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Graphic: Cursing, Emotional abuse, Sexual content, Blood, Murder, War, Injury/Injury detail
//After reading this I came across multiple reviews and commentaries of this book showing how this book has a trope of continuously negating a woman rejecting a man, and the potentially dangerous real-life consequences of enforcing this kind of mindset. This made me drop down my rating vy a star, as I agree. That aspect of the plot could have been handled better.
Graphic: Sexual content, Violence, Classism
Moderate: Cursing, Death, Infertility, Torture, Blood, Grief, Murder, Alcohol, War
Minor: Sexual violence, Slavery, Religious bigotry, Suicide attempt
Rating : ⭐️⭐️⭐️⭐️⭐
“I'll be grateful for every second that I can say that I belong to you, Saeris Fane. Eighty years or eighteen hours. It doesn't matter to me. It'll still be the highest honor of my life.”
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Tropes:
✨Enemies to Lovers
✨Slow Burn
✨Found Family
✨Forced Proximity
✨Morally Grey / Grumpy MMC
✨Strong FMC
Um... Hello Kingfisher 😍. Where have you been all my life? J.k. It was me who put off reading this book for the longest time, and honestly I wish I wouldn't have. It did take me a hot second to get invested into this one. However, I think that was more on me and the fantasy books I read before this one, that caused that. I was in a bit of a book hangover. Also, I will say this book was not quite what I was expecting, which I think also attributed to me having a slow start to getting into it, but once I acclimated I absolutely loved the world and characters in it.
I mean, once I got invested, I was invested! The banter was bantering, the plot plotting, and the spice was spicing. I listened to the audio for this one, and I could not recommend it more! It was one of the best audios I've ever listened to.
Kingfisher, uh again... just 🔥. I absolutely loved him! Though, I'll be honest and say that Saeris got on my nerves for a bit. She was flying off the handle and jumping into things without thinking, but I did think she had character growth, and I came around to her in the second half of the book. Carrion, well, he gave off series Ridoc (Fourth Wing) vibes, and he had me cracking up throughout the book.
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“That’s what Oshellith means in Old Fae, Saeris. Most Sacred.”
⚠️Warning⚠️
Language, medium spice, adult content, violence, war, battle, death
Moderate: Cursing, Death, Sexual content, Violence, War
Moderate: Confinement, Cursing, Death, Gore, Physical abuse, Sexual content, Violence, Blood, Vomit, Kidnapping, Grief, Death of parent, Murder, Alcohol, War, Injury/Injury detail
Kingfisher took a minute to warm up to me… initially, he presents as a violent brute. Yes, he does have a soft underbelly, as expected, but he rubs the wrong way to start. The insta-lust was hard hitting and wasn’t altogether congruent with the love at the end. I’m still not sure how we ended up with mates-forever kind of love at the end. Slow burn? No, absolutely not. I liked the Kingfisher at the end of the book… character growth (or revelation?) for the win.
Sairis was amusing. A no-nonsense hard nosed woman who suffered far too much far too young. Again, the sexual component was a bit much too early, but she redeemed herself with some truly kick ass fighting skills.
Onyx stole the show. Carrion was the coarse-tongued jester who provided necessary levity. Everlayne was great in the first few chapters and then disappeared… when she did show up again, I didn’t care as much about her as I think I was supposed to. Renfis was wonderful. What a great bestie. The Triumvirate were sufficiently terrifying, though there was an awful lot of exposition in their reveal. So much talk.
The writing was easy to read but nothing spectacular. I would have enjoyed other means of expressing emotion rather than profanity, but this seems to be the trend. There were points in favour of Quicksilver—the world building, found family, and overall tension. Points against include overly lusty romance and unnecessarily abrasive personalities to start off the book (it was like the author decided to make the characters as unappealing in personality and morality as possible at first in order to demonstrate sufficient character growth throughout the book).
And yet, I enjoyed it. There was far more sexual content and profanity than I typically prefer, but I enjoyed the world, its characters, and its plot. There was something about it underneath the abrasiveness that I enjoyed enough to blaze through it. I suppose there was a sufficient Throne of Glass vibe… and I truly love TOG. For those who aren’t yet sick of Far romantasy, this may be for you.
Graphic: Cursing, Sexual content, Violence, Blood
Graphic: Cursing, Gore, Sexual content, Violence, Death of parent, Injury/Injury detail
Moderate: Blood, War
Minor: Addiction
Let’s talk about the banter—absolutely top-tier. The sarcastic, razor-sharp dialogue had me grinning, and Carrion? I lost count of how many times he made me laugh out loud. The writing is modern, quick-paced, and unafraid to be bold. I can see how it might not be for everyone, but personally? I loved every second of it.
