Reviews with content warning for Murder - De golem en de djinn

Reviews tagging 'Murder'

De golem en de djinn by Helene Wecker

25 reviews

annadirknowitzki's review against another edition

adventurous reflective sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

Light fantasy/magical realism with a philosophical backbone & so many excellent characters, amidst the dramatic backdrop of Victorian-era New York City. What more could a girl ask for? Manages to grapple with big existential questions without succumbing to the temptation to answer them. Couldn’t put it down in the second half as the plot lines came to a head. Cried at the ending because I’m a sucker for a love story. It reminded me in tone of The Bird King, which I also loved.

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alyssa_s10's review against another edition

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adventurous mysterious medium-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

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fiveredhens's review against another edition

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emotional reflective medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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briegordon's review against another edition

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adventurous inspiring mysterious reflective medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

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brassmonkey's review against another edition

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adventurous challenging emotional funny hopeful inspiring mysterious reflective medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

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bethsiekierawalker's review against another edition

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adventurous challenging mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.75

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kell_xavi's review against another edition

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adventurous reflective slow-paced

3.0

This book was unlike anything I’ve read before, but in this case, it wasn’t a plus. Wecker’s writing is expansive, reflective, intricate in nature; the plot of the novel was both more epic in scale and more concerned with minutiae than I expected, and the duality of these elements makes for a drawn-out tale, a little like the layers of the thousand and one nights, where pieces spin out of focus and back to the centre. Every character is important, though many of them aren’t obviously relevant or terribly interesting from my perspective.

I appreciated the story for its careful mapping of New York City through the eyes of immigrants coming to understand, make a home, and find independence in an unfamiliar, growing city. Wecker has great empathy for these characters: for the multitude of reasons that people may travel; the social, cultural, and economic positions they inhabit; the things they recall from other countries, bring with them, and find to comfort and satisfy in the new land. The spiritual characterizations were folded into the setting with skill, and also showed confrontation with the new, though for the Jinni and Golem, there was more to learn and adapt to.

I was drawn to the Golem and Mahmoud Saleh especially. The Golem is painted with a deferent desire to please others, coupled with a struggle to make a full picture of others’ minds beyond their strongest impulses; the balance of social sensitivity and difficulty with social cues was familiar to my neurodivergent way of seeing, as were other events, like Chava’s fear of her own mind, lack of interest in many normative interactions, and her curious experimentation with her body. Saleh, I viewed as an interesting model for depressive mentality—I liked seeing a sick mind without having competing theories about depression or possession, but I also liked seeing some symptoms, notably passive suicidal ideation, difficulty with people, and greyness to the world, show up as marks of a possessed mind. I also liked Myram as a constant and a symbol of Little Syria.

I didn’t like Sophia’s, Shaalman’s, or Anna’s roles in the narrative, and I would have liked a smaller-scale story, one that stayed closer to the titular characters. The historical theory was a drag on the close character study that I anticipated, and I found the dramatic twists increasingly tiresome and not to my liking as they built up and up towards the conclusion.

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