OF THE SUN WARRIOR picks up a little after DAUGTHER OF THE MOON GODDESS. Xingyin is back on the moon with her mother, but now neither of them is bound to stay. Xingyin is still the narrator, and her presentation is consistent with the first book. This wraps up the relationship triangle established in the first book between Xingyin, Liwei, and Wenzhi. It also establishes and resolves a new storyline, related to Xingin's mother and her parents' past. As the final book of the duology, it's self-contained enough for the main narrative to make sense if someone didn't read the first book, but the friendships, allies, and enemies who drive the story were almost all established earlier. It's very good at recapping when necessary in a way that feels very natural, but it'll definitely be more resonant to someone trying to remember what happened earlier, not someone who didn't read the first book at all.
The worldbuilding leans on things set up in the first book, expanding on a couple of new areas and spending much more on the moon and Xingyin's parents. Her mother is finally free to leave the moon and this makes way for opportunities long denied to her. It is immersive without getting bogged down in descriptions of each place. They have a distinctive character conveyed through Xingyin's reactions and worries, as well as the people in the various areas. It's not as travel-heavy as the first book, with a much more straightforward quest in a shorter timespan. The elixir of immortality is in play once again, and the quest, in this case, is to flee and not die from the king's wrath, while hopefully figuring out how to stop a plot against Xingyin's mother.
Xingyin is still torn between Liwei and Wenzhi, with both men making their interest clear but not pressuring her. Her complicated feelings are driven by events in the first book, and she's trying to sort out her thoughts and desires. They represent two different kinds of lives in addition to being different people, and she's strongly bonded to them. I like this better than a lot of love triangles, but I must admit that a part of me wishes this resolved like IRON WIDOW by Xiran Jay Zhao. It doesn't because Liwei and Wenzhi are not at all interested in each other, and so it remains a choice between people on Xingyin's part. Ultimately I like how it ends, I think it fits the characters and the narrative. Because they are immortal unless actively killed, this is very early in Xingyin's presumably long existence to come, and the ending is very aware of that. It helps to solidify the sense that this is one particularly important and eventful chapter in her life, but that this isn't the end by any stretch.
The worldbuilding leans on things set up in the first book, expanding on a couple of new areas and spending much more on the moon and Xingyin's parents. Her mother is finally free to leave the moon and this makes way for opportunities long denied to her. It is immersive without getting bogged down in descriptions of each place. They have a distinctive character conveyed through Xingyin's reactions and worries, as well as the people in the various areas. It's not as travel-heavy as the first book, with a much more straightforward quest in a shorter timespan. The elixir of immortality is in play once again, and the quest, in this case, is to flee and not die from the king's wrath, while hopefully figuring out how to stop a plot against Xingyin's mother.
Xingyin is still torn between Liwei and Wenzhi, with both men making their interest clear but not pressuring her. Her complicated feelings are driven by events in the first book, and she's trying to sort out her thoughts and desires. They represent two different kinds of lives in addition to being different people, and she's strongly bonded to them. I like this better than a lot of love triangles, but I must admit that a part of me wishes this resolved like IRON WIDOW by Xiran Jay Zhao. It doesn't because Liwei and Wenzhi are not at all interested in each other, and so it remains a choice between people on Xingyin's part. Ultimately I like how it ends, I think it fits the characters and the narrative. Because they are immortal unless actively killed, this is very early in Xingyin's presumably long existence to come, and the ending is very aware of that. It helps to solidify the sense that this is one particularly important and eventful chapter in her life, but that this isn't the end by any stretch.
Content Warnings
Graphic: Child death, Death, Grief, Toxic relationship, and Emotional abuse
Moderate: Violence, Confinement, Blood, Fire/Fire injury, and Self harm
Minor: Kidnapping, Alcohol, and Death of parent
calicat42's review against another edition
adventurous
challenging
emotional
funny
inspiring
sad
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Death, Grief, War, Injury/Injury detail, Kidnapping, Torture, Panic attacks/disorders, Toxic relationship, Violence, Murder, Terminal illness, Abandonment, Child death, Death of parent, and Fire/Fire injury
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