The world-building is chef’s kiss—a mix of fae, vampires, gods, and fate-bound alchemy woven into something that feels unique and immersive. And let’s not forget Kingfisher—unhinged in the best possible way. Dangerous, obsessive, violent, yet somehow impossible to resist. Every line he delivers is a beautifully veiled threat, and when he focuses all that intensity on the heroine? Whew. You feel it.
And then there’s her—Saeris. No trembling damsel, no naive heroine waiting to be saved. She’s fierce, defiant, and ready to burn the world before she bows to anyone. Their dynamic? Pure tension, pure fire, pure addiction.
Is it a classic romantasy with familiar tropes? Sure. But that’s exactly why it works. You go in expecting the push-and-pull, the reluctant partnership, the smoldering tension, and Quicksilver gives it to you with a sharp edge and a feral grin.
I devoured this book, and if you love dark fantasy romance with wicked banter, intense chemistry, and characters that leave you obsessed, you will too.
Graphic: Body horror, Bullying, Child abuse, Cursing, Death, Emotional abuse, Gore, Panic attacks/disorders, Sexual content, Torture, Violence, Blood, Vomit, Kidnapping, Grief, Death of parent, Murder, Gaslighting, Abandonment, Alcohol, War, Classism
Graphic: Sexual content, Toxic relationship, War
Moderate: Cursing, Genocide, Blood, Death of parent, Sexual harassment, Classism
Minor: Infertility, Suicidal thoughts
Graphic: Biphobia, Cursing, Death, Domestic abuse, Emotional abuse, Gore, Incest, Infertility, Rape, Self harm, Sexual assault, Sexual content, Sexual violence, Suicidal thoughts, Toxic relationship, Blood, Death of parent, Gaslighting, Sexual harassment, War, Injury/Injury detail
While the fantasy side of the romantasy genre has quite a lot going on, the romance side is far more straight-forward and successful. I generally liked the chemistry between the two characters and the spicy scenes were varied and well-done, but I often found myself baffled at the lack of transitions between the romance and fantasy-based chapters. While I haven't read many romantasy novels to compare to (which will be changing soon!), for me Quicksilver often ping-ponged between sex scenes or eye-undressing moments expected for the genre, then have almost no trace of it for multiple chapters. The first sixty pages of the book largely felt like a standard fantasy adventure novel, then without warning it's like a lightbulb went off and Hart remembered it's supposed to be a romantasy book, laying it on thick and abruptly. Additionally, despite how much is going on in the story, the novel somehow still feels quite slow and repetitive. There are brief moments of the book that are exciting and quite compelling, particularly the action and combat scenes at the start in the desert city and near the end of the book. I've read a lot of classic fantasy adventure epics back in the day and at times, Quicksilver reminded me of those favorite reads. Unfortunately they are few and far between surrounded by so much lackluster fluff that neither enhances the romance, nor expands the workings of its world. This story really needs far better development of its multiple fantasy elements or a more consistent romance to justify its unnecessarily long 600 page count.
While there's a lot of good elements included in Quicksilver, the overall execution and story is all over the place and incredibly inconsistent. At first I thought perhaps I was the problem, being a male reader less than experienced with the romantasy genre, being more familiar with standard fantasy or contemporary romance reads. However, it seems other reviewers or other female readers seem to have similar opinions of the novel's notable drawbacks so perhaps my opinion is valid. And that's quite a shame since I fully believe Quicksilver had a great story had it focused on a few chosen fantasy elements rather than its throw everything at the wall and see what sticks approach. The last 100 pages in particular have such wild plot twists and connections that truly stretch what's believable (Carrion and Madra in particular), not to mention the villains having completely improbably alliances or a complete lack of compelling motivation (merely wanting pure power is fine for a kids book but this is certainly not that). I think if subsequent books focus more on Saeris and Kingfisher's growing relationship or more of the fantasy action that was quite good in places, this can be an excellent series. Unfortunately I probably won't be sticking around to find out, though I will be picking up Fourth Wing soon to see if my bafflement at Quicksilver is mostly limited to this book or the bigger romantasy genre as a whole.
Graphic: Cursing, Death, Sexual content
Moderate: Violence, Blood, Vomit, Death of parent, Alcohol, War, Injury/Injury detail
Minor: Child death, Suicidal thoughts